Author: Michael Romkey
Publisher: Fawcett
ISBN: 0307775216
Category : Fiction
Languages : en
Pages : 369
Book Description
From yesterday to a hundred years ago, he lives in the world and walks among us. He enjoys the finest things in life, including beautfiul women, well-aged wine, and the finest classical composers. He has no guilt—he has no need of it. Neither good, nor bad, neither angel nor devil, he is a man, he is a vampire. And this is his story. . . . “Women are my weakness. Or to be more accurate, I should say they are my greatest weakness, for I have many. Travel. Books. Classical music. Art. Excellent wine. And, formerly, cocaine. I admit these things without a sense of guilt. I am, as my friend from Vienna says, a man with a man’s contradictions. I am neither good nor bad, neither angel nor devil. I am a man. I am a vampire.”—From I, Vampire
I, Vampire
Author: Michael Romkey
Publisher: Fawcett
ISBN: 0449146383
Category : Fiction
Languages : en
Pages : 369
Book Description
From yesterday to a hundred years ago, he lives in the world and walks among us. He enjoys the finest things in life, including beautfiul women, well-aged wine, and the finest classical composers. He has no guilt—he has no need of it. Neither good, nor bad, neither angel nor devil, he is a man, he is a vampire. And this is his story. . . . “Women are my weakness. Or to be more accurate, I should say they are my greatest weakness, for I have many. Travel. Books. Classical music. Art. Excellent wine. And, formerly, cocaine. I admit these things without a sense of guilt. I am, as my friend from Vienna says, a man with a man’s contradictions. I am neither good nor bad, neither angel nor devil. I am a man. I am a vampire.”—From I, Vampire
Publisher: Fawcett
ISBN: 0449146383
Category : Fiction
Languages : en
Pages : 369
Book Description
From yesterday to a hundred years ago, he lives in the world and walks among us. He enjoys the finest things in life, including beautfiul women, well-aged wine, and the finest classical composers. He has no guilt—he has no need of it. Neither good, nor bad, neither angel nor devil, he is a man, he is a vampire. And this is his story. . . . “Women are my weakness. Or to be more accurate, I should say they are my greatest weakness, for I have many. Travel. Books. Classical music. Art. Excellent wine. And, formerly, cocaine. I admit these things without a sense of guilt. I am, as my friend from Vienna says, a man with a man’s contradictions. I am neither good nor bad, neither angel nor devil. I am a man. I am a vampire.”—From I, Vampire
I, Vampire
Author: Jody Scott
Publisher: Createspace Independent Publishing Platform
ISBN: 9781533479990
Category :
Languages : en
Pages : 210
Book Description
CAN A SEVEN HUNDRED YEAR OLD TRANSYLVANIAN FIND TRUE LOVE WITH A REVOLUTIONARY RYSEMIAN FISH-WOMAN? Introduction by Theodore Sturgeon After seven hundred years, Glamorous vampire Sterling O'Blivion has begun to think the joy is going out of life. Then she meets Virginia Woolf in the ladies' room of a dance studio in Chicago. But Woolf is really Benaroya, a dolphin-like alien anthropologist here to learn all there is to know about humanity and to fight the good fight against the evil, slave-trading Sajorians. Sterling falls madly in love with Benaroya. It's just the sort of romp an aging vampire needs-but first, to defeat the Sajorians, they have to sell millions of Famous Men's Sperm Kits to every woman on Earth. "Scott carries on the tradition of Mark Twain, using outside observers to remark on society. Targets include ... the treatment of women ... consumer culture and the general human willingness to be led by the nose by a charismatic figure. ... ... a message needed now more than ever." Publisher's Weekly "A lot of of fun ... its real appeal is in Scott's stabs at the foibles and shortcomings of our society. Jody Scott sees things with a clear eye. You must read carefully, for she can point a caustic finger with a single throwaway line. And when she really winds up, everything is fair game: big business, the military, politics, religion and more. In addition to sharpness and criticism, there are wackiness, clever dialogue, action and lots of love. I enjoyed this one immensely and recommend it highly." -The Seattle Times "I liked I, Vampire enough to check it off on the Nebula ballot." -Pamela Sargent "Exuberantly clever and wildly iconoclastic... If you thirst for something really witty, quirky, with bags of brains [...] you'll do no better than this wonderful novel." -For Books' Sake "Those who seek to deride feminist SF often suggest that it is too serious and po-faced, but Jody Scott's wild imagination, seemingly scattershot but tightly controlled, makes ... an absurdly comic romp of unexpected juxtapositions and witty asides." -SF Mistressworks
