Author: Claudio Sartori
Publisher:
ISBN:
Category : Librettos
Languages : it
Pages : 736
Book Description
I libretti italiani a stampa dalle origini al 1800: C-D
Author: Claudio Sartori
Publisher:
ISBN:
Category : Librettos
Languages : it
Pages : 736
Book Description
Publisher:
ISBN:
Category : Librettos
Languages : it
Pages : 736
Book Description
Music and Theatre in Handel's World
Author: Donald Burrows
Publisher: Oxford University Press, USA
ISBN: 9780198166542
Category : Music
Languages : en
Pages : 1268
Book Description
James Harris (1709-80) was an author of philosophical treatises and an enthusiastic amateur musician who directed the concerts and music festivals at Salisbury for nearly fifty years. His family and social circle had close connections with London's music-making: his brother was a witness toHandel's will, and his correspondents sent him lively reports on all aspects of musical life in the capital-opera, oratorio, concerts, but also about the leading performers, music copyists, and instrument makers. In 1761 Harris became a member of Parliament and thereafter divided his time betweenLondon and Salisbury. His letters and diaries provide an unrivalled record of concert- and theatre-going in London, including exchanges of letters with David Garrick about a production at Drury Lane. As his children grew up an engaging family correspondence emerged. We learn of his daughters'involvement in concerts and amateur theatrical productions; his son, who pursued a diplomatic career, reported on operas, concerts, and plays in the court of Frederick the Great and Catherine the Great. Now, for the first time, it is possible to enjoy in full the lively first-hand descriptions fromHarris's family papers, which contribute fascinating insights into contemporary eighteenth-century musical and theatrical life.
Publisher: Oxford University Press, USA
ISBN: 9780198166542
Category : Music
Languages : en
Pages : 1268
Book Description
James Harris (1709-80) was an author of philosophical treatises and an enthusiastic amateur musician who directed the concerts and music festivals at Salisbury for nearly fifty years. His family and social circle had close connections with London's music-making: his brother was a witness toHandel's will, and his correspondents sent him lively reports on all aspects of musical life in the capital-opera, oratorio, concerts, but also about the leading performers, music copyists, and instrument makers. In 1761 Harris became a member of Parliament and thereafter divided his time betweenLondon and Salisbury. His letters and diaries provide an unrivalled record of concert- and theatre-going in London, including exchanges of letters with David Garrick about a production at Drury Lane. As his children grew up an engaging family correspondence emerged. We learn of his daughters'involvement in concerts and amateur theatrical productions; his son, who pursued a diplomatic career, reported on operas, concerts, and plays in the court of Frederick the Great and Catherine the Great. Now, for the first time, it is possible to enjoy in full the lively first-hand descriptions fromHarris's family papers, which contribute fascinating insights into contemporary eighteenth-century musical and theatrical life.
Readying Cavalli's Operas for the Stage
Author: Ellen Rosand
Publisher: Routledge
ISBN: 1351552090
Category : Music
Languages : en
Pages : 289
Book Description
After more than three centuries of silence, the voice of Francesco Cavalli is being heard loud and clear on the operatic stages of the world. The coincidence of productions at La Scala (Milan) and Covent Garden (London) in the same month (September 2008) of two different operas signals a new stage in the recovery of these extraordinary works, confined until now to special venues committed to 'early music'-opera festivals, conservatory, and university productions. The works of the composer who is credited with having invented the genre of opera as we know it are finally enjoying a renaissance. A new edition of Cavalli's twenty-eight operas is in preparation, and the composer and his works are at the center of a great deal of new scholarship ranging from the study of sources and production issues to the cultural context of opera of this period. In the face of such burgeoning interest, this collection of essays considers the Cavalli revival from various points of view. In particular, it explores the multiple issues involved in the transformation of an operatic manuscript into a performance. Although focused on the works of Cavalli, much of this material can transfer easily to other operatic repertoires.Following an introductory part, reflecting back on four decades of Cavalli performances by some of the conductors responsible for the revival of interest in the composer, the collection is divided into four further parts: The Manuscript Scores, Giasone: Production and Interpretation, Making Librettos, and Cavalli Beyond Venice.
