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Author: Paul Taylor
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 220
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Book Description
Iconographers normally use texts, either to locate the narratives that are illustrated in the images they are studying, or to deepen their understanding of the cultural milieux in which those images were produced. This book provides essays that are found to be pertinent by art historians, archaeologists and anthropologists. Proceedings of a conference held at the Warburg Institute on 3-4 June 2005.
Author: Paul Taylor
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 220
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Book Description
Iconographers normally use texts, either to locate the narratives that are illustrated in the images they are studying, or to deepen their understanding of the cultural milieux in which those images were produced. This book provides essays that are found to be pertinent by art historians, archaeologists and anthropologists. Proceedings of a conference held at the Warburg Institute on 3-4 June 2005.
Author: Pamela Sachant
Publisher: Good Press
ISBN:
Category : Art
Languages : en
Pages : 614
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Book Description
Introduction to Art: Design, Context, and Meaning offers a deep insight and comprehension of the world of Art. Contents: What is Art? The Structure of Art Significance of Materials Used in Art Describing Art - Formal Analysis, Types, and Styles of Art Meaning in Art - Socio-Cultural Contexts, Symbolism, and Iconography Connecting Art to Our Lives Form in Architecture Art and Identity Art and Power Art and Ritual Life - Symbolism of Space and Ritual Objects, Mortality, and Immortality Art and Ethics
Author: Warren T. Woodfin
Publisher: Oxford University Press
ISBN: 0199592098
Category : Art
Languages : en
Pages : 376
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Book Description
Originally presented as the author's thesis (doctoral)--University of Illinois at Urbana-Champaign, 2002.
Author: Paul Taylor
Publisher:
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 272
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Book Description
The essays in the volume study various aspects of the iconography of cylinder seals from the Akkadian period to the Neo-Assyrian period, from Mesopotamia to Hittite Anatolia. The authors deal mostly with concrete cases, including themes such as warfare, the sacred tree, fish and the god Ninurta. An introduction discusses the problems involved in interpreting iconography with few or no texts, and the volume is opened by a memorial of Henri Frankfort, second Director of the Institute, by his successor J. B. Trapp. The illustrations include a wide range of seal impressions. The book will be of interest to archaeologists and art historians of the ancient Near East, and to comparative iconologists. It was first published in 2006, and quickly sold out (ISBN-10: 0854811354). A limited number of volumes have been reprinted in 2018 for interested specialists (ISBN-13: 978-0-85481-135-9).
Author: Ann C. Gunter
Publisher: John Wiley & Sons
ISBN: 1118336755
Category : Literary Criticism
Languages : en
Pages : 703
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Book Description
Provides a broad view of the history and current state of scholarship on the art of the ancient Near East This book covers the aesthetic traditions of Mesopotamia, Iran, Anatolia, and the Levant, from Neolithic times to the end of the Achaemenid Persian Empire around 330 BCE. It describes and examines the field from a variety of critical perspectives: across approaches and interpretive frameworks, key explanatory concepts, materials and selected media and formats, and zones of interaction. This important work also addresses both traditional and emerging categories of material, intellectual perspectives, and research priorities. The book covers geography and chronology, context and setting, medium and scale, while acknowledging the diversity of regional and cultural traditions and the uneven survival of evidence. Part One of the book considers the methodologies and approaches that the field has drawn on and refined. Part Two addresses terms and concepts critical to understanding the subjects and formal characteristics of the Near Eastern material record, including the intellectual frameworks within which monuments have been approached and interpreted. Part Three surveys the field’s most distinctive and characteristic genres, with special reference to Mesopotamian art and architecture. Part Four considers involvement with artistic traditions across a broader reach, examining connections with Egypt, the Aegean, and the Mediterranean. And finally, Part Five addresses intersections with the closely allied discipline of archaeology and the institutional stewardship of cultural heritage in the modern Middle East. Told from multiple perspectives, A Companion to Ancient Near Eastern Art is an enlightening, must-have book for advanced undergraduate and graduate students of ancient Near East art and Near East history as well as those interested in history and art history.
Author: Lisa Pon
Publisher: Cambridge University Press
ISBN: 1316300668
Category : History
Languages : en
Pages : 305
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Book Description
In 1428, a devastating fire destroyed a schoolhouse in the northern Italian city of Forlì, leaving only a woodcut of the Madonna and Child that had been tacked to the classroom wall. The people of Forlì carried that print - now known as the Madonna of the Fire - into their cathedral, where two centuries later a new chapel was built to enshrine it. In this book, Lisa Pon considers a cascade of moments in the Madonna of the Fire's cultural biography: when ink was impressed onto paper at a now-unknown date; when that sheet was recognized by Forlì's people as miraculous; when it was enshrined in various tabernacles and chapels in the cathedral; when it or one of its copies was - and still is - carried in procession. In doing so, Pon offers an experiment in art historical inquiry that spans more than three centuries of making, remaking, and renewal.
