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Author: William Greenslade
Publisher: MHRA
ISBN: 178188966X
Category : Fiction
Languages : en
Pages : 425
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Book Description
Hubert Crackanthorpe (1870-1896) made a critically significant contribution to the evolution of the modernist short story in Britain. His unexplained death in Paris at the age of 26 cut short a highly promising literary career. The striking realism of Crackanthorpe's first collection of short stories, Wreckage (1893), followed by the psychologically complex Sentimental Studies and posthumous Last Studies (1896), together with the prose poems of Vignettes (1896), were much admired by Henry James and his contemporaries, Dowson, Johnson and Symons, as the work of a leading, innovative writer of critical Decadence. Indeed his stories combine an unrelenting realism with a conscious aestheticizing of their often troubling, bleak subject matter. As co-editor of the short-lived periodical, The Albermarle and campaigning literary journalist, Crackanthorpe was a key critical participant in central literary and artistic debates of the early 1890s: 'facts' versus 'effects' in literature; the efficacy of realism/naturalism; questions of taste, 'reticence' and the handling of controversial subject matter. This fully annotated, critical text comprises the most extensive collection to date of Crackanthorpe's writing. As well as uncollected stories, the volume includes a short story never previously published in book form. This edition also contains a selection of Crackanthorpe's critical writings and a bibliographical survey of his work.
Author: William Greenslade
Publisher: MHRA
ISBN: 178188966X
Category : Fiction
Languages : en
Pages : 425
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Book Description
Hubert Crackanthorpe (1870-1896) made a critically significant contribution to the evolution of the modernist short story in Britain. His unexplained death in Paris at the age of 26 cut short a highly promising literary career. The striking realism of Crackanthorpe's first collection of short stories, Wreckage (1893), followed by the psychologically complex Sentimental Studies and posthumous Last Studies (1896), together with the prose poems of Vignettes (1896), were much admired by Henry James and his contemporaries, Dowson, Johnson and Symons, as the work of a leading, innovative writer of critical Decadence. Indeed his stories combine an unrelenting realism with a conscious aestheticizing of their often troubling, bleak subject matter. As co-editor of the short-lived periodical, The Albermarle and campaigning literary journalist, Crackanthorpe was a key critical participant in central literary and artistic debates of the early 1890s: 'facts' versus 'effects' in literature; the efficacy of realism/naturalism; questions of taste, 'reticence' and the handling of controversial subject matter. This fully annotated, critical text comprises the most extensive collection to date of Crackanthorpe's writing. As well as uncollected stories, the volume includes a short story never previously published in book form. This edition also contains a selection of Crackanthorpe's critical writings and a bibliographical survey of his work.
Author: Tom Hubbard
Publisher: Taylor & Francis
ISBN: 1134978626
Category : Literary Collections
Languages : en
Pages : 479
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Book Description
A novelist, poet, literary critic and anthropologist, Andrew Lang is best known for his publications on folklore, mythology and religion; many have grown up with the ‘colour’ Fairy Books which he compiled between 1889 and 1910. This three volume set presents a selection of his work in these areas. The first volume covers the general and theoretical aspects of Lang’s work on folklore, mythology and anthropology along with the tools and concepts which he used in his often combative contributions to these inter-related disciplines. As a companion to the first volume, the second is comprised of various case studies made by Lang, ranging from ‘The Aryan Races of Peru’ and ‘The Folk-lore of France’ to ‘Irish Fairies’ and ‘The Ballads, Scottish and English’. The third volume arranges his literary criticism, first by geo-cultural context and then chronologically. It begins with Lang’s views on the nature and purpose of fiction, then presents samples of his work on some of the most important authors in the respective canons of French, American, Scottish and English literature including Victor Hugo, Edgar Allan Poe, Robert Burns and Charles Dickens among many others, mainly of the nineteenth century. Collectively, the General Introduction to the set and the Introductions to the individual volumes offer a thorough overview of Lang’s work in an astonishing variety of fields, including his translation work on Homer and his contributions to historiography (particularly Scottish). The Introduction to Volume III sets Lang within the context of the literature of his times, comparing and contrasting him with significant contemporaries. Headnotes to the individual items are of varying length and provide more detail on specific topics, and explanatory notes supply unique intellectual comment rather than merely factual information.
Author: Paola Partenza
Publisher: V&R Unipress
ISBN: 3847015281
Category : Literary Criticism
Languages : en
Pages : 197
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Book Description
The concept of the "human" has been broadly re-visited and modified, and the term "posthuman" has now become a term of continuous inquiry. Gender (representations) play(s) a critical role in works of literature, culture, and art, and focusing on gender is crucial to uncovering the anthropocentrism or androcentrism that may underlie the work and the times to which it belongs. While maintaining a solid literary emphasis, the ten chapters included in this volume focus on feminist debates about women, technology, and the body, on gender representation and the posthuman, on post-gender figurations, on gender and trans/post/humanism, biotechnology/biopolitics/bioethics, on feminist posthumanism, on animals, the human-machine, and ecological posthumanism. The aim of the volume is to analyse how useful these concepts may be for thinking about the subject, its definition and identity in a changing society.
