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Author: Larry Wolff
Publisher: Stanford University Press
ISBN: 0804799652
Category : History
Languages : en
Pages : 505
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Book Description
While European powers were at war with the Ottoman Empire for much of the eighteenth century, European opera houses were staging operas featuring singing sultans and pashas surrounded by their musical courts and harems. Mozart wrote The Abduction from the Seraglio. Rossini created a series of works, including The Italian Girl in Algiers. And these are only the best known of a vast repertory. This book explores how these representations of the Muslim Ottoman Empire, the great nemesis of Christian Europe, became so popular in the opera house and what they illustrate about European–Ottoman international relations. After Christian armies defeated the Ottomans at Vienna in 1683, the Turks no longer seemed as threatening. Europeans increasingly understood that Turkish issues were also European issues, and the political absolutism of the sultan in Istanbul was relevant for thinking about politics in Europe, from the reign of Louis XIV to the age of Napoleon. While Christian European composers and publics recognized that Muslim Turks were, to some degree, different from themselves, this difference was sometimes seen as a matter of exotic costume and setting. The singing Turks of the stage expressed strong political perspectives and human emotions that European audiences could recognize as their own.
Author: Larry Wolff
Publisher: Stanford University Press
ISBN: 0804799652
Category : History
Languages : en
Pages : 505
Get Book Here
Book Description
While European powers were at war with the Ottoman Empire for much of the eighteenth century, European opera houses were staging operas featuring singing sultans and pashas surrounded by their musical courts and harems. Mozart wrote The Abduction from the Seraglio. Rossini created a series of works, including The Italian Girl in Algiers. And these are only the best known of a vast repertory. This book explores how these representations of the Muslim Ottoman Empire, the great nemesis of Christian Europe, became so popular in the opera house and what they illustrate about European–Ottoman international relations. After Christian armies defeated the Ottomans at Vienna in 1683, the Turks no longer seemed as threatening. Europeans increasingly understood that Turkish issues were also European issues, and the political absolutism of the sultan in Istanbul was relevant for thinking about politics in Europe, from the reign of Louis XIV to the age of Napoleon. While Christian European composers and publics recognized that Muslim Turks were, to some degree, different from themselves, this difference was sometimes seen as a matter of exotic costume and setting. The singing Turks of the stage expressed strong political perspectives and human emotions that European audiences could recognize as their own.
Author: Michael Shterenshis
Publisher: Routledge
ISBN: 1136873732
Category : History
Languages : en
Pages : 180
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Book Description
This book provides a general introduction to the history of Jewish life in 14th century Asia at the time of the conqueror Tamerlane (Timur). The author defines who are the Central Asian Jews, and describes the attitudes towards the Jews, and the historical consequences of this relationship with Tamerlane. Left alone to live within a stable empire, the Jews prospered under Tamerlane. In founding an empire, Tamerlane had delivered Central Asia from the last Mongols, and brought the nations of Transoxonia within the orbit of Persian civilisation. The Central Asian Jews accepted this spirit and preserved it until modern times in their language and culture.
Author: Library of Congress. Music Division
Publisher:
ISBN:
Category : Government publications
Languages : en
Pages : 1196
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Book Description
Author: Domenico Pietropaolo
Publisher: University of Toronto Press
ISBN: 1442641630
Category : Music
Languages : en
Pages : 257
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Book Description
The Baroque Libretto catalogues the Baroque Italian operas and oratorios in the Thomas Fisher Library at the University of Toronto and offers an analysis of how the study of libretto can inform the understanding of opera.
Author: Library of Congress. Music Division
Publisher:
ISBN:
Category : Librettos
Languages : en
Pages : 520
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Book Description
Author:
Publisher:
ISBN:
Category : Musicals
Languages : en
Pages : 1058
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Book Description
Author: Oscar George Theodore Sonneck
Publisher:
ISBN:
Category : Composers
Languages : en
Pages : 516
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Book Description
Author:
Publisher: Editions Mardaga
ISBN:
Category :
Languages : en
Pages : 535
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Book Description
Author: Tatiana Korneeva
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110751062
Category : Literary Criticism
Languages : en
Pages : 200
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Book Description
In the 18th century Italian theatre and its artists became vital to Russian rulers, who employed Italian musico-dramatic works to advance their political agendas and emphasize Russia’s cultural uniqueness and its cosmopolitan character. Innumerable playwrights and composers, actors and singers were active at the Russian court. Usually considered at best peripheral to Europe, the faraway Russian Empire represents a particularly powerful example of the mobility of theatre agents and the circulation of artistic practices. This book sets a new regional accent on imperial Russia, thus mitigating the traditional historiographical emphasis on Western Europe, and adopts a transnational approach to theatre and music history. Its aim is twofold. First, to explore Italian music-theatrical repertoires that occupied a crucial position within the spectacle of absolutism in Russia. Second, to investigate careers and travel routes of the Italian theatre professionals. The examination of their activities at the Russian court aims not only to provide a fuller understanding of their vital role in the transmission of socio-political and artistic ideas, but also to more firmly situate Russia in the broader arena of European cultural production.
Author: Marie Gotoh
Publisher: Balboa Press
ISBN: 1504367235
Category : Fiction
Languages : en
Pages : 237
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Book Description
This is a historical novel on Handels life and his musical world. Known for his oratorio Messiah, particularly the Hallelujah chorus, or The Water Music, he started his career as an opera composer. In politically unstable 18th century Europe, Handel went to live in different places with different political interests. Born a Protestant, he made himself accepted in Catholic Italy, and then in London, where he spent the rest of his life. In this volume Handel seeks his training in Italy while he develops an increasing desire to go to London. Before his arrival, London theatres went through unstable and unpredictable changes. The War of the Spanish Succession, predicted to be short, was dragging on, affecting most of Europe and with no end in sight. The beginning of the young composers career does not look easy, dominated by uncertainty.
