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Author: Sohan Jain
Publisher: AuthorHouse
ISBN: 1468562967
Category : Mathematics
Languages : en
Pages : 216
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Book Description
Hulchul: The Common Ingredient of MotionMotionMotionMotion and Time Author, Sohan Jain, proposes the following in the book: -Instants of Motion, Instants of Time and Time Outage: Just as time has instants of time, motion has instants of motion, too. Instants of time and motion can be divided into three classes: pure instants of time, pure instants of motion, and composite instants of time and motion. The sequences of the three types of instants are interspersed into a single sequence of their occurrences. A body does not experience time during pure instants of motion, a phenomenon we will call time outage -the cause of time dilation. Time outage is not continuous; it is intermittent. -Internal and external motion of a body and their inheritance: Each body has, generally, two kinds of motions: internal motion and external motion. A body goes, wherever its outer bodies go. An inner body inherits external motion of its outer bodies. An outer body inherits internal motion of its inner bodies. Photons and light do not inherit motion; may be, this is why their motions are independent of their sources. -Prime ticks, the building blocks of time and any motion: Motion of a common body is not continuous; it is intermittent. Any kind of motion is perceived to be made of discrete, indivisible tiny movements, called prime ticks (p-ticks). P-ticks are to motion what elementary particles are to matter or what photons are to light. -There is time only because there is motion. Prime ticks are events and imply motion. Events have concurrency, which implies time. -Total concurrency hulchul, a universal constant: Concurrency events of external and internal p-ticks of a body are precisely the instants of motion and time. The sum of the two is called the total concurrency hulchul (c-hulchul). Total c-hulchul is the same for all bodies. -The proposed theory possibly explains: Why a particle accelerator works. Why atoms have compartmentalized internal structure. Why lighter bodies, such as elementary particles and photons, have wavy straight motion rather than straight motion. The theory predicts: The sharing of an electron by two atoms is not continuous; it alternates between the two atoms.
Author: Sohan Jain
Publisher: AuthorHouse
ISBN: 1468562967
Category : Mathematics
Languages : en
Pages : 216
Get Book Here
Book Description
Hulchul: The Common Ingredient of MotionMotionMotionMotion and Time Author, Sohan Jain, proposes the following in the book: -Instants of Motion, Instants of Time and Time Outage: Just as time has instants of time, motion has instants of motion, too. Instants of time and motion can be divided into three classes: pure instants of time, pure instants of motion, and composite instants of time and motion. The sequences of the three types of instants are interspersed into a single sequence of their occurrences. A body does not experience time during pure instants of motion, a phenomenon we will call time outage -the cause of time dilation. Time outage is not continuous; it is intermittent. -Internal and external motion of a body and their inheritance: Each body has, generally, two kinds of motions: internal motion and external motion. A body goes, wherever its outer bodies go. An inner body inherits external motion of its outer bodies. An outer body inherits internal motion of its inner bodies. Photons and light do not inherit motion; may be, this is why their motions are independent of their sources. -Prime ticks, the building blocks of time and any motion: Motion of a common body is not continuous; it is intermittent. Any kind of motion is perceived to be made of discrete, indivisible tiny movements, called prime ticks (p-ticks). P-ticks are to motion what elementary particles are to matter or what photons are to light. -There is time only because there is motion. Prime ticks are events and imply motion. Events have concurrency, which implies time. -Total concurrency hulchul, a universal constant: Concurrency events of external and internal p-ticks of a body are precisely the instants of motion and time. The sum of the two is called the total concurrency hulchul (c-hulchul). Total c-hulchul is the same for all bodies. -The proposed theory possibly explains: Why a particle accelerator works. Why atoms have compartmentalized internal structure. Why lighter bodies, such as elementary particles and photons, have wavy straight motion rather than straight motion. The theory predicts: The sharing of an electron by two atoms is not continuous; it alternates between the two atoms.
