Il Filosofo di Campagna. Drama giocoso [altered from Carlo Goldoni], da rappresentarsi sopra il Teatro di S. M. B. Ital. & Eng PDF Download
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![Il Filosofo di Campagna. Drama giocoso [altered from Carlo Goldoni], da rappresentarsi sopra il Teatro di S. M. B. Ital. & Eng PDF](https://books.google.com/books/content/images/frontcover/vXpQmsHcTecC?fife=w150-h200)
Author: FILOSOFO.
Publisher:
ISBN:
Category :
Languages : en
Pages : 88
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Book Description
![Il Filosofo di Campagna. Drama giocoso [altered from Carlo Goldoni], da rappresentarsi sopra il Teatro di S. M. B. Ital. & Eng PDF](https://books.google.com/books/content/images/frontcover/vXpQmsHcTecC?fife=w80-h100)
Author: FILOSOFO.
Publisher:
ISBN:
Category :
Languages : en
Pages : 88
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Book Description
Author: David Wyn Jones
Publisher: Routledge
ISBN: 1351557416
Category : Music
Languages : en
Pages : 333
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Book Description
This collection of essays by some of the leading scholars in the field looks at various aspects of musical life in eighteenth-century Britain. The significant roles played by institutions such as the Freemasons and foreign embassy chapels in promoting music making and introducing foreign styles to English music are examined, as well as the influence exerted by individuals, both foreign and British. The book covers the spectrum of British music, both sacred and secular, and both cosmopolitan and provincial. In doing so it helps to redress the picture of eighteenth-century British music which has previously portrayed Handel and London as its primary constituents.
Author: SimonP. Keefe
Publisher: Routledge
ISBN: 1351557912
Category : History
Languages : en
Pages : 601
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Book Description
This volume of essays on Wolfgang Amadeus Mozart reflects scholarly advances made over the last thirty years. The studies are broad and focused, demonstrating a large number of viewpoints, methodologies and orientations and the material spans a wide range of subject areas, including biography, vocal music, instrumental music and performance. Written by leading researchers from Europe and North America, these previously published articles and book chapters are representative of both the most frequently discussed and debated issues in Mozart studies and the challenging, exciting nature of Mozart scholarship in general. The volume is essential reading for researchers, students and scholars of Mozart's music.
Author: Thomas Busby
Publisher: Cambridge University Press
ISBN: 1108061753
Category : Music
Languages : en
Pages : 533
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Book Description
Intended for the general reader, this two-volume work, first published in 1819, is a concise, popular interpretation of musical history.
Author: Thomas Busby
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 1100
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Book Description
Author: John George Cochrane
Publisher:
ISBN:
Category :
Languages : en
Pages : 328
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Book Description
Author:
Publisher:
ISBN:
Category : Public libraries
Languages : en
Pages : 332
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Book Description
Author: London Library
Publisher:
ISBN:
Category :
Languages : en
Pages : 326
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Book Description
Author: Mary Kathleen Hunter
Publisher: Cambridge University Press
ISBN: 9780521572392
Category : Music
Languages : en
Pages : 476
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Book Description
This collection of essays, presented by an internationally known team of scholars, explores the world of Vienna and the development of opera buffa in the second half of the eighteenth century. Although today Mozart remains one of the most well-known figures of the period, the era was filled with composers, librettists, writers and performers who created and developed opera buffa. Among the topics examined are the relationship of Viennese opera buffa to French theatre; Mozart and eighteenth-century comedy; gender, nature and bourgeois society on Mozart's buffa stage; as well as close analyses of key works such as Don Giovanni and Le nozze di Figaro.
Author: Cormac Newark
Publisher:
ISBN: 0190224207
Category : Music
Languages : en
Pages : 639
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Book Description
Opera has always been controversial, not only because of how vastly expensive it is to produce. It has historically been a vital and complex mixture of high art and commerce, socially elite and popular or middle-class, the new and the increasingly old. When a city wants a new landmark building, an opera house is very often the solution: why should this still be the case? The Oxford Handbook of the Operatic Canon examines how opera has become the concrete edifice it was never meant to be, by looking at how it evolved from a market entirely driven by novelty to one of the most arthritically canonic art forms still in existence. This new collection addresses questions that are key to opera's past, present and future. Why is the art form apparently so arthritically canonical, with the top ten titles, all more than a century old, accounting for nearly a quarter of all performances world-wide? Why is this top-heavy system of production becoming still more restrictive, even while the repertory is seemingly expanding, notably to include early music? Why did the operatic canon evolve so differently from that of concert music? And why has that evolution attracted so comparatively little attention from scholars? Why, finally, if opera houses all over the world are dutifully honoring their audiences' loyalty to these favorite works, are they having to struggle so hard financially? Answers to these and other problems are offered here by 26 musicologists, historians, and industry professionals working in a wide range of contexts. Topics range from the seventeenth century to the present day, and from Russia to England and continental Europe to the Americas. In an effort to reflect the contested nature of most of the issues facing opera, each topic is addressed by two essays, introduced jointly by the respective authors, and followed by a jointly compiled list of further reading. These paired essays complement each other in different ways: for example, by treating the same geographical location in different periods, by providing different national or regional perspectives on the same period, or by thinking through similar conceptual issues in contrasting or changing contexts. Posing its questions in fresh, provocative terms, The Oxford Handbook of the Operatic Canon challenges scholarly assumptions and expectations, and breathes fresh air into the fields of music and cultural history.
