Author: Michael Goldman
Publisher: Columbia University Press
ISBN: 9780231113212
Category : Drama
Languages : en
Pages : 196
Book Description
Although Henrik Ibsen is secure in his reputation as a major dramatist and intellectual figure, little attention has been given to the connections between his dramatic practice and his plays' powerful impact on audience and culture. Michael Goldman examines "how the play attacks us in the theater" and the means by which Ibsen assaults the audience's expectations and opinions. Focusing on specific features of Ibsen's dramaturgy that have been overlooked or underappreciated, Goldman looks at the plays' unsettling dialogue and driving plots, then explores the impacts on both character and audience when Ibsen's powerful vision takes effect. How does Ibsen illustrate a character's inner turmoil, and how is this quality realized by the actor on stage? What is the "spine"--the single, definitive phrase used by actors to pinpoint the dominant motivation-in A Doll's House? How does the stage design in The Wild Duck arouse the audience's curiosity? With considerable attention to these plays as well as The Master Builder and Peer Gynt, Goldman examines the characteristic "moments of crisis" and the striking similarities of gesture and language from play to play. Goldman discusses every aspect of Ibsen's art, from language, psychological motive, and narrative construct, to approaches used by actors and directors in play productions.
Ibsen
Author: Michael Goldman
Publisher: Columbia University Press
ISBN: 9780231113212
Category : Drama
Languages : en
Pages : 196
Book Description
Although Henrik Ibsen is secure in his reputation as a major dramatist and intellectual figure, little attention has been given to the connections between his dramatic practice and his plays' powerful impact on audience and culture. Michael Goldman examines "how the play attacks us in the theater" and the means by which Ibsen assaults the audience's expectations and opinions. Focusing on specific features of Ibsen's dramaturgy that have been overlooked or underappreciated, Goldman looks at the plays' unsettling dialogue and driving plots, then explores the impacts on both character and audience when Ibsen's powerful vision takes effect. How does Ibsen illustrate a character's inner turmoil, and how is this quality realized by the actor on stage? What is the "spine"--the single, definitive phrase used by actors to pinpoint the dominant motivation-in A Doll's House? How does the stage design in The Wild Duck arouse the audience's curiosity? With considerable attention to these plays as well as The Master Builder and Peer Gynt, Goldman examines the characteristic "moments of crisis" and the striking similarities of gesture and language from play to play. Goldman discusses every aspect of Ibsen's art, from language, psychological motive, and narrative construct, to approaches used by actors and directors in play productions.
Publisher: Columbia University Press
ISBN: 9780231113212
Category : Drama
Languages : en
Pages : 196
Book Description
Although Henrik Ibsen is secure in his reputation as a major dramatist and intellectual figure, little attention has been given to the connections between his dramatic practice and his plays' powerful impact on audience and culture. Michael Goldman examines "how the play attacks us in the theater" and the means by which Ibsen assaults the audience's expectations and opinions. Focusing on specific features of Ibsen's dramaturgy that have been overlooked or underappreciated, Goldman looks at the plays' unsettling dialogue and driving plots, then explores the impacts on both character and audience when Ibsen's powerful vision takes effect. How does Ibsen illustrate a character's inner turmoil, and how is this quality realized by the actor on stage? What is the "spine"--the single, definitive phrase used by actors to pinpoint the dominant motivation-in A Doll's House? How does the stage design in The Wild Duck arouse the audience's curiosity? With considerable attention to these plays as well as The Master Builder and Peer Gynt, Goldman examines the characteristic "moments of crisis" and the striking similarities of gesture and language from play to play. Goldman discusses every aspect of Ibsen's art, from language, psychological motive, and narrative construct, to approaches used by actors and directors in play productions.
Ibsen in Practice
Author: Frode Helland
Publisher: Bloomsbury Publishing
ISBN: 1408184974
Category : Performing Arts
Languages : en
Pages : 273
Book Description
A critical analysis of how Ibsen's plays.are produced globally, through studies of the conditions and contexts that influence the productions.
Publisher: Bloomsbury Publishing
ISBN: 1408184974
Category : Performing Arts
Languages : en
Pages : 273
Book Description
A critical analysis of how Ibsen's plays.are produced globally, through studies of the conditions and contexts that influence the productions.
Ibsen in Practice
Author: Frode Helland
Publisher: Bloomsbury Publishing
ISBN: 1472514963
Category : Performing Arts
Languages : en
Pages : 303
Book Description
The volume reveals an astonishing richness in the theatrical approaches to Ibsen across the world: it considers political theatre, institutional 'high art', theatre for development, queer and transgender theatre, Brechtian techniques, puppetry, post-dramatic theatre, rural village performance and avant-garde touring companies. Investigating varied renegotiations of his drama, including the work of Thomas Ostermeier in Germany and other parts of the world, versions of A Doll's House from Chile and China, The Wild Duck in Iran and productions of Peer Gynt in Zimbabwe and Egypt, Frode Helland provides a deeper understanding of a cross-cultural Ibsen. The volume gives an in-depth analysis of the practice of Ibsen in relation to political, social, ideological and economic forces within and outside of the performances themselves, and demonstrates the incredible diversity of his work in local situations.
