Author: David James Clarke
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 750
Book Description
Hong Kong Art
Author: David James Clarke
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 750
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 750
Book Description
Introduction to Hong Kong
Author: Gilad James, PhD
Publisher: Gilad James Mystery School
ISBN: 1104136309
Category : Travel
Languages : en
Pages : 87
Book Description
Hong Kong is a special administrative region of the People's Republic of China. It is situated on the southeastern coast of China and has a population of over 7 million people. Hong Kong is made up of a main island and a series of smaller islands, and is known for its impressive skyline and bustling port. The official languages of Hong Kong are Chinese and English, and the region is known for its vibrant culture and cuisine. Hong Kong has a rich history that encompasses both Chinese and British influences. In 1842, the region was handed over to Great Britain by China in the Treaty of Nanking. Hong Kong remained under British rule until 1997 when it was returned to China under the principle of "one country, two systems." Today, Hong Kong has a highly developed economy that is centered on international trade and finance. The region also boasts a highly efficient public transportation system that includes buses, trains, trams, and ferries. With a unique blend of Eastern and Western cultures and a strong economic landscape, Hong Kong is truly a global city.
Publisher: Gilad James Mystery School
ISBN: 1104136309
Category : Travel
Languages : en
Pages : 87
Book Description
Hong Kong is a special administrative region of the People's Republic of China. It is situated on the southeastern coast of China and has a population of over 7 million people. Hong Kong is made up of a main island and a series of smaller islands, and is known for its impressive skyline and bustling port. The official languages of Hong Kong are Chinese and English, and the region is known for its vibrant culture and cuisine. Hong Kong has a rich history that encompasses both Chinese and British influences. In 1842, the region was handed over to Great Britain by China in the Treaty of Nanking. Hong Kong remained under British rule until 1997 when it was returned to China under the principle of "one country, two systems." Today, Hong Kong has a highly developed economy that is centered on international trade and finance. The region also boasts a highly efficient public transportation system that includes buses, trains, trams, and ferries. With a unique blend of Eastern and Western cultures and a strong economic landscape, Hong Kong is truly a global city.
The Global Contemporary Art World
Author: Jonathan Harris
Publisher: John Wiley & Sons
ISBN: 1118288912
Category : Art
Languages : en
Pages : 240
Book Description
The final installment in the critically-acclaimed trilogy on globalization and art explores the growing dominance of Asian centers of art This book takes readers on a fascinating journey around five Asian centers of contemporary art and its myriad institutions, agents, forms, materials, and languages, while posing vital questions about the political economy of culture and the power of visual art in a multi-polar world. He analyzes the financial powerhouse of Art Basel Hong Kong, new media art in South Korea, the place of the Kochi Biennale within contemporary art in India, transnational art and art education in China, and the geo-politics of art patronage in Palestine, and he develops a highly original synthesis of theoretical perspectives and empirical research. Drawing on detailed case studies and personal insights gained from his extensive experience of the contemporary art scene in Asia, Professor Harris examines the evolving relationship between the western centers of art practice, collection, and validation and the emerging “peripheries” of Asian Tiger societies with burgeoning art centers. And he arrives at the somewhat controversial conclusion that dominance of the art world is rapidly slipping away from Europe and North America. The Global Contemporary Art World is essential reading for undergraduates and postgraduate students in modern and contemporary art, art history, art theory and criticism, cultural studies, the sociology of culture, and globalization studies. It is also a vital resource for research students, academics, and professionals in the art world.
Publisher: John Wiley & Sons
ISBN: 1118288912
Category : Art
Languages : en
Pages : 240
Book Description
The final installment in the critically-acclaimed trilogy on globalization and art explores the growing dominance of Asian centers of art This book takes readers on a fascinating journey around five Asian centers of contemporary art and its myriad institutions, agents, forms, materials, and languages, while posing vital questions about the political economy of culture and the power of visual art in a multi-polar world. He analyzes the financial powerhouse of Art Basel Hong Kong, new media art in South Korea, the place of the Kochi Biennale within contemporary art in India, transnational art and art education in China, and the geo-politics of art patronage in Palestine, and he develops a highly original synthesis of theoretical perspectives and empirical research. Drawing on detailed case studies and personal insights gained from his extensive experience of the contemporary art scene in Asia, Professor Harris examines the evolving relationship between the western centers of art practice, collection, and validation and the emerging “peripheries” of Asian Tiger societies with burgeoning art centers. And he arrives at the somewhat controversial conclusion that dominance of the art world is rapidly slipping away from Europe and North America. The Global Contemporary Art World is essential reading for undergraduates and postgraduate students in modern and contemporary art, art history, art theory and criticism, cultural studies, the sociology of culture, and globalization studies. It is also a vital resource for research students, academics, and professionals in the art world.