Author: Michael Field
Publisher: MHRA
ISBN: 1781889732
Category : Fiction
Languages : en
Pages : 205
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Book Description
Over the past thirty years the work of Michael Field - the penname of the couple Katharine Bradley and Edith Cooper - has become established as one of the most important, and unique, literary voices of the fin de siècle. Although they are today remembered for their lyric poetry and verse drama, by sheer weight of volume alone, Bradley and Cooper wrote far more prose than poetry. Their diaries contain over a million words, and their letters and notebooks are extensive. Yet little of that prose has been made available to readers without access to the collections at the British Library, London, and the Bodleian Library, Oxford. For a significant period in the 1890s Bradley and Cooper concentrated their energies on prose. A number of the prose works completed between 1889 and 1894 were collected by them in two 'series' under the title For That Moment Only. Inspired by Walter Pater and the latest developments in French literature, these croquis - prose sketches or prose poems - are their most concerted attempt to be 'contemporaneous', to capture fleeting experiences in exquisite prose. Clearly intended at one point for publication, the sketches were abandoned following their decisive break with their mentor Bernard Berenson and his partner Mary Costelloe in 1895. Along with the entire text of For That Moment Only, this volume also brings together Michael Field's published stories and essays, other miscellaneous short prose located within their manuscripts, and their experiments with prose form found in 'Works and Days', their compendious diary. With an extensive scholarly introduction and authoritative notes, the volume places experimental short prose at the heart of Michael Field's creative project, opening Bradley and Cooper's work up to a readership which has hitherto associated them only with lyric poetry and verse drama.
Author: Valerie Sanders
Publisher: Taylor & Francis
ISBN: 1040129234
Category : Literary Criticism
Languages : en
Pages : 633
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Book Description
Margaret Oliphant (1828-97) had a prolific literary career that spanned almost fifty years. She wrote some 98 novels, fifty or more short stories, twenty-five works of non-fiction, including biographies and historic guides to European cities, and more than three hundred periodical articles. This is the most ambitious critical edition of her work.
Author: Edmund Burke
Publisher:
ISBN:
Category : Great Britain
Languages : en
Pages : 412
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Book Description
Author: Malcolm David Malcolm
Publisher: Edinburgh University Press
ISBN: 1474448380
Category : Great Britain
Languages : en
Pages : 286
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Book Description
A scholarly edition of a neglected and provocative masterpiece of the fin-de-siecle avant-gardeOffers a comprehensive analysis and interpretation of Crackanthorpe's first volume of short storiesContextualizes the volume in terms of Crackanthorpe's other work, in terms of contemporary writers and fin-de-sicle culture and society in Britain and EuropeIncludes two non-fiction pieces by Crackanthorpe, which he published in Albemarle and The Yellow Book in 1892 and 1894Contains an uncollected short story "e;The Haseltons,"e; which Crackanthorpe published in The Yellow Book in 1894 Hubert Crackanthorpe was a skilful and technically innovative English realist/naturalist writer. This edition of his powerful first collection of short stories features a carefully contextualised introduction to the author and his work. Providing a detailed analysis of his short stories, David Malcolm situates the author within the fin-de-sicle culture and society in Britain and Europe. Appendices contain additional works that reflect Crackanthorpe's perspective on fiction and contemporary literary trends.
Author: Edmund Burke
Publisher:
ISBN:
Category :
Languages : en
Pages : 416
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Book Description
Author: Regenia Gagnier
Publisher: University of Chicago Press
ISBN: 9780226278544
Category : Business & Economics
Languages : en
Pages : 268
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Book Description
What is the relationship between our conception of humans as producers or creators; as consumers of taste and pleasure; and as creators of value? Combining cultural history, economics, and literary criticism, Regenia Gagnier's new work traces the parallel development of economic and aesthetic theory, offering a shrewd reading of humans as workers and wanters, born of labor and desire. The Insatiability of Human Wants begins during a key transitional moment in aesthetic and economic theory, 1871, when both disciplines underwent a turn from production to consumption models. In economics, an emphasis on the theory of value and the social relations between land, labor, and capital gave way to more individualistic models of consumerism. Similarly, in aesthetics, theories of artistic production or creativity soon bowed to models of taste, pleasure, and reception. Using these developments as a point of departure, Gagnier deftly traces the shift in Western thought from models of production to consumption. From its exploration of early market logic and Kantian thought to its look at the aestheticization of homelessness and our own market boom, The Insatiability of Human Wants invites us to contemplate alternative interpretations of economics, aesthetics, and history itself.
Author: Patrick Brantlinger
Publisher: John Wiley & Sons
ISBN: 0470997206
Category : Literary Criticism
Languages : en
Pages : 528
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Book Description
The Companion to the Victorian Novel provides contextual and critical information about the entire range of British fiction published between 1837 and 1901. Provides contextual and critical information about the entire range of British fiction published during the Victorian period. Explains issues such as Victorian religions, class structure, and Darwinism to those who are unfamiliar with them. Comprises original, accessible chapters written by renowned and emerging scholars in the field of Victorian studies. Ideal for students and researchers seeking up-to-the-minute coverage of contexts and trends, or as a starting point for a survey course.
