Author: Sara Rawlinson
Publisher:
ISBN: 9781916169722
Category : Academic libraries
Languages : en
Pages : 160

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Book Description

Author: Fitzwilliam Museum. Library
Publisher:
ISBN:
Category : Illumination of books and manuscripts
Languages : en
Pages : 280

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Book Description

Author: Thomas Kren
Publisher: Getty Publications
ISBN: 0892367040
Category : Art
Languages : en
Pages : 593

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Book Description
This comprehensive and richly illustrated catalogue focuses on the finest illustrated manuscripts produced in Europe during the great epoch in Flemish illumination. During this aesthetically fertile period – beginning in 1467 with the reign of the Burgundian duke Charles the Bold and ending in 1561 with the death of the artist Simon Bening – the art of book painting was raised to a new level of sophistication. Sharing inspiration with the celebrated panel painters of the time, illuminators achieved astonishing innovations in the handling of color, light, texture, and space, creating a naturalistic style that would dominate tastes throughout Europe for nearly a century. Centering on the notable artists of the period – Simon Marmion, the Vienna Master of Mary of Burgundy, Gerard David, Gerard Horenbout, Bening, and others – the catalogue examines both devotional and secular manuscript illumination within a broad context: the place of illuminators within the visual arts, including artistic exchange between book painters and panel painters; the role of court patronage and the emergence of personal libraries; and the international appeal of the new Flemish illumination style. Contributors to the catalogue include Maryan W. Ainsworth, curator of European paintings at the Metropolitan Museum of Art; independent scholar Catherine Reynolds; and Elizabeth Morrison, assistant curator of manuscripts at the Getty Museum. Illuminating the Renaissance is published in conjunction with an exhibition organized by the Getty Museum, the Royal Academy of Arts, London, and the British Library to be held at the Getty Museum from June 17 to September 7, 2003, and at the Royal Academy of Arts from November 25, 2003 to February 22, 2004.

Author: Susan L'Engle
Publisher: Harvey Miller
ISBN:
Category : Art
Languages : en
Pages : 276

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Book Description
Catalog of an exhibition held Nov. 3-Dec. 16, 2001 at the Fitzwilliam Museum, Cambridge.

Author: Laura Cleaver
Publisher: BRILL
ISBN: 9004422331
Category : History
Languages : en
Pages : 503

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Book Description
The twenty-eight essays in this collection showcase cutting-edge research in manuscript studies, encompassing material from late antiquity to the Renaissance. The volume celebrates the exceptional contribution of John Lowden to the study of medieval books. The authors explore some of the themes and questions raised in John’s work, tackling issues of meaning, making, patronage, the book as an object, relationships between text and image, and the transmission of ideas. They combine John’s commitment to the close scrutiny of manuscripts with an interrogation of what the books meant in their own time and what they mean to us now.

Author: Lynley Anne Herbert
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3111435954
Category : Art
Languages : en
Pages : 370

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Book Description
This anthology honors Lawrence Nees’ expansive contributions to medieval art historical inquiry and teaching on the occasion of his retirement from the University of Delaware. These essays present a cross-section of recent research by students, colleagues, and friends; the breadth of subjects explored demonstrates the pertinence of Nees’ distinctive approach and methodology centering human agency and creativity. The contributions follow three main threads: Establishing Identity, Patronage and Politics, and Beyond the Canon. Some authors draw upon Nees’ systematic analysis of iconographic idiosyncrasies and ornamental schemes, whether adorning manuscripts or monumental edifices, which elucidates their unique visual and material characteristics. Others apply a Neesian engagement with the complex dynamics of cultural exchange, visual manifestations of political ambitions and ideologies, and selective mining of the classical past. Ultimately, this collection aims to illustrate the impact of Nees’ transformative scholarship, and to celebrate his legacy in the field of medieval art history.

