Author: Myrtalē Acheimastou-Potamianou
Publisher:
ISBN:
Category : Christian art and symbolism
Languages : en
Pages : 256
Book Description
Holy Image, Holy Space
Author: Myrtalē Acheimastou-Potamianou
Publisher:
ISBN:
Category : Christian art and symbolism
Languages : en
Pages : 256
Book Description
Publisher:
ISBN:
Category : Christian art and symbolism
Languages : en
Pages : 256
Book Description
Holy Image, Hallowed Ground
Author: Robert S. Nelson
Publisher: Getty Trust Publications: J. P
ISBN:
Category : Art
Languages : en
Pages : 324
Book Description
Isolated in the remote Egyptian desert, at the base of Mount Sinai, sits the oldest continuously inhabited monastery in the Christian world. The Holy Monastery of Saint Catherine at Sinai holds the most important collection of Byzantine icons remaining today. This catalogue, published in conjuction with the exhibition Holy Image, Hallowed Ground: Icons from Sinai, on view at the J. Paul Getty Museum from November 14, 2006, to March 4, 2007, features forty-three of the monastery's extremely rare--and rarely exhibited--icons and six manuscripts still little-known to the world at large. The exhibition and catalogue bring to life the central role of the icon in Byzantine religious practices. Themes include the icon's status as holy object, the ways in which the icon sanctified the place of worship, and the monks' quest for the holy. The Greek Orthodox monastery at Mount Sinai not only functioned as a major pilgrimage site for centuries but was also a cultural crossroads at the center of the shifting sands of ecclesiastical and secular politics. The accompanying essays explore how the monastery's contact with the outside world, through pilgrimage, resulted in aesthetic exchanges between the monastery and Coptic, Crusader, and Islamic art; and between the Greek Orthodox and Roman Catholic communities in Europe.
Publisher: Getty Trust Publications: J. P
ISBN:
Category : Art
Languages : en
Pages : 324
Book Description
Isolated in the remote Egyptian desert, at the base of Mount Sinai, sits the oldest continuously inhabited monastery in the Christian world. The Holy Monastery of Saint Catherine at Sinai holds the most important collection of Byzantine icons remaining today. This catalogue, published in conjuction with the exhibition Holy Image, Hallowed Ground: Icons from Sinai, on view at the J. Paul Getty Museum from November 14, 2006, to March 4, 2007, features forty-three of the monastery's extremely rare--and rarely exhibited--icons and six manuscripts still little-known to the world at large. The exhibition and catalogue bring to life the central role of the icon in Byzantine religious practices. Themes include the icon's status as holy object, the ways in which the icon sanctified the place of worship, and the monks' quest for the holy. The Greek Orthodox monastery at Mount Sinai not only functioned as a major pilgrimage site for centuries but was also a cultural crossroads at the center of the shifting sands of ecclesiastical and secular politics. The accompanying essays explore how the monastery's contact with the outside world, through pilgrimage, resulted in aesthetic exchanges between the monastery and Coptic, Crusader, and Islamic art; and between the Greek Orthodox and Roman Catholic communities in Europe.
The sensual icon
Author: Bissera V
Publisher: Penn State Press
ISBN: 0271035846
Category : Art
Languages : en
Pages : 346
Book Description
"Explores the Byzantine aesthetic of fugitive appearances by placing and filming art objects in spaces of changing light, and by uncovering the shifting appearances expressed in poetry, descriptions of art, and liturgical performance"--Provided by publisher.
Publisher: Penn State Press
ISBN: 0271035846
Category : Art
Languages : en
Pages : 346
Book Description
"Explores the Byzantine aesthetic of fugitive appearances by placing and filming art objects in spaces of changing light, and by uncovering the shifting appearances expressed in poetry, descriptions of art, and liturgical performance"--Provided by publisher.
Sacred and Stolen
Author: Gary Vikan
Publisher: SelectBooks, Inc.
