I Viaggiatori felici. A comic opera, in two acts [by F. Livigni], as performed at the King's Theatre in the Haymarket, etc. Ital. & Eng PDF Download
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![I Viaggiatori felici. A comic opera, in two acts [by F. Livigni], as performed at the King's Theatre in the Haymarket, etc. Ital. & Eng PDF](https://books.google.com/books/content/images/frontcover/VdTKuLGV1OsC?fife=w150-h200)
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Languages : en
Pages : 56
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![I Viaggiatori felici. A comic opera, in two acts [by F. Livigni], as performed at the King's Theatre in the Haymarket, etc. Ital. & Eng PDF](https://books.google.com/books/content/images/frontcover/VdTKuLGV1OsC?fife=w80-h100)
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Languages : en
Pages : 56
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![I Viaggiatori felici. A new comic opera in two acts [by F. Livigni], as performed at the King's Theatre, etc. Ital. & Eng PDF](https://books.google.com/books/content/images/frontcover/QT9Z6IeYTqYC?fife=w80-h100)
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Languages : en
Pages : 70
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ISBN:
Category : Opera
Languages : en
Pages : 912
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Author: Rudolph Ackermann
Publisher:
ISBN:
Category : London (England)
Languages : en
Pages : 320
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Author: Filippo Livigni
Publisher:
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Category : Operas
Languages : en
Pages : 69
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Author:
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ISBN:
Category :
Languages : en
Pages : 76
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Book Description
Author: Jane F. Fulcher
Publisher: Oxford University Press
ISBN: 0199711984
Category : Music
Languages : en
Pages : 605
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Book Description
As the field of Cultural History grows in prominence in the academic world, an understanding of the history of culture has become vital to scholars across disciplines. The Oxford Handbook of the New Cultural History of Music cultivates a return to the fundamental premises of cultural history in the cutting-edge work of musicologists concerned with cultural history and historians who deal with music. In this volume, noted academics from both of these disciplines illustrate the continuing endeavor of cultural history to grasp the realms of human experience, understanding, and communication as they are manifest or expressed symbolically through various layers of culture and in many forms of art. The Oxford Handbook of the New Cultural History of Music fosters and reflects a sustained dialogue about their shared goals and techniques, rejuvenating their work with new insights into the field itself.
![La Fraschetana; a new comic opera: as performed at the King's Theatre in the Hay-market. The music by Signor Paisello, etc. [By Filippo Livigni.] Ital. & Eng PDF](https://books.google.com/books/content/images/frontcover/mhEpBFvHh3oC?fife=w80-h100)
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Category :
Languages : en
Pages : 88
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Book Description
Author: Jerzy Lukowski
Publisher: A&C Black
ISBN: 144114580X
Category : History
Languages : en
Pages : 368
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Book Description
The first detailed study of the history of Poland and its political development during the 18th century.
Author: Martin Nedbal
Publisher: Taylor & Francis
ISBN: 1317094093
Category : Music
Languages : en
Pages : 260
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Book Description
This book explores how the Enlightenment aesthetics of theater as a moral institution influenced cultural politics and operatic developments in Vienna between the mid-eighteenth and early nineteenth centuries. Moralistic viewpoints were particularly important in eighteenth-century debates about German national theater. In Vienna, the idea that vernacular theater should cultivate the moral sensibilities of its German-speaking audiences became prominent during the reign of Empress Maria Theresa, when advocates of German plays and operas attempted to deflect the imperial government from supporting exclusively French and Italian theatrical performances. Morality continued to be a dominant aspect of Viennese operatic culture in the following decades, as critics, state officials, librettists, and composers (including Gluck, Mozart, and Beethoven) attempted to establish and define German national opera. Viennese concepts of operatic didacticism and national identity in theater further transformed in response to the crisis of Emperor Joseph II’s reform movement, the revolutionary ideas spreading from France, and the war efforts in facing Napoleonic aggression. The imperial government promoted good morals in theatrical performances through the institution of theater censorship, and German-opera authors cultivated intensely didactic works (such as Die Zauberflöte and Fidelio) that eventually became the cornerstones for later developments of German culture.