Publisher: Createspace Independent Publishing Platform
ISBN: 9781533479990
Category :
Languages : en
Pages : 210
Book Description
CAN A SEVEN HUNDRED YEAR OLD TRANSYLVANIAN FIND TRUE LOVE WITH A REVOLUTIONARY RYSEMIAN FISH-WOMAN? Introduction by Theodore Sturgeon After seven hundred years, Glamorous vampire Sterling O'Blivion has begun to think the joy is going out of life. Then she meets Virginia Woolf in the ladies' room of a dance studio in Chicago. But Woolf is really Benaroya, a dolphin-like alien anthropologist here to learn all there is to know about humanity and to fight the good fight against the evil, slave-trading Sajorians. Sterling falls madly in love with Benaroya. It's just the sort of romp an aging vampire needs-but first, to defeat the Sajorians, they have to sell millions of Famous Men's Sperm Kits to every woman on Earth. "Scott carries on the tradition of Mark Twain, using outside observers to remark on society. Targets include ... the treatment of women ... consumer culture and the general human willingness to be led by the nose by a charismatic figure. ... ... a message needed now more than ever." Publisher's Weekly "A lot of of fun ... its real appeal is in Scott's stabs at the foibles and shortcomings of our society. Jody Scott sees things with a clear eye. You must read carefully, for she can point a caustic finger with a single throwaway line. And when she really winds up, everything is fair game: big business, the military, politics, religion and more. In addition to sharpness and criticism, there are wackiness, clever dialogue, action and lots of love. I enjoyed this one immensely and recommend it highly." -The Seattle Times "I liked I, Vampire enough to check it off on the Nebula ballot." -Pamela Sargent "Exuberantly clever and wildly iconoclastic... If you thirst for something really witty, quirky, with bags of brains [...] you'll do no better than this wonderful novel." -For Books' Sake "Those who seek to deride feminist SF often suggest that it is too serious and po-faced, but Jody Scott's wild imagination, seemingly scattershot but tightly controlled, makes ... an absurdly comic romp of unexpected juxtapositions and witty asides." -SF Mistressworks
I, Vampire
Author: Michael Romkey
Publisher: Fawcett
ISBN: 0307775216
Category : Fiction
Languages : en
Pages : 369
Book Description
From yesterday to a hundred years ago, he lives in the world and walks among us. He enjoys the finest things in life, including beautfiul women, well-aged wine, and the finest classical composers. He has no guilt—he has no need of it. Neither good, nor bad, neither angel nor devil, he is a man, he is a vampire. And this is his story. . . . “Women are my weakness. Or to be more accurate, I should say they are my greatest weakness, for I have many. Travel. Books. Classical music. Art. Excellent wine. And, formerly, cocaine. I admit these things without a sense of guilt. I am, as my friend from Vienna says, a man with a man’s contradictions. I am neither good nor bad, neither angel nor devil. I am a man. I am a vampire.”—From I, Vampire
Publisher: Fawcett
ISBN: 0307775216
Category : Fiction
Languages : en
Pages : 369
Book Description
From yesterday to a hundred years ago, he lives in the world and walks among us. He enjoys the finest things in life, including beautfiul women, well-aged wine, and the finest classical composers. He has no guilt—he has no need of it. Neither good, nor bad, neither angel nor devil, he is a man, he is a vampire. And this is his story. . . . “Women are my weakness. Or to be more accurate, I should say they are my greatest weakness, for I have many. Travel. Books. Classical music. Art. Excellent wine. And, formerly, cocaine. I admit these things without a sense of guilt. I am, as my friend from Vienna says, a man with a man’s contradictions. I am neither good nor bad, neither angel nor devil. I am a man. I am a vampire.”—From I, Vampire
Bram Stoker's Dracula
Author: Carol Margaret Davison
Publisher: Dundurn
ISBN: 1550022792
Category : Literary Criticism
Languages : en
Pages : 434
Book Description
A collection of essays by some of the world's leading scholars analyzing and celebrating the novel's legacy in popular culture.
