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Author: Hallie M. Franks
Publisher: American School of Classical Studies at Athens
ISBN: 1621390101
Category : Art
Languages : en
Pages : 171
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Book Description
This monograph considers the painted frieze on the facade of Tomb II at Vergina (ca. 330-280 B.C.) as a visual document that offers vital evidence for the public self-stylings of Macedonian royalty in the era surrounding the reign of Alexander the Great. The hunting scene on the frieze reflects the construction of Macedonian royal identity through the appeal to specific and long-standing cultural traditions, which emerged, long before Alexanders reign, out of a complex negotiation of claims to heroic and local dynastic pasts, regional ideals of kingship, and models of royal behavior provided by the East.
Author: Hallie M. Franks
Publisher: American School of Classical Studies at Athens
ISBN: 1621390101
Category : Art
Languages : en
Pages : 171
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Book Description
This monograph considers the painted frieze on the facade of Tomb II at Vergina (ca. 330-280 B.C.) as a visual document that offers vital evidence for the public self-stylings of Macedonian royalty in the era surrounding the reign of Alexander the Great. The hunting scene on the frieze reflects the construction of Macedonian royal identity through the appeal to specific and long-standing cultural traditions, which emerged, long before Alexanders reign, out of a complex negotiation of claims to heroic and local dynastic pasts, regional ideals of kingship, and models of royal behavior provided by the East.
Author: Alicia Walker
Publisher: Cambridge University Press
ISBN: 1107004772
Category : Art
Languages : en
Pages : 289
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Book Description
Offers a new perspective on Byzantine imperial imagery, demonstrating the role foreign styles and iconography played in the visual articulation of imperial power.
Author: Andrew Stewart
Publisher: Cambridge University Press
ISBN: 1316061450
Category : Art
Languages : en
Pages : 485
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Book Description
What was Hellenistic art, and what were its contexts, aims, achievements, and impact? This textbook introduces students to these questions and offers a series of answers to them. Its twelve chapters and two 'focus' sections examine Hellenistic sculpture, painting, luxury arts, and architecture. Thematically organized, spanning the three centuries from Alexander to Augustus, and ranging geographically from Italy to India and the Black Sea to Nubia, the book examines key monuments of Hellenistic art in relation to the great political, social, cultural, and intellectual issues of the time. It is illustrated with 170 photographs (mostly in color, and many never before published) and contextualized through excerpts from Hellenistic literature and inscriptions. Helpful ancillary features include maps, appendices with background on Hellenistic artists and translations of key documents, a full glossary, a timeline, brief biographies of key figures, suggestions for further reading, and bibliographical references.
Author: Nicholas Sekunda
Publisher: Archaeopress Publishing Ltd
ISBN: 1789693829
Category : Social Science
Languages : en
Pages : 230
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Book Description
Twenty-one contributions, written by friends and colleagues, reflect the wide interests of Professor Michael Vickers; from the Aegean Bronze Age to the use made of archaeology by dictators in the modern age. Seven contributions relate to Georgia, where the Professor has worked most recently, and made his home.
Author: William A. P. Childs
Publisher: Princeton University Press
ISBN: 1400890519
Category : Art
Languages : en
Pages : 517
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Book Description
Greek Art and Aesthetics in the Fourth Century B.C. analyzes the broad character of art produced during this period, providing in-depth analysis of and commentary on many of its most notable examples of sculpture and painting. Taking into consideration developments in style and subject matter, and elucidating political, religious, and intellectual context, William A. P. Childs argues that Greek art in this era was a natural outgrowth of the high classical period and focused on developing the rudiments of individual expression that became the hallmark of the classical in the fifth century. As Childs shows, in many respects the art of this period corresponds with the philosophical inquiry by Plato and his contemporaries into the nature of art and speaks to the contemporaneous sense of insecurity and renewed religious devotion. Delving into formal and iconographic developments in sculpture and painting, Childs examines how the sensitive, expressive quality of these works seamlessly links the classical and Hellenistic periods, with no appreciable rupture in the continuous exploration of the human condition. Another overarching theme concerns the nature of “style as a concept of expression,” an issue that becomes more important given the increasingly multiple styles and functions of fourth-century Greek art. Childs also shows how the color and form of works suggested the unseen and revealed the profound character of individuals and the physical world.