Publisher: Routledge
ISBN: 1351552090
Category : Music
Languages : en
Pages : 289
Book Description
After more than three centuries of silence, the voice of Francesco Cavalli is being heard loud and clear on the operatic stages of the world. The coincidence of productions at La Scala (Milan) and Covent Garden (London) in the same month (September 2008) of two different operas signals a new stage in the recovery of these extraordinary works, confined until now to special venues committed to 'early music'-opera festivals, conservatory, and university productions. The works of the composer who is credited with having invented the genre of opera as we know it are finally enjoying a renaissance. A new edition of Cavalli's twenty-eight operas is in preparation, and the composer and his works are at the center of a great deal of new scholarship ranging from the study of sources and production issues to the cultural context of opera of this period. In the face of such burgeoning interest, this collection of essays considers the Cavalli revival from various points of view. In particular, it explores the multiple issues involved in the transformation of an operatic manuscript into a performance. Although focused on the works of Cavalli, much of this material can transfer easily to other operatic repertoires.Following an introductory part, reflecting back on four decades of Cavalli performances by some of the conductors responsible for the revival of interest in the composer, the collection is divided into four further parts: The Manuscript Scores, Giasone: Production and Interpretation, Making Librettos, and Cavalli Beyond Venice.
Gender, Age and Musical Creativity
Author: Catherine Haworth
Publisher: Routledge
ISBN: 1317130065
Category : Music
Languages : en
Pages : 238
Book Description
From the perennially young, precocious figure of 'little orphan Annie' to the physical and vocal ageing of the eighteenth-century castrato, interlinked cultural constructions of age and gender are central to the historical and contemporary depiction of creative activity and its audiences. Gender, Age and Musical Creativity takes an interdisciplinary approach to issues of identity and its representation, examining intersections of age and gender in relation to music and musicians across a wide range of periods, places, and genres, including female patronage in Renaissance Italy, the working-class brass band tradition of northern England, twentieth-century jazz and popular music cultures, and the contemporary 'New Music' scene. Drawing together the work of musicologists and practitioners, the collection offers new ways in which to conceptualise the complex links between age and gender in both individual and collective practice and their reception: essays explore juvenilia and 'late' style in composition and performance, the role of public and private institutions in fostering and sustaining creative activity throughout the course of musical careers, and the ways in which genres and scenes themselves age over time.
Publisher: Routledge
ISBN: 1317130065
Category : Music
Languages : en
Pages : 238
Book Description
From the perennially young, precocious figure of 'little orphan Annie' to the physical and vocal ageing of the eighteenth-century castrato, interlinked cultural constructions of age and gender are central to the historical and contemporary depiction of creative activity and its audiences. Gender, Age and Musical Creativity takes an interdisciplinary approach to issues of identity and its representation, examining intersections of age and gender in relation to music and musicians across a wide range of periods, places, and genres, including female patronage in Renaissance Italy, the working-class brass band tradition of northern England, twentieth-century jazz and popular music cultures, and the contemporary 'New Music' scene. Drawing together the work of musicologists and practitioners, the collection offers new ways in which to conceptualise the complex links between age and gender in both individual and collective practice and their reception: essays explore juvenilia and 'late' style in composition and performance, the role of public and private institutions in fostering and sustaining creative activity throughout the course of musical careers, and the ways in which genres and scenes themselves age over time.
