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Author: Richard D. E. Burton
Publisher: Cornell University Press
ISBN: 9780801442070
Category : Biography & Autobiography
Languages : en
Pages : 332
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Book Description
In Holy Tears, Holy Blood, Richard D. E. Burton continues his investigation of Catholic France from Revolution to Liberation. From his focus in Blood in the City on public demonstrations of the cultural power of Catholicism, he now turns to more private rituals, those codes of conduct that shaped the interior lives of French Catholic women and determined their artistic and social presentation. "Here there is rather less blood, and considerably more weeping," Burton says. In portraits of eleven women, including Simone Weil and Sainte Thèrése, he traces the lasting power of particular expressions of suffering and sacrifice. How, Burton asks, does a rapidly modernizing society accommodate the cultural-historical legacy of religious belief, in particular the extreme conservative beliefs of ultramontane Catholicism? Burton pays particular attention to the doctrine of "vicarious suffering," whereby an individual suffers for the redemption of others, and to certain extreme forms of religious experience including stigmatization, self-starvation, visions, and apparitions.
Author: Richard D. E. Burton
Publisher: Cornell University Press
ISBN: 9780801442070
Category : Biography & Autobiography
Languages : en
Pages : 332
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Book Description
In Holy Tears, Holy Blood, Richard D. E. Burton continues his investigation of Catholic France from Revolution to Liberation. From his focus in Blood in the City on public demonstrations of the cultural power of Catholicism, he now turns to more private rituals, those codes of conduct that shaped the interior lives of French Catholic women and determined their artistic and social presentation. "Here there is rather less blood, and considerably more weeping," Burton says. In portraits of eleven women, including Simone Weil and Sainte Thèrése, he traces the lasting power of particular expressions of suffering and sacrifice. How, Burton asks, does a rapidly modernizing society accommodate the cultural-historical legacy of religious belief, in particular the extreme conservative beliefs of ultramontane Catholicism? Burton pays particular attention to the doctrine of "vicarious suffering," whereby an individual suffers for the redemption of others, and to certain extreme forms of religious experience including stigmatization, self-starvation, visions, and apparitions.
Author: Nicholas Vincent
Publisher: Cambridge University Press
ISBN: 9780521571289
Category : Biography & Autobiography
Languages : en
Pages : 276
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Book Description
The first extended study of relics of the Holy Blood: portions of the blood of Christ's passion preserved supposedly from the time of the Crucifixion and displayed as objects of wonder and veneration in the churches of medieval Europe. Inspired by the discovery of new evidence relating to the relic deposited by King Henry III at Westminster in 1247, the study proceeds from the particular political and spiritual motives that inspired this gift to a wider consideration of blood relics, their distribution across western Europe, their place in Christian devotion, and the controversies to which they gave rise among theologians. In the process the author advances a new thesis on the role of the sacred in Plantagenet court life as well as exploring various intriguing byways of medieval religion.
Author: Joseph W. Peterson
Publisher: Oxford University Press
ISBN: 0197605273
Category : History
Languages : en
Pages : 293
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Book Description
Sacred Rivals focuses on French Catholic ideas about Islam and Arab-ness in the context of religious culture wars in France and of missionary work in colonial Algeria, highlighting the shift from initial admiration for Islam and optimism about Muslim conversion to Christianity to the disillusionment by the end of the nineteenth century when French Catholics joined in racially coded attacks on "Arab" Islam.
Author: Alina G. Birzache
Publisher: Routledge
ISBN: 1317310632
Category : Religion
Languages : en
Pages : 230
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Book Description
This monograph explores the way that the profile and the critical functions of the holy fool have developed in European cinema, allowing this traditional figure to capture the imagination of new generations in an age of religious pluralism and secularization. Alina Birzache traces the cultural origins of the figure of the holy fool across a variety of European traditions. In so doing, she examines the critical functions of the holy fool as well as how filmmakers have used the figure to respond to and critique aspects of the modern world. Using a comparative approach, this study for the first time offers a comprehensive explanation of the enduring appeal of this protean and fascinating cinematic character. Birzache examines the trope of holy foolishness in Soviet and post-Soviet cinema, French cinema, and Danish cinema, corresponding broadly to and permitting analysis of the three main orientations in European Christianity: Orthodox, Catholic, and Protestant. This study will be of keen interest to scholars of religion and film, European cinema, and comparative religion.
Author: Stephanie Downes
Publisher: Oxford University Press
ISBN: 0198802641
Category : History
Languages : en
Pages : 270
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Book Description
This interdisciplinary essay collection investigates the various interactions of people, feelings, and things throughout premodern Europe. It focuses on the period before mass production, when limited literacy often prioritised material methods of communication. The subject of materiality has been of increasing significance in recent historical inquiry, alongside growing emphasis on the relationships between objects, emotions, and affect in archaeological and sociological research. The historical intersections between materiality and emotions, however, have remained under-theorised, particularly with respect to artefacts that have continuing resonance over extended periods of time or across cultural and geographical space. Feeling Things addresses the need to develop an appropriate cross-disciplinary theoretical framework for the analysis of objects and emotions in European history, with special attention to the need to track the shifting emotional valencies of objects from the past to the present, and from one place and cultural context to another. The collection draws together an international group of historians, art historians, curators, and literary scholars working on a variety of cultural, literary, visual, and material sources. Objects considered include books, letters, prosthetics, religious relics, shoes, stone, and textiles. Many of these have been preserved in international galleries, museums, and archives, while others have remained in their original locations, even as their contexts have changed over time. The chapters consider the ways in which emotions such as despair, fear, grief, hope, love, and wonder become inscribed in and ascribed to these items, producing 'emotional objects' of significance and agency. Such objects can be harnessed to create, affirm, or express individual relationships, as, for example, in religious devotion and practice, or in the construction of cultural, communal, and national identities.
