Author: Matti Goldschmidt
Publisher:
ISBN:
Category : Bible and dance
Languages : en
Pages : 208
Book Description
A brief history of Israeli folk dance is accompanied by directions for fifty-three Israeli folk dances and songs for each dance.
The Bible in Israeli Folk Dances
Author: Matti Goldschmidt
Publisher:
ISBN:
Category : Bible and dance
Languages : en
Pages : 208
Book Description
A brief history of Israeli folk dance is accompanied by directions for fifty-three Israeli folk dances and songs for each dance.
Publisher:
ISBN:
Category : Bible and dance
Languages : en
Pages : 208
Book Description
A brief history of Israeli folk dance is accompanied by directions for fifty-three Israeli folk dances and songs for each dance.
Seeing Israeli and Jewish Dance
Author: Judith Brin Ingber
Publisher: Wayne State University Press
ISBN: 0814333303
Category : History
Languages : en
Pages : 474
Book Description
A comprehensive survey of historical and contemporary Jewish dance. In Seeing Israeli and Jewish Dance, choreographer, dancer, and dance scholar Judith Brin Ingber collects wide-ranging essays and many remarkable photographs to explore the evolution of Jewish dance through two thousand years of Diaspora, in communities of amazing variety and amid changing traditions. Ingber and other eminent scholars consider dancers individually and in community, defining Jewish dance broadly to encompass religious ritual, community folk dance, and choreographed performance. Taken together, this wide range of expression illustrates the vitality, necessity, and continuity of dance in Judaism. This volume combines dancers' own views of their art with scholarly examinations of Jewish dance conducted in Europe, Israel, other Middle East areas, Africa, and the Americas. In seven parts, Seeing Israeli and Jewish Dance considers Jewish dance artists of the twentieth and twenty-first centuries; the dance of different Jewish communities, including Hasidic, Yemenite, Kurdish, Ethiopian, and European Jews in many epochs; historical and current Israeli folk dance; and the contrast between Israeli and American modern and post-modern theater dance. Along the way, contributors see dance in ancient texts like the Song of Songs, the Talmud, and Renaissance-era illuminated manuscripts, and plumb oral histories, Holocaust sources, and their own unique views of the subject. A selection of 182 illustrations, including photos, paintings, and film stills, round out this lively volume. Many of the illustrations come from private collections and have never before been published, and they represent such varied sources as a program booklet from the 1893 Chicago World's Fair and archival photos from the Israel Government Press Office. Seeing Israeli and Jewish Dance threads together unique source material and scholarly examinations by authors from Europe, Israel, and America trained in sociology, anthropology, history, cultural studies, Jewish studies, dance studies, as well as art, theater, and dance criticism. Enthusiasts of dance and performance art and a wide range of university students will enjoy this significant volume.
Publisher: Wayne State University Press
ISBN: 0814333303
Category : History
Languages : en
Pages : 474
Book Description
A comprehensive survey of historical and contemporary Jewish dance. In Seeing Israeli and Jewish Dance, choreographer, dancer, and dance scholar Judith Brin Ingber collects wide-ranging essays and many remarkable photographs to explore the evolution of Jewish dance through two thousand years of Diaspora, in communities of amazing variety and amid changing traditions. Ingber and other eminent scholars consider dancers individually and in community, defining Jewish dance broadly to encompass religious ritual, community folk dance, and choreographed performance. Taken together, this wide range of expression illustrates the vitality, necessity, and continuity of dance in Judaism. This volume combines dancers' own views of their art with scholarly examinations of Jewish dance conducted in Europe, Israel, other Middle East areas, Africa, and the Americas. In seven parts, Seeing Israeli and Jewish Dance considers Jewish dance artists of the twentieth and twenty-first centuries; the dance of different Jewish communities, including Hasidic, Yemenite, Kurdish, Ethiopian, and European Jews in many epochs; historical and current Israeli folk dance; and the contrast between Israeli and American modern and post-modern theater dance. Along the way, contributors see dance in ancient texts like the Song of Songs, the Talmud, and Renaissance-era illuminated manuscripts, and plumb oral histories, Holocaust sources, and their own unique views of the subject. A selection of 182 illustrations, including photos, paintings, and film stills, round out this lively volume. Many of the illustrations come from private collections and have never before been published, and they represent such varied sources as a program booklet from the 1893 Chicago World's Fair and archival photos from the Israel Government Press Office. Seeing Israeli and Jewish Dance threads together unique source material and scholarly examinations by authors from Europe, Israel, and America trained in sociology, anthropology, history, cultural studies, Jewish studies, dance studies, as well as art, theater, and dance criticism. Enthusiasts of dance and performance art and a wide range of university students will enjoy this significant volume.
