Author: William James Henderson
Publisher: Library of Alexandria
ISBN: 1465592644
Category : Fiction
Languages : en
Pages : 244
Book Description
IN reading any history of the development of music as an art one must ever bear in mind the fact that music was also developing at the same time as a popular mode of expression, and that the two processes were separate. The cultivation of modern music as an art was begun by the medieval priests of the Roman Catholic Church, who were endeavoring to arrange a liturgy for their service, and it is due to this fact that for several centuries the only artistic music was that of the Church, and that it was controlled by influences which barely touched the popular songs of the times. In the course of years the two kinds of music came together, and important changes were made. But any account of the development of modern music as an art is compelled to begin with the story of the medieval chant. In the beginning the chants of the Christian Church, from which the medieval chant was developed, were without system. They were a heterogeneous mass of music derived wholly from sources which chanced to be near at hand. The early Christians in Judea must naturally have borrowed their music from the worship of their forefathers, who were mostly Jews. The Christians in Greece naturally adapted Greek music to their requirements, while those in Rome made use of the Roman kithara (lyre) songs, which in their turn were borrowed from the Greeks. Christ and the apostles at the Last Supper chanted one of the old Hebrew psalms. Saint Paul speaks also of "hymns and spiritual songs," by one of which designations he certainly means the hymns of the early Christians founded on Roman lyre songs. It is also on record that the Christian communities of Alexandria as early as 180 A. D. were in the habit of repeating the chant of the Last Supper with an accompaniment of flutes, and Pliny, the Younger (62-110 A. D.), describes the custom of singing hymns to the glory of Christ.
How Music Developed: A Critical and Explanatory Account of the Growth of Modern Music
Author: William James Henderson
Publisher: Library of Alexandria
ISBN: 1465592644
Category : Fiction
Languages : en
Pages : 244
Book Description
IN reading any history of the development of music as an art one must ever bear in mind the fact that music was also developing at the same time as a popular mode of expression, and that the two processes were separate. The cultivation of modern music as an art was begun by the medieval priests of the Roman Catholic Church, who were endeavoring to arrange a liturgy for their service, and it is due to this fact that for several centuries the only artistic music was that of the Church, and that it was controlled by influences which barely touched the popular songs of the times. In the course of years the two kinds of music came together, and important changes were made. But any account of the development of modern music as an art is compelled to begin with the story of the medieval chant. In the beginning the chants of the Christian Church, from which the medieval chant was developed, were without system. They were a heterogeneous mass of music derived wholly from sources which chanced to be near at hand. The early Christians in Judea must naturally have borrowed their music from the worship of their forefathers, who were mostly Jews. The Christians in Greece naturally adapted Greek music to their requirements, while those in Rome made use of the Roman kithara (lyre) songs, which in their turn were borrowed from the Greeks. Christ and the apostles at the Last Supper chanted one of the old Hebrew psalms. Saint Paul speaks also of "hymns and spiritual songs," by one of which designations he certainly means the hymns of the early Christians founded on Roman lyre songs. It is also on record that the Christian communities of Alexandria as early as 180 A. D. were in the habit of repeating the chant of the Last Supper with an accompaniment of flutes, and Pliny, the Younger (62-110 A. D.), describes the custom of singing hymns to the glory of Christ.
Publisher: Library of Alexandria
ISBN: 1465592644
Category : Fiction
Languages : en
Pages : 244
Book Description
IN reading any history of the development of music as an art one must ever bear in mind the fact that music was also developing at the same time as a popular mode of expression, and that the two processes were separate. The cultivation of modern music as an art was begun by the medieval priests of the Roman Catholic Church, who were endeavoring to arrange a liturgy for their service, and it is due to this fact that for several centuries the only artistic music was that of the Church, and that it was controlled by influences which barely touched the popular songs of the times. In the course of years the two kinds of music came together, and important changes were made. But any account of the development of modern music as an art is compelled to begin with the story of the medieval chant. In the beginning the chants of the Christian Church, from which the medieval chant was developed, were without system. They were a heterogeneous mass of music derived wholly from sources which chanced to be near at hand. The early Christians in Judea must naturally have borrowed their music from the worship of their forefathers, who were mostly Jews. The Christians in Greece naturally adapted Greek music to their requirements, while those in Rome made use of the Roman kithara (lyre) songs, which in their turn were borrowed from the Greeks. Christ and the apostles at the Last Supper chanted one of the old Hebrew psalms. Saint Paul speaks also of "hymns and spiritual songs," by one of which designations he certainly means the hymns of the early Christians founded on Roman lyre songs. It is also on record that the Christian communities of Alexandria as early as 180 A. D. were in the habit of repeating the chant of the Last Supper with an accompaniment of flutes, and Pliny, the Younger (62-110 A. D.), describes the custom of singing hymns to the glory of Christ.
Musical News
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 622
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 622
Book Description
General Catalogue of the Public Library of Detroit, Mich. First-third Supplement. 1889-1903: 1894-1898
Author: Detroit Public Library
Publisher:
ISBN:
Category : Dictionary catalogs
Languages : en
Pages : 868
Book Description
Publisher:
ISBN:
Category : Dictionary catalogs
Languages : en
Pages : 868
Book Description
General Catalogue of the Books Except Fiction, French, and German, in the Public Library of Detroit, Mich
Author: Detroit Public Library
Publisher:
ISBN:
Category : Catalogs, Dictionary
Languages : en
Pages : 870
Book Description
Publisher:
ISBN:
Category : Catalogs, Dictionary
Languages : en
Pages : 870
Book Description
General Catalogue of the Public Library of Detroit, Mich
Author: Detroit Public Library
Publisher:
ISBN:
Category :
Languages : en
Pages : 870
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 870
Book Description
General Catalogue of the Public Library of Detroit, Mich. Supplement
Author: Detroit Public Library
Publisher:
ISBN:
Category : Dictionary catalogs
Languages : en
Pages : 870
Book Description
Contents: 1. 1889-1893.--2. 1894-1898.--3. 1899-1903.
Publisher:
ISBN:
Category : Dictionary catalogs
Languages : en
Pages : 870
Book Description
Contents: 1. 1889-1893.--2. 1894-1898.--3. 1899-1903.
Library Notes
Author: North Carolina College for Women. Library
Publisher:
ISBN:
Category : Catalogs, Classified
Languages : en
Pages : 884
Book Description
Publisher:
ISBN:
Category : Catalogs, Classified
Languages : en
Pages : 884
Book Description
Library Bulletin
Author: Somerville Public Library (Mass.).
Publisher:
ISBN:
Category : Public libraries
Languages : en
Pages : 210
Book Description
Publisher:
ISBN:
Category : Public libraries
Languages : en
Pages : 210
Book Description
Songs and Song Writers
Author: Henry T. Finck
Publisher:
ISBN:
Category : Composers
Languages : en
Pages : 306
Book Description
Publisher:
ISBN:
Category : Composers
Languages : en
Pages : 306
Book Description
Standard Catalog for High School Libraries
Author: Zaidee Mabel Brown
Publisher:
ISBN:
Category : Best books
Languages : en
Pages : 212
Book Description
Publisher:
ISBN:
Category : Best books
Languages : en
Pages : 212
Book Description