Author: Joseph Salvatore Ackley
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110637529
Category : Literary Criticism
Languages : en
Pages : 523

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Book Description
The presence of gold, silver, and other metals is a hallmark of decorated manuscripts, the very characteristic that makes them “illuminated.” Medieval artists often used metal pigment and leaf to depict metal objects both real and imagined, such as chalices, crosses, tableware, and even idols; the luminosity of these representations contrasted pointedly with the surrounding paints, enriching the page and dazzling the viewer. To elucidate this key artistic tradition, this volume represents the first in-depth scholarly assessment of the depiction of precious-metal objects in manuscripts and the media used to conjure them. From Paris to the Abbasid caliphate, and from Ethiopia to Bruges, the case studies gathered here forge novel approaches to the materiality and pictoriality of illumination. In exploring the semiotic, material, iconographic, and technical dimensions of these manuscripts, the authors reveal the canny ways in which painters generated metallic presence on the page. Illuminating Metalwork is a landmark contribution to the study of the medieval book and its visual and embodied reception, and is poised to be a staple of research in art history and manuscript studies, accessible to undergraduates and specialists alike.

Author: Mary Ann Winkowski
Publisher: Crown
ISBN: 0307452441
Category : Fiction
Languages : en
Pages : 322

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Book Description
The criminal underworld meets the spiritual otherworld in this thrilling debut collaboration between the inspiration for television's The Ghost Whisperer and an award-winning writer/director. Anza O'Malley is in most ways a typical single mom. She lives a happy, busy life with her five-year-old son in Cambridge, Massachusetts, juggling the joys and challenges of life as a doting parent and a freelance bookbinder. But there is more to Anza than meets the "ungifted" eye: she can see and speak with ghosts. Although she's been solving cold cases for the police for years, Anza has been hoping to focus her energies on her son and her bookbinding career. But when an exquisite and priceless illuminated manuscript is stolen from the Boston Athenaeum, and when its desecration spurs the appearance of some very unhappy spirits, Anza can neither look nor walk away. With an unlikely trio of ghosts by her side–a charming butler and two medieval monks–Anza leads us on an urgent journey through Boston's winding, cobbled streets to uncover a trail of deceit, danger, and ghoulish intrigue.

Author: Richard Leahy
Publisher: University of Wales Press
ISBN: 1786832690
Category : History
Languages : en
Pages : 251

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Book Description
An Original Research Area – Little has been written on the connections between artificial light and literature in this period. Substantial Textual Coverage – A wide range of literature is analysed in this manuscript, which makes it beneficial to new or experienced scholars. Some more canonical texts are studied, and some more obscure authors and texts. The Holistic Approach – This manuscript tackles the entire history of nineteenth century illumination; it is an excellent primer for those interested in the field, and an example of what can be done within it.

Author: Mark Cruse
Publisher: Boydell & Brewer Ltd
ISBN: 1843842807
Category : Art
Languages : en
Pages : 254

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Book Description
Survey of one of the most important surviving medieval manuscripts reveals much of its contemporary cultural, literary and social milieu. Oxford, Bodleian Library, MS Bodley 264 is one of the most famous and most sumptuous illuminated manuscripts of the entire Middle Ages. Completed in 1344 in Tournai, in what is now Belgium, the manuscript preserves the fullest version of the interpolated Old French Roman d'Alexandre (Romance of Alexander the Great), and some of the most vivid illustrations of any medieval romance, ranking amongst the greatest achievements of the illuminator's art, its borders in particular offering a panorama of medieval society and imagination. A celebration of courtliness, a commemoration of urban chivalry, a mirror for the prince instructing in the arts of rule, and a meditation on crusade, it manifests the extraordinary richness and creativity of late medieval manuscript culture. This study examines the manuscript as a monumental expression of the beliefs and social practices of its day, placing it in its historical and artistic context; it also analyzes its later reception in England, where the addition of a Middle English Alexander poem and of Marco Polo's Voyages reflects changing concepts of language, historiography, and geography. Mark Cruse is Assistant Professor of French, School of International Letters and Cultures, Arizona State University.