Author: Trey Gunn
Publisher:
ISBN: 9780990859130
Category :
Languages : en
Pages : 256
Book Description
Full band transcriptions of the three King Crimson recordings Discipline, Beat and Three Of A Perfect Pair.256 pages, spiral bound.
King Crimson - the Discipline Era Transcriptions
Author: Trey Gunn
Publisher:
ISBN: 9780990859130
Category :
Languages : en
Pages : 256
Book Description
Full band transcriptions of the three King Crimson recordings Discipline, Beat and Three Of A Perfect Pair.256 pages, spiral bound.
Publisher:
ISBN: 9780990859130
Category :
Languages : en
Pages : 256
Book Description
Full band transcriptions of the three King Crimson recordings Discipline, Beat and Three Of A Perfect Pair.256 pages, spiral bound.
Handbook for Spiritual Hymns
Author: Myron K. Sauder
Publisher: Myron K. Sauder
ISBN: 9781929678044
Category : Music
Languages : en
Pages : 280
Book Description
Publisher: Myron K. Sauder
ISBN: 9781929678044
Category : Music
Languages : en
Pages : 280
Book Description
Complete Recorded Works in Transcription
Author: Sam Morgan's Jazz Band
Publisher: A-R Editions, Inc.
ISBN: 0895797240
Category : Music
Languages : en
Pages : 312
Book Description
Book URL: https://www.areditions.com/rr/rra/a073.html This edition consists of musical transcriptions of all eight recordings of Sam Morgan¿s Jazz Band, made in New Orleans in 1927. These are among the first recordings of black New Orleans jazz bands made in their home city and, as the band consisted of musicians who stayed on in New Orleans after the Great Exodus to Chicago and New York in the early 1920s, the recordings preserve a purer form of the collectively improvised ensemble of the earliest black jazz bands. It is a loosely integrated, purely linear ensemble mass, a collective projecting of melodic lines close to the unassimilated heterophonic singing of the Black Primitive Baptist and Sanctified Churches. This proto jazz style was being rapidly eclipsed in the 1920s by more flamboyant and technically brilliant forms of New Orleans jazz being recorded by Louis Armstrong, Sidney Bechet, and Jelly Roll Morton. The scores contained herein are the first complete transcriptions of this rare and distinctive music to appear in print.
Publisher: A-R Editions, Inc.
ISBN: 0895797240
Category : Music
Languages : en
Pages : 312
Book Description
Book URL: https://www.areditions.com/rr/rra/a073.html This edition consists of musical transcriptions of all eight recordings of Sam Morgan¿s Jazz Band, made in New Orleans in 1927. These are among the first recordings of black New Orleans jazz bands made in their home city and, as the band consisted of musicians who stayed on in New Orleans after the Great Exodus to Chicago and New York in the early 1920s, the recordings preserve a purer form of the collectively improvised ensemble of the earliest black jazz bands. It is a loosely integrated, purely linear ensemble mass, a collective projecting of melodic lines close to the unassimilated heterophonic singing of the Black Primitive Baptist and Sanctified Churches. This proto jazz style was being rapidly eclipsed in the 1920s by more flamboyant and technically brilliant forms of New Orleans jazz being recorded by Louis Armstrong, Sidney Bechet, and Jelly Roll Morton. The scores contained herein are the first complete transcriptions of this rare and distinctive music to appear in print.
Church Music Review and Official Bulletin of the American Guild of Organists
Author:
Publisher:
ISBN:
Category : Church music
Languages : en
Pages : 588
Book Description
Publisher:
ISBN:
Category : Church music
Languages : en
Pages : 588
Book Description
Hymn tune transcriptions
Author: Peter Christian Lutkin
Publisher:
ISBN:
Category : Chorale preludes
Languages : en
Pages : 60
Book Description
Publisher:
ISBN:
Category : Chorale preludes
Languages : en
Pages : 60
Book Description
Twenty Intonations on Festive Hymns
Author:
Publisher: Alfred Music Publishing
ISBN:
Category :
Languages : en
Pages : 28
Book Description
Publisher: Alfred Music Publishing
ISBN:
Category :
Languages : en
Pages : 28
Book Description
Etude Music Magazine
Author: Theodore Presser
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 876
Book Description
Includes music.
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 876
Book Description
Includes music.
Catalog of Copyright Entries
Author: Library of Congress. Copyright Office
Publisher:
ISBN:
Category : Copyright
Languages : en
Pages : 1036
Book Description
Publisher:
ISBN:
Category : Copyright
Languages : en
Pages : 1036
Book Description
Spanish Cathedral Music in the Golden Age
Author: Robert Stevenson
Publisher: Univ of California Press
ISBN:
Category :
Languages : en
Pages : 544
Book Description
Publisher: Univ of California Press
ISBN:
Category :
Languages : en
Pages : 544
Book Description
All Made of Tunes
Author: James Peter Burkholder
Publisher: Yale University Press
ISBN: 9780300102123
Category : Music
Languages : en
Pages : 572
Book Description
Charles Ives is famous for using borrowed material in his music. Almost two hundred individual works or movements, spanning his entire career and representing more than a third of his output, incorporate music by other composers or from his own previous work. In this book, the eminent Ives scholar J. Peter Burkholder identifies the different kinds of "quotations" in Ives's music, explores the complex musical, aesthetic, and psychological motivations behind the borrowings, and shows the purpose, techniques, and effects that characterize each one. Burkholder catalogues fourteen distinct ways that Ives borrowed, ranging from direct quotation to paraphrase, variation, collage, modeling, and stylistic allusion. Arguing that these borrowing procedures were compositional strategies, he provides a new perspective on Ives's process of composition. In addition, by tracing the development of Ives's borrowing practices through his career, he contributes to an understanding of the composer's stylistic evolution. And by showing how much of Ives's music uses borrowing procedures that are common to many composers, he reveals that Ives is not as far removed from the classic-romantic tradition as has been thought. Finally, Burkholder's comprehensive treatment of Ives's borrowing techniques offers a new perspective on the entire field of musical borrowing.
Publisher: Yale University Press
ISBN: 9780300102123
Category : Music
Languages : en
Pages : 572
Book Description
Charles Ives is famous for using borrowed material in his music. Almost two hundred individual works or movements, spanning his entire career and representing more than a third of his output, incorporate music by other composers or from his own previous work. In this book, the eminent Ives scholar J. Peter Burkholder identifies the different kinds of "quotations" in Ives's music, explores the complex musical, aesthetic, and psychological motivations behind the borrowings, and shows the purpose, techniques, and effects that characterize each one. Burkholder catalogues fourteen distinct ways that Ives borrowed, ranging from direct quotation to paraphrase, variation, collage, modeling, and stylistic allusion. Arguing that these borrowing procedures were compositional strategies, he provides a new perspective on Ives's process of composition. In addition, by tracing the development of Ives's borrowing practices through his career, he contributes to an understanding of the composer's stylistic evolution. And by showing how much of Ives's music uses borrowing procedures that are common to many composers, he reveals that Ives is not as far removed from the classic-romantic tradition as has been thought. Finally, Burkholder's comprehensive treatment of Ives's borrowing techniques offers a new perspective on the entire field of musical borrowing.