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Author: Raffaele Simone
Publisher: John Benjamins Publishing
ISBN: 9027285705
Category : Language Arts & Disciplines
Languages : en
Pages : 334
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Book Description
Several current linguistic approaches converge in rejecting the wide-spread idea that language is an autonomous system, i.e. that it is structured independently from the outside world and the natural equipment of language users. Around the world, semiotically biased linguistics (functionalism, naturalism, etc.) takes this position, which differentiates it very clearly from generative linguistics. One of the basic assumptions of such approaches is that language structure includes some non-arbitrary aspects, from the phonological through the textual level, and a great amount of research has occurred in the last decade regarding the “iconic aspects” of language(s). This volume focuses on generally neglected dimensions of language and semiotic activity, featuring contributions by philosophers, linguists, semioticians, and psychologists. After tracing the tradition of iconicity in the history of linguistic thought, the central section is devoted to specific analyses emphasizing the role of non-arbitrary phenomena in language foundation and linguistic structure. Specifically discussed are numeration systems, the gestural systems of communication among deaf people, the genesis of writing in children, and inter-ethnic communication.
Author: Raffaele Simone
Publisher: John Benjamins Publishing
ISBN: 9027285705
Category : Language Arts & Disciplines
Languages : en
Pages : 334
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Book Description
Several current linguistic approaches converge in rejecting the wide-spread idea that language is an autonomous system, i.e. that it is structured independently from the outside world and the natural equipment of language users. Around the world, semiotically biased linguistics (functionalism, naturalism, etc.) takes this position, which differentiates it very clearly from generative linguistics. One of the basic assumptions of such approaches is that language structure includes some non-arbitrary aspects, from the phonological through the textual level, and a great amount of research has occurred in the last decade regarding the “iconic aspects” of language(s). This volume focuses on generally neglected dimensions of language and semiotic activity, featuring contributions by philosophers, linguists, semioticians, and psychologists. After tracing the tradition of iconicity in the history of linguistic thought, the central section is devoted to specific analyses emphasizing the role of non-arbitrary phenomena in language foundation and linguistic structure. Specifically discussed are numeration systems, the gestural systems of communication among deaf people, the genesis of writing in children, and inter-ethnic communication.
Author: Klaas Willems
Publisher: John Benjamins Publishing
ISBN: 9027243433
Category : Language Arts & Disciplines
Languages : en
Pages : 260
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Book Description
This volume examines unresolved issues in iconicity and naturalness in language. The studies discuss topics such as naturalism in the philosophy of language and the epistemology of linguistics, linguistic iconicity in semiotics, iconic structures in Sign Languages, natural and unnatural sound patterns, the iconic nature of parts of speech, the relation between (un)markedness and naturalness, and lexical and syntactic iconicity.
Author: Janice Aski
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 1614516391
Category : Language Arts & Disciplines
Languages : en
Pages : 206
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Book Description
This book examines the alternation between accusative-dative and dative-accusative order in Old Florentine clitic clusters and its decline in favor of the latter. Based on an exhaustive analysis of data collected from medieval Florentine and Tuscan texts we offer a novel analysis of the rise of the variable order, the transition from one order to the other, and the demise of the alternation that relies primarily on iconicity and analogy. The book employs exophoric pragmatic iconicity, a language-external iconic relationship based on similarity between linguistic structure and the speaker/writer's conceptualization of reality, and endophoric iconicity, a language-internal iconic relationship where the iconic ground is construed between linguistic signs and structures. Analogy is viewed as a productive process that generalizes patterns or extends grammatical rules to formally similar structures, and obtains the form of the analogical relationship between the masculine singular definite article and the third person singular accusative clitic, which shared the same phonotactically constrained distribution patterns. The data indicate that exophoric pragamatic iconicity exploits and maintains the alternation, whereas endophoric iconicity and analogy conspire to end it.
Author: Diane Brentari
Publisher: Cambridge University Press
ISBN: 1107113474
Category : Language Arts & Disciplines
Languages : en
Pages : 353
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Book Description
Surveys key findings and ideas in sign language phonology, exploring the crucial areas in phonology to which sign language studies has contributed.
