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Author: Karin Barber
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 380
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Book Description
A study of oriki, or oral praise poetry, which is a major part of both traditional performance and daily Yoruba life.
Author: Karin Barber
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 380
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Book Description
A study of oriki, or oral praise poetry, which is a major part of both traditional performance and daily Yoruba life.
Author: Karin Barber
Publisher: Edinburgh University Press
ISBN: 074869918X
Category : Social Science
Languages : en
Pages : 371
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Book Description
A study of oriki, or oral praise poetry, which is a major part of both traditional performance and daily Yoruba life.
Author: Helen Verran
Publisher: University of Chicago Press
ISBN: 9780226853895
Category : Philosophy
Languages : en
Pages : 298
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Book Description
Does two and two equal four? Ask someone and they should answer yes. An equation such as this seems the very definition of certainty, but is it? In this book, Helen Verran addresses precisely that question.
Author: Oyèrónkẹ́ Oyěwùmí
Publisher: Springer
ISBN: 1137521252
Category : Social Science
Languages : en
Pages : 270
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Book Description
In this book, Oyěwùmí extends her path-breaking thesis that in Yorùbá society, construction of gender is a colonial development since the culture exhibited no gender divisions in its original form. Taking seriously indigenous modes and categories of knowledge, she applies her finding of a non-gendered ontology to the social institutions of Ifá, motherhood, marriage, family and naming practices. Oyěwùmí insists that contemporary assertions of male dominance must be understood, in part, as the work of local intellectuals who took marching orders from Euro/American mentors and colleagues. In exposing the depth of the coloniality of power, Oyěwùmí challenges us to look at the worlds we inhabit, anew.
Author: John Thabiti Willis
Publisher: Indiana University Press
ISBN: 0253031451
Category : Social Science
Languages : en
Pages : 217
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Book Description
“Willis should be commended for penetrating a complex and socially guarded ritual resource to glean the hidden histories manifested therein.” —African Studies Review In West Africa, especially among Yoruba people, masquerades have the power to kill enemies, appoint kings, and grant fertility. John Thabiti Willis takes a close look at masquerade traditions in the Yoruba town of Otta, exploring transformations in performers, performances, and the institutional structures in which masquerade was used to reveal ongoing changes in notions of gender, kinship, and ethnic identity. As Willis focuses on performers and spectators, he reveals a history of masquerade that is rich and complex. His research offers a more nuanced understanding of performance practices in Africa and their role in forging alliances, consolidating state power, incorporating immigrants, executing criminals, and projecting individual and group power on both sides of the Afro-Atlantic world. “Willis cites oral traditions, archival sources, and publications to draw attention to the link between economic development and spectacular and historically influential masquerade performances.” —Babatunde Lawal, author of The Gelede Spectacle “Important in its emphasis on the history of an art form and its specific cultural context; of interest to academic audiences as well as general readers.” —Henry Drewal, editor of Sacred Waters “Willis’s work should be a must-read for students and established scholars alike.” —Africa
Author: Sheila O'Connor
Publisher: Penguin
ISBN: 0142425540
Category : Juvenile Fiction
Languages : en
Pages : 386
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Book Description
Set against the backdrop of the Vietnam War, one young girl is determined to save her brother from the draft—and gets help from an unlikely source—in this middle-grade tale, perfect for fans of The Wednesday Wars When eleven-year-old Reenie Kelly’s mother passes away, she and her brothers are shipped off to live with their grandmother. Adjusting to life in her parents’ Midwestern hometown isn’t easy, but once Reenie takes up a paper route with her older brother Dare, she has something she can look forward to. As they introduce themselves to every home on their route, Reenie’s stumped by just one—the house belonging to Mr. Marsworth, the town recluse. When he doesn’t answer his doorbell, Reenie begins to leave him letters. Slowly, the two become pen pals, striking up the most unlikely of friendships. Through their letters, Reenie tells of her older brother Billy, who might enlist to fight in the Vietnam War. Reenie is desperate to stop him, and when Mr. Marsworth hears this, he knows he can’t stand idly by. As a staunch pacifist, Mr. Marsworth offers to help Reenie. Together, they concoct a plan to keep Billy home, though Reenie doesn’t know Mr. Marsworth’s dedication to her cause goes far beyond his antiwar beliefs. In this heartwarming piece of historical fiction, critically acclaimed author Sheila O’Connor delivers a tale of devotion, sacrifice, and family.
