Illusion in Nature and Art PDF Download
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Author: Richard Langton Gregory
Publisher:
ISBN:
Category : Optical illusions
Languages : en
Pages : 296
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Book Description
Author: Richard Langton Gregory
Publisher:
ISBN:
Category : Optical illusions
Languages : en
Pages : 296
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Book Description
Author: Mark Fineman
Publisher: Courier Corporation
ISBN: 0486150097
Category : Science
Languages : en
Pages : 259
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Book Description
Fascinating, profusely illustrated study explores the psychology and physiology of vision, including light and color, motion receptors, the illusion of movement, much more. Over 100 illustrations.
Author: Wendy Bellion
Publisher: UNC Press Books
ISBN: 080783890X
Category : Art
Languages : en
Pages : 384
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Book Description
In this richly illustrated study, the first book-length exploration of illusionistic art in the early United States, Wendy Bellion investigates Americans' experiences with material forms of visual deception and argues that encounters with illusory art shaped their understanding of knowledge, representation, and subjectivity between 1790 and 1825. Focusing on the work of the well-known Peale family and their Philadelphia Museum, as well as other Philadelphians, Bellion explores the range of illusions encountered in public spaces, from trompe l'oeil paintings and drawings at art exhibitions to ephemeral displays of phantasmagoria, “Invisible Ladies,” and other spectacles of deception. Bellion reconstructs the elite and vernacular sites where such art and objects appeared and argues that early national exhibitions doubled as spaces of citizen formation. Within a post-Revolutionary culture troubled by the social and political consequences of deception, keen perception signified able citizenship. Setting illusions into dialogue with Enlightenment cultures of science, print, politics, and the senses, Citizen Spectator demonstrates that pictorial and optical illusions functioned to cultivate but also to confound discernment. Bellion reveals the equivocal nature of illusion during the early republic, mapping its changing forms and functions, and uncovers surprising links between early American art, culture, and citizenship.
Author: Henry Maguire
Publisher: Oxford University Press
ISBN: 0199766606
Category : Art
Languages : en
Pages : 219
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Book Description
Nature and Illusion is the first extended study of the portrayal of nature in Byzantine art and literature. It provides a new view of Byzantine art in relation to the medieval art of Western Europe.
Author: Ernst Hans Gombrich
Publisher: Princeton University Press
ISBN:
Category : Art
Languages : en
Pages : 510
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Book Description
The A.W. Mellon lectures in the fine arts 1956, National Gallery of Art, Washington
Author: Al Seckel
Publisher: Sterling Publishing Company
ISBN: 9781402734045
Category : Art
Languages : en
Pages : 376
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Book Description
Contains color and black-and-white illustrations of over three hundred optical illusions, each with brief, explanatory text.
Author: Oliver Grau
Publisher: Mit Press
ISBN: 9780262072410
Category : Art
Languages : en
Pages : 416
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Book Description
An overview of the art historical antecedents to virtual reality and the impact of virtual reality on contemporary conceptions of art.
Author: Celeste Brusati
Publisher: University of Chicago Press
ISBN: 9780226077857
Category : Art
Languages : en
Pages : 466
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Book Description
Samuel van Hoogstraten is familiar to scholars of Dutch art as a talented pupil and early critic of Rembrandt, and as the author of a major Dutch painting treatise. In this book, Celeste Brusati looks at the art, writing, and career of this multifaceted artist. A rich appreciation of one of the most often cited but least understood figures in seventeenth-century Dutch art, this book will interest scholars and students of art history, social history, and visual culture.
Author: Felipe Pereda
Publisher: Harvey Miller
ISBN: 9781912554096
Category : Art and religion
Languages : en
Pages : 334
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Book Description
According to an old historiographic tradition, the Spanish Golden Age placed the imitation of nature at the service of religion: its radical naturalism responded to the deep faith of that culture and moment. Crime & Illusion argues the opposite. It defends the thesis that the fundamental problem artists of the Golden Age confronted was not imitation but Truth. Moreover a large part, maybe the best part, of Spanish Baroque religious imagery is better understood as a complex exercise in addressing the spectators' doubts. Hovering on the horizon of an emerging empiricism, artists created their images as pieces of evidence, arguments for belief. Crime & Illusion reconstructs and interprets this judicial or forensic aspect of early modern visual culture at the center of a political, religious, and scientific triangle. Finally, the book explores the artists' skeptical reflection on the problematic relationship of painting and sculpture to the art of truth.
Author: Marshall Sahlins
Publisher: Paradigm
ISBN:
Category : History
Languages : en
Pages : 124
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Book Description
Reflecting the decline in college courses on Western Civilization, Marshall Sahlins aims to accelerate the trend by reducing "Western Civ" to about two hours. He cites Nietzsche to the effect that deep issues are like cold baths; one should get into and out of them as quickly as possible. The deep issue here is the ancient Western specter of a presocial and antisocial human nature: a supposedly innate self-interest that is represented in our native folklore as the basis or nemesis of cultural order. Yet these Western notions of nature and culture ignore the one truly universal character of human sociality: namely, symbolically constructed kinship relations. Kinsmen are members of one another: they live each other's lives and die each other's deaths. But where the existence of the other is thus incorporated in the being of the self, neither interest, nor agency or even experience is an individual fact, let alone an egoistic disposition. "Sorry, beg your pardon," Sahlins concludes, Western society has been built on a perverse and mistaken idea of human nature.