The Other Hong Kong Report 1992
Author: Joseph Y. S. Cheng
Publisher: Chinese University Press
ISBN: 9789622015630
Category : History
Languages : en
Pages : 502
Book Description
Publisher: Chinese University Press
ISBN: 9789622015630
Category : History
Languages : en
Pages : 502
Book Description
Hong Kong Soft Power
Author: Frank Vigneron
Publisher: The Chinese University of Hong Kong Press
ISBN: 9629968045
Category : Art
Languages : en
Pages : 490
Book Description
In late 2014, the prodemocracy demonstrations that were called the "Umbrella Movement" revealed to the world that Hong Kong was not the moneyobsessed society it had often been portrayed as. Hong Kong Soft Power is a description of the complex relationship the artists and activists of this city have had with the country it has been part of since 1997. Trying to understand all the varied forms of art practices possible in the Special Administrative Region by locating them within a relational model, and situating them within the dynamic and changing art ecosystem that has developed over the last decade, Hong Kong Soft Power describes the local art field as a site of struggle where the connections with Chinese Mainland institutions and art practices play a fundamental role. This is not to say that this influence has entirely dominated the local art field, and this book also emphasizes how the artists of the city have engaged in practices ranging from the most personal to the most sociallyoriented. With the analysis of the works of about fifty local art practitioners and a representative range of art institutions, Hong Kong Soft Power is the portrait of a culture going through the trials and tribulations of rapid political and economic changes in both its negative and positive effects.
Publisher: The Chinese University of Hong Kong Press
ISBN: 9629968045
Category : Art
Languages : en
Pages : 490
Book Description
In late 2014, the prodemocracy demonstrations that were called the "Umbrella Movement" revealed to the world that Hong Kong was not the moneyobsessed society it had often been portrayed as. Hong Kong Soft Power is a description of the complex relationship the artists and activists of this city have had with the country it has been part of since 1997. Trying to understand all the varied forms of art practices possible in the Special Administrative Region by locating them within a relational model, and situating them within the dynamic and changing art ecosystem that has developed over the last decade, Hong Kong Soft Power describes the local art field as a site of struggle where the connections with Chinese Mainland institutions and art practices play a fundamental role. This is not to say that this influence has entirely dominated the local art field, and this book also emphasizes how the artists of the city have engaged in practices ranging from the most personal to the most sociallyoriented. With the analysis of the works of about fifty local art practitioners and a representative range of art institutions, Hong Kong Soft Power is the portrait of a culture going through the trials and tribulations of rapid political and economic changes in both its negative and positive effects.
香港視覺藝術年鑑
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 314
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 314
Book Description
Arts, Culture and the Making of Global Cities
Author: Lily Kong
Publisher: Edward Elgar Publishing
ISBN: 1784715840
Category : Business & Economics
Languages : en
Pages : 269
Book Description
While global cities have mostly been characterized as sites of intensive and extensive economic activity, the quest for global city status also increasingly rests on the creative production and consumption of culture and the arts. Arts, Culture and the
Publisher: Edward Elgar Publishing
ISBN: 1784715840
Category : Business & Economics
Languages : en
Pages : 269
Book Description
While global cities have mostly been characterized as sites of intensive and extensive economic activity, the quest for global city status also increasingly rests on the creative production and consumption of culture and the arts. Arts, Culture and the
Innovative and Creative Industries in Hong Kong
Author: Grace L K Leung
Publisher: Routledge
ISBN: 1351655019
Category : Social Science
Languages : en
Pages : 336
Book Description
The experience of Hong Kong’s innovative and creative industries and the challenges they face serves as an important case study for other Chinese and Asian cities that are actively developing their innovative and creative industries in the era of globalization. The return of sovereignty over Hong Kong back to China in 1997 has led to both collaboration and competition between the two places in innovative and creative sectors for the Greater China and Asian Regions. Hong Kong has remained unique in spite of the integration, but she has to strike a delicate balance between being simultaneously a Chinese and an international city. This book looks at different innovative and creative industries, such as international art and culture exhibition, innovative technology, digital entertainment, TV and movies, as well as government policy for innovative and creative industries, particularly the changing competitive landscape brought about by the latest Great Bay Area development. Drawing insights from cultural history, innovation economics, cultural policy studies, and cultural geography, this book explores the opportunities and challenges of Hong Kong's innovative and creative industries, in particular after the change of sovereignty in 1997. It demonstrates that the city’s legacy, and heavy government input in capital, do not guarantee their sustainable development. This is a book not only for policymakers or academics interested in innovative and creative industries but also to students contemplating a career in these areas in Hong Kong, the Greater China and the Asian Region.