Publisher: Bloomsbury Publishing
ISBN: 1472514963
Category : Performing Arts
Languages : en
Pages : 303
Book Description
The volume reveals an astonishing richness in the theatrical approaches to Ibsen across the world: it considers political theatre, institutional 'high art', theatre for development, queer and transgender theatre, Brechtian techniques, puppetry, post-dramatic theatre, rural village performance and avant-garde touring companies. Investigating varied renegotiations of his drama, including the work of Thomas Ostermeier in Germany and other parts of the world, versions of A Doll's House from Chile and China, The Wild Duck in Iran and productions of Peer Gynt in Zimbabwe and Egypt, Frode Helland provides a deeper understanding of a cross-cultural Ibsen. The volume gives an in-depth analysis of the practice of Ibsen in relation to political, social, ideological and economic forces within and outside of the performances themselves, and demonstrates the incredible diversity of his work in local situations.
Global Ibsen
Author: Erika Fischer-Lichte
Publisher: Routledge
ISBN: 1136918892
Category : Performing Arts
Languages : en
Pages : 399
Book Description
Ibsen’s plays rank among those most frequently performed world-wide, rivaled only by Brecht, Chekhov, Shakespeare, and the Greek tragedies. By the time Ibsen died in 1906, his plays had already conquered the theaters of the Western world. Inviting rapturous praise as well as fierce controversy, they were performed in Europe, North America, and Australia, contributing greatly to the theater, culture, and social life of these continents. Soon after Ibsen’s death, his plays entered the stages of East Asia - Japan, China, Korea - as well as Africa and Latin America. . But while there exist countless studies on Ibsen the dramatist and the significance of his plays within different cultures written mainly by literary scholars, none of them examine the ways in which Ibsen's plays were performed, or the impact of such performances on the theater, social life, and politics of these cultures. In Global Ibsen, contributors look at the way performances of Ibsen's plays address problems typical to modern societies all over the world, including: the inferior social status of women, the decay of bourgeois family life and values, religious fundamentalism, industrial pollution and corporate cover-up, and/or the loss of and search for identity.
Publisher: Routledge
ISBN: 1136918892
Category : Performing Arts
Languages : en
Pages : 399
Book Description
Ibsen’s plays rank among those most frequently performed world-wide, rivaled only by Brecht, Chekhov, Shakespeare, and the Greek tragedies. By the time Ibsen died in 1906, his plays had already conquered the theaters of the Western world. Inviting rapturous praise as well as fierce controversy, they were performed in Europe, North America, and Australia, contributing greatly to the theater, culture, and social life of these continents. Soon after Ibsen’s death, his plays entered the stages of East Asia - Japan, China, Korea - as well as Africa and Latin America. . But while there exist countless studies on Ibsen the dramatist and the significance of his plays within different cultures written mainly by literary scholars, none of them examine the ways in which Ibsen's plays were performed, or the impact of such performances on the theater, social life, and politics of these cultures. In Global Ibsen, contributors look at the way performances of Ibsen's plays address problems typical to modern societies all over the world, including: the inferior social status of women, the decay of bourgeois family life and values, religious fundamentalism, industrial pollution and corporate cover-up, and/or the loss of and search for identity.
Ibsen, Scandinavia and the Making of a World Drama
Author: Narve Fulsås
Publisher: Cambridge University Press
ISBN: 1316992799
Category : Literary Criticism
Languages : en
Pages : 294
Book Description
Henrik Ibsen's drama is the most prominent and lasting contribution of the cultural surge seen in Scandinavian literature in the later nineteenth century. When he made his debut in Norway in 1850, the nation's literary presence was negligible, yet by 1890 Ibsen had become one of Europe's most famous authors. Contrary to the standard narrative of his move from restrictive provincial origins to liberating European exile, Narve Fulsås and Tore Rem show how Ibsen's trajectory was preconditioned on his continued embeddedness in Scandinavian society and culture, and that he experienced great success in his home markets. This volume traces how Ibsen's works first travelled outside Scandinavia and studies the mechanisms of his appropriation in Germany, Britain and France. Engaging with theories of book dissemination and world literature, and re-assessing the emergence of 'peripheral' literary nations, this book provides new perspectives on the work of this major figure of European literature and theatre.