Author: Vanshika Verma Khare
Publisher: Notion Press
ISBN: 1946641871
Category : Music
Languages : en
Pages : 246
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Book Description
Have you been finding it real hard to play that favourite song on your Keyboard? Here's a book that helps you play your favourite song with ease. This book is written for the Keyboard lovers, students, professionals as well as novices. Soon you will find yourself sitting with your Keyboard, playing the songs written in this book, wondering how lovely the world of music is, and why we have made it so complicated. This book contains step-wise instructions as well as the simplified Chords and Notations of Top Bollywood Songs. So, Go on, Get your Keyboard and Become a Pro!
Author: Ashish Rajadhyaksha
Publisher: Routledge
ISBN: 1135943257
Category : Social Science
Languages : en
Pages : 3189
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Book Description
The largest film industry in the world after Hollywood is celebrated in this updated and expanded edition of a now classic work of reference. Covering the full range of Indian film, this new revised edition of the Encyclopedia of Indian Cinema includes vastly expanded coverage of mainstream productions from the 1970s to the 1990s and, for the first time, a comprehensive name index. Illustrated throughout, there is no comparable guide to the incredible vitality and diversity of historical and contemporary Indian film.
Author: Wikipedia contributors
Publisher: e-artnow sro
ISBN:
Category :
Languages : en
Pages : 717
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Book Description
Author: Vinod Chopra
Publisher: Om Books International
ISBN: 9380069758
Category : Performing Arts
Languages : en
Pages : 174
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Book Description
Since its release on September 1, 2006, Lage Raho Munna Bhai has been watched by millions, broken box-office records, won unprecedented praise from the masses and critics alike, and most importantly, forced a nation of one billion people and the world’s largest democracy to revisit their much misunderstood icon, Mahatma Gandhi.Following the release of the film, there has been a four hundred percent increase in the sale of literature about Gandhi. Schools and universities have introduced courses on Gandhigiri - a phrase from the film that has become a part of India’s collective consciousness. Websites, fan clubs, discussion forums, and citizen groups have sprung across the nation to discuss the film’s unique ideas. The Washington Post called the film, “A phenomenon that made Gandhi a pop icon.” Amazingly, the movie that has inspired such an astonishing response is an unassuming comedy. A gangster has hallucinations that he can see Gandhi! With this simple premise, the movie explores the relevance of Gandhian ideals in the contemporary world beleaguered by violence and hate, while never forgetting to be, as The Guardian points out, “A magnificent entertainment.”
Author: Bunny Reuben
Publisher:
ISBN:
Category : Motion picture actors and actresses
Languages : en
Pages : 336
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Book Description
Author: Jyotsna Jha
Publisher: Routledge
ISBN: 0429647743
Category : Social Science
Languages : en
Pages : 295
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Book Description
This is a book about understanding women’s empowerment and pathways as well as roadblocks to women’s economic empowerment in rural India, as understood through an evaluation-based research of a state-funded social sector programme located in the education department – Mahila Samakhya (MS) – in Bihar, one of the socially and educationally most underdeveloped Indian states. The book presents findings of the three-year research that adopted a mixed-methods approach and evaluated the impact of MS on various facets of empowerment of women coming from the most marginalized communities. The study, therefore, tries to go beyond evaluating the MS programme and uses the research findings and insights to raise certain critical issues pertaining to social policy planning and implementation, especially in the context of women’s education and empowerment. Please note: Taylor & Francis does not sell or distribute the Hardback in India, Pakistan, Nepal, Bhutan, Bangladesh and Sri Lanka
Author: Param Arunachalam
Publisher: Mavrix Infotech Private Limited
ISBN: 8193848209
Category : Music
Languages : en
Pages : 2582
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Book Description
BollySwar is a decade-wise compendium of information about the music of Hindi films. Volume 8 chronicles the Hindi film music of the decade between 2001 and 2010. This volume catalogues more than 1000 films and 8000 songs, involving more than 2000 music directors, lyricists and singers. An overview of the decade highlights the key artists of the decade - music directors, lyricists and singers - and discusses the emerging trends in Hindi film music. A yearly review provides listings of the year's top artists and songs and describes the key milestones of the year in Hindi film music. The bulk of the book provides the song listing of every Hindi film album released in the decade. Basic information about each film's cast and crew is provided and detailed music credits are provided. Where available, music credits go beyond information regarding music directors, lyricists and singers, and include the names of session musicians, assistants, programmers, arrangers, mixers, recordists, etc. Where applicable, music related awards are listed. Interesting trivia is listed for most films, more than 1500 in all. This includes information about artist debuts, plagiarised or sampled songs, controversies and stories behind the making of the film and its music. This book is primarily meant as a quick reference for people looking for information related to a Hindi film or a song, but readers can also browse through the book to get an overview of the events that shaped Bollywood music in the decade. Given that Hindi films are a reflection of the Indian society, the reader can also glean insights about the country's socio-political and cultural environment from the book.