Author: Kimberley Christine Patton
Publisher: Princeton University Press
ISBN: 0691190224
Category : Religion
Languages : en
Pages : 332
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Book Description
What religion does not serve as a theater of tears? Holy Tears addresses this all but universal phenomenon with passion and precision, ranging from Mycenaean Greece up through the tragedy of 9/11. Sixteen authors, including many leading voices in the study of religion, offer essays on specific topics in religious weeping while also considering broader issues such as gender, memory, physiology, and spontaneity. A comprehensive, elegantly written introduction offers a key to these topics. Given the pervasiveness of its theme, it is remarkable that this book is the first of its kind--and it is long overdue. The essays ask such questions as: Is religious weeping primal or culturally constructed? Is it universal? Is it spontaneous? Does God ever cry? Is religious weeping altered by sexual or social roles? Is it, perhaps, at once scripted and spontaneous, private and communal? Is it, indeed, divine? The grief occasioned by 9/11 and violence in Afghanistan, Iraq, Israel, and elsewhere offers a poignant context for this fascinating and richly detailed book. Holy Tears concludes with a compelling meditation on the theology of weeping that emerged from pastoral responses to 9/11, as described in the editors' interview with Reverend Betsee Parker, who became head chaplain for the Office of the Chief Medical Examiner of New York City and leader of the multifaith chaplaincy team at Ground Zero. The contributors are Diane Apostolos-Cappadona, Amy Bard, Herbert Basser, Santha Bhattacharji, William Chittick, Gary Ebersole, M. David Eckel, John Hawley, Gay Lynch, Jacob Olúpqnà (with Solá Ajíbádé), Betsee Parker, Kimberley Patton, Nehemia Polen, Kay Read, and Kallistos Ware.
Author: Author Ernest N Emenyonu
Publisher: Boydell & Brewer
ISBN: 1847013910
Category : History
Languages : en
Pages : 243
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Book Description
Examines the state of African poetry today, the continuing influence of Africa's pioneer poets, today's new generation of poets, and their work in written poetry and in the spoken word, continuing oral indigenous traditions. Almost half a century after ALT 6 and thirty-three years after ALT 16, what is the state of poetry and poetics in Africa? This volume of ALT highlights major developments and continuities in the practice of the art of poetry in the continent. Contributions analyse new frontiers in the traditional African epic and the Yoruba oríkì genre and innovations in form and theme, such as 'spoken word poetry' shared on digital media and pandemic poetry in the wake of COVID-19. They compare and contrast the work of Romeo Oriogun, Christopher Okigbo, and Gabriel Okara and of T.S. Eliot and Kofi Anyidoho. Other essays examine the complexities of translation from Ewe into English and the development of oral African poetry, underscoring its dynamism and the centrality of performance. The volume also includes interviews with poets Kofi Anyidoho, Kwame Dawes, and Kehinde Akano and tributes to Ama Ata Aidoo. Altogether, it highlights the richness and vibrancy of contemporary praxis and points to future directions in the field.
Author: Anthony D. Buckley
Publisher: Athelia Henrietta Press
ISBN: 9781890157012
Category : Yoruba (African people)
Languages : en
Pages : 0
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Book Description
Traditional Medicine, which is only one of a number of systems of medicinal techniques nowadays practised in Yorubaland, forms part of the rich cultural tradition of the Yorubas. Although it should in many respects be regarded as distinct from the mainstream of Yoruba tradition religion, medicine, like many other aspects of Yoruba life is inextricably intertwined with it. Through this book the reader is afforded an extensive encounter as well as cognitive approach to Yoruba Medicine.
Author: Cristina Boscolo
Publisher: BRILL
ISBN: 9042026812
Category : Literary Criticism
Languages : en
Pages : 367
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Book Description
A poetic ‘voice’ scans the rhythm of academic research, telling of the encounter with odún; then the voice falls silent. What is then raised is the dust of a forgotten academic debate on the nature of theatre and drama, and the following divergent standpoints of critical discourses bent on empowering their own vision, and defining themselves, rather, as counterdiscourses. This, the first part of the book: a metacritical discourse, on the geopolitics (the inherent power imbalances) of academic writing and its effects on odún, the performances dedicated to the gods, ancestors, and heroes of Yorùbá history. But odún: where is it? and what is it? And the ‘voice’? The many critical discourses have not really answered these questions. In effect, odún is many things. To enable the reader to see these, the study proceeds with an ‘intermezzo’: a frame of reference that sets odún, the festival, in its own historico-cultural ecoenvironment, identifying the strategies that inform the performance and constitute its aesthetic. It is a ‘classical’ yet, for odún, an innovative procedure. This interdisciplinary background equips the reader with the knowledge necessary to watch the performance, to witness its beauty, and to understand the ‘half words’ odún utters. And now the performance can begin. The ‘voice’ emerges one last time, to introduce the second section, which presents two case studies. The reader is led, day by day, through the celebrations –odún edì, Morèmi’s story, and its realization in performance; then confrontation by the masks of the ancestors duing odún egúngún (particularly as held in Ibadan). The meaning of odún becomes clearer and clearer. Odún is poetry, dances, masks, food, prayer. It is play (eré) and belief (ìgbàgbó). It is interaction between the players (both performers and spectators). It is also politics and power. It contains secrets and sacrifices. It is a reality with its own dimension and, above all, as the quintessential site of knowledge, it possesses the power to transform. In short, it is a challenge – a challenge that the present book and its voices take up.