Publisher: Cambridge University Press
ISBN: 1316992799
Category : Literary Criticism
Languages : en
Pages : 294
Book Description
Henrik Ibsen's drama is the most prominent and lasting contribution of the cultural surge seen in Scandinavian literature in the later nineteenth century. When he made his debut in Norway in 1850, the nation's literary presence was negligible, yet by 1890 Ibsen had become one of Europe's most famous authors. Contrary to the standard narrative of his move from restrictive provincial origins to liberating European exile, Narve Fulsås and Tore Rem show how Ibsen's trajectory was preconditioned on his continued embeddedness in Scandinavian society and culture, and that he experienced great success in his home markets. This volume traces how Ibsen's works first travelled outside Scandinavia and studies the mechanisms of his appropriation in Germany, Britain and France. Engaging with theories of book dissemination and world literature, and re-assessing the emergence of 'peripheral' literary nations, this book provides new perspectives on the work of this major figure of European literature and theatre.
Ibsen in Context
Author: Narve Fulsås
Publisher: Cambridge University Press
ISBN: 1108386679
Category : Drama
Languages : en
Pages : 553
Book Description
Henrik Ibsen, the 'Father of Modern Drama', came from a seemingly inauspicious background. What are the key contexts for understanding his appearance on the world stage? This collection provides thirty contributions from leading scholars in theatre studies, literary studies, book history, philosophy, music, and history, offering a rich interdisciplinary understanding of Ibsen's work, with chapters ranging across cultural and aesthetic contexts including feminism, scientific discovery, genre, publishing, music, and the visual arts. The book ends by charting Ibsen's ongoing globalization and gives valuable overviews of major trends within Ibsen studies. Accessibly written, while drawing on the most recent scholarship, Ibsen in Context provides unique access to Ibsen the man, his works, and their afterlives across the world.
Publisher: Cambridge University Press
ISBN: 1108386679
Category : Drama
Languages : en
Pages : 553
Book Description
Henrik Ibsen, the 'Father of Modern Drama', came from a seemingly inauspicious background. What are the key contexts for understanding his appearance on the world stage? This collection provides thirty contributions from leading scholars in theatre studies, literary studies, book history, philosophy, music, and history, offering a rich interdisciplinary understanding of Ibsen's work, with chapters ranging across cultural and aesthetic contexts including feminism, scientific discovery, genre, publishing, music, and the visual arts. The book ends by charting Ibsen's ongoing globalization and gives valuable overviews of major trends within Ibsen studies. Accessibly written, while drawing on the most recent scholarship, Ibsen in Context provides unique access to Ibsen the man, his works, and their afterlives across the world.
Dramaturgies of Interweaving
Author: Erika Fischer-Lichte
Publisher: Routledge
ISBN: 1000411206
Category : Performing Arts
Languages : en
Pages : 237
Book Description
Dramaturgies of Interweaving explores present-day dramaturgies that interweave performance cultures in the fields of theater, performance, dance, and other arts. Merging strategies of audience engagement originating in different cultures, dramaturgies of interweaving are creative methods of theater and art-making that seek to address audiences across cultures, making them uniquely suitable for shaping people’s experiences of our entangled world. Presenting in-depth case studies from across the globe, spanning Australia, China, Germany, India, Iran, Japan, Singapore, Taiwan, Vietnam, the US, and the UK, this book investigates how dramaturgies of interweaving are conceived, applied, and received today. Featuring critical analyses by scholars—as well as workshop reports and artworks by renowned artists—this book examines dramaturgies of interweaving from multiple locations and perspectives, thus revealing their distinct complexities and immense potential. Ideal for scholars, students, and practitioners of theater, performance, dramaturgy, and devising, Dramaturgies of Interweaving opens up an innovative perspective on today’s breathtaking plurality of dramaturgical practices of interweaving in theater, performance, dance, and other arts, such as curation and landscape design.
Publisher: Routledge
ISBN: 1000411206
Category : Performing Arts
Languages : en
Pages : 237
Book Description
Dramaturgies of Interweaving explores present-day dramaturgies that interweave performance cultures in the fields of theater, performance, dance, and other arts. Merging strategies of audience engagement originating in different cultures, dramaturgies of interweaving are creative methods of theater and art-making that seek to address audiences across cultures, making them uniquely suitable for shaping people’s experiences of our entangled world. Presenting in-depth case studies from across the globe, spanning Australia, China, Germany, India, Iran, Japan, Singapore, Taiwan, Vietnam, the US, and the UK, this book investigates how dramaturgies of interweaving are conceived, applied, and received today. Featuring critical analyses by scholars—as well as workshop reports and artworks by renowned artists—this book examines dramaturgies of interweaving from multiple locations and perspectives, thus revealing their distinct complexities and immense potential. Ideal for scholars, students, and practitioners of theater, performance, dramaturgy, and devising, Dramaturgies of Interweaving opens up an innovative perspective on today’s breathtaking plurality of dramaturgical practices of interweaving in theater, performance, dance, and other arts, such as curation and landscape design.