ISBN: 159079401X
Category : Art
Languages : en
Pages : 268
Book Description
Sacred and Stolen is the memoir of an art museum director with the courage to reveal what goes on behind the scenes. Gary Vikan lays bare the messy underbelly of museum life: looted antiquities, crooked dealers, deluded collectors, duplicitous public officials, fakes, inside thefts, bribery, and failed exhibitions. These backstories, at once shocking and comical, reveal a man with a taste for adventure, an eagerness to fan the flames of excitement, and comfort with the chaos that often ensued. A Minnesota kid who started out as a printer’s devil in his father’s small-town newspaper, Vikan ended up as the director of The Walters Art Museum, a gem of a museum in Baltimore. Sacred and Stolen reveals his quest to bring the “holy” into the museum experience as he struggles to reconcile his passion for acquiring sacred works of art with his suspicion that they were stolen. The cast of characters in his many adventures include the elegant French oil heiress, Dominique de Menil, the notorious Turkish smuggler, Aydin Dikmen, his slippery Dutch dealer, Michel van Rijn, the inscrutable and implacable Patriarchs of Ethiopia and Georgia, and the charismatic President of Georgia, Eduard Shevardnadze—along with a mysterious thief of a gorgeous Renoir painting missing from a museum for over sixty years. When the painting suddenly shows up, it’s Vikan who tracks down the culprit. In his afterword Vikan explains his coming to grips with the realities of art dealing in our present dangerous world that includes the fanatical iconoclasm of the Islamic State. We know of the violent destruction and looting of precious treasures of antiquity and unscrupulous black market art dealers who take advantage of international conflicts to possess them. Sacred and Stolen is a truly eye-opening account of art dealing in the modern world.
Publisher: SelectBooks, Inc.
ISBN: 159079401X
Category : Art
Languages : en
Pages : 268
Book Description
Sacred and Stolen is the memoir of an art museum director with the courage to reveal what goes on behind the scenes. Gary Vikan lays bare the messy underbelly of museum life: looted antiquities, crooked dealers, deluded collectors, duplicitous public officials, fakes, inside thefts, bribery, and failed exhibitions. These backstories, at once shocking and comical, reveal a man with a taste for adventure, an eagerness to fan the flames of excitement, and comfort with the chaos that often ensued. A Minnesota kid who started out as a printer’s devil in his father’s small-town newspaper, Vikan ended up as the director of The Walters Art Museum, a gem of a museum in Baltimore. Sacred and Stolen reveals his quest to bring the “holy” into the museum experience as he struggles to reconcile his passion for acquiring sacred works of art with his suspicion that they were stolen. The cast of characters in his many adventures include the elegant French oil heiress, Dominique de Menil, the notorious Turkish smuggler, Aydin Dikmen, his slippery Dutch dealer, Michel van Rijn, the inscrutable and implacable Patriarchs of Ethiopia and Georgia, and the charismatic President of Georgia, Eduard Shevardnadze—along with a mysterious thief of a gorgeous Renoir painting missing from a museum for over sixty years. When the painting suddenly shows up, it’s Vikan who tracks down the culprit. In his afterword Vikan explains his coming to grips with the realities of art dealing in our present dangerous world that includes the fanatical iconoclasm of the Islamic State. We know of the violent destruction and looting of precious treasures of antiquity and unscrupulous black market art dealers who take advantage of international conflicts to possess them. Sacred and Stolen is a truly eye-opening account of art dealing in the modern world.
