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Author: Colta Feller Ives
Publisher: Metropolitan Museum of Art
ISBN: 0870996533
Category : Caricatures and cartoons
Languages : en
Pages : 282
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Book Description
By combining Daumier's drawings with selected examples of his paintings, prints, and bronzes, this book traces the evolution of the artist's succinct and emphatically expressive style from its roots in the European tradition exemplified by Rembrandt, Rubens, and Fragonard to its modern manifestations in the works of Degas, Cezanne, Toulouse-Lautrec, and Beckmann. In the course of his long and productive career Daumier returned again and again to favorite themes, often after considerable lapses of time. Thus the works here are grouped by their subject matter into six sections: studies of individual figures and faces; narrative scenes inspired by history or literature; views of contemporary urban and domestic life; dramatic portrayals of lawyers in court; depictions of street performers; and episodes in the wanderings of Don Quixote and Sancho Panza.
Author: Colta Feller Ives
Publisher: Metropolitan Museum of Art
ISBN: 0870996533
Category : Caricatures and cartoons
Languages : en
Pages : 282
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Book Description
By combining Daumier's drawings with selected examples of his paintings, prints, and bronzes, this book traces the evolution of the artist's succinct and emphatically expressive style from its roots in the European tradition exemplified by Rembrandt, Rubens, and Fragonard to its modern manifestations in the works of Degas, Cezanne, Toulouse-Lautrec, and Beckmann. In the course of his long and productive career Daumier returned again and again to favorite themes, often after considerable lapses of time. Thus the works here are grouped by their subject matter into six sections: studies of individual figures and faces; narrative scenes inspired by history or literature; views of contemporary urban and domestic life; dramatic portrayals of lawyers in court; depictions of street performers; and episodes in the wanderings of Don Quixote and Sancho Panza.
Author: Honoré Daumier
Publisher:
ISBN:
Category : Obstetrics
Languages : en
Pages : 632
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Book Description
A sixteen-year-old girl gets into trouble with the police after she discovers she is adopted, her father dies, and her mother remarries.
Author: Honoré Daumier
Publisher: Univ of California Press
ISBN:
Category : Artists
Languages : en
Pages : 402
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Book Description
A handsomely produced collection of plates by Daumier that originally appeared in the "Charivari" between 1845 and 1848 of judges, lawyers, their clients and other gentlemen of the Law and Justice. The quality of the reproductions in this printing were so good that the publishers altered their size so no that no claims of forgery could be made
Author: Honoré Daumier
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Book Description
Author: Bruce Laughton
Publisher: Yale University Press
ISBN: 0300069456
Category : Biography & Autobiography
Languages : en
Pages : 216
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Book Description
The life and work of one of the most productive and renowned French artists of the nineteenth century is examined in this beautiful book. Known primarily in his own time for the penetrating social and political commentary of his cartoons, Daumier is now equally admired for his drawings, watercolours, and oil paintings. Bruce Laughton draws on new material to present the most comprehensive treatment of this multi-faceted artist in two decades. Laughton traces Daumier's professional life: his early career as a lithographer-cartoonist, when his fame as a social satirist spread through all classes of French citizens; his attempts to change direction as an 'artist-peintre' with the advent of the Second French Republic; his painstaking production of watercolours for connoisseurs (and his simultaneous parody of these people); and then the independent development of his oil painting techniques alongside his continued production of lithographs and designs for wood engravings. Laughton also discusses Daumier's private life, investigating, for example, his view of the lawcourts, the significance of his 'Saltimbanques' or wandering entertainers, and the personal symbolism of his images of Don Quixote. In conclusion Laughton describes Daumier's late career, which included both personal disasters and artistic achievements and ended in the most unsung retirement of any artist of comparable stature in the nineteenth century. An appendix to the book provides transcriptions and commentary on five of Daumier's account books, which give clues about how he lived and how his works were regarded.
Author: Bruce Laughton
Publisher: New Haven : Yale University Press
ISBN: 9780300047646
Category : Art
Languages : en
Pages : 230
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Book Description
Daumier and Millet, two of the most important French artists of the mid 19th century, each produced drawings that were innovative and influential. This book by Bruce Laughton - a critical and comparative study of these drawings - investigates the artistic relationship that existed between Daumier and Millet. Laughton suggests that the two worked at a critical phase in the development of drawing as a language of expression in French art and that a study of their work reveals how new methods of conception and perception in drawing came about.
Author: Honoré Daumier
Publisher:
ISBN:
Category : Obstetrics
Languages : en
Pages : 456
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Book Description
A sixteen-year-old girl gets into trouble with the police after she discovers she is adopted, her father dies, and her mother remarries.
Author: Theodore Reff
Publisher: Metropolitan Museum of Art
ISBN: 0870991469
Category : Painting, French
Languages : en
Pages : 354
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Book Description
"More than any other artist in the Impressionist group, Degas was fascinated by ideas and consciously based his work on them. "What I do is the result of reflection and study of the great masters," he once confessed, "of inspiration, spontaneity, temperament I know nothing." Yet his work has been understood very inadequately from that point of view. Publications on him, once dominated by memoirs inspired by his remarkable personality, are now concerned with cataloguing and studying limited aspects of his complex art. Its intellectual power and originality, which were evident to contemporary writers like Duranty and Valery, have not been studied sufficiently by more recent critics. It is this side of Degas's art--as seen in his ingenious pictorial strategies and technical innovations, his use of motifs like the window, the mirror, and the picture within the picture, his invention of striking, psychologically compelling compositions, and his creation of a sculptural idiom at once formal and vernacular--that is the subject of these essays. Inevitably, given the range of his intellectual interests, the essays are also concerned with his contacts with leading novelists and poets of his time and his efforts to illustrate or draw inspiration from their works. Throughout, the author makes use of an important, largely unpublished source, the material in Degas's notebooks, on which he has recently published a complete catalogue"--Publisher's description.
Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher: Metropolitan Museum of Art
ISBN: 1588394298
Category : Art
Languages : en
Pages : 226
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Book Description
Published in conjunction with an exhibition held at the Metropolitan Museum of Art, New York, Sept. 13, 2011-Mar. 4, 2012.
Author: Anthea Callen
Publisher: Reaktion Books
ISBN: 178023418X
Category : Art
Languages : en
Pages : 338
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Book Description
In The Work of Art, Anthea Callen analyzes the self-portraits, portraits of fellow artists, photographs, prints, and studio images of prominent nineteenth-century French Impressionist painters, exploring the emergence of modern artistic identity and its relation to the idea of creative work. Landscape painting in general, she argues, and the “plein air” oil sketch in particular were the key drivers of change in artistic practice in the nineteenth century—leading to the Impressionist revolution. Putting the work of artists from Courbet and Cézanne to Pissaro under a microscope, Callen examines modes of self-representation and painting methods, paying particular attention to the painters’ touch and mark-making. Using innovative methods of analysis, she provides new and intriguing ways of understanding material practice within its historical moment and the cultural meanings it generates. Richly illustrated with 180 color and black-and-white images, The Work of Art offers fresh insights into the development of avant-garde French painting and the concept of the modern artist.
