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Author: James Walter McFarlane
Publisher: Norvik Press
ISBN:
Category : Literary Criticism
Languages : en
Pages : 412
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Book Description
"At the heart of this book is the series of eight critical introductions written by James McFarlane for the successive volumes of the Oxford Ibsen as they appeared over a twenty year period in the 1960s and 1970s. Taken individually, these prefaces examine with sensitivity and insight the entire corpus of Ibsen's dramatic authorship in its chronological development - and exercise which Ibsen himself urged on any ready who wished to reach the fullest understanding of his work. Taken together, an published as they now are between the cover of this book, these prefaces constitute a uniquely authoritative account of Isben's dramatic achievement." -- back cover
Author: James Walter McFarlane
Publisher: Norvik Press
ISBN:
Category : Literary Criticism
Languages : en
Pages : 412
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Book Description
"At the heart of this book is the series of eight critical introductions written by James McFarlane for the successive volumes of the Oxford Ibsen as they appeared over a twenty year period in the 1960s and 1970s. Taken individually, these prefaces examine with sensitivity and insight the entire corpus of Ibsen's dramatic authorship in its chronological development - and exercise which Ibsen himself urged on any ready who wished to reach the fullest understanding of his work. Taken together, an published as they now are between the cover of this book, these prefaces constitute a uniquely authoritative account of Isben's dramatic achievement." -- back cover
Author: Joan Templeton
Publisher: Springer
ISBN: 1137540443
Category : Performing Arts
Languages : en
Pages : 380
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Book Description
This book argues that Shaw was a masterful reader of Ibsen's plays both as texts and as the cornerstone of the modern theatre. Dismantling the notion that Shaw distorted Ibsen to promote his own view of the world, and establishing Shaw’s initial interest in Ibsen as the poet of Peer Gynt, it chronicles Shaw’s important role in the London Ibsen campaign and exposes the falsity of the tradition that Shaw branded Ibsen as a socialist. Further, this study shows that Shaw’s famous but maligned The Quintessence of Ibsenism reflects Ibsen’s own anti-idealist notion of his work and argues that Shaw’s readings of Ibsen’s plays are pioneering analyses that anticipate later criticism. It offers new readings of Shaw’s “Ibsenist” plays as well as a comprehensive account of Ibsen’s importance for Shaw’s dramatic criticism, from his early journalism to Our Theatres of the Nineties, both as a weapon against the inanities of the Victorian stage and as the standard bearer for modernism.
Author: H. Logeman
Publisher: Springer
ISBN:
Category : Education
Languages : en
Pages : 512
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Book Description
This critical study of the existing Peer Gynt texts, with the exception of §§ 140, 141 and a few notes added here and there in the text, was written in the spring of 1914 and even com posed down to § 104. It was to have been published in the Recueil de la Faculte de Philo sophie et Lettres de l'Universite de Gand in the September of that year, contemporaneou
Author: Einar Ingvald Haugen
Publisher: U of Minnesota Press
ISBN: 0816608962
Category : Literary Criticism
Languages : en
Pages : 210
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Book Description
Examines Ibsen's life and work, the ideas that shaped his art, and the influence he had on modern literature and thought
Author: O. Classe
Publisher: Taylor & Francis
ISBN: 9781884964367
Category : Authors
Languages : en
Pages : 930
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Book Description
Author:
Publisher:
ISBN:
Category : Literature
Languages : en
Pages : 794
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Book Description
Author: Brian Johnston
Publisher: Penn State Press
ISBN: 0271040645
Category : Drama
Languages : en
Pages : 235
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Book Description
Brian Johnston's approach to Ibsen, now well known, is unlike any other. Johnston sees Ibsen's twelve realist plays as a single cyclical work, the "realist" method of which hides a much larger poetic intention than has previously been suspected. He believes that the cycle constitutes one of the major works of the European imagination, comparable in scale to Goethe or Dante. And he has shown Ibsen to be the heir to Romantic and Hegelian art and thought, adapting this heritage to the circumstances of his own day.This work demonstrates how the language and scene, characters and "props," of the Ibsen dramas establish a bold and far-reaching theatrical goal: nothing less than an account of our biological and cultural identity in its multilayered totality. Johnston argues that Ibsen's realist text, while stimulating the appearance of nineteenth-century life, also objectively and precisely builds up an alternative image in which archetypal figures and situations from our cultural past repossess the realist stage. Thus he sees the Ibsen "strategy" in his realist plays as twofold: (1) the dialectical subversion of the nineteenth-century reality presented in the plays, and (2) the forced recovery of the archetypal from the past, in a procedure similar to James Joyce's in Ulysses. By "supertext" Johnston means a reservoir of cultural reference upon which Ibsen continuously drew in his realist work just as in is earlier poetic and historical dramas.
Author: Evert Sprinchorn
Publisher: Yale University Press
ISBN: 0300256248
Category : Biography & Autobiography
Languages : en
Pages : 684
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Book Description
A major biography of one of the most important figures in modern drama, evoked through a biographical reading of his playsNorwegian playwright Henrik Ibsen achieved unparalleled success in his lifetime and remains one of the most important figures in modern drama. The culmination of a lifetime of scholarship, Evert Sprinchorn’s biography constructs Ibsen’s life through a biographical reading of his plays with provocative and insightful analyses of his works, placing them and their author within the social, political, and intellectual foment of nineteenth-century Europe. This thought-provoking book will captivate anyone interested in the history of drama and the foundations of modernism.
Author: Kristin Gjesdal
Publisher: Oxford University Press
ISBN: 0190467878
Category : Literary Criticism
Languages : en
Pages : 273
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Book Description
Since its publication in 1890, Ibsen's Hedda Gabler has been a recurring point of fascination for readers, theater audiences, and artists alike. Newly married, yet utterly bored, the character of Hedda Gabler evokes reflection on beauty, love, passion, death, nihilism, identity, and a host of other topics of an existential nature. It is no surprise that Ibsen's work has gained the attention of philosophically-minded readers from Nietzsche, Lou Andreas-Salom , and Freud, to Adorno, Cavell, and beyond. Once staged at avant-garde theaters in Paris, London, and Berlin, Ibsen is now a global phenomenon. The enigmatic character of Hedda Gabler remains intriguing to ever-new generations of actors, audiences, and readers. Hedda Gabler occupies a privileged place in the history of European drama and as a work of literature, and, as this volume demonstrates, invites profound and worthwhile philosophical questions. Through ten newly commissioned chapters, written by leading voices in the fields of drama studies, European philosophy, Scandinavian studies, and comparative literature, this volume brings out the philosophical resonances of Hedda Gabler in particular and Ibsen's drama more broadly.
Author:
Publisher:
ISBN:
Category : Dressmaking
Languages : en
Pages : 1010
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Book Description
