Author: Everest Media,
Publisher: Everest Media LLC
ISBN:
Category : Performing Arts
Languages : en
Pages : 35
Book Description
Please note: This is a companion version & not the original book. Sample Book Insights: #1 This book is not about writing, but about living. It will help you find your light from within, and when you turn it on, you’ll love what you write. #2 Viki King’s How to Write a Movie in 21 Days is a book that I remember reading when I was a graduate of the School of Cinema at Southern Illinois University. It was full of useful screenwriting know-how and practical, get-started-today exercises, written in a friendly and forward style that grabbed me and challenged me to stop waiting and start writing. #3 I found Viki through her first book, which is a collection of her speeches. She is Oracle. Muse. Mythologist. Healer. Best-selling author. Thought-leader. Innovator. Visionary. She helps me understand my history when I have an issue.
How to Write a Movie in 21 Days
Author: Viki King
Publisher: HarperCollins
ISBN: 0062405403
Category : Performing Arts
Languages : en
Pages : 212
Book Description
In this classic bestselling screenwriting guide—now revised and updated—author and film consultant Viki King helps screenwriters go from blank page to completed manuscript through a series of clever and simple questions, ingenious writing exercises, and easy, effective new skills. Viki King's Inner Movie Method is a specific step-by-step process designed to get the story in your heart onto the page. This method doesn’t just show how to craft a classic three-act story but also delves into how to clarify the idea you don't quite have yet, how to tell if your idea is really a movie, and how to stop getting ready and start. Once you know what to write, the Inner Movie Method will show you how to write it. This ultimate scriptwriting survival guide also addresses common issues such as: how to pay the rent while paying your dues, what to say to your partner when you can't come to bed, and how to keep going when you think you can't. How to Write a Movie in 21 Days, first published in 1987, has been translated in many languages around the world and has become an industry-standard guide for filmmakers both in Hollywood and internationally. For accomplished screenwriters honing their craft, as well as those who have never before brought their ideas to paper, How to Write a Movie in 21 Days is an indispensable guide. And Viki King's upbeat, friendly style is like having a first-rate writing partner every step of the way.
Publisher: HarperCollins
ISBN: 0062405403
Category : Performing Arts
Languages : en
Pages : 212
Book Description
In this classic bestselling screenwriting guide—now revised and updated—author and film consultant Viki King helps screenwriters go from blank page to completed manuscript through a series of clever and simple questions, ingenious writing exercises, and easy, effective new skills. Viki King's Inner Movie Method is a specific step-by-step process designed to get the story in your heart onto the page. This method doesn’t just show how to craft a classic three-act story but also delves into how to clarify the idea you don't quite have yet, how to tell if your idea is really a movie, and how to stop getting ready and start. Once you know what to write, the Inner Movie Method will show you how to write it. This ultimate scriptwriting survival guide also addresses common issues such as: how to pay the rent while paying your dues, what to say to your partner when you can't come to bed, and how to keep going when you think you can't. How to Write a Movie in 21 Days, first published in 1987, has been translated in many languages around the world and has become an industry-standard guide for filmmakers both in Hollywood and internationally. For accomplished screenwriters honing their craft, as well as those who have never before brought their ideas to paper, How to Write a Movie in 21 Days is an indispensable guide. And Viki King's upbeat, friendly style is like having a first-rate writing partner every step of the way.
The Nutshell Technique
Author: Jill Chamberlain
Publisher: University of Texas Press
ISBN: 1477303731
Category : Performing Arts
Languages : en
Pages : 220
Book Description
Veteran script consultant Jill Chamberlain discovered in her work that an astounding 99 percent of first-time screenwriters don’t know how to tell a story. These writers may know how to format a script, write snappy dialogue, and set a scene. They may have interesting characters and perhaps some clever plot devices. But, invariably, while they may have the kernel of a good idea for a screenplay, they fail to tell a story. What the 99 percent do instead is present a situation. In order to explain the difference, Chamberlain created the Nutshell Technique, a method whereby writers identify eight dynamic, interconnected elements that are required to successfully tell a story. Now, for the first time, Chamberlain presents her unique method in book form with The Nutshell Technique: Crack the Secret of Successful Screenwriting. Using easy-to-follow diagrams (“nutshells”), she thoroughly explains how the Nutshell Technique can make or break a film script. Chamberlain takes readers step-by-step through thirty classic and contemporary movies, showing how such dissimilar screenplays as Casablanca, Chinatown, Pulp Fiction, The Usual Suspects, Little Miss Sunshine, Juno, Silver Linings Playbook, and Argo all have the same system working behind the scenes, and she teaches readers exactly how to apply these principles to their own screenwriting. Learn the Nutshell Technique, and you’ll discover how to turn a mere situation into a truly compelling screenplay story.