Ibsen and Early Modernist Theatre, 1890-1900
Author: Kirsten Shepherd-Barr
Publisher: Praeger
ISBN:
Category : Literary Criticism
Languages : en
Pages : 232
Book Description
Best known as the author of such plays as A Doll's House and Hedda Gabler, Henrik Ibsen is one of the most influential figures of modern drama. This book takes Ibsen as a case study for an exploration of early modernist theatre in theory and practice, in text and performance. Modern drama has its roots in the theatrical activity across Europe during the 1880s and 1890s—the period when Ibsen's plays were first being produced in England and France, often by avant-garde or experimental theatrical groups. This study focuses on four of Ibsen's plays and their reception in England and France in the 1890s, specifically in the context of cross-cultural understanding, translation, and the diffusion of ideas. It encompasses performance history, textual and translation analysis in several languages, and theatrical criticism. The main contribution of this study lies in the provision of a better understanding of Ibsen's central role in the radical artistic movements of the period, and particularly in locating the basis for an early modernist theatre in the new wave Ibsen created internationally. His immediate impact on the French Symbolist theatre movement, for example, meant that its avant-garde leaders embraced Ibsen's works as an important exposition of their own radical ideas. Through close cross-cultural exchange, plays like Rosmersholm and The Master Builder, which were heralded as explicitly symbolist in France, helped condition the critical reaction to Ibsen as a symbolist playwright in England as well, and directly influenced the development of the theatre in that direction, however briefly.
Publisher: Praeger
ISBN:
Category : Literary Criticism
Languages : en
Pages : 232
Book Description
Best known as the author of such plays as A Doll's House and Hedda Gabler, Henrik Ibsen is one of the most influential figures of modern drama. This book takes Ibsen as a case study for an exploration of early modernist theatre in theory and practice, in text and performance. Modern drama has its roots in the theatrical activity across Europe during the 1880s and 1890s—the period when Ibsen's plays were first being produced in England and France, often by avant-garde or experimental theatrical groups. This study focuses on four of Ibsen's plays and their reception in England and France in the 1890s, specifically in the context of cross-cultural understanding, translation, and the diffusion of ideas. It encompasses performance history, textual and translation analysis in several languages, and theatrical criticism. The main contribution of this study lies in the provision of a better understanding of Ibsen's central role in the radical artistic movements of the period, and particularly in locating the basis for an early modernist theatre in the new wave Ibsen created internationally. His immediate impact on the French Symbolist theatre movement, for example, meant that its avant-garde leaders embraced Ibsen's works as an important exposition of their own radical ideas. Through close cross-cultural exchange, plays like Rosmersholm and The Master Builder, which were heralded as explicitly symbolist in France, helped condition the critical reaction to Ibsen as a symbolist playwright in England as well, and directly influenced the development of the theatre in that direction, however briefly.
Ibsen's Theatre of Ritualistic Visions
Author: Trausti Ólafsson
Publisher: Peter Lang
ISBN: 9783039111343
Category : Drama
Languages : en
Pages : 324
Book Description
This book examines the ritualistic and mythological features derived from various religious traditions depicted in ten Ibsen plays. The worshipping of the Great Mother, the Mysteries of Eleusis, the Hebrew Passover Meal and Yom Kippur, alongside with the most sacred feasts of Christianity, are identified in Ibsen's texts in a way not discovered before. The outcome is a fascinating voyage through a landscape of ritualistic visions. Throughout the book the author illustrates how the plays contribute to the revival of the sacred in modernist theatre. Each chapter of the book contains a synopsis of the play interpreted, followed by a detailed analysis, which focuses on religious concepts and mythological elements incorporated in Ibsen's texts.
Publisher: Peter Lang
ISBN: 9783039111343
Category : Drama
Languages : en
Pages : 324
Book Description
This book examines the ritualistic and mythological features derived from various religious traditions depicted in ten Ibsen plays. The worshipping of the Great Mother, the Mysteries of Eleusis, the Hebrew Passover Meal and Yom Kippur, alongside with the most sacred feasts of Christianity, are identified in Ibsen's texts in a way not discovered before. The outcome is a fascinating voyage through a landscape of ritualistic visions. Throughout the book the author illustrates how the plays contribute to the revival of the sacred in modernist theatre. Each chapter of the book contains a synopsis of the play interpreted, followed by a detailed analysis, which focuses on religious concepts and mythological elements incorporated in Ibsen's texts.
Play-making
Author: William Archer
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 442
Book Description
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 442
Book Description