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Author: Richard Arnold
Publisher: Peter Lang
ISBN: 9780820469423
Category : Literary Criticism
Languages : en
Pages : 292
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Book Description
English Hymns of the Nineteenth Century brings together for the first time the most popular and widely used English hymns from that period, continuing the work of its foregoing volume, English Hymns of the Eighteenth Century, the genre's formative period. This annotated and edited collection of nearly 200 hymns (with author introductions and a general historical introduction) will be of inestimable value to scholars, students, and laypersons from several disciplines and interests: from hymnology to church and social history and theology, from political science to literature to popular culture. Hymns were the most widely read and memorized verbal structures from the eighteenth and nineteenth centuries - and in the nineteenth century the hymn became not only the property of dissenters, but also of representatives from the Church of England and the Roman Catholic Church. This anthology, therefore, provides unique and highly significant insights into the culture, beliefs, and habits of thought of a people and their spiritual leaders.
Author:
Publisher:
ISBN:
Category : Hymns, English
Languages : en
Pages : 372
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Book Description
Author: Dr Alisa Clapp-Itnyre
Publisher: Ashgate Publishing, Ltd.
ISBN: 1472407016
Category : Literary Criticism
Languages : en
Pages : 520
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Book Description
Examining nineteenth-century British hymns for children, Alisa Clapp-Itnyre argues that the unique qualities of children's hymnody created a space for children's empowerment. Unlike other literature of the era, hymn books were often compilations of many writers' hymns, presenting the discerning child with a multitude of perspectives on religion and childhood. In addition, the agency afforded children as singers meant that they were actively engaged with the text, music, and pictures of their hymnals. Clapp-Itnyre charts the history of children’s hymn-book publications from early to late nineteenth century, considering major denominational movements, the importance of musical tonality as it affected the popularity of hymns to both adults and children, and children’s reformation of adult society provided by such genres as missionary and temperance hymns. While hymn books appear to distinguish 'the child' from 'the adult', intricate issues of theology and poetry - typically kept within the domain of adulthood - were purposely conveyed to those of younger years and comprehension. Ultimately, Clapp-Itnyre shows how children's hymns complicate our understanding of the child-adult binary traditionally seen to be a hallmark of Victorian society. Intersecting with major aesthetic movements of the period, from the peaking of Victorian hymnody to the Golden Age of Illustration, children’s hymn books require scholarly attention to deepen our understanding of the complex aesthetic network for children and adults. Informed by extensive archival research, British Hymn Books for Children, 1800-1900 brings this understudied genre of Victorian culture to critical light.
Author: Richard Arnold
Publisher: Peter Lang
ISBN: 9780820469423
Category : Literary Criticism
Languages : en
Pages : 292
Get Book Here
Book Description
English Hymns of the Nineteenth Century brings together for the first time the most popular and widely used English hymns from that period, continuing the work of its foregoing volume, English Hymns of the Eighteenth Century, the genre's formative period. This annotated and edited collection of nearly 200 hymns (with author introductions and a general historical introduction) will be of inestimable value to scholars, students, and laypersons from several disciplines and interests: from hymnology to church and social history and theology, from political science to literature to popular culture. Hymns were the most widely read and memorized verbal structures from the eighteenth and nineteenth centuries - and in the nineteenth century the hymn became not only the property of dissenters, but also of representatives from the Church of England and the Roman Catholic Church. This anthology, therefore, provides unique and highly significant insights into the culture, beliefs, and habits of thought of a people and their spiritual leaders.
Author: Christopher N. Phillips
Publisher: JHU Press
ISBN: 1421425939
Category : Literary Criticism
Languages : en
Pages : 202
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Book Description
Understanding the culture of living with hymnbooks offers new insight into the histories of poetry, literacy, and religious devotion. It stands barely three inches high, a small brick of a book. The pages are skewed a bit, and evidence of a small handprint remains on the worn, cheap leather covers that don’t quite close. The book bears the marks of considerable use. But why—and for whom—was it made? Christopher N. Phillips’s The Hymnal is the first study to reconstruct the practices of reading and using hymnals, which were virtually everywhere in the eighteenth and nineteenth centuries. Isaac Watts invented a small, words-only hymnal at the dawn of the eighteenth century. For the next two hundred years, such hymnals were their owners’ constant companions at home, school, church, and in between. They were children's first books, slaves’ treasured heirlooms, and sources of devotional reading for much of the English-speaking world. Hymnals helped many people learn to memorize poetry and to read; they provided space to record family memories, pass notes in church, and carry everything from railroad tickets to holy cards to business letters. In communities as diverse as African Methodists, Reform Jews, Presbyterians, Methodists, Roman Catholics, and Unitarians, hymnals were integral to religious and literate life. An extended historical treatment of the hymn as a read text and media form, rather than a source used solely for singing, this book traces the lives people lived with hymnals, from obscure schoolchildren to Emily Dickinson. Readers will discover a wealth of connections between reading, education, poetry, and religion in Phillips’s lively accounts of hymnals and their readers.
