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Author: Bruce Rux
Publisher: Frog Limited
ISBN: 9781883319618
Category : Performing Arts
Languages : en
Pages : 681
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Book Description
Film historian Bruce Rux posits that the film industry has long collaborated with a government disinformation campaign about UFOs, shaping and controlling knowledge about documented UFO activity. The book uncovers the conspiracy roots of government involvement in science-fiction/horror movies, from pulp-fiction and Lost World romances to films dealing with flying saucers, the planet Mars, mind control, abductions, transdimensional journeys, and extraterrestrials. Written in a mock-serious tone reminiscent of Rod Sterling's Twilight Zone TV Series, and illustrated with old movie stills and posters, Hollywood Vs. the Aliens is a fascinating, fun read, yet delivers some startling findings. Rux reviews the facts known about UFOs and ancient technologies, and how they came to be discovered. Then he investigates the period between the 1930s and 1950s, focusing on CIA Robertson Panel's recomendation that Hollywood be used as a deflectionary tool against popular interest in UFOs. Government involvement in Orson Welles' 1938 War of the Worlds broadcast is discussed, as are the Disney and United Artists studios' early connections to patriotic propaganda. Early '50s movies like The Thing from Another World and The Day the Earth Stood Still show UFOlogical facts that only government sources could have known at the time. From there the book goes on to discuss recent releases and the ongoing depictions of aliens and UFOs, right up to Independence Day, Men in Black, and Mars Attacks!
Author: Bruce Rux
Publisher: Frog Limited
ISBN: 9781883319618
Category : Performing Arts
Languages : en
Pages : 681
Get Book Here
Book Description
Film historian Bruce Rux posits that the film industry has long collaborated with a government disinformation campaign about UFOs, shaping and controlling knowledge about documented UFO activity. The book uncovers the conspiracy roots of government involvement in science-fiction/horror movies, from pulp-fiction and Lost World romances to films dealing with flying saucers, the planet Mars, mind control, abductions, transdimensional journeys, and extraterrestrials. Written in a mock-serious tone reminiscent of Rod Sterling's Twilight Zone TV Series, and illustrated with old movie stills and posters, Hollywood Vs. the Aliens is a fascinating, fun read, yet delivers some startling findings. Rux reviews the facts known about UFOs and ancient technologies, and how they came to be discovered. Then he investigates the period between the 1930s and 1950s, focusing on CIA Robertson Panel's recomendation that Hollywood be used as a deflectionary tool against popular interest in UFOs. Government involvement in Orson Welles' 1938 War of the Worlds broadcast is discussed, as are the Disney and United Artists studios' early connections to patriotic propaganda. Early '50s movies like The Thing from Another World and The Day the Earth Stood Still show UFOlogical facts that only government sources could have known at the time. From there the book goes on to discuss recent releases and the ongoing depictions of aliens and UFOs, right up to Independence Day, Men in Black, and Mars Attacks!
Author: Melvin E. Matthews
Publisher: Algora Publishing
ISBN: 0875864996
Category : Performing Arts
Languages : en
Pages : 180
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Book Description
1950s Cold War-era monsters meet 21st century terrorists: this exploration of sci-fi movies examines the similarities and differences between the political environment and popular culture of two eras. This examination and appreciation of 1950s science fiction films includes behind-the-scenes tales about their production and many quotes from those who produced and starred in the films. The author draws parallels between the Cold War fears of the 1950s and 60s and the constant "terrorism alerts" of the September 11th era, exploring how the politics and the psychological climate of the times influences and is reflected in this vehicle of popular culture. This book is the first of its kind, studying the pop culture genre in the wake of the September 11th tragedy. It shows that, whatever the era and whatever the challenges and crises confronting America, many entertainment themes remain the same, reflecting their respective times and the relevant issues. For instance, Godzilla, the only Fifties-era monster to remain a "movie star" beyond that era, could be fashioned to reflect whatever issues dominate the times, be they nuclear war in the Fifties when Godzilla originated to a Seventies Godzilla film about environmental pollution. Conceivably a Godzilla for the age of terrorism is possible. "Them"! the 1954 atomic mutation classic, is the spiritual ancestor of the 2002 film "Eight Legged Freaks." The alien invaders of the Fifties signified a Russian invasion of America, while other films of the genre, such as "Invaders from Mars," depicted aliens utilizing mind control to manipulate humans to commit acts of sabotage, signifying Communist enslavement. If such a film were made now, such invaders could be seen as terrorist masterminds using human slaves to commit terrorist acts. Finally, several Fifties films depicted the end of the world at a time when Americans expected a nuclear war with Russia. The immediate pre-September 11th era witnessed films presenting galactic threats to mankind's existence ("Independence Day," "Deep Impact," "Armageddon"), while the early 2000s witnessed the popularity of the "Left Behind" Christian films dramatizing the Tribulation period in the Book of Revelation.
