The Museo Degli Argenti PDF Download
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Author: Marilena Mosco
Publisher: Taylor & Francis
ISBN: 9788809037939
Category : Art
Languages : en
Pages : 250
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Book Description
Author: Marilena Mosco
Publisher: Taylor & Francis
ISBN: 9788809037939
Category : Art
Languages : en
Pages : 250
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Book Description
Author: Cristina Acidini
Publisher: Yale University Press
ISBN: 9780300094954
Category : Art
Languages : en
Pages : 406
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Book Description
"Publisdhed in conjuntion with the exhibition: Magnificenza! the Medici, Michelangelo, & the Art of Late Renaissance Florence (In Italy, L'Ombra del genio: Michelangelo e l'arte a Firenze, 1538-1631) ..."--Title page verso.
Author: Museo degli argenti (Florence, Italy)
Publisher:
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 124
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Book Description
Author: Patricia Lee Rubin
Publisher: Metropolitan Museum of Art
ISBN: 1588394255
Category : Art, Italian
Languages : en
Pages : 434
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Book Description
Published in conjunction with an exhibition held at the Bode-Museum, Berlin, Aug. 25-Nov. 20, 2011, and at the Metropolitan Museum of Art, New York, Dec. 21, 2011-Mar. 18, 2012.
Author: Thomas P. Campbell
Publisher: Metropolitan Museum of Art
ISBN: 1588392309
Category : Design
Languages : en
Pages : 575
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Book Description
![Art Museums of the World [2 Volumes] PDF](https://books.google.com/books/content/images/frontcover/j4nrAAAAMAAJ?fife=w80-h100)
Author: Virginia Jackson
Publisher: Greenwood
ISBN:
Category : Art
Languages : en
Pages : 848
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Book Description
An authoritative reference work that lists more than 200 selected museums in countries from Afghanistan to Zaire. . . . This set responds to the need for a work that offers serious researchers scholarly articles on the history and collections of the world's major museums. Choice This volume will be of great use to scholars for the valuable and frequently difficult to obtain information it provides, including facts about museum libraries and the availability of slides and photographs. Not only will it be a wonderful reference tool for researchers, but it also makes fascinating reading for the armchair traveler. Highly recommended. Library Journal
Author: Keith Christiansen
Publisher: Metropolitan Museum of Art
ISBN: 1588397300
Category : Art
Languages : en
Pages : 332
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Book Description
Between 1512 and 1570, Florence underwent dramatic political transformations. As citizens jockeyed for prominence, portraits became an essential means not only of recording a likeness but also of conveying a sitter’s character, social position, and cultural ambitions. This fascinating book explores the ways that painters (including Jacopo Pontormo, Agnolo Bronzino, and Francesco Salviati), sculptors (such as Benvenuto Cellini), and artists in other media endowed their works with an erudite and self-consciously stylish character that made Florentine portraiture distinctive. The Medici family had ruled Florence without interruption between 1434 and 1494. Following their return to power in 1512, Cosimo I de’ Medici, who became the second Duke of Florence in 1537, demonstrated a particularly shrewd ability to wield culture as a political tool in order to transform Florence into a dynastic duchy and give Florentine art the central position it has held ever since. Featuring more than ninety remarkable paintings, sculptures, works on paper, and medals, this volume is written by a team of leading international authors and presents a sweeping, penetrating exploration of a crucial and vibrant period in Italian art.
Author: Museo delle porcellane, Florence
Publisher:
ISBN:
Category : Porcelain
Languages : en
Pages : 198
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Book Description
Author: Andrea Mattiello
Publisher: Routledge
ISBN: 1351244817
Category : History
Languages : en
Pages : 390
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Book Description
Late Byzantium Reconsidered offers a unique collection of essays analysing the artistic achievements of Mediterranean centres linked to the Byzantine Empire between 1261, when the Palaiologan dynasty re-conquered Constantinople, and the decades after 1453, when the Ottomans took the city, marking the end of the Empire. These centuries were characterised by the rising of socio-political elites, in regions such as Crete, Italy, Laconia, Serbia, and Trebizond, that, while sharing cultural and artistic values influenced by the Byzantine Empire, were also developing innovative and original visual and cultural standards. The comparative and interdisciplinary framework offered by this volume aims to challenge established ideas concerning the late Byzantine period such as decline, renewal, and innovation. By examining specific case studies of cultural production from within and outside Byzantium, the chapters in this volume highlight the intrinsic innovative nature of the socio-cultural identities active in the late medieval and early modern Mediterranean vis-à-vis the rhetorical assumption of the cultural contraction of the Byzantine Empire.
Author: Thomas Kren
Publisher: Getty Publications
ISBN: 160606584X
Category : Art
Languages : en
Pages : 436
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Book Description
A gloriously illustrated examination of the origins and development of the nude as an artistic subject in Renaissance Europe Reflecting an era when Europe looked to both the classical past and a global future, this volume explores the emergence and acceptance of the nude as an artistic subject. It engages with the numerous and complex connotations of the human body in more than 250 artworks by the greatest masters of the Renaissance. Paintings, sculptures, prints, drawings, illuminated manuscripts, and book illustrations reveal private, sometimes shocking, preoccupations as well as surprising public beliefs—the Age of Humanism from an entirely new perspective. This book presents works by Albrecht Dürer, Lucas Cranach, and Martin Schongauer in the north and Donatello, Raphael, and Giorgione in the south; it also introduces names that deserve to be known better. A publication this rich in scholarship could only be produced by a variety of expert scholars; the sixteen contributors are preeminent in their fields and wide-ranging in their knowledge and curiosity. The structure of the volume—essays alternating with shorter texts on individual artworks—permits studies both broad and granular. From the religious to the magical and the poetic to the erotic, encompassing male and female, infancy, youth, and old age, The Renaissance Nude examines in a profound way what it is to be human.