Author: Cynthia Y. Aalders
Publisher: Wipf and Stock Publishers
ISBN: 1606086006
Category : Religion
Languages : en
Pages : 235
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Book Description
Anne Steele (1717-1778) was one of the most well-known and best-loved hymn-writers of the eighteenth century, and her hymns remained exceedingly popular until late in the nineteenth century, being reprinted regularly in hymnbooks throughout Britain and North America. She was the first major woman hymn-writer as well as the most popular Baptist hymn-writer in the history of the church. Despite this, she has been largely neglected as a subject of academic enquiry until now. This book aims to elucidate Steele's spirituality and to clarify her unique contribution to eighteenth-century hymnody. It takes an interdisciplinary approach, setting Steele's devotional expression in its theological, literary, and historical contexts, and providing comparison to other eighteenth-century figures. It uses archival sources to reconstruct her life and work, offers a close reading of her verse, and concludes that Steele made a significant and as yet underrated contribution to eighteenth-century devotional expression.
Author: Jennifer Putzi
Publisher: Cambridge University Press
ISBN: 9781107083981
Category : Literary Criticism
Languages : en
Pages : 0
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Book Description
A History of Nineteenth-Century American Women's Poetry is the first book to construct a coherent history of the field and focus entirely on women's poetry of the period. With contributions from some of the most prominent scholars of nineteenth-century American literature, it explores a wide variety of authors, texts, and methodological approaches. Organized into three chronological sections, the essays examine multiple genres of poetry, consider poems circulated in various manuscript and print venues, and propose alternative ways of narrating literary history. From these essays, a rich story emerges about a diverse poetics that was once immensely popular but has since been forgotten. This History confirms that the field has advanced far beyond the recovery of select individual poets. It will be an invaluable resource for students, teachers, and critics of both the literature and the history of this era.
Author: Lucy E. Carroll
Publisher: Xulon Press
ISBN: 1606475207
Category : Music
Languages : en
Pages : 134
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Book Description
William Penn's promise of religious freedom brought many diverse religious groups to Pennsylvania in the 17th and 18th centuries. Each brought pre-existing hymns and hymn tunes, but many also wrote original texts and music. This book examines the hymns of the 1694 Wissahickon settlement under Johannes Kelpius, the 18th century Ephrata Cloister of Conrad Beissel, and the hymn life of the Bethlehem Moravian Unitas Fratrum. Among the later writers of hymn text or music selected for this study are William Kirkpatrick, John Wyeth, William Gustavus Fischer, Francis Hopkinson, Eleanor C. Donnelly, and many more. Sample texts are included for many hymns, and six musical scores are reproduced. Of special interest are the earliest texts and music from the Wissahickon and Ephrata communities. Pennsylvania's hymn background is unique and compelling. The stories of the writers and their hymns should appeal to anyone interested in hymns, theology, music, or American history. Dr. Lucy E. Carroll is currently organist and choir director at the Carmelite Monastery in Philadelphia, and Adjunct Associate Professor at Westminster Choir College in Princeton NJ. She was appointed Scholar in Residence by the PHMC for the Ephrata Cloister site, and she has served as a PHC Commonwealth Speaker. She is Research Chair for the Kelpius Society of Philadelphia. Her articles on music have appeared in many journals and periodicals, and her Churchmouse Squeaks cartoons appear monthly in the Adoremus Bulletin. The recipient of numerous awards and honors, Dr. Carroll has served as organist, conductor, theatre director, educator, music coordinator, clinician and guest speaker. She chaired the music segment of the 1992 International Conference on Arts and Communication at St. John's College, Cambridge, England and was awarded the International Order of Merit.
Author: John Brownlie
Publisher:
ISBN:
Category : Church hymnary
Languages : en
Pages : 382
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Book Description
Author: Victoria N. Morgan
Publisher: Ashgate Publishing, Ltd.
ISBN: 9780754669425
Category : History
Languages : en
Pages : 256
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Book Description
Bringing to bear the hymnody of Dickinson's female forbears and contemporaries and the Dissenting ideology found in Isaac Watts's hymns, this study offers a critical intervention in Dickinson's use of the hymn form. Dickinson's use of bee imagery and the re-visioned notions of religious design in her 'alternative hymns' show her engaging with a community of hymn writers in ways that anticipate the ideas of feminist theologians.
Author: J. R. Watson
Publisher: OUP Oxford
ISBN: 0191520489
Category : Music
Languages : en
Pages : 564
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Book Description
D.H. Lawrence, writing of the poems that had meant most to him, said that they were `still not woven so deep in me as the rather banal Nonconformist hymns that penetrated through and through my childhood'. It is not easy to account for this, and most writing about hymns has not helped because it has concentrated on their content and function in worship and liturgy. In the present book the author tries to account for feelings like Lawrence's by examining the hymn form and its progress through the centuries from the Reformation to the present day. He begins by discussing the status of a hymn text and relates it to the demands made upon it by the needs of singing. A chronological study then traces the development of the English hymn, from the metrical psalms of the Reformation, through the seventeenth century and Isaac Watts to the Wesleys, Cowper, Toplady, and others, and then to the great flood of hymn writing that occurred during the Victorian period, together with the great success of Hymns Ancient and Modern. There are chapters on American hymnody and women's hymn writing, and sections on gospel hymns and the translation of German hymnody. A final chapter takes the story into the twentieth century, with a brief postscript on the revival of hymn writing since 1960.