How to Do Israeli Folk Dances
Author: Dvora Lapson
Publisher:
ISBN:
Category : Folk dance
Languages : en
Pages : 32
Book Description
Publisher:
ISBN:
Category : Folk dance
Languages : en
Pages : 32
Book Description
The Sabra
Author: Oz Almog
Publisher: Univ of California Press
ISBN: 9780520921979
Category : Religion
Languages : en
Pages : 346
Book Description
The Sabras were the first Israelis—the first generation, born in the 1930s and 1940s, to grow up in the Zionist settlement in Palestine. Socialized and educated in the ethos of the Zionist labor movement and the communal ideals of the kibbutz and moshav, they turned the dream of their pioneer forebears into the reality of the new State of Israel. While the Sabras made up a small minority of the new society’s population, their cultural influence was enormous. Their ideals, their love of the land, their recreational culture of bonfires and singalongs, their adoption of Arab accessories, their slang and gruff, straightforward manner, together with a reserved, almost puritanical attitude toward individual relationships, came to signify the cultural fulfillment of the utopian ideal of a new Jew. Oz Almog’s lively, methodical, and convincing portrayal of the Sabras addresses their lives, thought, and role in Jewish history. The most comprehensive study of this exceptional generation to date, The Sabra provides a complex and unflinching analysis of accepted norms and an impressive appraisal of the Sabra, one that any examination of new Israeli reality must take into consideration. The Sabras became Palmach commanders, soldiers in the British Brigade, and, later, officers in the Israel Defense Forces. They served as a source of inspiration and an object of emulation for an entire society. Almog’s source material is rich and varied: he uses poems, letters, youth movement and army newsletters, and much more to portray the Sabras’ attitudes toward the Arabs, war, nature, work, agriculture, cooperation, and education. In any event, the Sabra remained central to the founding myth of the nation, the real Israeli, against whom later generations will be judged. Almog’s pioneering book juxtaposes the myths against the realities and, in the process, limns a collective profile that brilliantly encompasses the complex forces that shaped this remarkable generation.
Publisher: Univ of California Press
ISBN: 9780520921979
Category : Religion
Languages : en
Pages : 346
Book Description
The Sabras were the first Israelis—the first generation, born in the 1930s and 1940s, to grow up in the Zionist settlement in Palestine. Socialized and educated in the ethos of the Zionist labor movement and the communal ideals of the kibbutz and moshav, they turned the dream of their pioneer forebears into the reality of the new State of Israel. While the Sabras made up a small minority of the new society’s population, their cultural influence was enormous. Their ideals, their love of the land, their recreational culture of bonfires and singalongs, their adoption of Arab accessories, their slang and gruff, straightforward manner, together with a reserved, almost puritanical attitude toward individual relationships, came to signify the cultural fulfillment of the utopian ideal of a new Jew. Oz Almog’s lively, methodical, and convincing portrayal of the Sabras addresses their lives, thought, and role in Jewish history. The most comprehensive study of this exceptional generation to date, The Sabra provides a complex and unflinching analysis of accepted norms and an impressive appraisal of the Sabra, one that any examination of new Israeli reality must take into consideration. The Sabras became Palmach commanders, soldiers in the British Brigade, and, later, officers in the Israel Defense Forces. They served as a source of inspiration and an object of emulation for an entire society. Almog’s source material is rich and varied: he uses poems, letters, youth movement and army newsletters, and much more to portray the Sabras’ attitudes toward the Arabs, war, nature, work, agriculture, cooperation, and education. In any event, the Sabra remained central to the founding myth of the nation, the real Israeli, against whom later generations will be judged. Almog’s pioneering book juxtaposes the myths against the realities and, in the process, limns a collective profile that brilliantly encompasses the complex forces that shaped this remarkable generation.