Publisher: University of Texas Press
ISBN: 1477303731
Category : Performing Arts
Languages : en
Pages : 220
Book Description
Veteran script consultant Jill Chamberlain discovered in her work that an astounding 99 percent of first-time screenwriters don’t know how to tell a story. These writers may know how to format a script, write snappy dialogue, and set a scene. They may have interesting characters and perhaps some clever plot devices. But, invariably, while they may have the kernel of a good idea for a screenplay, they fail to tell a story. What the 99 percent do instead is present a situation. In order to explain the difference, Chamberlain created the Nutshell Technique, a method whereby writers identify eight dynamic, interconnected elements that are required to successfully tell a story. Now, for the first time, Chamberlain presents her unique method in book form with The Nutshell Technique: Crack the Secret of Successful Screenwriting. Using easy-to-follow diagrams (“nutshells”), she thoroughly explains how the Nutshell Technique can make or break a film script. Chamberlain takes readers step-by-step through thirty classic and contemporary movies, showing how such dissimilar screenplays as Casablanca, Chinatown, Pulp Fiction, The Usual Suspects, Little Miss Sunshine, Juno, Silver Linings Playbook, and Argo all have the same system working behind the scenes, and she teaches readers exactly how to apply these principles to their own screenwriting. Learn the Nutshell Technique, and you’ll discover how to turn a mere situation into a truly compelling screenplay story.
Screenwriting
Author: Paul Joseph Gulino
Publisher: Bloomsbury Publishing USA
ISBN: 1628922397
Category : Social Science
Languages : en
Pages : 330
Book Description
The great challenge in writing a feature-length screenplay is sustaining audience involvement from page one through 120. Screenwriting: The Sequence Approach expounds on an often-overlooked tool that can be key in solving this problem. A screenplay can be understood as being built of sequences of about fifteen pages each, and by focusing on solving the dramatic aspects of each of these sequences in detail, a writer can more easily conquer the challenges posed by the script as a whole. The sequence approach has its foundation in early Hollywood cinema (until the 1950s, most screenplays were formatted with sequences explicitly identified), and has been rediscovered and used effectively at such film schools as the University of Southern California, Columbia University and Chapman University. This book exposes a wide audience to the approach for the first time, introducing the concept then providing a sequence analysis of eleven significant feature films made between 1940 and 2000: The Shop Around The Corner / Double Indemnity / Nights of Cabiria / North By Northwest / Lawrence of Arabia / The Graduate / One Flew Over the Cuckoo's Nest / Toy Story / Air Force One / Being John Malkovich / The Fellowship of the Ring
Publisher: Bloomsbury Publishing USA
ISBN: 1628922397
Category : Social Science
Languages : en
Pages : 330
Book Description
The great challenge in writing a feature-length screenplay is sustaining audience involvement from page one through 120. Screenwriting: The Sequence Approach expounds on an often-overlooked tool that can be key in solving this problem. A screenplay can be understood as being built of sequences of about fifteen pages each, and by focusing on solving the dramatic aspects of each of these sequences in detail, a writer can more easily conquer the challenges posed by the script as a whole. The sequence approach has its foundation in early Hollywood cinema (until the 1950s, most screenplays were formatted with sequences explicitly identified), and has been rediscovered and used effectively at such film schools as the University of Southern California, Columbia University and Chapman University. This book exposes a wide audience to the approach for the first time, introducing the concept then providing a sequence analysis of eleven significant feature films made between 1940 and 2000: The Shop Around The Corner / Double Indemnity / Nights of Cabiria / North By Northwest / Lawrence of Arabia / The Graduate / One Flew Over the Cuckoo's Nest / Toy Story / Air Force One / Being John Malkovich / The Fellowship of the Ring
Summary of Viki King's How to Write a Movie in 21 Days
Author: Everest Media,
Publisher: Everest Media LLC
ISBN:
Category : Performing Arts
Languages : en
Pages : 35
Book Description
Please note: This is a companion version & not the original book. Sample Book Insights: #1 This book is not about writing, but about living. It will help you find your light from within, and when you turn it on, you’ll love what you write. #2 Viki King’s How to Write a Movie in 21 Days is a book that I remember reading when I was a graduate of the School of Cinema at Southern Illinois University. It was full of useful screenwriting know-how and practical, get-started-today exercises, written in a friendly and forward style that grabbed me and challenged me to stop waiting and start writing. #3 I found Viki through her first book, which is a collection of her speeches. She is Oracle. Muse. Mythologist. Healer. Best-selling author. Thought-leader. Innovator. Visionary. She helps me understand my history when I have an issue.