Author: Param Arunachalam
Publisher: Mavrix Infotech Private Limited
ISBN: 8193848217
Category : Music
Languages : en
Pages : 2314
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Book Description
BollySwar is a decade-wise compendium of information about the music of Hindi films. Volume 7 chronicles the Hindi film music of the decade between 1991 and 2000. This volume catalogues more than 1000 films and 7000 songs, involving more than 1000 music directors, lyricists and singers. An overview of the decade highlights the key artists of the decade - music directors, lyricists and singers - and discusses the emerging trends in Hindi film music. A yearly review provides listings of the year's top artists and songs and describes the key milestones of the year in Hindi film music. The bulk of the book provides the song listing of every Hindi film album released in the decade. Basic information about each film's cast and crew is provided and detailed music credits are provided. Where available, music credits go beyond information regarding music directors, lyricists and singers, and include the names of session musicians, assistants, programmers, arrangers, mixers, recordists, etc. Where applicable, music related awards are listed. Interesting trivia is listed for most films. This includes information about artist debuts, plagiarised or sampled songs, controversies and stories behind the making of the film and its music. This book is primarily meant as a quick reference for people looking for information related to a Hindi film or a song, but readers can also browse through the book to get an overview of the events that shaped Bollywood music in the decade. Given that Hindi films are a reflection of the Indian society, the reader can also glean insights about the country's socio-political and cultural environment from the book.
Author: Dilip Kumar
Publisher: Hay House, Inc
ISBN: 9381398968
Category : Biography & Autobiography
Languages : en
Pages : 429
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Book Description
An authentic, heartfelt and compelling narrative – straight from the horse’s mouth – that reveals for the first time numerous unknown aspects of the life and times of one of the greatest legends of all time who stands out as a symbol of secular India. Dilip Kumar (born as Yousuf Khan), who began as a diffident novice in Hindi cinema in the early 1940s, went on to attain the pinnacle of stardom within a short time. He came up with spellbinding performances in one hit film after another – in his almost six-decade-long career – on the basis of his innovative capability, determination, hard work and never-say-die attitude. In this unique volume, Dilip Kumar traces his journey right from his birth to the present. In the process, he candidly recounts his interactions and relationships with a wide variety of people not only from his family and the film fraternity but also from other walks of life, including politicians. While seeking to set the record straight, as he feels that a lot of what has been written about him so far is ‘full of distortions and misinformation’, he narrates, in graphic detail, how he got married to Saira Banu, which reads like a fairy tale! Dilip Kumar relates, matter-of-factly, the event that changed his life: his meeting with Devika Rani, the boss of Bombay Talkies, when she offered him an acting job. His first film was Jwar Bhata (1944). He details how he had to learn everything from scratch and how he had to develop his own distinct histrionics and style, which would set him apart from his contemporaries. After that, he soon soared to great heights with movies such as Jugnu, Shaheed, Mela, Andaz, Deedar, Daag and Devdas. In these movies he played the tragedian with such intensity that his psyche was adversely affected. He consulted a British psychiatrist, who advised him to switch over to comedy. The result was spectacular performances in laugh riots such as Azaad and Kohinoor, apart from a scintillating portrayal as a gritty tonga driver in Naya Daur. After a five-year break he started his ‘second innings’ with Kranti (1981), after which he appeared in a series of hits such as Vidhaata, Shakti, Mashaal, Karma, Saudagar and Qila.
