Horn Concerto No. 1 in E-Flat Major, Op. 11 PDF Download
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Author: Richard Strauss
Publisher: Alfred Music
ISBN: 1457477866
Category : Music
Languages : en
Pages : 34
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Book Description
Expertly arranged French Horn solo by Richard Strauss from the Kalmus Edition series. This is from the 20th Century and Romantic eras.
Author: Richard Strauss
Publisher: Alfred Music
ISBN: 1457477866
Category : Music
Languages : en
Pages : 34
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Book Description
Expertly arranged French Horn solo by Richard Strauss from the Kalmus Edition series. This is from the 20th Century and Romantic eras.
Author:
Publisher: Alfred Music Publishing
ISBN: 9780769297576
Category : Music
Languages : en
Pages : 36
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Book Description
Expertly arranged French Horn Solo by Richard Strauss from the Kalmus Edition series. This is from the 20th Century and Romantic eras.
Author: Max P. Pottag
Publisher: Alfred Music Publishing
ISBN: 9780769223520
Category : Music
Languages : en
Pages : 28
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Book Description
A collection of exercises, for French Horn, composed by Max P. Pottag.
Author: Camille Saint-Saëns
Publisher: Alfred Music Publishing
ISBN: 9780757937071
Category : Music
Languages : en
Pages : 0
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Book Description
Expertly arranged French Horn Solo by Camille Saint-Saëns from the Kalmus Edition series. This is from the Romantic era.
Author: Philip Farkas
Publisher: Alfred Music
ISBN: 9781457400094
Category : Music
Languages : en
Pages : 100
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Book Description
First to be published in the series was The Art of French Horn Playing by Philip Farkas, now Distinguished Professor Emeritus of Music at Indiana University. In 1956, when Summy-Birchard published Farkas's book, he was a solo horn player for the Chicago Symphony and had held similar positions with other orchestras, including the Boston Symphony, Cleveland Orchestra, and Kansas City Conservatory, DePaul University, Northwestern University, and Roosevelt University in Chicago. The Art of French Horn Playing set the pattern, and other books in the series soon followed, offering help to students in learning to master their instruments and achieve their goals.
Author: Herbert L. Clarke
Publisher: Colchis Books
ISBN:
Category : Music
Languages : en
Pages : 55
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Book Description
There are many books written for the Piano, Violin, etc., entirely devoted to Technic. This Work is especially written to enable the Student, by practice and application, to overcome any obstacle which may occur in musical passages written for the Cornet. By controlling the Wind Power to play these Exercises as written, in one breath, the Student will acquire ENDURANCE without strain or injury. Train the Muscles which control the Lips, to make them elastic and strong, as only a slight pressure is necessary, and not brute force. The highest as well as the lowest notes can be played with equal tone quality if practiced according to the instructions that precede each Study. Every Cornet Player should have reached a degree of excellence before attempting to play these Exercises. To become an Expert on the Cornet, one should be familiar with as many Cornet Methods as possible, and so gain the experience of each. Every Exercise in this Book is possible, and not so very difficult if practiced slowly at first, and not too long at a time. I have used them for my daily practice for years, and they have been the means of my reaching the highest notes after playing a two-hour Concert, also of preserving my lips so that they never tire, and what has been a help to me is surely good for other Cornet Players. You cannot expect to attain the highest point of excellence without hard work and perseverance. Never be perfectly satisfied with yourself. Try to make some improvement each day, feeling that it is a pleasure to have conquered that which seemed an impossibility at first. Do not neglect to correct immediately the least fault you make. Bad habits are easily formed, but are difficult to remedy. There are few Celebrated Cornet Soloists, although thousands play the instrument. Most players abuse their practicing by not knowing the proper way, and neglecting to pay more attention to the elementary work. These Studies have been found to be excellent for Clarinet Players as well as Cornet Players. The Clarinet being a Wind Instrument also, all these Exercises will appeal to the Player of that Instrument by following the same instructions.
Author: Frederic Chopin
Publisher: Franklin Classics
ISBN: 9780342600052
Category :
Languages : en
Pages : 110
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Book Description
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: Bryan Gilliam
Publisher: Duke University Press
ISBN: 9780822321149
Category : Biography & Autobiography
Languages : en
Pages : 316
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Book Description
As we approach the fiftieth anniversary of Richard Stauss's death, scholarly interest in the composer continues to grow. Despite what was once a tendency by musicologists to overlook or deny Strauss's importance, these essays firmly place the German composer in the musical mainstream and situate him among the most influential composers of the late nineteenth and early twentieth centuries. Originally published in 1992, this volume examines Strauss's life and work from a number of approaches and during various periods of his long career, opening up unique corridors of insight into a crucial time in German history. Contributors discuss Strauss as a young composer steeped in a conservative instrumental tradition, as a brash young modernist tone poet of the 1890s, as an important composer of twentieth-century German opera, and as a cultural icon manipulated by the national socialists during the 1930s and early 1940s. Individual essays use Strauss's creative work as a framework for larger musicological questions such as the tension between narrative and structure in program music, the problem of extended tonality at the turn of the century, stylistic choice versus stylistic obligation, and conflicting perspectives of progressive versus conservative music. This collection will interest Strauss scholars, musicologists, and those interested in the artistic and cultural life of Germany from 1880 through the Second World War. Contributors. Kofi Agawu, Günter Brosche, Bryan Gilliam, Stephen Hefling, James A. Hepokoski, Timothy L. Jackson, Michael Kennedy, Lewis Lockwood, Barbara A. Peterson, Pamela Potter, Reinhold Schlötterer, R. Larry Todd
Author: Harvey S. Whistler
Publisher: Rubank Publications
ISBN: 9781458415455
Category : Music
Languages : en
Pages : 0
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Book Description
(Brass Method). The classic scale and arpeggio studies of Gabriel Pares were adapted in the 1940s for like-instrument study by Rubank's Harvey Whistler, and are now the standard for elementary scale instruction. Presenting all the major keys up to four flats/sharps (and the relative minors), each unit also includes long tone and embouchure studies. Supplemental material includes comprehensive chromatic scales, fingering and speed studies, lip slurs (brass) and exercises to strengthen the upper register (woodwinds).
Author: Michael Kennedy
Publisher: Cambridge University Press
ISBN: 0521027748
Category : Biography & Autobiography
Languages : en
Pages : 469
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Book Description
This book re-evaluates a figure whom the author considers to be the greatest composer of the twentieth century. Kennedy deals fully with Strauss's life as leading composer and national figure in the Third Reich, during which he was both fêted and cold-shouldered by the authorities. In putting this period into perspective he draws heavily on hitherto ignored material, including Strauss's own letters and diaries. In addition he reveals much about Strauss's long, happy but tempestuous marriage to the soprano Pauline de Ahna as well as tracing the important relationships to his librettists Hugo von Hofmannsthal, Stefan Zweig, Joseph Gregor and Clemens Krauss. Kennedy reassesses the man and the music, revealing a picture of a level-headed, practical and extremely versatile musician - a great conductor as well as a great composer.
