Author: Nicholas Jose
Publisher: Springer
ISBN: 1349066354
Category : Literary Criticism
Languages : en
Pages : 220
Book Description
Ideas of the Restoration in English Literature, 1660-71
Author: Nicholas Jose
Publisher: Springer
ISBN: 1349066354
Category : Literary Criticism
Languages : en
Pages : 220
Book Description
Publisher: Springer
ISBN: 1349066354
Category : Literary Criticism
Languages : en
Pages : 220
Book Description
The Making of Restoration Poetry
Author: Paul Hammond
Publisher: DS Brewer
ISBN: 9781843840749
Category : Literary Criticism
Languages : en
Pages : 262
Book Description
A survey of Restoration poetry, from the forms in which it was disseminated to studies of important texts. This book explores the complex ways in which authors, publishers, and readers contributed to the making of Restoration poetry. The essays in Part I map some principal aspects of Restoration poetic culture: how poetic canons were established through both print and manuscript; how censorship operated within the manuscript transmission of erotic and politically sensitive poems; the poetic functions of authorial anonymity; the work of allusion and intertextualreference; the translation and adaptation of classical poetry; and the poetic representations of Charles II. Part II turns to individual poets, and charts the making of Dryden's canon; the ways in which Mac Flecknoe operates through intertextual allusions; the relationship of the variant texts of Marvell's "To his Coy Mistress"; and the treatment of Rochester's canon and text by his modern editors. The discussions are complemented by illustrationsdrawn from both printed books and manuscripts. PAUL HAMMOND is Professor of Seventeenth-Century Literature at the University of Leeds.
Publisher: DS Brewer
ISBN: 9781843840749
Category : Literary Criticism
Languages : en
Pages : 262
Book Description
A survey of Restoration poetry, from the forms in which it was disseminated to studies of important texts. This book explores the complex ways in which authors, publishers, and readers contributed to the making of Restoration poetry. The essays in Part I map some principal aspects of Restoration poetic culture: how poetic canons were established through both print and manuscript; how censorship operated within the manuscript transmission of erotic and politically sensitive poems; the poetic functions of authorial anonymity; the work of allusion and intertextualreference; the translation and adaptation of classical poetry; and the poetic representations of Charles II. Part II turns to individual poets, and charts the making of Dryden's canon; the ways in which Mac Flecknoe operates through intertextual allusions; the relationship of the variant texts of Marvell's "To his Coy Mistress"; and the treatment of Rochester's canon and text by his modern editors. The discussions are complemented by illustrationsdrawn from both printed books and manuscripts. PAUL HAMMOND is Professor of Seventeenth-Century Literature at the University of Leeds.
The Restoration
Author: N. H. Keeble
Publisher: John Wiley & Sons
ISBN: 0470758163
Category : History
Languages : en
Pages : 290
Book Description
This cultural history challenges the standard depiction of the 1660s as the beginning of a new age of stability, demonstrating that the decade following the Restoration was just as complex and exciting as the revolutionary years that preceded it.
Publisher: John Wiley & Sons
ISBN: 0470758163
Category : History
Languages : en
Pages : 290
Book Description
This cultural history challenges the standard depiction of the 1660s as the beginning of a new age of stability, demonstrating that the decade following the Restoration was just as complex and exciting as the revolutionary years that preceded it.
The Literary Underground in the 1660s
Author: Stephen Bardle
Publisher: Oxford University Press
ISBN: 0199660859
Category : History
Languages : en
Pages : 201
Book Description
The restoration of the monarchy in 1660 has commonly been thought to represent a return to political stability and religious consensus following the tumultuous civil wars and the Commonwealth period. However, by analysing underground texts from 1660 to 1670, Stephen Bardle provides a new literary historical narrative of what was in fact one of the most tumultuous periods in English history. This new study contributes to an on-going historical re-evaluation of the Restoration period, a time when terrible plague, the Great Fire of London, and a brutal war against the Dutch quickly undermined the popularity of the new government. The Literary Underground in the 1660s tells the story of three writers who fuelled the flames of opposition by contributing illicit texts to a small yet intense public sphere via the literary underground. Key texts by Andrew Marvell, including The Garden , are set in the context of under-explored works by the poet and pamphleteer George Wither, and the indomitable satirist Ralph Wallis. This book draws upon extensive archival research and features neglected manuscript and print sources. As an original study of the literary underground, which sheds light on the vibrancy of political opposition in the 1660s, this book should be of interest to students of radicalism as well as seventeenth-century historians and literary scholars.