Publisher: Routledge
ISBN: 1351655019
Category : Social Science
Languages : en
Pages : 336
Book Description
The experience of Hong Kong’s innovative and creative industries and the challenges they face serves as an important case study for other Chinese and Asian cities that are actively developing their innovative and creative industries in the era of globalization. The return of sovereignty over Hong Kong back to China in 1997 has led to both collaboration and competition between the two places in innovative and creative sectors for the Greater China and Asian Regions. Hong Kong has remained unique in spite of the integration, but she has to strike a delicate balance between being simultaneously a Chinese and an international city. This book looks at different innovative and creative industries, such as international art and culture exhibition, innovative technology, digital entertainment, TV and movies, as well as government policy for innovative and creative industries, particularly the changing competitive landscape brought about by the latest Great Bay Area development. Drawing insights from cultural history, innovation economics, cultural policy studies, and cultural geography, this book explores the opportunities and challenges of Hong Kong's innovative and creative industries, in particular after the change of sovereignty in 1997. It demonstrates that the city’s legacy, and heavy government input in capital, do not guarantee their sustainable development. This is a book not only for policymakers or academics interested in innovative and creative industries but also to students contemplating a career in these areas in Hong Kong, the Greater China and the Asian Region.
Inside/out
Author: Asia Society. Galleries
Publisher: Univ of California Press
ISBN: 9780520217478
Category : Art
Languages : en
Pages : 224
Book Description
The late twentieth century has been marked by momentous political, economic, and social change throughout the Chinese world. Deeply rooted cultural assumptions and ancient visual traditions have been challenged by rapid modernization and conflicting global, ethnic, and local identities. Inside/Out: New Chinese Art was the first major international exhibition to explore the impact of these challenges on artists in the People's Republic of China, Hong Kong, Taiwan, and those of the 1980s Diaspora. The multifaceted exhibition and accompanying catalog encompass an extensive range of artistic forms, including installation, video, and performance art as well as more traditional media such as oils and ink. The art is grouped according to themes, some specific to regions and others that reflect widespread and overlapping trends. With the inclusion of ambiguous territories like Hong Kong and Taiwan, the exhibition opens up a perspective of modern Chinese art from the "outside" as well as a looking-out from the "inside." The catalog features essays by eminent Chinese art scholars and curators along with leading curators and historians of Western art. Together they promote Chinese art's rightful place in the contemporary global cultural arena and at the same time acknowledge the influence of its rich heritage. The diversity and freshness of the exhibition reflects the explosion of creativity among Chinese artists during the past decade. The ironic social commentary of Li Shan's The Rouge Series, no. 24, the "apartment art" of artists reacting against the traditional patronage of large museums and corporations, and Wang Jin's sly humor in portraying consumer fetishes in today's China are a few examples of the spirited artistry awaiting the viewers of Inside/Out.
Publisher: Univ of California Press
ISBN: 9780520217478
Category : Art
Languages : en
Pages : 224
Book Description
The late twentieth century has been marked by momentous political, economic, and social change throughout the Chinese world. Deeply rooted cultural assumptions and ancient visual traditions have been challenged by rapid modernization and conflicting global, ethnic, and local identities. Inside/Out: New Chinese Art was the first major international exhibition to explore the impact of these challenges on artists in the People's Republic of China, Hong Kong, Taiwan, and those of the 1980s Diaspora. The multifaceted exhibition and accompanying catalog encompass an extensive range of artistic forms, including installation, video, and performance art as well as more traditional media such as oils and ink. The art is grouped according to themes, some specific to regions and others that reflect widespread and overlapping trends. With the inclusion of ambiguous territories like Hong Kong and Taiwan, the exhibition opens up a perspective of modern Chinese art from the "outside" as well as a looking-out from the "inside." The catalog features essays by eminent Chinese art scholars and curators along with leading curators and historians of Western art. Together they promote Chinese art's rightful place in the contemporary global cultural arena and at the same time acknowledge the influence of its rich heritage. The diversity and freshness of the exhibition reflects the explosion of creativity among Chinese artists during the past decade. The ironic social commentary of Li Shan's The Rouge Series, no. 24, the "apartment art" of artists reacting against the traditional patronage of large museums and corporations, and Wang Jin's sly humor in portraying consumer fetishes in today's China are a few examples of the spirited artistry awaiting the viewers of Inside/Out.
Hong Kong
Author:
Publisher:
ISBN:
Category : Hong Kong (China)
Languages : en
Pages : 608
Book Description
Publisher:
ISBN:
Category : Hong Kong (China)
Languages : en
Pages : 608
Book Description