Author: John Franceschina
Publisher: Praeger
ISBN:
Category : Drama
Languages : en
Pages : 368
Book Description
Examines representations of homosexuality in the English theatre from the Renaissance to the close of the 19th century.
Homosexualities in the English Theatre
Author: John Franceschina
Publisher: Praeger
ISBN:
Category : Drama
Languages : en
Pages : 368
Book Description
Examines representations of homosexuality in the English theatre from the Renaissance to the close of the 19th century.
Publisher: Praeger
ISBN:
Category : Drama
Languages : en
Pages : 368
Book Description
Examines representations of homosexuality in the English theatre from the Renaissance to the close of the 19th century.
Not in Front of the Audience
Author: Nicholas de Jongh
Publisher: Routledge
ISBN: 1134967292
Category : Performing Arts
Languages : en
Pages : 325
Book Description
First published in 1992. Routledge is an imprint of Taylor & Francis, an informa company.
Publisher: Routledge
ISBN: 1134967292
Category : Performing Arts
Languages : en
Pages : 325
Book Description
First published in 1992. Routledge is an imprint of Taylor & Francis, an informa company.
Reader's Guide to Lesbian and Gay Studies
Author: Timothy Murphy
Publisher: Routledge
ISBN: 113594234X
Category : Reference
Languages : en
Pages : 749
Book Description
The Reader's Guide to Lesbian and Gay Studies surveys the field in some 470 entries on individuals (Adrienne Rich); arts and cultural studies (Dance); ethics, religion, and philosophical issues (Monastic Traditions); historical figures, periods, and ideas (Germany between the World Wars); language, literature, and communication (British Drama); law and politics (Child Custody); medicine and biological sciences (Health and Illness); and psychology, social sciences, and education (Kinsey Report).
Publisher: Routledge
ISBN: 113594234X
Category : Reference
Languages : en
Pages : 749
Book Description
The Reader's Guide to Lesbian and Gay Studies surveys the field in some 470 entries on individuals (Adrienne Rich); arts and cultural studies (Dance); ethics, religion, and philosophical issues (Monastic Traditions); historical figures, periods, and ideas (Germany between the World Wars); language, literature, and communication (British Drama); law and politics (Child Custody); medicine and biological sciences (Health and Illness); and psychology, social sciences, and education (Kinsey Report).
Thatcher's Theatre
Author: D. Keith Peacock
Publisher: Bloomsbury Publishing USA
ISBN: 0313031770
Category : Social Science
Languages : en
Pages : 244
Book Description
The Thatcher administration of 1979 to 1990 had a profound and apparently lasting effect on British theatre and drama. It is now roughly a decade since the fall of Margaret Thatcher and, with the benefit of hindsight, it has become possible to disentangle fact from fantasy concerning her effect on the British theatre. During her administration, there was a significant cultural shift which affected drama in Britain. While some critics have argued that the theatre was simply affected by financial cutbacks in arts subsidies, this volume challenges that view. While it looks at the economic influence of Thatcher's policies, it also examines how her ideology shaped theatrical and dramatic discourse. It begins by defining Thatcherism and illustrating its cultural influence. It then examines the consequences of Thatcherite policies through the agency of the Arts Council of Great Britain. Having established this political and cultural environment, the book considers in detail the effect of Thatcher's administration on the subject-matter and dramatic and theatrical discourse of left-wing drama and on the subsidized political theatre companies which proliferated during the 1970s. Attention is then given to the development of constituency theatres, such as Women's and Black Theatre, which assumed an oppositional cultural stance and, in some cases, attempted to develop characteristic theatrical and dramatic discourses. The penultimate chapter deals with the effect of Thatcherite economic policy and ideology on new writing and performance, while the final chapter draws conclusions and suggests that the cultural shift perpetrated by the Thatcher regime has altered the status of subsidized theatre from an agency of cultural, spiritual, social, or psychological welfare to an entertainment industry which is viewed as largely irrelevant to the workings of society.