Author: Robbie Graham
Publisher:
ISBN: 9781910121115
Category : Body, Mind & Spirit
Languages : en
Pages : 362
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Book Description
More so than any other medium, cinema has shaped our expectations of potential alien life and visitation. From The Day the Earth Stood Still and Close Encounters of the Third Kind, to Battleship, Prometheus and beyond, our hopes and fears of alien contact have been fuelled by the silver screen. But what messages does Hollywood impart to us about our possible otherworldly neighbours, from where do UFO movies draw their inspiration, and what other factors - cultural or conspiratorial - might influence their production and content? Silver Screen Saucers is a timely and revealing examination of the interplay between Hollywood's UFO movies and the UFO phenomenon itself, from 1950 to present day. The book grants the reader a rare, close-up examination of the DNA that builds our perceptions of the UFO mystery: one strand of this DNA weaves real events, stories and people from the historical record of UFOlogy, while the other spins and twists with the film and TV products they have inspired. With our alien dreams and nightmares now more fully visualized onscreen than ever before, Silver Screen Saucers asks the question: what does it all mean? Are all UFO stories just fever dreams from LA screenwriters, or are they based in something else? Could any of them be real and are they part of a bigger message? From interviews with screenwriters and directors whose visions have been shaped by their lifelong UFO obsessions; to Presidents Carter and Reagan talking aliens with Spielberg at the White House; to CIA and Pentagon manipulation of UFO-themed productions; to movie stars and producers being stalked by real Men in Black, Silver Screen Saucers provides fresh perspective on the frequently debated but little understood subject of UFOs & Hollywood. The book addresses questions such as: Does Hollywood fuel the UFO mythos, or vice versa? In other words, are our beliefs about alien visitation shaped by UFO movies, or are UFO movies shaped by our beliefs about alien visitation? Do Hollywood's UFO movies fictionalize the UFO phenomenon in the public mind, actualize it, or both? If and when humanity makes full and open contact with an unearthly intelligence, would we, as cinemagoers, be able to divorce Hollywood's historical imaginings from the reality with which we are presented? Indeed... Should we? After all, a great deal of Hollywood's UFO movie content has been closely informed by supposedly factual UFOlogical literature, events and debates. Perhaps, then, there is more truth to be found in Hollywood's UFO movies than we might imagine - which raises the question: Just how has so much dense UFOlogical theory (by its very nature 'fringe' and subcultural) managed find its way into Hollywood's populist science fiction narratives? Is Hollywood's incorporation of UFO lore attributable to a "Hollywood UFO conspiracy" designed to acclimate us to a UFO/alien reality, or is it merely the result of a natural cultural process? Silver Screen Saucers is bursting with ideas and information that will excite and intrigue any reader with a passing or serious interest in UFOs and/or science-fiction cinema."
Author: Daniel M. Kimmel
Publisher: Fantastic Books
ISBN: 9781617207334
Category : Fiction
Languages : en
Pages : 194
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Book Description
2014 COMPTON CROOK AWARD FINALIST. The Brogardi appeared out of nowhere, and -- telegraphing their peaceful intentions -- they landed in the middle of nowhere: New York State's Catskills Mountains resorts. It was an alien invasion, of the most peaceful, friendly kind. But there had to be something sinister behind it all, right? Movie executive Jake Berman lives fiction for a living, promoting movies to the masses. He's happy, and only moderately harried. But his peaceful existence is thrown into overdrive when one of the aliens sets his sights beyond the decaying resorts of the east -- when he decides it's time to invade Hollywood Daniel M. Kimmel is a film critic and professor of film. His book on the history of FOX TV, "The Fourth Network" received the Cable Center Book Award. His other books include a history of DreamWorks, "The Dream Team," and "I'll Have What She's Having: Behind the Scenes of the Great Romantic Comedies." His collection of essays, "Jar Jar Binks Must Die... and other Observations about Science Fiction Movies," was a 2012 nominee for the Hugo Award for Best Related Work. He is a past president of the Boston Society of Film Critics, and current co-chair of the Boston Online Film Critics Association. This is his first novel. " Kimmel's first novel is] a true joy... let's hope there are more to come." --Don Sakers, "Analog Science Fiction and Fact" "This is the book we've been waiting for from Dan Kimmel -- funny, knowing, fast paced, full of humor, and told with a big heart. An absolute joy." ---Robert J. Sawyer, Hugo Award-winning author of "Red Planet Blues" "Dan Kimmel's first novel is a funny and delightful tour de force that will appeal to movie fans as well as science-fiction readers." --Michael A. Burstein, John W. Campbell Award-winning author of "I Remember the Future" "Exceptionally funny... pretty damned spectacular... this is the funniest book of the year and one of the best debut SF novels in ages " --Chris Garcia, "The Drink Tank"
Author: Henry Winkler
Publisher: Abrams
ISBN: 1683356365
Category : Juvenile Fiction
Languages : en
Pages : 243
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Book Description