Convent Music and Politics in Eighteenth-Century Vienna
Author: Janet K. Page
Publisher: Cambridge University Press
ISBN: 1139916599
Category : Music
Languages : en
Pages : 420
Book Description
Janet K. Page explores the interaction of music and piety, court and church, as seen through the relationship between the Habsburg court and Vienna's convents. For a period of some twenty-five years, encompassing the end of the reign of Emperor Leopold I and that of his elder son, Joseph I, the court's emphasis on piety and music meshed perfectly with the musical practices of Viennese convents. This mutually beneficial association disintegrated during the eighteenth century, and the changing relationship of court and convents reveals something of the complex connections among the Habsburg court, the Roman Catholic Church, and Viennese society. Identifying and discussing many musical works performed in convents, including oratorios, plays with music, feste teatrali, sepolcri, and other church music, Page reveals a golden age of convent music in Vienna and sheds light on the convents' surprising engagement with contemporary politics.
Publisher: Cambridge University Press
ISBN: 1139916599
Category : Music
Languages : en
Pages : 420
Book Description
Janet K. Page explores the interaction of music and piety, court and church, as seen through the relationship between the Habsburg court and Vienna's convents. For a period of some twenty-five years, encompassing the end of the reign of Emperor Leopold I and that of his elder son, Joseph I, the court's emphasis on piety and music meshed perfectly with the musical practices of Viennese convents. This mutually beneficial association disintegrated during the eighteenth century, and the changing relationship of court and convents reveals something of the complex connections among the Habsburg court, the Roman Catholic Church, and Viennese society. Identifying and discussing many musical works performed in convents, including oratorios, plays with music, feste teatrali, sepolcri, and other church music, Page reveals a golden age of convent music in Vienna and sheds light on the convents' surprising engagement with contemporary politics.
I libretti italiani a stampa dalle origini al 1800
Author: Claudio Sartori
Publisher:
ISBN:
Category :
Languages : it
Pages : 0
Book Description
Publisher:
ISBN:
Category :
Languages : it
Pages : 0
Book Description
Ariosto, Opera, and the 17th Century
Author: Edward Milton Anderson
Publisher: Ad Ilissum
ISBN: 9788822265012
Category : Literary Criticism
Languages : en
Pages : 278
Book Description
The success of Orlando furioso in Italian musical theatre is vast and complex. This book examines the main phases of the circulation and influence of Orlando furioso on the seventeenth-century music scene by reconstructing an overall historical and critical profile, but also through the recovery and philologically verified transcription of about forty dramatic texts derived from Ariosto's main narrative currents.
Publisher: Ad Ilissum
ISBN: 9788822265012
Category : Literary Criticism
Languages : en
Pages : 278
Book Description
The success of Orlando furioso in Italian musical theatre is vast and complex. This book examines the main phases of the circulation and influence of Orlando furioso on the seventeenth-century music scene by reconstructing an overall historical and critical profile, but also through the recovery and philologically verified transcription of about forty dramatic texts derived from Ariosto's main narrative currents.
Bibliographic Guide to Music
Author: New York Public Library. Music Division
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 766
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 766
Book Description
Guide to Reference Books
Author: Robert Balay
Publisher: ALA Editions
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 2056
Book Description
Presents an annotated bibliography of general and subject reference books covering the humanities, social and behavioral sciences, history, science, technology, and medicine.
Publisher: ALA Editions
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 2056
Book Description
Presents an annotated bibliography of general and subject reference books covering the humanities, social and behavioral sciences, history, science, technology, and medicine.
V. 1. Acide und andere Fragmente italienischer Opern ; v. 2. La Canterina ; v. 3. Lo speziale ; v. 4. La Pescatrici ; v. 5. L'Infedeltà Delusa ; v. 6. L'Incontro Improvviso (2 v.) ; v. 7. Il Mondo Della Luna (3 v.) ; v. 8. La Vera Costanza ; v. 9. L'Isola Disabitata ; v. 10. La Fedeltà Premiata (2 v.) ; v. 11. Orlando Paladino (2 v.) ; v. 12. Armida ; v. 13. L'Anima Del Filosofo ; v.14. Libretti der Opern Joseph Haydns
Author: Jens Peter Larsen
Publisher:
ISBN:
Category : Music
Languages : de
Pages : 102
Book Description
Publisher:
ISBN:
Category : Music
Languages : de
Pages : 102
Book Description