Publisher: Oxford University Press
ISBN: 0199660859
Category : History
Languages : en
Pages : 201
Book Description
The restoration of the monarchy in 1660 has commonly been thought to represent a return to political stability and religious consensus following the tumultuous civil wars and the Commonwealth period. However, by analysing underground texts from 1660 to 1670, Stephen Bardle provides a new literary historical narrative of what was in fact one of the most tumultuous periods in English history. This new study contributes to an on-going historical re-evaluation of the Restoration period, a time when terrible plague, the Great Fire of London, and a brutal war against the Dutch quickly undermined the popularity of the new government. The Literary Underground in the 1660s tells the story of three writers who fuelled the flames of opposition by contributing illicit texts to a small yet intense public sphere via the literary underground. Key texts by Andrew Marvell, including The Garden , are set in the context of under-explored works by the poet and pamphleteer George Wither, and the indomitable satirist Ralph Wallis. This book draws upon extensive archival research and features neglected manuscript and print sources. As an original study of the literary underground, which sheds light on the vibrancy of political opposition in the 1660s, this book should be of interest to students of radicalism as well as seventeenth-century historians and literary scholars.
Fault Lines and Controversies in the Study of Seventeenth-century English Literature
Author: Claude J. Summers
Publisher: University of Missouri Press
ISBN: 0826264085
Category : History
Languages : en
Pages : 248
Book Description
Written by various experts in the field, this volume of thirteen original essays explores some of the most significant theoretical and practical fault lines and controversies in seventeenth-century English literature. The turn into the twenty-first century is an appropriate time to take stock of the state of the field, and, as part of that stocktaking, the need arises to assess both where literary study of the early modern period has been and where it might desirably go. Hence, many of the essays in this collection look both backward and forward. They chart the changes in the field over the past half century, while also looking forward to more change in the future.
Publisher: University of Missouri Press
ISBN: 0826264085
Category : History
Languages : en
Pages : 248
Book Description
Written by various experts in the field, this volume of thirteen original essays explores some of the most significant theoretical and practical fault lines and controversies in seventeenth-century English literature. The turn into the twenty-first century is an appropriate time to take stock of the state of the field, and, as part of that stocktaking, the need arises to assess both where literary study of the early modern period has been and where it might desirably go. Hence, many of the essays in this collection look both backward and forward. They chart the changes in the field over the past half century, while also looking forward to more change in the future.
The Horror Plays of the English Restoration
Author: Anne Hermanson
Publisher: Routledge
ISBN: 1317028538
Category : Literary Criticism
Languages : en
Pages : 220
Book Description
A decade after the Restoration of Charles II, a disturbing group of tragedies, dubbed by modern critics the horror or the blood-and-torture villain tragedies, burst onto the London stage. Ten years later they were gone - absorbed into the partisan frenzy which enveloped the theatre at the height of the Exclusion Crisis. Despite burgeoning interest, until now there has been no full investigation into why these deeply unsettling plays were written when they were and why they so fascinated audiences for the period that they held the stage. The author’s contention is that the genre of horror gains its popularity at times of social dislocation. It reflects deep schisms in society, and English society was profoundly unsettled and in a (delayed) state of shock from years of social upheaval and civil conflict. Through recurrent images of monstrosity, madness, venereal disease, incest and atheism, Hermanson argues that the horror dramatists trope deep-seated and unresolved anxieties - engaging profoundly with contemporary discourse by abreacting the conspiratorial climate of suspicion and fear. Some go as far as to question unequivocally the moral and political value of monarchy, vilifying the office of kingship and pushing ideas of atheism further than in any drama produced since Seneca. This study marks the first comprehensive investigation of these macabre tragedies in which playwrights such as Nathaniel Lee, Thomas Shadwell, Elkanah Settle, Thomas Otway and the Earl of Rochester take their audience on an exploration of human iniquity, thrusting them into an examination of man’s relationship to God, power, justice and evil.