A six-eyed teenage alien refugee becomes a Hollywood star in this hilarious series opener by the bestselling authors of the Hank Zipzer series, Henry Winkler and Lin Oliver. When thirteen-year-old Buddy Burger has to flee from his alien planet, he crash lands in an even wilder place: Hollywood, California. But no one is shocked to see a six-eyed alien strolling around the Universal back lot. The tourists just think he’s an actor in a supercool alien costume. And the fancy Hollywood directors take notice too. They cast Buddy in a popular TV show playing (of course) an alien. After a video of his first episode goes viral, he becomes an overnight sensation, and suddenly, his world is filled with adoring fans, rides in glamorous limos, and appearances at all-the-shrimp-you-can-eat red carpet parties! Will Buddy be able to keep his secret when all eyes are on him? Or will the glitz and glam of Hollywood prove too much for this alien superstar? “Alien Superstar has it all . . . action, suspense, and big laughs!” —Jeff Kinney, author of the Diary of a Wimpy Kid series “Henry Winkler and Lin Oliver keep us laughing while slipping in a lesson for kids—accept everyone as they are, even if they have suction cups for feet. Alien Superstar is a super fun read for middle grades on up.” —Jennifer Garner “A funny interstellar adventure that will have readers watching the cosmos for the second book to arrive.” —SLJ Review "Winkler and Oliver bring their sharply honed sense of comedy and extensive experience in the television industry to Buddy’s antics on the set. . . . This results in an endearingly strange protagonist that will resonate with any kid who has felt like an outsider. A sense of humor and empathy are required for this zany adventure.” —Booklist
Author: Sidney Perkowitz
Publisher: Columbia University Press
ISBN: 0231142811
Category : Science
Languages : en
Pages : 269
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Book Description
In this book, a scientist and dedicated film enthusiast discusses the portrayal of science in more than one hundred films, including science fiction, scientific biographies, and documentaries. Beginning with early films like Voyage to the Moon and Metropolis and concluding with more recent offerings like The Matrix, War of the Worlds, A Beautiful Mind, and An Inconvenient Truth, Sidney Perkowitz questions how much faith we can put into Hollywood's depiction of scientists and their work, how accurately these films capture scientific fact and theory, whether cataclysms like our collision with a comet can actually happen, and to what extent these films influence public opinion about science and the future. Bringing together history, scientific theory, and humorous observation, Hollywood Science features dozens of film stills and a list of the all-time best and worst science-fiction movies.
Author: John Scalzi
Publisher: Macmillan
ISBN: 1429961430
Category : Fiction
Languages : en
Pages : 366
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Book Description
From New York Times bestseller and Hugo Award-winner, John Scalzi, a gleeful mash-up of science fiction and Hollywood satire The space-faring Yherajk have come to Earth to meet us and to begin humanity's first interstellar friendship. There's just one problem: They're hideously ugly and they smell like rotting fish. So getting humanity's trust is a challenge. The Yherajk need someone who can help them close the deal. Enter Thomas Stein, who knows something about closing deals. He's one of Hollywood's hottest young agents. But although Stein may have just concluded the biggest deal of his career, it's quite another thing to negotiate for an entire alien race. To earn his percentage this time, he's going to need all the smarts, skills, and wits he can muster. Other Tor Books The Android’s Dream Agent to the Stars Your Hate Mail Will Be Graded Fuzzy Nation Redshirts 1. Lock In 2. Head On The Interdepency Sequence 1. The Collapsing Empire 2. The Consuming Fire Old Man's War Series 1. Old Man’s War 2. The Ghost Brigades 3. The Last Colony 4. Zoe’s Tale 5. The Human Division 6. The End of All Things At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
Author: Bruce Rux
Publisher: Frog Books
ISBN: 9781883319465
Category : Body, Mind & Spirit
Languages : en
Pages : 544
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Book Description
By painstakingly following the long international paper trails that connect such apparently unrelated manifestations and occurrences as crop circles, alien abductions, extraterrestrial activity, and many other modern mysteries, Bruce Rux uncovers a conspiracy of misinformation, denial, and silence among government officials. 30 photos. 50 illustrations.
Author: Roger Luckhurst
Publisher: Bloomsbury Publishing
ISBN: 1838714286
Category : Performing Arts
Languages : en
Pages : 104
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Book Description
A legendary fusion of science fiction and horror, Ridley Scott's Alien (1979) is one of the most enduring films of modern cinema – its famously visceral scenes acting like a traumatic wound we seem compelled to revisit. Tracing the constellation of talents that came together to produce the film, Roger Luckhurst examines its origins as a monster movie script called Star Beast, dismissed by many in Hollywood as B-movie trash, through to its afterlife in numerous sequels, prequels and elaborations. Exploring the ways in which Alien compels us to think about otherness, Luckhurst demonstrates how and why this interstellar slasher movie, this old dark house in space, came to coil itself around our darkest imaginings about the fragility of humanity. This special edition features original cover artwork by Marta Lech.
Author: Ken Ammi
Publisher: Independently Published
ISBN:
Category :
Languages : en
Pages : 158
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Book Description
This volume focuses on two movies about close encounters of a very different kind. The movies are Six Days on Earth and The Fourth Kind which are combined herein so as to emphasize two movies that deal with the intersection between aliens and gods-especially since some aliens claim to be gods and gods, by a certain definition, are aliens. "Satan's not such a bad guy... we become who we are and ultimately that is to be like our makers; to become gods ourselves." -David Childress, Ancient Aliens episode "The Satan Conspiracy"