Author: Sarah F. Taub
Publisher: Cambridge University Press
ISBN: 1139428225
Category : Psychology
Languages : en
Pages : 274
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Book Description
What is the role of meaning in linguistic theory? Generative linguists have severely limited the influence of meaning, claiming that language is not affected by other cognitive processes and that semantics does not influence linguistic form. Conversely, cognitivist and functionalist linguists believe that meaning pervades and motivates all levels of linguistic structure. This dispute can be resolved conclusively by evidence from signed languages. Signed languages are full of iconic linguistic items: words, inflections, and even syntactic constructions with structural similarities between their physical form and their referents' form. Iconic items can have concrete meanings and also abstract meanings through conceptual metaphors. Language from the Body rebuts the generativist linguistic theories which separate form and meaning and asserts that iconicity can only be described in a cognitivist framework where meaning can influence form.
Author: Max Nänny
Publisher:
ISBN: 9781588113283
Category : Language Arts & Disciplines
Languages : en
Pages : 1304
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Book Description
Volume 1: The recent past has seen an increasing interest in iconicity especially among linguists. This collection puts the interdisciplinary study of iconic dimensions (comprising what has been termed imagic iconicity, as well as diagrammatic iconicity, i.e. iconicity of a more abstract and less semiotic type) on the map, paying special attention to the use of iconicity in literary texts. The studies presented here explore iconicity from two different angles. A first group of authors brings into focus how far the primary code, the code of grammar is influenced by iconic motivation (with contributions on rules involved in discourse; rules in word formation; and phonological rules), and how originally iconic models have become conventionalized. Others go one step further in exploring how, for instance, the presence of iconicity can tell us more about the structure of human cognition, or how the iconicist desire for symmetry can be related to the symmetry of the human body. A second group of contributors is more interested in the presence of iconicity as part of the secondary code, i.e. in how speakers and writers remotivate or play with the primary code; how they concretise what has become conventional or how they use form to add to meaning in literary texts, commercial language and in the new electronic use of texts.Volume 2: This volume, a sequel to "Form Miming Meaning" (1999), offers a selection of papers given at the second international symposium on iconicity (Amsterdam 1999). In the light of semiotic, linguistic and literary theory the studies gathered here investigate how iconicity works on all levels of language, in literary texts and other forms of verbal discourse. They investigate, among other subjects, the semiotic foundations of iconicity, the role played by iconicity in language evolution and in the way words are positioned syntactically. Special consideration is given to the iconic nature of metaphor and the "mise en abyme," to iconically motivated punctuation and other typographic matters such as the manipulation of colour, fonts and spacing in advertising and in poetry. Other studies show how iconicity influences Shakespeare s rhetoric, the structural design of Margaret Atwood s writings and the changing fashions in fictional landscape description. Thus, these analyses of the motivated sign represent yet another strong challenge to Saussure s dogma of arbitrariness (Jakobson).Volume 3: This volume, a sequel to "Form Miming Meaning" (1999) and "The Motivated Sign" (2001), offers a selection of papers given at the Third International Symposium on Iconicity in Language and Literature (Jena 2001). The studies collected here present a number of new departures. Special consideration is given to the way non-linguistic visual and auditory signs (such as gestures and bird sounds) are represented in language, and more specifically in signed language, and how such signs influence semantic conceptualization. Other studies examine more closely how visual signs and representations of time and space are incorporated or reflected in literary language, in fiction as well as (experimental) poetry. A further new approach concerns intermedial iconicity, which emerges in art when its medium is changed or another medium is imitated. A more abstract, diagrammatic type of iconicity is again investigated, with reference to both language and literature: some essays focus on the device of reduplication, isomorphic tendencies in word formation and on creative iconic patterns in syntax, while others explore numerical design in Dante and geometrical patterning in Dylan Thomas. A number of theoretically-oriented papers pursue post-Peircean approaches, such as the application of reader-response theory and of systems theory to iconicity. Volume 4: This fourth volume of the Iconicity series is like its predecessors devoted to the study of iconicity in language and literature in all its forms. Many of the papers turn the notion of iconicity inside-out, some suggesting that less-is-more; others focus on the cognitive factors inside the brain that are important for the iconic phenomena that are produced in the outside world. In addition this volume includes a paper related to iconicity in music and its interaction with language. Other papers range from the theoretical issues involved in the evolution of language, to those that offer many inside-out claims, such as claiming that nouns are derived from pronouns, and as such should more properly be called pro-pronouns . Also, this volume includes perhaps the first English-language analysis of the iconic aspects of sound symbolism in a prayer from the Koran. This is a truly interdisciplinary collection that should turn some of the notions of iconicity in language and literature outside-in and in-side-out .