Author: H. Geertz
Publisher: BRILL
ISBN: 9004328629
Category : Social Science
Languages : en
Pages : 548
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Book Description
In Storytelling in Bali, Hildred Geertz makes a case for the importance of the role of informal storytelling as an engine of social change in Bali in the 1930s. This is a study of more than 200 texts dictated by the painters of the village of Batuan in 1936 to the anthropologist Gregory Bateson. It is completed by three years field work in Batuan in the 1980s. The tales reveal a set of strong ambivalences about the magical powers of kings, priests and sorcerers, and about social strains within villages and families. These narratives were related in the daily settings of home and coffee shop and also in the spectacular dance-dramas of the time.
Author: Steven J. Garfinkle
Publisher: Penn State Press
ISBN: 1575068710
Category : History
Languages : en
Pages : 521
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Book Description
This volume collects the proceedings of a three-day conference held in Madrid in July 2010, and it highlights the vitality of the study of late-third-millennium B.C. Mesopotamia. Workshops devoted to the Ur III period have been a feature of the Rencontre Assyriologique Internationale roughly every other year, beginning in London in 2003. In 2009, Steve Garfinkle and Manuel Molina asked the community of Neo-Sumerian scholars to convene the following year in Madrid before the Rencontre in Barcelona. The meeting had more than 50 participants and included 8 topical sessions and 27 papers. The 21 contributions included in this volume cover a broad range of topics: new texts, new interpretations, and new understandings of the language, culture, and history of the Ur III period (2112–2004 B.C.). The present and future of Neo-Sumerian studies are important not only for the field of Assyriology but also for wider inquiries into the ancient world. The extant archives offer insight into some of the earliest cities and one of the earliest kingdoms in the historical record. The era of the Third Dynasty of Ur is also probably the best-attested century in antiquity. This imposes a responsibility on the small community of scholars who work on the Neo-Sumerian materials to make this it accessible to a broad, interdisciplinary audience in the humanities and related fields. This volume is a solid step in this direction.
Author: Susan S. Neville
Publisher: Indiana University Press
ISBN: 9780253110725
Category : Literary Collections
Languages : en
Pages : 230
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Book Description
"I started this meditation on the first day of Lent. I hope to keep going every day until Easter. Each day I go fishing in the water of this internal voice. This week the water's still, this angled pen a blue sail; the hook is lazy in the estuary, the water the color of lapis. So what if I don't catch a fish? I said that I would fish; that's all I promised. I bait the hook with each day's discipline. I have no guarantees that there is anything at all to catch in these particular waters, that something beneath the surface won't grab my pen and pull me under." -- from Iconography When Susan Neville enrolls in an icon-painting class in the cellar of an Indianapolis monastery, she begins a journey into a fascinating hidden world where saints are fabricated of mineral and wood, yolk and blood, earth and time. The process is tedious, and she begins to make mistakes, to become impatient; she doesn't feel ready for the challenge. To prepare herself, Neville makes a vow to write during the 40 days of Lent. What emerges is a journal, a meditation, a series of confessions that we are invited to listen to as we follow Neville's sometimes painful attempts to reveal the truth and discover the mystery of her existence. In the layering of colors and moods, her writing is the spiritual equivalent of an icon. As she observes the world around her and applies the paint of language to her observations, she realizes that spirit and matter are not separate -- that now and then moments of meaning emerge from daily life, and the stillness and majesty of the universe shine through.
Author: Izaak Jozias de Hulster
Publisher: Vandenhoeck & Ruprecht
ISBN: 3647997633
Category : Religion
Languages : en
Pages : 502
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Book Description
Iconographic exegesis combines the study of biblical texts (exegesis) with the study of ancient expressions of visual art (iconography). Studying ancient visual art that is contemporary with the documents of the Old Testament gives remarkable insight, not only on the meaning and historical context of the biblical text, but also because it facilitates greater understanding of how the ancient authors and audiences saw, thought, and made sense of the world. Iconography thus merits close attention as another avenue that can lead to a more nuanced and more complete understanding of the biblical text. Each chapter of this book provides an exegesis of a particular biblical text or theme. The book is organized around the tripartite structure of the Hebrew Bible, and demonstrates that iconographical exegesis is pertinent to "every nook and cranny" of the Bible. Within the three parts, there is special emphasis on Genesis, Isaiah, and the Psalms in order to make the book attractive for classes that deal with one or more of these books and might therefore include an iconographic perspective. In addition to connecting with a major issue in biblical interpretation, theology, or visual studies each chapter will end with one or two exercises directing the reader/student to comparable texts and images, enabling them to apply what was described in the chapter for themselves. This approach enables beginners as well as advanced readers to integrate iconography into their toolbox of exegetical skills.
