Il Teatro di Eduardo de Filippo PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Il Teatro di Eduardo de Filippo PDF full book. Access full book title Il Teatro di Eduardo de Filippo by Donatella Fischer. Download full books in PDF and EPUB format.
Author: Donatella Fischer
Publisher: Routledge
ISBN: 1351195093
Category : Literary Criticism
Languages : en
Pages : 345
Get Book Here
Book Description
"Eduardo De Filippo (1900-1984) e uno dei maggiori drammaturghi del novecento. Nel suo teatro, la famiglia rappresenta il punto nevralgico della societa. Attraverso quest'unita archetipica, le opere qui considerate si propongono come un lungo esame dei rapporti familiari e sono, al contempo, il barometro dei mutamenti sociali e culturali delle diverse epoche in cui si svolge l'azione. In questo nuovo lavoro, Donatella Fischer analizza ogni commedia come un ulteriore passo verso l'inarrestabile frantumazione dell'universo familiare e, soprattutto, della famiglia patriarcale i cui precetti si rivelano sempre piu anacronistici. Eduardo De Filippo ritrae famiglie divise dal conflitto fra illusione e realta (Natale in casa Cupiello), aggrappate alla speranza (Napoli Milionaria! e Questi fantasmi!), sovversive dietro la cornice borghese (Filumena Marturano), in balia del proprio tempo (Mia famiglia) e ridotte infine all'involucro di se stesse nell'ultima opera dell'autoreGli esami non finiscono mai."
Author: Donatella Fischer
Publisher: Routledge
ISBN: 1351195093
Category : Literary Criticism
Languages : en
Pages : 345
Get Book Here
Book Description
"Eduardo De Filippo (1900-1984) e uno dei maggiori drammaturghi del novecento. Nel suo teatro, la famiglia rappresenta il punto nevralgico della societa. Attraverso quest'unita archetipica, le opere qui considerate si propongono come un lungo esame dei rapporti familiari e sono, al contempo, il barometro dei mutamenti sociali e culturali delle diverse epoche in cui si svolge l'azione. In questo nuovo lavoro, Donatella Fischer analizza ogni commedia come un ulteriore passo verso l'inarrestabile frantumazione dell'universo familiare e, soprattutto, della famiglia patriarcale i cui precetti si rivelano sempre piu anacronistici. Eduardo De Filippo ritrae famiglie divise dal conflitto fra illusione e realta (Natale in casa Cupiello), aggrappate alla speranza (Napoli Milionaria! e Questi fantasmi!), sovversive dietro la cornice borghese (Filumena Marturano), in balia del proprio tempo (Mia famiglia) e ridotte infine all'involucro di se stesse nell'ultima opera dell'autoreGli esami non finiscono mai."
Author: Maria Laura Mosco
Publisher: Rowman & Littlefield
ISBN: 1783489596
Category : History
Languages : en
Pages : 223
Get Book Here
Book Description
The Concept of Resistance in Italy brings together experts from different fields to reflect in a new, comprehensive critical approach, on an event that has shaped the young Italian nation from the onset of Fascism in the early 20s. Although grounded in the Italian context, its theoretical frameworks, provided by the variety of disciplines involved in the volume, will prove beneficial for any critical discourse on the concept of resistance nowadays. Moving from a reflection on the legacy of the Italian Resistance to Fascism and the Resistance Movement born in the latest years of WWII, when Italy witnessed the presence on its territory of foreign troops from opposite corners, and was involved in a Civil War at the very same time, this collection reassesses the concept of Resistance within the Italian 20th and 21st century cultural context, moving beyond historical perspectives. The multidisciplinary scope allows for an historical, philosophical and artistic exploration of the concrete actions that define resistance to Fascism, and the Resistance Movement during WWII, their representations in literature, cinema and music, and the more abstract philosophical concept of Resistance in a rapidly changing globalized world, with oppressive political orders, new global economic structures, and emerging new philosophical fields.