Publisher: Routledge
ISBN: 1317028538
Category : Literary Criticism
Languages : en
Pages : 220
Book Description
A decade after the Restoration of Charles II, a disturbing group of tragedies, dubbed by modern critics the horror or the blood-and-torture villain tragedies, burst onto the London stage. Ten years later they were gone - absorbed into the partisan frenzy which enveloped the theatre at the height of the Exclusion Crisis. Despite burgeoning interest, until now there has been no full investigation into why these deeply unsettling plays were written when they were and why they so fascinated audiences for the period that they held the stage. The author’s contention is that the genre of horror gains its popularity at times of social dislocation. It reflects deep schisms in society, and English society was profoundly unsettled and in a (delayed) state of shock from years of social upheaval and civil conflict. Through recurrent images of monstrosity, madness, venereal disease, incest and atheism, Hermanson argues that the horror dramatists trope deep-seated and unresolved anxieties - engaging profoundly with contemporary discourse by abreacting the conspiratorial climate of suspicion and fear. Some go as far as to question unequivocally the moral and political value of monarchy, vilifying the office of kingship and pushing ideas of atheism further than in any drama produced since Seneca. This study marks the first comprehensive investigation of these macabre tragedies in which playwrights such as Nathaniel Lee, Thomas Shadwell, Elkanah Settle, Thomas Otway and the Earl of Rochester take their audience on an exploration of human iniquity, thrusting them into an examination of man’s relationship to God, power, justice and evil.
Imagining Religious Toleration
Author: Alison Conway
Publisher: University of Toronto Press
ISBN: 1487513976
Category : Literary Criticism
Languages : en
Pages : 277
Book Description
Formerly a site of study reserved for intellectual historians and political philosophers, scholarship on religious toleration, from the perspective of literary scholars, is fairly limited. Largely ignored and understudied techniques employed by writers to influence cultural understandings of tolerance are rich for exploration. In investigating texts ranging from early modern to Romantic, Alison Conway, David Alvarez, and their contributors shed light on what literature can say about toleration, and how it can produce and manage feelings of tolerance and intolerance. Beginning with an overview of the historical debates surrounding the terms "toleration" and "tolerance," this book moves on to discuss the specific contributions that literature and literary modes have made to cultural history, studying the literary techniques that philosophers, theologians, and political theorists used to frame the questions central to the idea and practice of religious toleration. Tracing the rhetoric employed by a wide range of authors, the contributors delve into topics such as conversion as an instrument of power in Shakespeare; the relationship between religious toleration and the rise of Enlightenment satire; and the ways in which writing can act as a call for tolerance.
Publisher: University of Toronto Press
ISBN: 1487513976
Category : Literary Criticism
Languages : en
Pages : 277
Book Description
Formerly a site of study reserved for intellectual historians and political philosophers, scholarship on religious toleration, from the perspective of literary scholars, is fairly limited. Largely ignored and understudied techniques employed by writers to influence cultural understandings of tolerance are rich for exploration. In investigating texts ranging from early modern to Romantic, Alison Conway, David Alvarez, and their contributors shed light on what literature can say about toleration, and how it can produce and manage feelings of tolerance and intolerance. Beginning with an overview of the historical debates surrounding the terms "toleration" and "tolerance," this book moves on to discuss the specific contributions that literature and literary modes have made to cultural history, studying the literary techniques that philosophers, theologians, and political theorists used to frame the questions central to the idea and practice of religious toleration. Tracing the rhetoric employed by a wide range of authors, the contributors delve into topics such as conversion as an instrument of power in Shakespeare; the relationship between religious toleration and the rise of Enlightenment satire; and the ways in which writing can act as a call for tolerance.
Milton in the Long Restoration
Author: Blair Hoxby
Publisher: Oxford University Press
ISBN: 0198769776
Category : Literary Criticism
Languages : en
Pages : 656
Book Description
"Explores Milton's relationship to his contemporaries and early eighteenth-century heirs, demonstrating that some of Milton's earliest readers were more perceptive than Romantic and twentieth-century interpreters"--Publisher.