Publisher: Everest Media LLC
ISBN:
Category : Performing Arts
Languages : en
Pages : 35
Book Description
Please note: This is a companion version & not the original book. Sample Book Insights: #1 This book is not about writing, but about living. It will help you find your light from within, and when you turn it on, you’ll love what you write. #2 Viki King’s How to Write a Movie in 21 Days is a book that I remember reading when I was a graduate of the School of Cinema at Southern Illinois University. It was full of useful screenwriting know-how and practical, get-started-today exercises, written in a friendly and forward style that grabbed me and challenged me to stop waiting and start writing. #3 I found Viki through her first book, which is a collection of her speeches. She is Oracle. Muse. Mythologist. Healer. Best-selling author. Thought-leader. Innovator. Visionary. She helps me understand my history when I have an issue.
The Philosophy of Charlie Kaufman
Author: David LaRocca
Publisher: University Press of Kentucky
ISBN: 0813133920
Category : Performing Arts
Languages : en
Pages : 320
Book Description
From the Academy Award–winning Eternal Sunshine of the Spotless Mind (2004) and Academy Award–nominated Adaptation (2002) to the cult classic Being John Malkovich (1999), writer Charlie Kaufman is widely admired for his innovative, philosophically resonant films. Although he only recently made his directorial debut with Synecdoche, New York (2008), most fans and critics refer to “Kaufman films” the way they would otherwise discuss works by directors Woody Allen, Martin Scorsese, or the Coen brothers. Not only has Kaufman transformed our sense of what can take place in a film, but he also has made a significant impact on our understanding of the role of the screenwriter. The Philosophy of Charlie Kaufman, edited by David LaRocca, is the first collection of essays devoted to a rigorous philosophical exploration of Kaufman’s work by a team of capable and critical scholars from a wide range of disciplines. From political theorists to philosophers, classicists to theologians, professors of literature to filmmakers, the contributing authors delve into the heart of Kaufman’s innovative screenplays, offering not only original philosophical analyses but also extended reflections on the nature of film and film criticism.
Publisher: University Press of Kentucky
ISBN: 0813133920
Category : Performing Arts
Languages : en
Pages : 320
Book Description
From the Academy Award–winning Eternal Sunshine of the Spotless Mind (2004) and Academy Award–nominated Adaptation (2002) to the cult classic Being John Malkovich (1999), writer Charlie Kaufman is widely admired for his innovative, philosophically resonant films. Although he only recently made his directorial debut with Synecdoche, New York (2008), most fans and critics refer to “Kaufman films” the way they would otherwise discuss works by directors Woody Allen, Martin Scorsese, or the Coen brothers. Not only has Kaufman transformed our sense of what can take place in a film, but he also has made a significant impact on our understanding of the role of the screenwriter. The Philosophy of Charlie Kaufman, edited by David LaRocca, is the first collection of essays devoted to a rigorous philosophical exploration of Kaufman’s work by a team of capable and critical scholars from a wide range of disciplines. From political theorists to philosophers, classicists to theologians, professors of literature to filmmakers, the contributing authors delve into the heart of Kaufman’s innovative screenplays, offering not only original philosophical analyses but also extended reflections on the nature of film and film criticism.
Storytelling in the New Hollywood
Author: Kristin Thompson
Publisher: Harvard University Press
ISBN: 9780674839755
Category : Language Arts & Disciplines
Languages : en
Pages : 428
Book Description
Drawing on a wide range of films from the 1920s to the 1990s—from Keaton’s Our Hospitality to Casablanca to Terminator 2, Kristin Thompson offers the first in-depth analysis of Hollywood’s storytelling techniques and how they are used to make complex, easily comprehensible, entertaining films.
Publisher: Harvard University Press
ISBN: 9780674839755
Category : Language Arts & Disciplines
Languages : en
Pages : 428
Book Description
Drawing on a wide range of films from the 1920s to the 1990s—from Keaton’s Our Hospitality to Casablanca to Terminator 2, Kristin Thompson offers the first in-depth analysis of Hollywood’s storytelling techniques and how they are used to make complex, easily comprehensible, entertaining films.