Postcolonising the Medieval Image
Author: Eva Frojmovic
Publisher: Routledge
ISBN: 1351867237
Category : Art
Languages : en
Pages : 418
Book Description
Postcolonial theories have transformed literary, historical and cultural studies over the past three decades. Yet the study of medieval art and visualities has, in general, remained Eurocentric in its canon and conservative in its approaches. 'Postcolonising', as the eleven essays in this volume show, entails active intervention into the field of medieval art history and visual studies through a theoretical reframing of research. This approach poses and elicits new research questions, and tests how concepts current in postcolonial studies - such as diaspora and migration, under-represented artistic cultures, accented art making, displacement, intercultural versus transcultural, hybridity, presence/absence - can help medievalists to reinvigorate the study of art and visuality. Postcolonial concepts are deployed in order to redraft the canon of medieval art, thereby seeking to build bridges between medievalist and modernist communities of scholars. Among the varied topics explored in the volume are the appropriation of Roman iconography by early medieval Scandinavian metalworkers, multilingualism and materiality in Anglo-Saxon culture, the circulation and display of Islamic secular ceramics on Pisan churches, cultural negotiation by Jewish minorities in Central Europe and the Iberian peninsula, Holy Land maps and medieval imaginative geography, and the uses of Thomas Becket in the colonial imaginary of the Plantagenet court.
Publisher: Routledge
ISBN: 1351867237
Category : Art
Languages : en
Pages : 418
Book Description
Postcolonial theories have transformed literary, historical and cultural studies over the past three decades. Yet the study of medieval art and visualities has, in general, remained Eurocentric in its canon and conservative in its approaches. 'Postcolonising', as the eleven essays in this volume show, entails active intervention into the field of medieval art history and visual studies through a theoretical reframing of research. This approach poses and elicits new research questions, and tests how concepts current in postcolonial studies - such as diaspora and migration, under-represented artistic cultures, accented art making, displacement, intercultural versus transcultural, hybridity, presence/absence - can help medievalists to reinvigorate the study of art and visuality. Postcolonial concepts are deployed in order to redraft the canon of medieval art, thereby seeking to build bridges between medievalist and modernist communities of scholars. Among the varied topics explored in the volume are the appropriation of Roman iconography by early medieval Scandinavian metalworkers, multilingualism and materiality in Anglo-Saxon culture, the circulation and display of Islamic secular ceramics on Pisan churches, cultural negotiation by Jewish minorities in Central Europe and the Iberian peninsula, Holy Land maps and medieval imaginative geography, and the uses of Thomas Becket in the colonial imaginary of the Plantagenet court.
Holy Passion, Sacred Images
Author: Myrto Georgopoulou-Verra
Publisher:
ISBN:
Category : Art, Byzantine
Languages : en
Pages : 128
Book Description
Publisher:
ISBN:
Category : Art, Byzantine
Languages : en
Pages : 128
Book Description
Space, Time, and Presence in the Icon
Author: Clemena Antonova
Publisher: Routledge
ISBN: 1317051823
Category : Religion
Languages : en
Pages : 206
Book Description
This book contributes to the re-emerging field of 'theology through the arts' by proposing a way of approaching one of the most challenging theological concepts - divine timelessness - through the principle of construction of space in the icon. One of the main objectives of this book is to discuss critically the implications of 'reverse perspective', which is especially characteristic of Byzantine and Byzantining art. Drawing on the work of Pavel Florensky, one of the foremost Russian religious philosophers at the beginning of the 20th century, Antonova shows that Florensky's concept of 'supplementary planes' can be used productively within a new approach to the question. Antonova works up new criteria for the understanding of how space and time can be handled in a way that does not reverse standard linear perspective (as conventionally claimed) but acts in its own way to create eternalised images which are not involved with perspective at all. Arguing that the structure of the icon is determined by a conception of God who exits in past, present, and future, simultaneously, Antonova develops an iconography of images done in the Byzantine style both in the East and in the West which is truer to their own cultural context than is generally provided for by western interpretations. This book draws upon philosophy, theology and liturgy to see how relatively abstract notions of a deity beyond time and space enter images made by painters.