Author: O. Classe
Publisher: Taylor & Francis
ISBN: 9781884964367
Category : Authors
Languages : en
Pages : 930
Get Book Here
Book Description
Author: Christopher B. Balme
Publisher: Cambridge University Press
ISBN: 1108670571
Category : Drama
Languages : en
Pages : 709
Get Book Here
Book Description
The commedia dell'arte, the improvised Italian theatre that dominated the European stage from 1550 to 1750, is arguably the most famous theatre tradition to emerge from Europe in the early modern period. Its celebrated masks have come to symbolize theatre itself and have become part of the European cultural imagination. Over the past twenty years a revolution in commedia dell'arte scholarship has taken place, generated mainly by a number of distinguished Italian scholars. Their work, in which they have radically separated out the myth from the history of the phenomenon remains, however, largely untranslated into English (or any other language). The present volume gathers together these Italian and English-speaking scholars to synthesize for the first time this research for both specialist and non-specialist readers. The book is structured around key topics that span both the early modern period and the twentieth-century reinvention of the commedia dell'arte.
Author: Ralph Yarrow
Publisher: Routledge
ISBN: 1317566718
Category : Drama
Languages : en
Pages : 268
Get Book Here
Book Description
European theatre has been the site of enormous change and struggle since 1960. There have been radical shifts in the nature and understanding of performance, fuelled by increasing cross-cultural and international influence. Theatre has had to fight for its very existence, adapting its methods of operation to survive. European Theatre 1960-1990, first published in 1992, tells that story. The contributors - who in many cases have been theatre practitioners as well as critics - provide a wealth of fascinating information, covering Germany, France, Poland, Italy, Spain and Sweden, as well as Britain. The book offers an historical and descriptive overview of developments across national boundaries, enabling the reader to compare and contrast acting and directing styles, administrative strategies and the relationship between ideology and achievement. Chapters trace the evolution of theatre in all its aspects, including such elements as the end of censorship in many countries, the upsurge in political and personal awareness of the 1960s, shifting patterns of state artistic policy, and the effects on companies, directors, performers and audiences. This book should be of interest to undergraduates, postgraduates and academics of theatre studies.
Author: Gaetana Marrone
Publisher: Routledge
ISBN: 1135455295
Category : Literary Criticism
Languages : en
Pages : 2258
Get Book Here
Book Description
The Encyclopedia of Italian Literary Studies is a two-volume reference book containing some 600 entries on all aspects of Italian literary culture. It includes analytical essays on authors and works, from the most important figures of Italian literature to little known authors and works that are influential to the field. The Encyclopedia is distinguished by substantial articles on critics, themes, genres, schools, historical surveys, and other topics related to the overall subject of Italian literary studies. The Encyclopedia also includes writers and subjects of contemporary interest, such as those relating to journalism, film, media, children's literature, food and vernacular literatures. Entries consist of an essay on the topic and a bibliographic portion listing works for further reading, and, in the case of entries on individuals, a brief biographical paragraph and list of works by the person. It will be useful to people without specialized knowledge of Italian literature as well as to scholars.
Author: Mariano D'Amora
Publisher: Cambridge Scholars Publishing
ISBN: 144388622X
Category : Performing Arts
Languages : en
Pages : 280
Get Book Here
Book Description
In a world that tends to homologate, thus becoming, in every aspect of our lives, grey, flat and uniform, so creating the world of universal similarity (including language), does it still make sense today to talk about vernacular theatre? Tackling such a question implies uncovering the reasons for the disappearance of the many regional theatres that were present in Italy in the nineteenth century. There is no doubt that first the unification of the country in 1861, and then the language policies of fascism in the ‘30s were the final nails in the coffin for local theatres. It is also true, however, that what really determined their downsizing was the progressive loss of connection with their own environment. If we give an essentially superficial interpretation to the adjective “vernacular”, and in a play we see a canovaccio (plot) that the local star uses as a vehicle to show his talent through a series of modest mannerisms, then “vernacular” implies the death certificate of this type of theatre (once the star dies, his alleged dramaturgy dies with him and his mannerisms). On the contrary, if we identify in this adjective the theatre’s healthy attempt to develop a local, social and cultural analysis of its environment, it opens a whole new meaning and acquires a perspective that a national theatre can never aspire to. This is the case of Neapolitan theatre. It managed to survive and thrive, producing plays that were capable of critically describing modern and contemporary reality. Neapolitan playwrights forcefully proclaimed their roots as a primary source for their work. The city, in fact, became a direct expression of that cultural microcosm which provided them with the living flesh of their plots.