From Reel to Deal
Author: Dov S-S Simens
Publisher: Grand Central Publishing
ISBN: 0759520763
Category : Performing Arts
Languages : en
Pages : 387
Book Description
Based on his acclaimed "2- Day Film School", Dov S-S Simens serves up a flawless and detailed blueprint for creating successful independent films. With his signature in-your-face, no-holds-barred advice, the Godfather of Independent Film teaches readers everything they need to know to create full-length feature films. From screenwriting ("There are two types of scripts: It's great or it sucks!") to distribution ("Who are the whores of Hollywood?"), Simens provides encyclopedic, precise, and creative instruction for making a vision a reality. By the end of the book, readers will know exactly what to do to make their films.
Publisher: Grand Central Publishing
ISBN: 0759520763
Category : Performing Arts
Languages : en
Pages : 387
Book Description
Based on his acclaimed "2- Day Film School", Dov S-S Simens serves up a flawless and detailed blueprint for creating successful independent films. With his signature in-your-face, no-holds-barred advice, the Godfather of Independent Film teaches readers everything they need to know to create full-length feature films. From screenwriting ("There are two types of scripts: It's great or it sucks!") to distribution ("Who are the whores of Hollywood?"), Simens provides encyclopedic, precise, and creative instruction for making a vision a reality. By the end of the book, readers will know exactly what to do to make their films.
Now Write! Screenwriting
Author: Sherry Ellis
Publisher: Penguin
ISBN: 1101486074
Category : Performing Arts
Languages : en
Pages : 319
Book Description
An essential handbook featuring never-before-published writing exercises from the acclaimed screenwriters of Raging Bull, Ali, Terminator 2, Fame, Groundhog Day, Cape Fear, "Lost", "True Blood", "The Shield", and many other hit films and television shows. Now Write! Screenwriting-the latest addition to the Now Write! writing guide series-brings together the acclaimed screenwriters of films like the Oscar-winning Raging Bull, Oscar- nominated Ali, era-defining blockbuster Terminator 2, musical classic Fame, hit series "Lost" "True Blood" and "The Shield," Groundhog Day, Cape Fear, Chicken Run, Reversal of Fortune, Before Sunrise, Mystic Pizza, Indecent Proposal, and many more, to teach the art of the story. *Learn about why it is sometimes best to write what you don't know from Christina Kim ('Lost') *Find out how Stephen Rivele (Ali, Nixon) reduces his screenplay ideas down to their most basic elements, and uses that as a writing guide *Learn why you should focus on your character, not your plot, when digging yourself out of a plot home from Danny Rubin (Groundhog Day) *Take tips from Karey Kirkpatrick (Chicken Run, The Spiderwick Chronicles) on how to give an inanimate object intense emotional significance *Let Kim Krizan (Before Sunrise, Before Sunset) teach you how to stop your internal critic dead in his tracks This lively and easy-to-read guide will motivate both aspiring and experienced screenwriters. No other screenwriting book offers advice and exercises from this many writers of successful, iconic films.
Publisher: Penguin
ISBN: 1101486074
Category : Performing Arts
Languages : en
Pages : 319
Book Description
An essential handbook featuring never-before-published writing exercises from the acclaimed screenwriters of Raging Bull, Ali, Terminator 2, Fame, Groundhog Day, Cape Fear, "Lost", "True Blood", "The Shield", and many other hit films and television shows. Now Write! Screenwriting-the latest addition to the Now Write! writing guide series-brings together the acclaimed screenwriters of films like the Oscar-winning Raging Bull, Oscar- nominated Ali, era-defining blockbuster Terminator 2, musical classic Fame, hit series "Lost" "True Blood" and "The Shield," Groundhog Day, Cape Fear, Chicken Run, Reversal of Fortune, Before Sunrise, Mystic Pizza, Indecent Proposal, and many more, to teach the art of the story. *Learn about why it is sometimes best to write what you don't know from Christina Kim ('Lost') *Find out how Stephen Rivele (Ali, Nixon) reduces his screenplay ideas down to their most basic elements, and uses that as a writing guide *Learn why you should focus on your character, not your plot, when digging yourself out of a plot home from Danny Rubin (Groundhog Day) *Take tips from Karey Kirkpatrick (Chicken Run, The Spiderwick Chronicles) on how to give an inanimate object intense emotional significance *Let Kim Krizan (Before Sunrise, Before Sunset) teach you how to stop your internal critic dead in his tracks This lively and easy-to-read guide will motivate both aspiring and experienced screenwriters. No other screenwriting book offers advice and exercises from this many writers of successful, iconic films.