Publisher: Dundurn
ISBN: 1550022792
Category : Literary Criticism
Languages : en
Pages : 434
Book Description
A collection of essays by some of the world's leading scholars analyzing and celebrating the novel's legacy in popular culture.
Undead Apocalyse
Author: Stacey Abbott
Publisher: Edinburgh University Press
ISBN: 0748694927
Category : Performing Arts
Languages : en
Pages : 236
Book Description
Explores the intersection of the vampire and zombie with 21st Century dystopian and post-apocalyptic cinemaTwenty-first century film and television is overwhelmed with images of the undead. Vampires and zombies have often been seen as oppositional: one alluring, the other repellant; one seductive, the other infectious. With case studies of films like I Am Legend and 28 Days Later, as well as TV programmes like Angel and The Walking Dead, this book challenges these popular assumptions and reveals the increasing interconnection of undead genres. Exploring how the figure of the vampire has been infused with the language of science, disease and apocalypse, while the zombie text has increasingly been influenced by the trope of the areluctant vampire, Stacey Abbott shows how both archetypes are actually two sides of the same undead coin. When considered together they present a dystopian, sometimes apocalyptic, vision of twenty-first century existence.Key featuresRather than seeing them as separate or oppositional, this book explores the intersection and dialogue between the vampire and zombie across film and televisionMuch contemporary scholarship on the vampire focuses on Dark Romance, while this book explores the more horror-based end of the genreOffers a detailed discussion of the development of zombie televisionProvides a detailed examination of Richard Mathesons I Am Legend, including the novel, the script, the adaptations and the BBFCs response to Mathesons script
Publisher: Edinburgh University Press
ISBN: 0748694927
Category : Performing Arts
Languages : en
Pages : 236
Book Description
Explores the intersection of the vampire and zombie with 21st Century dystopian and post-apocalyptic cinemaTwenty-first century film and television is overwhelmed with images of the undead. Vampires and zombies have often been seen as oppositional: one alluring, the other repellant; one seductive, the other infectious. With case studies of films like I Am Legend and 28 Days Later, as well as TV programmes like Angel and The Walking Dead, this book challenges these popular assumptions and reveals the increasing interconnection of undead genres. Exploring how the figure of the vampire has been infused with the language of science, disease and apocalypse, while the zombie text has increasingly been influenced by the trope of the areluctant vampire, Stacey Abbott shows how both archetypes are actually two sides of the same undead coin. When considered together they present a dystopian, sometimes apocalyptic, vision of twenty-first century existence.Key featuresRather than seeing them as separate or oppositional, this book explores the intersection and dialogue between the vampire and zombie across film and televisionMuch contemporary scholarship on the vampire focuses on Dark Romance, while this book explores the more horror-based end of the genreOffers a detailed discussion of the development of zombie televisionProvides a detailed examination of Richard Mathesons I Am Legend, including the novel, the script, the adaptations and the BBFCs response to Mathesons script
Entertaining Judgment
Author: Greg Garrett
Publisher:
ISBN: 0199335907
Category : Body, Mind & Spirit
Languages : en
Pages : 264
Book Description
Nowadays references to the afterlife-angels strumming harps, demons brandishing pitchforks, God enthroned on heavenly clouds-are more often encountered in New Yorker cartoons than in serious Christian theological reflection. Speculation about death and its sequel seems to embarrass many theologians; however, as Greg Garrett shows in Entertaining Judgment, popular culture in the U.S. has found rich ground for creative expression in the search for answers to the question: What lies in store for us after we die? The lyrics of Madonna, Los Lonely Boys, and Sean Combs; the plotlines of TV's Lost, South Park, and The Walking Dead; the implied theology in films such as The Dark Knight, Ghost, and Field of Dreams; the heavenly half-light of Thomas Kinkade's popular paintings; the ghosts, shades, and after-life way-stations in Harry Potter; and the characters, situations, and locations in the Hunger Games saga all speak to our hopes and fears about what comes next. In a rich survey of literature and popular media, Garrett compares cultural accounts of death and the afterlife with those found in scripture. Denizens of the imagined afterlife, whether in heaven, hell, on earth, or in purgatory, speak to what awaits us, at once shaping and reflecting our deeply held-if often somewhat nebulous-beliefs. They show us what rewards and punishments we might expect, offer us divine assistance, and even diabolically attack us. Ultimately, we are drawn to these stories of heaven, hell, and purgatory--and to stories about death and the undead--not only because they entertain us, but because they help us to create meaning and to learn about ourselves, our world, and, perhaps, the next world. Garrett's deft analysis sheds new light on what popular culture can tell us about the startlingly sharp divide between what modern people profess to believe and what they truly hope and expect to find after death--and how they use those stories to help them understand this life.
