Catalogue of Opera Librettos Printed Before 1800 PDF Download
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Author: Library of Congress. Music Division
Publisher:
ISBN:
Category : Government publications
Languages : en
Pages : 1196
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Author: Library of Congress. Music Division
Publisher:
ISBN:
Category : Government publications
Languages : en
Pages : 1196
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Book Description
Author: Audrey T Carpenter
Publisher: Troubador Publishing Ltd
ISBN: 1788038800
Category : Biography & Autobiography
Languages : en
Pages : 168
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Book Description
The first-ever biography of this almost forgotten eighteenth century star. How a girl from Italy became London’s “most enchanting comic actress.” Giovanna Sestini’s important contribution to opera has been revived in this carefully researched biography. This book describes her Italian and Portuguese background, while providing considerable insight into the contemporary opera scene and social history of 18th century London. In her private family life she was Joanna Stocqueler, mother of eight children, while as Giovanna Sestini she was a renowned and attractive opera singer. Her talents were publicised until her retirement in 1792, when both her voice and the London theatres were in decline. The book offers a full description of her life, including her early performances in Italy and Portugal, her marriage to Portuguese aristocrat José Christiano Stocqueler, and the fate of her children. After her move to London she was acclaimed both in Italian comic opera at the King’s Theatre and in English opera at Covent Garden. This book will appeal to readers with an interest in the arts, opera and eighteenth-century history. It includes 18 illustrations and a full bibliography and index.
Author: Richard Osborne
Publisher: Oxford University Press
ISBN: 0195181298
Category : Biography & Autobiography
Languages : en
Pages : 429
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Book Description
Gioachino Rossini was one of the most influential, as well as one of the most industrious and emotionally complex of the great nineteenth-century composers. Between 1810 and 1829, he wrote 39 operas, a body of work, comic and serious, which transformed Italian opera and radically altered the course of opera in France. His retirement from operatic composition in 1829, at the age of 37, was widely assumed to be the act of a talented but lazy man. In reality, political events and a series of debilitating illnesses were the determining factors. After drafting the Stabat Mater in 1832, Rossini wrote no music of consequence for the best part of twenty-five years, before the clouds lifted and he began composing again in Paris in the late 1850s. During this glorious Indian summer of his career, he wrote 150 songs and solo piano pieces his 'Sins of Old Age' and his final masterpiece, the Petite Messe solennelle. The image of Rossini as a gifted but feckless amateur-the witty, high-spirited bon vivant who dashed off The Barber of Seville in a mere thirteen days-persisted down the years, until the centenary of his death in 1968 inaugurated a process of re-evaluation by scholars, performers, and writers. The original 1985 edition of Richard Osborne's pioneering and widely acclaimed Rossini redefined the life and provided detailed analyses of the complete Rossini oeuvre. Twenty years on, all Rossini's operas have been staged and recorded, a Critical Edition of his works is well advanced, and a scholarly edition of his correspondence, including 250 previously unknown letters from Rossini to his parents, is in progress. Drawing on these past two decades of scholarship and performance, this new edition of Rossini provides the most detailed portrait we have yet had of one of the worlds best-loved and most enigmatic composers.
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Author: Robert Harrison
Publisher:
ISBN:
Category :
Languages : en
Pages : 1074
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Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 566
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Author: London Library
Publisher:
ISBN:
Category : Library catalogs
Languages : en
Pages : 1080
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Book Description
Author: Maggie Gunsberg
Publisher: Routledge
ISBN: 1351196812
Category : Literary Criticism
Languages : en
Pages : 340
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Book Description
"This work takes gender as its point of entry into the comedies of Carlo Goldoni (1707-93). The dramatization of femininity and masculinity is explored in conjunction with that of other social categories (class, the family, and age). The plays reinforce the patriarchal association of femininity with the body, with spectacle, and with theatricality, while the dramatic backdrop of Venice and carnival provides a context for the staging of issues relating to identity, disguise and fashion. In the plays, pretence and theatricality vie with bourgeois Enlightenment values of morality, honesty and respectability to produce dramatic tension with distinct gender implications."
Author: John Weeks Moore
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 1022
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Author: Emanuele Senici
Publisher: Cambridge University Press
ISBN: 9780521001953
Category : Music
Languages : en
Pages : 290
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Author: Boston Mass, publ. libr
Publisher:
ISBN:
Category :
Languages : en
Pages : 922
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