Author: Marjorie Susan Venit
Publisher: Cambridge University Press
ISBN: 1107048087
Category : Art
Languages : en
Pages : 303
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Book Description
This book explores the visual narratives of a group of decorated tombs from Ptolemaic and Roman Egypt (c.300 BCE-250 CE). The author contextualizes the tombs within their social, political, and religious context and considers how the multicultural population of Graeco-Roman Egypt chose to negotiate death and the afterlife.
Author:
Publisher: Slatkine
ISBN:
Category :
Languages : en
Pages : 456
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Book Description
Author: Gloria Ferrari
Publisher: University of Chicago Press
ISBN: 0226668673
Category : History
Languages : en
Pages : 209
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Book Description
The Partheneion, or “maiden song,” composed in the seventh century BCE by the SpartanpoetAlcman, is the earliest substantial example of a choral lyric. A provocative reinterpretation of the Partheneion and its broader context, Alcman and the Cosmos of Sparta excavates the poem’s invocations of widespread and long-lived cosmological ideas that cast the universe as perfectly harmonious and invested its workings with an ethical dimension. Moving far beyond standard literary interpretations, Gloria Ferrari uncovers this astral symbolism by approaching the poem from several angles to brilliantly reconstruct the web of ancient drama, music, religion, painting, and material culture in which it is enmeshed. She shows, for example, that by stringing together images of horses, stars, and birds, the poem evokes classical antiquity’s beloved dance of the constellations. Instrumental in shaping the structure of the lyric, this dance symbolizes the cosmic order reflected in the order of the state, which the chorus would have enacted in a ritual performance of the song. With broad implications for archaeology, art history, and ancient science, Ferrari’s bold new analysis dramatically deepens our understanding of Greek poetry and the rich culture of archaic Sparta.
Author: Pierre Destrée
Publisher: John Wiley & Sons
ISBN: 1119009774
Category : Literary Criticism
Languages : en
Pages : 547
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Book Description
The first of its kind, A Companion to Ancient Aesthetics presents a synoptic view of the arts, which crosses traditional boundaries and explores the aesthetic experience of the ancients across a range of media—oral, aural, visual, and literary. Investigates the many ways in which the arts were experienced and conceptualized in the ancient world Explores the aesthetic experience of the ancients across a range of media, treating literary, oral, aural, and visual arts together in a single volume Presents an integrated perspective on the major themes of ancient aesthetics which challenges traditional demarcations Raises questions about the similarities and differences between ancient and modern ways of thinking about the place of art in society
Author: Jane Masséglia
Publisher:
ISBN: 0198723598
Category : Art
Languages : en
Pages : 387
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Book Description
Why are so many Hellenistic kings shown with one arm in the air? Could posture distinguish the slave from the citizen? Was there a Hellenistic etiquette of sitting down? How did Hellenistic Greeks feel about the bodies of the disabled and the elderly? And what did it mean to Tuck-for-Luck? This richly-illustrated book brings together a wide range of Hellenistic art objects, and reveals how ancient social attitudes were encoded in the body language of their subjects. Incorporating approaches from anthropology and archaeology, it considers a wide range of social groups, from the elite to slaves, and examines the postures, gestures, and body actions which were considered appropriate to each. By examining Hellenistic kings, queens, public intellectuals, citizen men and women, Africans, servants, paidagogoi, fishermen, peasants, old women, dwarfs, and the disabled, this study provides important new insights into what is 'Hellenistic' about Hellenistic Art, and into the anxieties of Hellenistic society. In doing so, it not only reconsiders familiar concepts such as the 'individuality' of the civic elite and the apparent passivity of women, but also reveals Hellenistic attitudes towards issues such as old age, race, and child abuse, and explores power, prejudice, and the role of art in both reflecting and enforcing social stereotypes.