Ha-rikud: the Jewish Dance
Author: Fred Berk
Publisher:
ISBN:
Category : Dance
Languages : en
Pages : 138
Book Description
The history of Jewish folk dance is accompanied by directions for twenty-five Israeli folk dances and suggestions for starting a folk dance group.
Publisher:
ISBN:
Category : Dance
Languages : en
Pages : 138
Book Description
The history of Jewish folk dance is accompanied by directions for twenty-five Israeli folk dances and suggestions for starting a folk dance group.
Balkan Fascination
Author: Mirjana Laušević
Publisher: Oxford University Press
ISBN: 0190269421
Category : Music
Languages : en
Pages : 310
Book Description
In Balkan Fascination, ethnomusicologist Mirjana Lausevic, a native of the Balkans, investigates this remarkable phenomenon to explore why so many Americans actively participate in specific Balkan cultural practices to which they have no familial or ethnic connection.
Publisher: Oxford University Press
ISBN: 0190269421
Category : Music
Languages : en
Pages : 310
Book Description
In Balkan Fascination, ethnomusicologist Mirjana Lausevic, a native of the Balkans, investigates this remarkable phenomenon to explore why so many Americans actively participate in specific Balkan cultural practices to which they have no familial or ethnic connection.
Authentically Jewish
Author: Stuart Z. Charmé
Publisher: Rutgers University Press
ISBN: 197882761X
Category : Social Science
Languages : en
Pages : 312
Book Description
This book analyzes the different conceptions of authenticity that are behind conflicts over who and what should be recognized as authentically Jewish. Although the concept of authenticity has been around for several centuries, it became a central focus for Jews since existentialist Jean-Paul Sartre raised the question in the 1940s. Building on the work of Sartre, later Jewish thinkers, philosophers, anthropologists, and cultural theorists, the book offers a model of Jewish authenticity that seeks to balance history and tradition, creative freedom and innovation, and the importance of recognition among different groups within an increasingly multicultural Jewish community. Author Stuart Z. Charmé explores how debates over authenticity and struggles for recognition are a key to understanding a wide range of controversies between Orthodox and liberal Jews, Zionist and diaspora Jews, white Jews and Jews of color, as well as the status of intermarried and messianic Jews, and the impact of Jewish genetics. In addition, it discusses how and when various cultural practices and traditions such as klezmer music, Israeli folk dance, Jewish yoga and meditation, and others are recognized as authentically Jewish, or not.
Publisher: Rutgers University Press
ISBN: 197882761X
Category : Social Science
Languages : en
Pages : 312
Book Description
This book analyzes the different conceptions of authenticity that are behind conflicts over who and what should be recognized as authentically Jewish. Although the concept of authenticity has been around for several centuries, it became a central focus for Jews since existentialist Jean-Paul Sartre raised the question in the 1940s. Building on the work of Sartre, later Jewish thinkers, philosophers, anthropologists, and cultural theorists, the book offers a model of Jewish authenticity that seeks to balance history and tradition, creative freedom and innovation, and the importance of recognition among different groups within an increasingly multicultural Jewish community. Author Stuart Z. Charmé explores how debates over authenticity and struggles for recognition are a key to understanding a wide range of controversies between Orthodox and liberal Jews, Zionist and diaspora Jews, white Jews and Jews of color, as well as the status of intermarried and messianic Jews, and the impact of Jewish genetics. In addition, it discusses how and when various cultural practices and traditions such as klezmer music, Israeli folk dance, Jewish yoga and meditation, and others are recognized as authentically Jewish, or not.