Publisher:
ISBN: 0199335907
Category : Body, Mind & Spirit
Languages : en
Pages : 264
Book Description
Nowadays references to the afterlife-angels strumming harps, demons brandishing pitchforks, God enthroned on heavenly clouds-are more often encountered in New Yorker cartoons than in serious Christian theological reflection. Speculation about death and its sequel seems to embarrass many theologians; however, as Greg Garrett shows in Entertaining Judgment, popular culture in the U.S. has found rich ground for creative expression in the search for answers to the question: What lies in store for us after we die? The lyrics of Madonna, Los Lonely Boys, and Sean Combs; the plotlines of TV's Lost, South Park, and The Walking Dead; the implied theology in films such as The Dark Knight, Ghost, and Field of Dreams; the heavenly half-light of Thomas Kinkade's popular paintings; the ghosts, shades, and after-life way-stations in Harry Potter; and the characters, situations, and locations in the Hunger Games saga all speak to our hopes and fears about what comes next. In a rich survey of literature and popular media, Garrett compares cultural accounts of death and the afterlife with those found in scripture. Denizens of the imagined afterlife, whether in heaven, hell, on earth, or in purgatory, speak to what awaits us, at once shaping and reflecting our deeply held-if often somewhat nebulous-beliefs. They show us what rewards and punishments we might expect, offer us divine assistance, and even diabolically attack us. Ultimately, we are drawn to these stories of heaven, hell, and purgatory--and to stories about death and the undead--not only because they entertain us, but because they help us to create meaning and to learn about ourselves, our world, and, perhaps, the next world. Garrett's deft analysis sheds new light on what popular culture can tell us about the startlingly sharp divide between what modern people profess to believe and what they truly hope and expect to find after death--and how they use those stories to help them understand this life.
New Blood in Contemporary Cinema
Author: Pisters Patricia Pisters
Publisher: Edinburgh University Press
ISBN: 1474466982
Category : Performing Arts
Languages : en
Pages : 366
Book Description
Since the turn of the millennium, a growing number of female filmmakers have appropriated the aesthetics of horror for their films. In this book, Patricia Pisters investigates contemporary women directors such as Ngozi Onwurah, Claire Denis, Lucile Hadzihalilovic and Ana Lily Amirpour, who put 'a poetics of horror' to new use in their work, expanding the range of gendered and racialised perspectives in the horror genre. Exploring themes such as rage, trauma, sexuality, family ties and politics, New Blood in Contemporary Cinema takes on avenging women, bloody vampires, lustful witches, scary mothers, terrifying offspring and female Frankensteins. By following a red trail of blood, the book illuminates a new generation of women directors who have enlarged the general scope and stretched the emotional spectrum of the genre.
Publisher: Edinburgh University Press
ISBN: 1474466982
Category : Performing Arts
Languages : en
Pages : 366
Book Description
Since the turn of the millennium, a growing number of female filmmakers have appropriated the aesthetics of horror for their films. In this book, Patricia Pisters investigates contemporary women directors such as Ngozi Onwurah, Claire Denis, Lucile Hadzihalilovic and Ana Lily Amirpour, who put 'a poetics of horror' to new use in their work, expanding the range of gendered and racialised perspectives in the horror genre. Exploring themes such as rage, trauma, sexuality, family ties and politics, New Blood in Contemporary Cinema takes on avenging women, bloody vampires, lustful witches, scary mothers, terrifying offspring and female Frankensteins. By following a red trail of blood, the book illuminates a new generation of women directors who have enlarged the general scope and stretched the emotional spectrum of the genre.