Author: Charles Covington
Publisher: Authors On Line Ltd
ISBN: 9781904498049
Category : Fiction
Languages : en
Pages : 336
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Book Description
A smart, sexy, feisty, European religious history lecturer, Jena Van Rooykens, finds herself caught up in a roller coaster of a ride with the American academic system where the boundaries of education and commercialism are no longer recognised. The theft of the Christian relic - The Holy Blood of Bruges, allows an Okalahoma University to conduct authenticity testing and leads to the ultimate 'what if'. Cloning the DNA structure of 'The Holy Blood' is the logical next step, isn't it? God doesn't play dice, but is he playing Chess?
Author: Max Lavelle Wright
Publisher: Infinity Publishing
ISBN: 0741429918
Category :
Languages : en
Pages : 234
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Book Description
Author: Ruth Harris
Publisher: Macmillan + ORM
ISBN: 1429958022
Category : History
Languages : en
Pages : 573
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Book Description
The definitive history of the infamous scandal that shook a nation and stunned the world In 1894, Alfred Dreyfus, a Jewish officer in the French army, was wrongfully convicted of being a spy for Germany and imprisoned on Devil's Island. Over the following years, attempts to correct this injustice tore France apart, inflicting wounds on the society which have never fully healed. But how did a fairly obscure miscarriage of justice come to break up families in bitterness, set off anti-Semitic riots across the French empire, and nearly trigger a coup d'état? How did a violently reactionary, obscurantist attitude become so powerful in a country that saw itself as the home of enlightenment? Why did the battle over a junior army officer occupy the foremost writers and philosophers of the age, from Émile Zola to Marcel Proust, Émile Durkheim, and many others? What drove the anti-Dreyfusards to persist in their efforts even after it became clear that much of the prosecution's evidence was faked? Drawing upon thousands of previously unread and unconsidered sources, prizewinning historian Ruth Harris goes beyond the conventional narrative of truth loving democrats uniting against proto-fascists. Instead, she offers the first in-depth history of both sides in the Affair, showing how complex interlocking influences—tensions within the military, the clashing demands of justice and nationalism, and a tangled web of friendships and family connections—shaped both the coalition working to free Dreyfus and the formidable alliances seeking to protect the reputation of the army that had convicted him. Sweeping and engaging, Dreyfus offers a new understanding of one of the most contested and significant moments in modern history.
Author: Christian Foundation 2010
Publisher: Xlibris Corporation
ISBN: 1456815563
Category : Religion
Languages : en
Pages : 256
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Book Description
For the first time in 2,000 years, this book analyzes the Gospel of Mark and unveils the historical Jesus, His identity, and image of God. All words, parables, and miracle stories are decoded and interpreted, and all unheard-of facts and truths are disclosed. It is revealed that Peter was a sinner in the village of sinners; that Peter, James, John, and Andrew were not fisherman, but were spiritual fisherman who preached to the suffering people of the village of sinners and harvested the holy spirit from them; that Jesus saved one thousand men by preaching 10-20 times at the villages of sinners for three years; that Jesus cleared the temple spiritually, not physically, with his Word; that Jesus' Passover meal was not the mutton but the word and holy spirit; and that the God's last judgment was concluded in AD 70. These facts are disclosed when the scriptures are read in spiritual language. It turns out that the four Gospels Matthew, Mark, Luke, and John have never been interpreted correctly. As a result, Christianity has lost Jesus for nearly 2,000 years and follows the path of ruin. Now it is revealed that the Gospel of Mark contains astonishing revelations and good news which will rescue Christianity from extinction and lead all mankind to God. This book speaks to Biblical scholars, Christians who worry about the corruption of churches and extinction of Christianity, and those who want to receive the Holy Spirit and meet Jesus and God.
Author: Penny Howell Jolly
Publisher: Routledge
ISBN: 1351911236
Category : Art
Languages : en
Pages : 293
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Book Description
Examining innovations in Mary Magdalene imagery in northern art 1430 to 1550, Penny Jolly explores how the saint’s widespread popularity drew upon her ability to embody oppositions and embrace a range of paradoxical roles: sinner-prostitute and saint, erotic seductress and holy prophet. Analyzing paintings by Rogier van der Weyden, Quentin Massys, and others, Jolly investigates artists’ and audiences’ responses to increasing religious tensions, expanding art markets, and changing roles for women. Using cultural ideas concerning the gendered and pregnant body, Jolly reveals how dress confirms the Magdalene’s multivalent nature. In some paintings, her gown’s opening laces betray her wantonness yet simultaneously mark her as Christ’s spiritually pregnant Bride; elsewhere ’undress’ reconfirms her erotic nature while paradoxically marking her penitence; in still other works, exotic finery expresses her sanctity while celebrating Antwerp’s textile industry. New image types arise, as when the saint appears as a lovesick musician playing a lute or as a melancholic contemplative, longing for Christ. Some depictions emphasize her intercessory role through innovative pictorial strategies that invite performative viewing or relate her to the mythological Pandora and Italian Renaissance Neoplatonism. Throughout, the Magdalene’s ambiguities destabilize readings of her imagery while engaging audiences across a broad social and religious spectrum.
