Author:
Publisher: ReadHowYouWant.com
ISBN: 1458729206
Category :
Languages : en
Pages : 306

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Author: William Makepeace Thackeray
Publisher: ReadHowYouWant.com
ISBN: 1427053596
Category :
Languages : en
Pages : 454

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Author: P. G. Wodehouse
Publisher: ReadHowYouWant.com
ISBN: 1458704246
Category : Fiction
Languages : en
Pages : 436

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Book Description
Books for All Kinds of Readers. ReadHowYouWant offers the widest selection of on-demand, accessible format editions on the market today. Our 7 different sizes of EasyRead are optimized by increasing the font size and spacing between the words and the letters. We partner with leading publishers around the globe. Our goal is to have accessible editions simultaneously released with publishers' new books so that all readers can have access to the books they want to read. To find more books in your format visit www.readhowyouwant.com

Author: Bill McClanahan
Publisher: Policy Press
ISBN: 1529207444
Category : Social Science
Languages : en
Pages : 190

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Book Description
In this pioneering work, Bill McClanahan provides a concise overview of visual criminology. With examples of the most prominent methods at work in visual criminology, this book explores the visual perspective in relation to prisons, police, the environment, and drugs, while noting the complex ethical implications embedded in visual research.

Author: P.G. Wodehouse
Publisher: Simon and Schuster
ISBN: 0743203585
Category : Fiction
Languages : en
Pages : 708

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Book Description
This lavish collection of ever published of the incomparable stories of P.G. Wodehouse is paired with a complete and hilarious short novel.

Author: Katherine Biber
Publisher: Taylor & Francis
ISBN: 1317402677
Category : Art
Languages : en
Pages : 334

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Book Description
This book investigates what happens to criminal evidence after the conclusion of legal proceedings. During the criminal trial, evidentiary material is tightly regulated; it is formally regarded as part of the court record, and subject to the rules of evidence and criminal procedure. However, these rules and procedures cannot govern or control this material after proceedings have ended. In its ‘afterlife’, criminal evidence continues to proliferate in cultural contexts. It might be photographic or video evidence, private diaries and correspondence, weapons, physical objects or forensic data, and it arouses the interest of journalists, scholars, curators, writers or artists. Building on a growing cultural interest in criminal archival materials, this book shows how in its afterlife, criminal evidence gives rise to new uses and interpretations, new concepts and questions, many of which are creative and transformative of crime and evidence, and some of which are transgressive, dangerous or insensitive. It takes the judicial principle of open justice – the assumption that justice must be seen to be done – and investigates instances in which we might see too much, too little or from a distorted angle. It centres upon a series of case studies, including those of Lindy Chamberlain and, more recently, Oscar Pistorius, in which criminal evidence has re-appeared outside of the criminal process. Traversing museums, libraries, galleries and other repositories, and drawing on extensive interviews with cultural practitioners and legal professionals, this book probes the legal, ethical, affective and aesthetic implications of the cultural afterlife of evidence.

Author: Anastasia Powell
Publisher: Routledge
ISBN: 1351795058
Category : Social Science
Languages : en
Pages : 544

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Book Description
The infusion of digital technology into contemporary society has had significant effects for everyday life and for everyday crimes. Digital Criminology: Crime and Justice in Digital Society is the first interdisciplinary scholarly investigation extending beyond traditional topics of cybercrime, policing and the law to consider the implications of digital society for public engagement with crime and justice movements. This book seeks to connect the disparate fields of criminology, sociology, legal studies, politics, media and cultural studies in the study of crime and justice. Drawing together intersecting conceptual frameworks, Digital Criminology examines conceptual, legal, political and cultural framings of crime, formal justice responses and informal citizen-led justice movements in our increasingly connected global and digital society. Building on case study examples from across Australia, Canada, Europe, China, the UK and the United States, Digital Criminology explores key questions including: What are the implications of an increasingly digital society for crime and justice? What effects will emergent technologies have for how we respond to crime and participate in crime debates? What will be the foundational shifts in criminological research and frameworks for understanding crime and justice in this technologically mediated context? What does it mean to be a ‘just’ digital citizen? How will digital communications and social networks enable new forms of justice and justice movements? Ultimately, the book advances the case for an emerging digital criminology: extending the practical and conceptual analyses of ‘cyber’ or ‘e’ crime beyond a focus foremost on the novelty, pathology and illegality of technology-enabled crimes, to understandings of online crime as inherently social. Twitter: @DigiCrimRMIT ‏

Author: Michelle Brown
Publisher: Routledge
ISBN: 1317497538
Category : Social Science
Languages : en
Pages : 1182

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Book Description
Dynamically written and richly illustrated, the Routledge International Handbook of Visual Criminology offers the first foundational primer on visual criminology. Spanning a variety of media and visual modes, this volume assembles established researchers whose work is essential to understanding the role of the visual in criminology and emergent thinkers whose work is taking visual criminology in new directions. This book is divided into five parts that each highlight a key aspect of visual criminology, exploring the diversity of methods, techniques and theoretical approaches currently shaping the field: • Part I introduces formative positions in the developments of visual criminology and explores the different disciplines that have contributed to analysing images. • Part II explores visual representations of crime across film, graphic art, documentary, police photography, press coverage and graffiti and urban aesthetics. • Part III discusses the relationship of visual criminology to criminal justice institutions like policing, punishment and law. • Part IV focuses on the distinctive ethical problems posed by the image, reflecting on the historical development, theoretical disputes and methodological issues involved. • Part V identifies new frameworks and emergent perspectives and reflects upon the distinctive challenges and limits that can be seen in this emerging field. This book includes a vibrant colour plate section and over a hundred black and white images, breaking down the barriers between original photography and artwork, historic paintings and illustrations and modern comics and films. This interdisciplinary book will be of interest to criminologists, sociologists, visual ethnographers, art historians and those engaged with media studies.

Author: Pelham Grenville Wodehouse
Publisher:
ISBN:
Category : British literature
Languages : en
Pages : 256

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Author: Reece Walters
Publisher: Routledge
ISBN: 1135991464
Category : Social Science
Languages : en
Pages : 230

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Book Description
In this important and original book, Reece Walters examines the politics of criminology and the ways in which criminological knowledge is generated. It includes an overview of the politics and practice of conducting criminological research (drawing upon material from Britain, Europe, Australia, New Zealand and the USA), and the ways that regulatory and governing authorities set research agendas, manipulate the processes and production of knowledge and silence or suppress critical voices through various techniques of neutralisation. The book argues for 'knowledges of resistance' - a position that promotes critique, challenges concepts of power and social order, wrestles with notions of truth and adheres to intellectual autonomy and independence. It provides invaluable insights into the relationship between the criminological researcher, public officials and corporate representatives. Drawing upon a wide range of interviews with academics and administrators from government and business, the book provides rare insights into the ways that knowledge about crime and criminal justice is produced and consumed, revealing why certain topics of criminological enquiry are rarely funded and why others receive ongoing political and governmental support. The book will be essential reading for anybody interested in the development of criminological theory and research, and the context and influences that shape it.