Author: Mario B. Mignone
Publisher: Peter Lang
ISBN: 9781433101878
Category : Business & Economics
Languages : en
Pages : 492
Get Book Here
Book Description
Italy Today is a concise narrative of the nation's stunning transformation from the ashes of World War II to the leading economic and cultural power it is today. This book provides insights into the dynamics of Italy's progression from the Second World War, through the anthropologically revolutionary 1970s and '80s, and into the complexities of a postindustrial nation, negotiating the challenges created by industrial, economic, and cultural globalization. Encompassing the cultural, political, and economic spectrums, topics include: communism; socialism; foreign relations; terrorism; industrial and social transformations; education; emigration and immigration; family tradition; feminism; the transformation of class and gender roles; political favoritism and corruption; popular culture; culture and civil society; the broader problems of the development of civil society and the rule of law in southern Italy; and the role of politics in shaping contemporary Italy. The book devotes particular attention to the controversial issues of the role of the family in Italian society and economy, the insidious presence of the Mafia, the lasting influence of Catholicism, the impact of television, and the country's often unstable politics, framing all these as the result of a complex and unique relationship between the individual and the state, with the family acting as intermediary. Four major sections analyze politics, the economy, society, and mass culture, and comprise a portrait of contemporary Italy that will appeal to a broad range of scholars, students, and general readers.
Author: Donatella Fischer
Publisher: Routledge
ISBN: 1351191659
Category : Performing Arts
Languages : en
Pages : 397
Get Book Here
Book Description
"The central importance of the actor-author is a distinctive feature of Italian theatrical life, in all its eclectic range of regional cultures and artistic traditions. The fascination of the figure is that he or she stands on both sides of one of theatre's most important power relationships: between the exhilarating freedom of performance and the austere restriction of authorship and the written text. This broad-ranging volume brings together critical essays on the role of the actor-author, spanning the period from the Renaissance to the present. Starting with Castiglione, Ruzante and the commedia dell'arte, and surveying the works of Dario Fo, De Filippo and Bene, among others, the contributors cast light on a tradition which continues into Neapolitan and Sicilian theatre today, and in Italy's currently fashionable 'narrative theatre', where the actor-author is centre stage in a solo performance."
Author: Jane House
Publisher: Columbia University Press
ISBN: 9780231071185
Category : Drama
Languages : en
Pages : 648
Get Book Here
Book Description
This volume of Twentieth-Century Italian Drama covers the period spanning from the end of the nineteenth century to that immediately following World War II, displaying the rich breadth of Italian theater in the modern age, from the comedic legacy carried on by such writers as Eduardo De Filippo to the delicate tragedy of playwrights like Federigo Tozzi.Included are seven full-length plays, five one-act plays, one variety sketch, and three futurist sintesi (sketches). Brief introductions preceding each play contextualize the piece within the various movements in Italian theater, and biographies of the editors and translators appear at the end of the volume. An extensive bibliography offers many suggestions for further reading in English.The playwrights included are Gabriele D'Annunzio, Filippo Tommaso Marinetti, Ettore Petrolini, Raffaele Viviani, Pier Maria Rosso di San Secondo, Federigo Tozzi, Massimo Bontempelli, Achille Campanile, Italo Svevo, Luigi Pirandello, Eduardo De Filippo, and Ugo Betti.