Writing the Character-Centered Screenplay, Updated and Expanded edition
Author: Andrew Horton
Publisher: Univ of California Press
ISBN: 9780520924178
Category : Performing Arts
Languages : en
Pages : 260
Book Description
"We need good screenwriters who understand character." Everywhere Andrew Horton traveled in researching this book—from Hollywood to Hungary—he heard the same refrain. Yet most of the standard how-to books on screenwriting follow the film industry's earlier lead in focusing almost exclusively on plot and formulaic structures. With this book, Horton, a film scholar and successful screenwriter, provides the definitive work on the character-based screenplay. Exceptionally wide-ranging—covering American, international, mainstream, and "off-Hollywood" films, as well as television—the book offers creative strategies and essential practical information. Horton begins by placing screenwriting in the context of the storytelling tradition, arguing through literary and cultural analysis that all great stories revolve around a strong central character. He then suggests specific techniques and concepts to help any writer—whether new or experienced—build more vivid characters and screenplays. Centering his discussion around four film examples—including Thelma & Louise and The Silence of the Lambs—and the television series, Northern Exposure, he takes the reader step-by-step through the screenwriting process, starting with the development of multi-dimensional characters and continuing through to rewrite. Finally, he includes a wealth of information about contests, fellowships, and film festivals. Espousing a new, character-based approach to screenwriting, this engaging, insightful work will prove an essential guide to all of those involved in the writing and development of film scripts.
Publisher: Univ of California Press
ISBN: 9780520924178
Category : Performing Arts
Languages : en
Pages : 260
Book Description
"We need good screenwriters who understand character." Everywhere Andrew Horton traveled in researching this book—from Hollywood to Hungary—he heard the same refrain. Yet most of the standard how-to books on screenwriting follow the film industry's earlier lead in focusing almost exclusively on plot and formulaic structures. With this book, Horton, a film scholar and successful screenwriter, provides the definitive work on the character-based screenplay. Exceptionally wide-ranging—covering American, international, mainstream, and "off-Hollywood" films, as well as television—the book offers creative strategies and essential practical information. Horton begins by placing screenwriting in the context of the storytelling tradition, arguing through literary and cultural analysis that all great stories revolve around a strong central character. He then suggests specific techniques and concepts to help any writer—whether new or experienced—build more vivid characters and screenplays. Centering his discussion around four film examples—including Thelma & Louise and The Silence of the Lambs—and the television series, Northern Exposure, he takes the reader step-by-step through the screenwriting process, starting with the development of multi-dimensional characters and continuing through to rewrite. Finally, he includes a wealth of information about contests, fellowships, and film festivals. Espousing a new, character-based approach to screenwriting, this engaging, insightful work will prove an essential guide to all of those involved in the writing and development of film scripts.
The Art of Plotting
Author: Linda J. Cowgill
Publisher: Lone Eagle
ISBN: 030787513X
Category : Performing Arts
Languages : en
Pages : 210
Book Description
The complete, clear guide to creating compelling plots for film -Integrate plot, characterization, and exposition to make stories real - Examples from new and classic movies examine great plots in action Plot must be as much about the emotions of the characters as it is about the events of the story. That’s the message of The Art of Plotting, which teaches screenwriters how to integrate plot, characterization, and exposition to make stories compelling. Using examples from recent and classic movies, author Linda J. Cowgill demonstrates how the plot springs naturally from the characters--and how that technique makes audiences connect with the story on a more intimate level. Examples include American Beauty, Shakespeare in Love, Erin Brockovich, Spider-Man, Chinatown, Jaws, and more. Easy exercises reveal common plot problems and help writers overcome them. Clear and easy to understand and to use, The Art of Plotting shows exactly how great plotting evolves from characters caught in life-changing conflicts--and how to create great plots driven by that idea.
Publisher: Lone Eagle
ISBN: 030787513X
Category : Performing Arts
Languages : en
Pages : 210
Book Description
The complete, clear guide to creating compelling plots for film -Integrate plot, characterization, and exposition to make stories real - Examples from new and classic movies examine great plots in action Plot must be as much about the emotions of the characters as it is about the events of the story. That’s the message of The Art of Plotting, which teaches screenwriters how to integrate plot, characterization, and exposition to make stories compelling. Using examples from recent and classic movies, author Linda J. Cowgill demonstrates how the plot springs naturally from the characters--and how that technique makes audiences connect with the story on a more intimate level. Examples include American Beauty, Shakespeare in Love, Erin Brockovich, Spider-Man, Chinatown, Jaws, and more. Easy exercises reveal common plot problems and help writers overcome them. Clear and easy to understand and to use, The Art of Plotting shows exactly how great plotting evolves from characters caught in life-changing conflicts--and how to create great plots driven by that idea.