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Author: Elizabeth Minchin
Publisher: Oxford University Press
ISBN: 0199280126
Category : Language Arts & Disciplines
Languages : en
Pages : 323
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Book Description
Publisher description
Author: Elizabeth Minchin
Publisher: Oxford University Press
ISBN: 0199280126
Category : Language Arts & Disciplines
Languages : en
Pages : 323
Get Book Here
Book Description
Publisher description
Author: Andromache Karanika
Publisher: JHU Press
ISBN: 142141256X
Category : Literary Criticism
Languages : en
Pages : 317
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Book Description
The songs of working women are reflected in Greek poetry and poetics. In ancient Greece, women's daily lives were occupied by various forms of labor. These experiences of work have largely been forgotten. Andromache Karanika has examined Greek poetry for depictions of women working and has discovered evidence of their lamentations and work songs. Voices at Work explores the complex relationships between ancient Greek poetry, the female poetic voice, and the practices and rituals surrounding women’s labor in the ancient world. The poetic voice is closely tied to women’s domestic and agricultural labor. Weaving, for example, was both a common form of female labor and a practice referred to for understanding the craft of poetry. Textile and agricultural production involved storytelling, singing, and poetry. Everyday labor employed—beyond its socioeconomic function—the power of poetic creation. Karanika starts with the assumption that there are certain forms of poetic expression and performance in the ancient world which are distinctively female. She considers these to be markers of a female “voice” in ancient Greek poetry and presents a number of case studies: Calypso and Circe sing while they weave; in Odyssey 6 a washing scene captures female performances. Both of these instances are examples of the female voice filtered into the fabric of the epic. Karanika brings to the surface the words of women who informed the oral tradition from which Greek epic poetry emerged. In other words, she gives a voice to silence.
Author: Jonathan L. Ready
Publisher: Oxford University Press
ISBN: 0198802552
Category : Foreign Language Study
Languages : en
Pages : 332
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Book Description
Presenting a new take on what made the Homeric epics such successful examples of verbal artistry, this volume explores the construction of the Homeric simile and the performance of Homeric poetry from the neglected comparative perspectives offered by the study of modern-day oral traditions.
Author: Homer
Publisher: Rowman & Littlefield
ISBN: 0761873694
Category : Poetry
Languages : en
Pages : 305
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Book Description
The Odyssey is an ancient Greek epic about the challenges and hardships Odysseus faces in his rambling ten-year journey homeward after the Trojan War and in the days following his arrival on the island of Ithaka, his homeland. Depicting his own and others’ social displacement after the war, and describing his successive challenges against human, natural and supernatural adversaries, the epic dramatizes his problematic process of healing from the trauma of war and his slow, arduous attempt to recover a sense of personal identity among his people, his wife, his son, and others who have longed for his return. In depicting the struggles of Odysseus, his wife Penelope, and his son Telemakhos, as well as key minor characters such as the slaves Eurykleia and Eumaios, in response to their social displacement, The Odyssey offers us literature’s first full-length narrative focused on the everyday heroism of ordinary human beings in the face of implacable misfortune and adversity.
Author: Deborah Beck
Publisher: University of Texas Press
ISBN: 0292738803
Category : Literary Criticism
Languages : en
Pages : 269
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Book Description
The Iliad and the Odyssey are emotional powerhouses largely because of their extensive use of direct speech. Yet this characteristic of the Homeric epics has led scholars to underplay the poems' use of non-direct speech, the importance of speech represented by characters, and the overall sophistication of Homeric narrative as measured by its approach to speech representation. In this pathfinding study by contrast, Deborah Beck undertakes the first systematic examination of all the speeches presented in the Homeric poems to show that Homeric speech presentation is a unified system that includes both direct quotation and non-direct modes of speech presentation. Drawing on the fields of narratology and linguistics, Beck demonstrates that the Iliad and the Odyssey represent speech in a broader and more nuanced manner than has been perceived before, enabling us to reevaluate our understanding of supposedly "modern" techniques of speech representation and to refine our idea of where Homeric poetry belongs in the history of Western literature. She also broadens ideas of narratology by connecting them more strongly with relevant areas of linguistics, as she uses both to examine the full range of speech representational strategies in the Homeric poems. Through this in-depth analysis of how speech is represented in the Homeric poems, Beck seeks to make both the process of their composition and the resulting poems themselves seem more accessible, despite pervasive uncertainties about how and when the poems were put together.
