Author: Samuel JOHNSON (Dancing Master.)
Publisher:
ISBN:
Category :
Languages : en
Pages : 74

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Author: Samuel Johnson
Publisher: Scholar's Choice
ISBN: 9781297021893
Category :
Languages : en
Pages : 64

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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Author: James Croston
Publisher:
ISBN:
Category : Cheshire (England)
Languages : en
Pages : 488

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Author: E. Cobham Brewer
Publisher: BoD – Books on Demand
ISBN: 3734093228
Category : Fiction
Languages : en
Pages : 582

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Reproduction of the original: Character Sketches of Romance, Fiction and the Drama by E. Cobham Brewer

Author: Thomas Hood
Publisher:
ISBN:
Category : Authors, English
Languages : en
Pages : 612

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Author: Shyon Baumann
Publisher: Princeton University Press
ISBN: 0691187282
Category : Performing Arts
Languages : en
Pages : 242

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Today's moviegoers and critics generally consider some Hollywood products--even some blockbusters--to be legitimate works of art. But during the first half century of motion pictures very few Americans would have thought to call an American movie "art." Up through the 1950s, American movies were regarded as a form of popular, even lower-class, entertainment. By the 1960s and 1970s, however, viewers were regularly judging Hollywood films by artistic criteria previously applied only to high art forms. In Hollywood Highbrow, Shyon Baumann for the first time tells how social and cultural forces radically changed the public's perceptions of American movies just as those forces were radically changing the movies themselves. The development in the United States of an appreciation of film as an art was, Baumann shows, the product of large changes in Hollywood and American society as a whole. With the postwar rise of television, American movie audiences shrank dramatically and Hollywood responded by appealing to richer and more educated viewers. Around the same time, European ideas about the director as artist, an easing of censorship, and the development of art-house cinemas, film festivals, and the academic field of film studies encouraged the idea that some American movies--and not just European ones--deserved to be considered art.

Author: John McVeagh
Publisher: Routledge
ISBN: 1351879405
Category : Literary Criticism
Languages : en
Pages : 266

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Though once a favourite of no fewer than four English monarchs, Restoration playwright Thomas Durfey has long been neglected by scholars. In his own day he had a lowly reputation in the world of polite letters - before his death his plays had more or less ceased to be produced; his 'serious' poems had died long before that, and even his songs were soon thought of as common property or 'folk' songs. In this new study, author John McVeagh re-examines Durfey's literary output, finding merit and interest where it has long been presumed that none existed, and restoring Durfey to his proper place in late 17th- and early 18th-century literature. Durfey's creative lifetime spanned the entire Restoration period and continued into and beyond the reign of Queen Anne. McVeagh's book studies his continuing ability to adapt to shifts in taste, fashion and personnel in the world of the theatre. It examines in detail his numerous experiments in new kinds of dramatic writing, both responding to and influencing the conditions of theatrical and artistic production. Among the topics covered are Durfey's attempts to feminize Restoration comedy, his political satires in drama in the late Stuart years, his anticipations of sentimental comedy, his search for a new language for lower class tragedy, and his musical-dramatic experimentations in the 1680s and 1690s, focusing particularly on his collaborative work with Matthew Locke, Samuel Ackroyde, John Eccles, Daniel and Henry Purcell and other composers. In addition, the author discusses Durfey's numerous satiric, narrative and other poems, and relates his writings to their social, political and cultural contexts. The book includes a performance record, listing the plays by performance date. The record includes such information, if known, as: where it was performed; by what company; cast list; to whom it was dedicated; a brief description of the prologue and epilogue; when it was published; what music it contained; and details of any revivals.

Author: Edith Hall
Publisher: MHRA
ISBN: 1904350615
Category : Literary Criticism
Languages : en
Pages : 411

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Flying to Heaven to demand an end to war, building Cloudcuckooland in the sky, descending to Hades to retrieve a dead tragedian - such were the cosmic missions on which Aristophanes, the father of comedy, sent his heroes of the classical Athenian stage. The wit, intellectual bravura, political clout and sheer imaginative power of Aristophanes' quest dramas have profoundly influenced humorous literature and satire, but this volume, which originated at an international conference held at the Archive of Performances of Greek and Roman Drama at Oxford University in 2004, is the first interdisciplinary study of their seminal contribution to the evolution of comic performance. Interdisciplinary essays by specialists in Classics, Theatre, and Modern Literatures trace the international performance history of Aristophanic comedy, and its implication in aesthetic and political controversies, from antiquity to the twenty-first century. The story encompasses Jonson's satire, Cromwell's Ireland, German classicism, British Imperial India, censorship scandals in France, Greece and South Africa, Brechtian experiments in East Berlin, and musical theatre from Gilbert and Sullivan to Stephen Sondheim.

Author: John Heath
Publisher: Cambridge University Press
ISBN: 1139443917
Category : History
Languages : en
Pages : 402

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Book Description
When considering the question of what makes us human, the ancient Greeks provided numerous suggestions. This book argues that the defining criterion in the Hellenic world, however, was the most obvious one: speech. It explores how it was the capacity for authoritative speech which was held to separate humans from other animals, gods from humans, men from women, Greeks from non-Greeks, citizens from slaves, and the mundane from the heroic. John Heath illustrates how Homer's epics trace the development of immature young men into adults managing speech in entirely human ways and how in Aeschylus' Oresteia only human speech can disentangle man, beast, and god. Plato's Dialogues are shown to reveal the consequences of Socratically imposed silence. With its examination of the Greek focus on speech, animalization, and status, this book offers new readings of key texts and provides significant insights into the Greek approach to understanding our world.

Author: James Croston
Publisher:
ISBN:
Category : Derbyshire (England)
Languages : en
Pages : 68

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