Publisher: Bloomsbury Publishing USA
ISBN: 0313031770
Category : Social Science
Languages : en
Pages : 244
Book Description
The Thatcher administration of 1979 to 1990 had a profound and apparently lasting effect on British theatre and drama. It is now roughly a decade since the fall of Margaret Thatcher and, with the benefit of hindsight, it has become possible to disentangle fact from fantasy concerning her effect on the British theatre. During her administration, there was a significant cultural shift which affected drama in Britain. While some critics have argued that the theatre was simply affected by financial cutbacks in arts subsidies, this volume challenges that view. While it looks at the economic influence of Thatcher's policies, it also examines how her ideology shaped theatrical and dramatic discourse. It begins by defining Thatcherism and illustrating its cultural influence. It then examines the consequences of Thatcherite policies through the agency of the Arts Council of Great Britain. Having established this political and cultural environment, the book considers in detail the effect of Thatcher's administration on the subject-matter and dramatic and theatrical discourse of left-wing drama and on the subsidized political theatre companies which proliferated during the 1970s. Attention is then given to the development of constituency theatres, such as Women's and Black Theatre, which assumed an oppositional cultural stance and, in some cases, attempted to develop characteristic theatrical and dramatic discourses. The penultimate chapter deals with the effect of Thatcherite economic policy and ideology on new writing and performance, while the final chapter draws conclusions and suggests that the cultural shift perpetrated by the Thatcher regime has altered the status of subsidized theatre from an agency of cultural, spiritual, social, or psychological welfare to an entertainment industry which is viewed as largely irrelevant to the workings of society.
Out on Stage
Author: Alan Sinfield
Publisher: Yale University Press
ISBN: 9780300081022
Category : Social Science
Languages : en
Pages : 428
Book Description
This intriguing, authoritative book tracks stage representations of lesbians and gay men from Oscar Wilde to the present day and examines scores of British and American plays and playwrights, including works by Wilde, Maugham, Coward, Hellman, O'Neill, Le Roi Jones, and Joe Orton.
Publisher: Yale University Press
ISBN: 9780300081022
Category : Social Science
Languages : en
Pages : 428
Book Description
This intriguing, authoritative book tracks stage representations of lesbians and gay men from Oscar Wilde to the present day and examines scores of British and American plays and playwrights, including works by Wilde, Maugham, Coward, Hellman, O'Neill, Le Roi Jones, and Joe Orton.
Still Acting Gay
Author: John M. Clum
Publisher: Palgrave Macmillan
ISBN: 9780312223847
Category : Literary Criticism
Languages : en
Pages : 336
Book Description
Still Acting Gay is a revision and expansion of Clum's celebrated book, Acting Gay. The book focuses on the relationship between American and British dramas written by and about gay men and the changing gay culture those plays reflect, from the carefully enforced closet to liberation politics to AIDS to the qualified security of the present. Still Acting Gay chronicles the transition of the gay man as subject for sensational melodrama to creator of many of the most powerful and celebrated plays of the late 20th century.
Publisher: Palgrave Macmillan
ISBN: 9780312223847
Category : Literary Criticism
Languages : en
Pages : 336
Book Description
Still Acting Gay is a revision and expansion of Clum's celebrated book, Acting Gay. The book focuses on the relationship between American and British dramas written by and about gay men and the changing gay culture those plays reflect, from the carefully enforced closet to liberation politics to AIDS to the qualified security of the present. Still Acting Gay chronicles the transition of the gay man as subject for sensational melodrama to creator of many of the most powerful and celebrated plays of the late 20th century.