Publisher: Oxford University Press
ISBN: 0198769776
Category : Literary Criticism
Languages : en
Pages : 656
Book Description
"Explores Milton's relationship to his contemporaries and early eighteenth-century heirs, demonstrating that some of Milton's earliest readers were more perceptive than Romantic and twentieth-century interpreters"--Publisher.
Paper Bullets
Author: Harold M. Weber
Publisher: University Press of Kentucky
ISBN: 0813184886
Category : History
Languages : en
Pages : 374
Book Description
The calculated use of media by those in power is a phenomenon dating back at least to the seventeenth century, as Harold Weber demonstrates in this illuminating study of the relation of print culture to kingship under England's Charles II. Seventeenth-century London witnessed an enormous expansion of the print trade, and with this expansion came a revolutionary change in the relation between political authority—especially the monarchy—and the printed word. Weber argues that Charles' reign was characterized by a particularly fluid relationship between print and power. The press helped bring about both the deconsecration of divine monarchy and the formation of a new public sphere, but these processes did not result in the progressive decay of royal authority. Charles fashioned his own semiotics of power out of the political transformations that had turned his world upside down. By linking diverse and unusual topics—the escape of Charles from Worcester, the royal ability to heal scrofula, the sexual escapades of the "merry monarch," and the trial and execution of Stephen College—Weber reveals the means by which Charles took advantage of a print industry instrumental to the creation of a new dispensation of power, one in which the state dominates the individual through the supplementary relationship between signs and violence. Weber's study brings into sharp relief the conflicts involving public authority and printed discourse, social hierarchy and print culture, and authorial identity and responsibility—conflicts that helped shape the modern state.
Publisher: University Press of Kentucky
ISBN: 0813184886
Category : History
Languages : en
Pages : 374
Book Description
The calculated use of media by those in power is a phenomenon dating back at least to the seventeenth century, as Harold Weber demonstrates in this illuminating study of the relation of print culture to kingship under England's Charles II. Seventeenth-century London witnessed an enormous expansion of the print trade, and with this expansion came a revolutionary change in the relation between political authority—especially the monarchy—and the printed word. Weber argues that Charles' reign was characterized by a particularly fluid relationship between print and power. The press helped bring about both the deconsecration of divine monarchy and the formation of a new public sphere, but these processes did not result in the progressive decay of royal authority. Charles fashioned his own semiotics of power out of the political transformations that had turned his world upside down. By linking diverse and unusual topics—the escape of Charles from Worcester, the royal ability to heal scrofula, the sexual escapades of the "merry monarch," and the trial and execution of Stephen College—Weber reveals the means by which Charles took advantage of a print industry instrumental to the creation of a new dispensation of power, one in which the state dominates the individual through the supplementary relationship between signs and violence. Weber's study brings into sharp relief the conflicts involving public authority and printed discourse, social hierarchy and print culture, and authorial identity and responsibility—conflicts that helped shape the modern state.
The Seventeenth Century
Author: Graham Parry
Publisher: Routledge
ISBN: 131787109X
Category : Literary Criticism
Languages : en
Pages : 295
Book Description
The seventeenth century was a period of immense turmoil. This book explores the methods by which a distinctive iconography was created for each Stuart king, describes the cultural life of the Civil War period and the Cromwellian Protectorate, and analyses the impact of the antiquarian movement which constructed a new sense of national identity. Through this detailed and fascinating discussion of seventeenth-century society, Graham Parry provides a clear insight into the many forces operating on the literature of the period.
Publisher: Routledge
ISBN: 131787109X
Category : Literary Criticism
Languages : en
Pages : 295
Book Description
The seventeenth century was a period of immense turmoil. This book explores the methods by which a distinctive iconography was created for each Stuart king, describes the cultural life of the Civil War period and the Cromwellian Protectorate, and analyses the impact of the antiquarian movement which constructed a new sense of national identity. Through this detailed and fascinating discussion of seventeenth-century society, Graham Parry provides a clear insight into the many forces operating on the literature of the period.