Dancing Jewish
Author: Rebecca Rossen
Publisher: Oxford University Press
ISBN: 0199792011
Category : Performing Arts
Languages : en
Pages : 337
Book Description
While Jews are commonly referred to as the "people of the book," American Jewish choreographers have consistently turned to dance as a means to articulate personal and collective identities; tangle with stereotypes; advance social and political agendas; and imagine new possibilities for themselves as individuals, artists, and Jews. Dancing Jewish delineates this rich history, demonstrating that Jewish choreographers have not only been vital contributors to American modern and postmodern dance, but that they have also played a critical and unacknowledged role in the history of Jews in the United States. A dancer and choreographer, as well as an historian, author Rebecca Rossen offers evocative analyses of dances while asserting the importance of embodied methodologies to academic research. Featuring over fifty images, a companion website, and key works from 1930 to 2005 by a wide range of artists - including David Dorfman, Dan Froot, David Gordon, Hadassah, Margaret Jenkins, Pauline Koner, Dvora Lapson, Liz Lerman, Sophie Maslow, Anna Sokolow, and Benjamin Zemach - Dancing Jewish offers a comprehensive framework for interpreting performance and establishes dance as a crucial site in which American Jews have grappled with cultural belonging, personal and collective histories, and the values that bind and pull them apart.
Publisher: Oxford University Press
ISBN: 0199792011
Category : Performing Arts
Languages : en
Pages : 337
Book Description
While Jews are commonly referred to as the "people of the book," American Jewish choreographers have consistently turned to dance as a means to articulate personal and collective identities; tangle with stereotypes; advance social and political agendas; and imagine new possibilities for themselves as individuals, artists, and Jews. Dancing Jewish delineates this rich history, demonstrating that Jewish choreographers have not only been vital contributors to American modern and postmodern dance, but that they have also played a critical and unacknowledged role in the history of Jews in the United States. A dancer and choreographer, as well as an historian, author Rebecca Rossen offers evocative analyses of dances while asserting the importance of embodied methodologies to academic research. Featuring over fifty images, a companion website, and key works from 1930 to 2005 by a wide range of artists - including David Dorfman, Dan Froot, David Gordon, Hadassah, Margaret Jenkins, Pauline Koner, Dvora Lapson, Liz Lerman, Sophie Maslow, Anna Sokolow, and Benjamin Zemach - Dancing Jewish offers a comprehensive framework for interpreting performance and establishes dance as a crucial site in which American Jews have grappled with cultural belonging, personal and collective histories, and the values that bind and pull them apart.
Encyclopedia of Jewish Folklore and Traditions
Author: Raphael Patai
Publisher: Routledge
ISBN: 1317471709
Category : Political Science
Languages : en
Pages : 1641
Book Description
This multicultural reference work on Jewish folklore, legends, customs, and other elements of folklife is the first of its kind.
Publisher: Routledge
ISBN: 1317471709
Category : Political Science
Languages : en
Pages : 1641
Book Description
This multicultural reference work on Jewish folklore, legends, customs, and other elements of folklife is the first of its kind.
Dance and Authenticity in Israel and Palestine
Author: Elke Kaschl
Publisher: BRILL
ISBN: 9047402510
Category : Social Science
Languages : en
Pages : 359
Book Description
Dance and Authenticity is an ethnography of dance performance and cultural form. It describes how dabkeh, a type of dance performed at Palestinian weddings, became a model for the Israeli Jewish debkah as a means of affirming Israeli Jewish belonging and common society. The Palestinian dabkeh, in turn, acquired nationalist meanings, especially after the 1967 war and the occupation of the West Bank. The book traces the history of these competing, and conflicting, dance forms, basing the argument principally on the ethnographic study of two Palestinian and one Israeli Jewish dance group conducted between 1998 and 1999. The result is a fascinating parallel ethnography, showing how the ethnography of dance forms contributes to evolving notions of collective national and political identity in a context of unequal power.
Publisher: BRILL
ISBN: 9047402510
Category : Social Science
Languages : en
Pages : 359
Book Description
Dance and Authenticity is an ethnography of dance performance and cultural form. It describes how dabkeh, a type of dance performed at Palestinian weddings, became a model for the Israeli Jewish debkah as a means of affirming Israeli Jewish belonging and common society. The Palestinian dabkeh, in turn, acquired nationalist meanings, especially after the 1967 war and the occupation of the West Bank. The book traces the history of these competing, and conflicting, dance forms, basing the argument principally on the ethnographic study of two Palestinian and one Israeli Jewish dance group conducted between 1998 and 1999. The result is a fascinating parallel ethnography, showing how the ethnography of dance forms contributes to evolving notions of collective national and political identity in a context of unequal power.