Publisher: Routledge
ISBN: 1317051823
Category : Religion
Languages : en
Pages : 206
Book Description
This book contributes to the re-emerging field of 'theology through the arts' by proposing a way of approaching one of the most challenging theological concepts - divine timelessness - through the principle of construction of space in the icon. One of the main objectives of this book is to discuss critically the implications of 'reverse perspective', which is especially characteristic of Byzantine and Byzantining art. Drawing on the work of Pavel Florensky, one of the foremost Russian religious philosophers at the beginning of the 20th century, Antonova shows that Florensky's concept of 'supplementary planes' can be used productively within a new approach to the question. Antonova works up new criteria for the understanding of how space and time can be handled in a way that does not reverse standard linear perspective (as conventionally claimed) but acts in its own way to create eternalised images which are not involved with perspective at all. Arguing that the structure of the icon is determined by a conception of God who exits in past, present, and future, simultaneously, Antonova develops an iconography of images done in the Byzantine style both in the East and in the West which is truer to their own cultural context than is generally provided for by western interpretations. This book draws upon philosophy, theology and liturgy to see how relatively abstract notions of a deity beyond time and space enter images made by painters.
Pilgrimage and Holy Space in Late Antique Egypt
Author: David Frankfurter
Publisher: BRILL
ISBN: 9004298061
Category : History
Languages : en
Pages : 550
Book Description
This volume deals with the origins and rise of Christian pilgrimage cults in late antique Egypt. Part One covers the major theoretical issues in the study of Coptic pilgrimage, such as sacred landscape and shrines' catchment areas, while Part Two examines native Egyptian and Egyptian Jewish pilgrimage practices. Part Three investigates six major shrines, from Philae's diverse non-Christian devotees to the great pilgrim center of Abu Mina and a Thecla shrine on its route. Part Four looks at such diverse pilgrims' rites as oracles, chant, and stational liturgy, while Part Five brings in Athanasius's and an anonymous hagiographer's perspectives on pilgrimage in Egypt. The volume includes illustrations of the Abu Mina site, pilgrims' ampules from the Thecla shrine, as well as several maps.
Publisher: BRILL
ISBN: 9004298061
Category : History
Languages : en
Pages : 550
Book Description
This volume deals with the origins and rise of Christian pilgrimage cults in late antique Egypt. Part One covers the major theoretical issues in the study of Coptic pilgrimage, such as sacred landscape and shrines' catchment areas, while Part Two examines native Egyptian and Egyptian Jewish pilgrimage practices. Part Three investigates six major shrines, from Philae's diverse non-Christian devotees to the great pilgrim center of Abu Mina and a Thecla shrine on its route. Part Four looks at such diverse pilgrims' rites as oracles, chant, and stational liturgy, while Part Five brings in Athanasius's and an anonymous hagiographer's perspectives on pilgrimage in Egypt. The volume includes illustrations of the Abu Mina site, pilgrims' ampules from the Thecla shrine, as well as several maps.
Icon and Devotion
Author: Oleg Tarasov
Publisher: Reaktion Books
ISBN: 186189550X
Category : Art
Languages : en
Pages : 428
Book Description
Icon and Devotion offers the first extensive presentation in English of the making and meaning of Russian icons. The craft of icon-making is set into the context of forms of worship that emerged in the Russian Orthodox Church in the mid-seventeenth century. Oleg Tarasov shows how icons have held a special place in Russian consciousness because they represented idealized images of Holy Russia. He also looks closely at how and why icons were made. Wonder-working saints and the leaders of such religious schisms as the Old Believers appear in these pages, which are illustrated in halftones with miniature paintings, lithographs and engravings never before published in the English-speaking world. By tracing the artistic vocabulary, techniques and working methods of icon painters, Tarasov shows how icons have been integral to the history of Russian art, influenced by folk and mainstream currents alike. As well as articulating the specifically Russian piety they invoke, he analyzes the significance of icons in the cultural life of modern Russia in the context of popular prints and poster design.