Gentlemen Callers
Author: Michael Paller
Publisher: Macmillan
ISBN: 9781403967756
Category : Drama
Languages : en
Pages : 296
Book Description
Publisher Description
Publisher: Macmillan
ISBN: 9781403967756
Category : Drama
Languages : en
Pages : 296
Book Description
Publisher Description
And This Is My Friend Sandy
Author: Deborah Philips
Publisher: Bloomsbury Publishing
ISBN: 135017422X
Category : Performing Arts
Languages : en
Pages : 193
Book Description
This book situates the production of The Boy Friend and the Players' Theatre in the context of a post-war London and reads The Boy Friend, and Wilson's later work, as exercises in contemporary camp. It argues for Wilson as a significant and transitional figure both for musical theatre and for modes of homosexuality in the context of the pre-Wolfenden 1950s. Sandy Wilson's The Boy Friend is one of the most successful British musicals ever written. First produced at the Players' Theatre Club in London in 1953 it transferred to the West End and Broadway, making a star out of Julie Andrews and gave Twiggy a leading role in Ken Russell's 1971 film adaptation. Despite this success, little is known about Wilson, a gay writer working in Britain in the 1950s at a time when homosexuality was illegal. Drawing on original research assembled from the Wilson archives at the Harry Ransom Center, this is the first critical study of Wilson as a key figure of 1950s British theatre. Beginning with the often overlooked context of the Players' Theatre Club through to Wilson's relationship to industry figures such as Binkie Beaumont, Noël Coward and Ivor Novello, this study explores the work in the broader history of Soho gay culture. As well as a critical perspective on The Boy Friend, later works such as Divorce Me, Darling!, The Buccaneer and Valmouth are examined as well as uncompleted musical versions of Pygmalion and Goodbye to Berlin to give a comprehensive and original perspective on one of British theatre's most celebrated yet overlooked talents.
Publisher: Bloomsbury Publishing
ISBN: 135017422X
Category : Performing Arts
Languages : en
Pages : 193
Book Description
This book situates the production of The Boy Friend and the Players' Theatre in the context of a post-war London and reads The Boy Friend, and Wilson's later work, as exercises in contemporary camp. It argues for Wilson as a significant and transitional figure both for musical theatre and for modes of homosexuality in the context of the pre-Wolfenden 1950s. Sandy Wilson's The Boy Friend is one of the most successful British musicals ever written. First produced at the Players' Theatre Club in London in 1953 it transferred to the West End and Broadway, making a star out of Julie Andrews and gave Twiggy a leading role in Ken Russell's 1971 film adaptation. Despite this success, little is known about Wilson, a gay writer working in Britain in the 1950s at a time when homosexuality was illegal. Drawing on original research assembled from the Wilson archives at the Harry Ransom Center, this is the first critical study of Wilson as a key figure of 1950s British theatre. Beginning with the often overlooked context of the Players' Theatre Club through to Wilson's relationship to industry figures such as Binkie Beaumont, Noël Coward and Ivor Novello, this study explores the work in the broader history of Soho gay culture. As well as a critical perspective on The Boy Friend, later works such as Divorce Me, Darling!, The Buccaneer and Valmouth are examined as well as uncompleted musical versions of Pygmalion and Goodbye to Berlin to give a comprehensive and original perspective on one of British theatre's most celebrated yet overlooked talents.
Figuring Sex Between Men from Shakespeare to Rochester
Author: Paul Hammond
Publisher: Oxford University Press
ISBN: 9780198186922
Category : English literature
Languages : en
Pages : 308
Book Description
Includes discussion of the Sonnets, Twelfth night, and The merchant of Venice.
Publisher: Oxford University Press
ISBN: 9780198186922
Category : English literature
Languages : en
Pages : 308
Book Description
Includes discussion of the Sonnets, Twelfth night, and The merchant of Venice.
Acting Gay
Author: John M. Clum
Publisher: Columbia University Press
ISBN: 9780231075107
Category : Drama
Languages : en
Pages : 350
Book Description
Clum (English and theater, Duke U.) examines 20th-century American and British plays that revolve around gay men, including those by Noel Coward, Arthur Miller, Tennessee Williams, Edward Albee, Harold Pinter, and Peter Shaffer. He considers the representation of bodies and acts, the closet dramas between 1930 and 1968, and recent works portraying a culture that has to do with more than sex.--Annotation © Book News, Inc., Portland, Ore.
Publisher: Columbia University Press
ISBN: 9780231075107
Category : Drama
Languages : en
Pages : 350
Book Description
Clum (English and theater, Duke U.) examines 20th-century American and British plays that revolve around gay men, including those by Noel Coward, Arthur Miller, Tennessee Williams, Edward Albee, Harold Pinter, and Peter Shaffer. He considers the representation of bodies and acts, the closet dramas between 1930 and 1968, and recent works portraying a culture that has to do with more than sex.--Annotation © Book News, Inc., Portland, Ore.