Author: Athanasios Efstathiou
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110479796
Category : Literary Criticism
Languages : en
Pages : 506
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Book Description
This collective volume provides a fresh perspective on Homeric reception through a methodologically focused, interdisciplinary investigation of the transformations of Homeric epic within varying generic and cultural contexts. It explores how various aspects of Homeric poetics appeal and can be mapped on to a diversity of contexts under different socio-historical, intellectual, literary and artistic conditions. The volume brings together internationally acclaimed scholars and acute young researchers in the fields of classics and reception studies, yielding insight into the varied strategies and ideological forces that define Homeric reception in literature, scholarship and the performing arts (theatre, film and music) and shape the ‘horizon of expectations’ of readers and audience. This collection also showcases that the wide-ranging ‘migration’ of Homeric material through time and across place holds significant cultural power, being instrumental in the construction of new cultural identities. The volume is of particular interest to scholars in the fields of classics, reception and cultural studies and the performing arts, as well as to readers fascinated by ancient literature and its cultural transformations.
Author: Jonathan L. Ready
Publisher: Oxford University Press
ISBN: 019257194X
Category : Poetry
Languages : en
Pages : 432
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Book Description
Written texts of the Iliad and the Odyssey achieved an unprecedented degree of standardization after 150 BCE, but what about Homeric texts prior to the emergence of standardized written texts? Orality, Textuality, and the Homeric Epics sheds light on that earlier history by drawing on scholarship from outside the discipline of classical studies to query from three different angles what it means to speak of Homeric poetry together with the word "text". Part I utilizes work in linguistic anthropology on oral texts and oral intertextuality to illuminate both the verbal and oratorical landscapes our Homeric poets fashion in their epics and what the poets were striving to do when they performed. Looking to folkloristics, part II examines modern instances of the textualization of an oral traditional work in order to reconstruct the creation of written versions of the Homeric poems through a process that began with a poet dictating to a scribe. Combining research into scribal activity in other cultures, especially in the fields of religious studies and medieval studies, with research into performance in the field of linguistic anthropology, part III investigates some of the earliest extant texts of the Homeric epics, the so-called wild papyri. By looking at oral texts, dictated texts, and wild texts, this volume traces the intricate history of Homeric texts from the Archaic to the Hellenistic period, long before the emergence of standardized written texts, in a comparative and interdisciplinary study that will benefit researchers in a number of disciplines across the humanities.
Author: Franco Montanari
Publisher: Walter de Gruyter
ISBN: 3110272016
Category : Literary Criticism
Languages : en
Pages : 709
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Book Description
This volume aims at offering a critical reassessment of the progress made in Homeric research in recent years, focussing on its two main trends, Neonalysis and Oral Theory. Interpreting Homer in the 21st century asks for a holistic approach that allows us to reconsider some of our methodological tools and preconceptions concerning what we call Homeric poetry. The neoanalytical and oral 'booms', which have to a large extent influenced the way we see Homer today, may be re-evaluated if we are willing to endorse a more flexible approach to certain scholarly taboos pertaining to these two schools of interpretation. Song-traditions, formula, performance, multiformity on the one hand, and Motivforschung, Epic Cycle on the other, may not be so incompatible as we often tend to think.
Author: Marina Coray
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110570742
Category : Literary Criticism
Languages : en
Pages : 323
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Book Description
The renowned Basler Homer-Kommentar of the Iliad, edited by Anton Bierl and Joachim Latacz and originally published in German, presents the latest developments in Homeric scholarship. Through the English translation of this ground-breaking reference work, edited by S. Douglas Olson, its valuable findings are now made accessible to students and scholars worldwide.
Author: Seth L. Schein
Publisher: Oxford University Press
ISBN: 0199589410
Category : History
Languages : en
Pages : 240
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Book Description
Homeric Epic and its Reception, comprising twelve chapters--some previously published but revised for this collection, and others appearing here in print for the first time--offers literary interpretations of the Iliad, the Odyssey, and the Homeric Hymn to Aphrodite. While some chapters closely study the diction, meter, style, and thematic resonance of particular passages and episodes in the Iliad and the Odyssey, others follow diverse pathways into the interpretation of the epics, including mythological allusion, intertextuality, the metrics of the Homeric hexameter, and the fundamental contrast between divinity and humanity. Also included are two chapters which focus on the work of Milman Parry and Ioannis Kakridis, founders of the two most fruitful twentieth-century scholarly approaches to Homeric scholarship: the study of the Iliad and the Odyssey as traditional oral formulaic poetry (Parry), and the study of the poems' adaptations and transformations of traditional mythology, folktales, and poetic motifs in accordance with their distinctive themes and poetic purposes (Kakridis). The volume draws to a close with three chapters which discuss some of the most compelling poetic and critical receptions of the Iliad and the Odyssey since the late nineteenth century, and the institutional reception of the epics in colleges and universities in the United States over the past two centuries. Written over a period of 45 years, this collection reflects the author's long-standing interest in, and scholarly and critical approaches to, the literary interpretation of Homeric poetry.