Publisher: Reaktion Books
ISBN: 186189550X
Category : Art
Languages : en
Pages : 428
Book Description
Icon and Devotion offers the first extensive presentation in English of the making and meaning of Russian icons. The craft of icon-making is set into the context of forms of worship that emerged in the Russian Orthodox Church in the mid-seventeenth century. Oleg Tarasov shows how icons have held a special place in Russian consciousness because they represented idealized images of Holy Russia. He also looks closely at how and why icons were made. Wonder-working saints and the leaders of such religious schisms as the Old Believers appear in these pages, which are illustrated in halftones with miniature paintings, lithographs and engravings never before published in the English-speaking world. By tracing the artistic vocabulary, techniques and working methods of icon painters, Tarasov shows how icons have been integral to the history of Russian art, influenced by folk and mainstream currents alike. As well as articulating the specifically Russian piety they invoke, he analyzes the significance of icons in the cultural life of modern Russia in the context of popular prints and poster design.
Holy Shroud
Author: J. A. Bouma
Publisher: EmmausWay Press
ISBN: 1948545039
Category : Fiction
Languages : en
Pages : 346
Book Description
An ancient threat. A sacred relic. A religious belief under siege. Silas Grey—ex-Army Ranger, professor of religious studies, and leading relics expert—is on the verge of rocking the religious and nonreligious alike with scientific proof of the Church’s central belief: Jesus Christ’s resurrection. Proof he believes has been hidden all along within the Shroud of Turin, the Christian relic purported to be the burial cloth of Jesus. But a series of suspicious deaths and devastating attacks not only threaten Silas’s shocking announcement and those close to him. They are a sign of an even greater threat reemerging from the shadows of history. Coming to his aid is the Order of Thaddeus, a religious order that has been battling for the very survival of the Church since its birth. Soon it becomes clear that an ancient cultic enemy has risen to once again wage war against the Church and destroy the Christian faith—beginning with its most sacred relic and teaching. Spanning the globe from Washington to Paris to Jerusalem, Silas and the Order combine forces to plunge into a desperate mission for the very survival of the Church and all it holds dear. Can they preserve the memory of its central belief before its archenemy erases it forever? Holy Shroud is the first book in the inventive bestselling Order of Thaddeus action-adventure thriller series leveraging the familiar conspiracy suspense of Dan Brown with the special-ops thrill of James Rollins, wrapped in the historical insight of Steve Berry and inspiration of Ted Dekker. Embark on this new action-packed adventure by emerging author J. A. Bouma that combines faith, fact, and fiction like few religious writers—delivering a “highly entertaining” and “compelling” page-turner people have all agreed “you won't want to put it down!”
Publisher: EmmausWay Press
ISBN: 1948545039
Category : Fiction
Languages : en
Pages : 346
Book Description
An ancient threat. A sacred relic. A religious belief under siege. Silas Grey—ex-Army Ranger, professor of religious studies, and leading relics expert—is on the verge of rocking the religious and nonreligious alike with scientific proof of the Church’s central belief: Jesus Christ’s resurrection. Proof he believes has been hidden all along within the Shroud of Turin, the Christian relic purported to be the burial cloth of Jesus. But a series of suspicious deaths and devastating attacks not only threaten Silas’s shocking announcement and those close to him. They are a sign of an even greater threat reemerging from the shadows of history. Coming to his aid is the Order of Thaddeus, a religious order that has been battling for the very survival of the Church since its birth. Soon it becomes clear that an ancient cultic enemy has risen to once again wage war against the Church and destroy the Christian faith—beginning with its most sacred relic and teaching. Spanning the globe from Washington to Paris to Jerusalem, Silas and the Order combine forces to plunge into a desperate mission for the very survival of the Church and all it holds dear. Can they preserve the memory of its central belief before its archenemy erases it forever? Holy Shroud is the first book in the inventive bestselling Order of Thaddeus action-adventure thriller series leveraging the familiar conspiracy suspense of Dan Brown with the special-ops thrill of James Rollins, wrapped in the historical insight of Steve Berry and inspiration of Ted Dekker. Embark on this new action-packed adventure by emerging author J. A. Bouma that combines faith, fact, and fiction like few religious writers—delivering a “highly entertaining” and “compelling” page-turner people have all agreed “you won't want to put it down!”