Author: Marloes Oomen
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110742845
Category : Language Arts & Disciplines
Languages : en
Pages : 394
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Book Description
In many sign languages around the world, some verbs express grammatical agreement, while many others do not. Curiously, there is a remarkable degree of semantic overlap across sign languages between verbs that do and do not possess agreement properties. This book scrutinizes the interaction between semantic and morphosyntactic structure in verb constructions in German Sign Language (DGS). Naturalistic dialogues from the DGS Corpus form the primary data source. It is shown that certain semantic properties, also known to govern transitivity marking in spoken languages, are predictive of verb type in DGS, where systematic iconic mappings play a mediating role. The results enable the formulation of cross-linguistic predictions about the interplay between verb semantics and verb type in sign languages. An analysis of the morphosyntactic properties of different verb types leads up to the conclusion that even ‘plain’ verbs agree with their arguments, where iconicity again plays a crucial role. The findings motivate a unified syntactic analysis in terms of agreement of constructions with verbs of all types, thus offering a novel solution to the typological puzzle that supposedly only a subset of verbs agree in DGS and other sign languages.
Author: Juan Carlos Moreno Cabrera
Publisher: Cambridge Scholars Publishing
ISBN: 1527548864
Category : Reference
Languages : en
Pages : 478
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Book Description
In linguistics, as in semiotics, iconicity is the conceived similarity between the form of a linguistic sign and its meaning. This book covers all aspects of linguistic iconicity in both spoken and signed languages, including definitions of all the relevant concepts and explanations of significant iconic words and expressions, and brief summaries of the contents and main proposals of 30 significant works in the history of iconicity research. It also provides definitions and exemplifications of the principles governing linguistic iconicity and brief overviews of iconic words and expressions in 11 language families and in more than 50 spoken and signed languages all over the world. The book contains 678 entries and more than 8,500 examples drawn from 400 languages, and will appeal to scholars and students interested in general linguistics, the history of linguistics, language typology, phonology, morphology, syntax, semantics, and semiotics.
Author: Ivan Fonagy
Publisher: John Benjamins Publishing
ISBN: 9027232830
Category : Language Arts & Disciplines
Languages : en
Pages : 842
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Book Description
There is little hope of reconstructing by means of comparative or typological studies a lingua adamica essentially different from present-day languages. The distant preverbal past is however still present in live speech. Phonetic, syntactic and semantic rule transgressions, far from being products of a deficient output, are governed by a universal iconic apparatus, a sort of 'anti-grammar' or 'proto-grammar' which enables the speaker and the poet to express preconscious and subconscious mental contents that could not be conveyed by means of the grammar of any language. Secondary messages, generated by the proto-grammar are integrated into the primary grammatical message. The two messages whose structural and semantic divergence represents a chronological distance of hundreds of thousands of years, constitute a dialectic unity which characterize natural languages. The evolutive approach offers a different, perhaps better understanding of questions related to dynamic synchrony, vocal and verbal style, poetic language, language change.Chapters on: Diversity of the lexicon; Dual encoding: vocal style; Syntactic gesturing; Syntactic regressions; Prosodic expression of emotions; Poetry and vocal art; Situation and meaning; A hidden presence: verbal magic; Playing with language: joke and metaphor; Metaphor: a research instrument; Dynamics of poetic language; Semantic structure of possessive constructions; Semantic structure of punctuation marks; Why gestures?; Between acts and words; Language within language: dynamics, change and evolution.
Author: Dirk Geeraerts
Publisher: OUP USA
ISBN: 0199738637
Category : Language Arts & Disciplines
Languages : en
Pages : 1366
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Book Description
With 49 chapters written by experts in the field, this reference volume authoritatively covers cognitive linguistics, from basic concepts and models to practical applications.