The New Vampire's Handbook
Author: Joe Garden
Publisher: Villard
ISBN: 0345516648
Category : Humor
Languages : en
Pages : 240
Book Description
Being turned into a vampire is the easy part. Actually becoming a vampire is far more difficult. In today’s world of vampire-obsessed pop culture, misinformation abounds. A newly turned vampire who looks to movies and novels for answers to everlasting life’s questions will inevitably be reduced to a smoldering pile of dust. So whom can you, a neophyte immortal, trust to provide reliable information and proven strategies for leading your best and bloodiest existence? The Vampire Miles Proctor, editor of The New Vampire’s Handbook. In this definitive guide, the newly turned will find • a head-to-toe look at your vampiric body: how to harness your new powers to dispatch mortal enemies, maintain your fangs, and embrace your vampirosexuality • methods for luring prey, faking your way through meals, approaching other vampires, and creating a four-hundred-year financial plan • tips on acting your “age,” behaving appropriately if you see a human you knew decades ago, and dealing with epic vampire feuds • essential advice for blending in with the masses, from finding a coven to avoiding the media (and mirrors) to staying on top of the latest fashion trends • the joy of scrapbooking Plus helpful online resources, a glyph guide, renovation instructions for emergency lairs, a Ruling Families directory, nightly mantras, and personal anecdotes from The Vampire Miles Proctor’s nearly five hundred years of experience. Welcome to the night.
Publisher: Villard
ISBN: 0345516648
Category : Humor
Languages : en
Pages : 240
Book Description
Being turned into a vampire is the easy part. Actually becoming a vampire is far more difficult. In today’s world of vampire-obsessed pop culture, misinformation abounds. A newly turned vampire who looks to movies and novels for answers to everlasting life’s questions will inevitably be reduced to a smoldering pile of dust. So whom can you, a neophyte immortal, trust to provide reliable information and proven strategies for leading your best and bloodiest existence? The Vampire Miles Proctor, editor of The New Vampire’s Handbook. In this definitive guide, the newly turned will find • a head-to-toe look at your vampiric body: how to harness your new powers to dispatch mortal enemies, maintain your fangs, and embrace your vampirosexuality • methods for luring prey, faking your way through meals, approaching other vampires, and creating a four-hundred-year financial plan • tips on acting your “age,” behaving appropriately if you see a human you knew decades ago, and dealing with epic vampire feuds • essential advice for blending in with the masses, from finding a coven to avoiding the media (and mirrors) to staying on top of the latest fashion trends • the joy of scrapbooking Plus helpful online resources, a glyph guide, renovation instructions for emergency lairs, a Ruling Families directory, nightly mantras, and personal anecdotes from The Vampire Miles Proctor’s nearly five hundred years of experience. Welcome to the night.
The Gothic World of Stephen King
Author: Gary Hoppenstand
Publisher: Popular Press
ISBN: 9780879724115
Category : Biography & Autobiography
Languages : en
Pages : 154
Book Description
Stephen King’s popularity lies in his ability to reinterpret the standard Gothic tale in new and exciting ways. Through his eyes, the conventional becomes unconventional and wonderful. King thus creates his own Gothic world and then interprets it for us. This book analyzes King’s interpretations and his mastery of popular literature. The essays discuss adolescent revolt, the artist as survivor, the vampire in popular literature, and much more.
Publisher: Popular Press
ISBN: 9780879724115
Category : Biography & Autobiography
Languages : en
Pages : 154
Book Description
Stephen King’s popularity lies in his ability to reinterpret the standard Gothic tale in new and exciting ways. Through his eyes, the conventional becomes unconventional and wonderful. King thus creates his own Gothic world and then interprets it for us. This book analyzes King’s interpretations and his mastery of popular literature. The essays discuss adolescent revolt, the artist as survivor, the vampire in popular literature, and much more.
Weekly World News
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 44
Book Description
Rooted in the creative success of over 30 years of supermarket tabloid publishing, the Weekly World News has been the world's only reliable news source since 1979. The online hub www.weeklyworldnews.com is a leading entertainment news site.
Publisher:
ISBN:
Category :
Languages : en
Pages : 44
Book Description
Rooted in the creative success of over 30 years of supermarket tabloid publishing, the Weekly World News has been the world's only reliable news source since 1979. The online hub www.weeklyworldnews.com is a leading entertainment news site.