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Author: Jonathan J. Cavallero
Publisher: University of Illinois Press
ISBN: 025203614X
Category : Performing Arts
Languages : en
Pages : 234
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Book Description
"[This book] explores the different ways in which Italian American directors from the 1920s to the present have responded to their ethnicity. While some directors have used film to declare their ethnic roots and create an Italian American 'imagined community,' others have ignored or even denied their background . . . Cavallero's exploration of the films of Capra, Scorsese, Savoca, Coppola,and Tarantino demonstrates how immigrant Italians fought prejudice, how later generations positioned themselves in relation to their predecessors, and how the American cinema, usually seen as a cultural instituion that works to assimlate, has also served as a forum where assimilation was resisted." -- Book cover.
Author: Jonathan J. Cavallero
Publisher: University of Illinois Press
ISBN: 025203614X
Category : Performing Arts
Languages : en
Pages : 234
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Book Description
"[This book] explores the different ways in which Italian American directors from the 1920s to the present have responded to their ethnicity. While some directors have used film to declare their ethnic roots and create an Italian American 'imagined community,' others have ignored or even denied their background . . . Cavallero's exploration of the films of Capra, Scorsese, Savoca, Coppola,and Tarantino demonstrates how immigrant Italians fought prejudice, how later generations positioned themselves in relation to their predecessors, and how the American cinema, usually seen as a cultural instituion that works to assimlate, has also served as a forum where assimilation was resisted." -- Book cover.
Author: Peter E. Bondanella
Publisher: A&C Black
ISBN: 9780826415448
Category : Performing Arts
Languages : en
Pages : 364
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Book Description
"This book is a celebration of nearly a century of images of Italians in American motion pictures and their contribution to popular culture." "Hollywood Italians covers the careers of dozens of stars including Rudolph Valentino, Frank Sinatra, Dean Martin, Al Pacino, Robert De Niro, John Travolta, Sylvester Stallone, Marisa Tomei, James Gandolfini, and many others. In addition, the book reviews the work of such Italian American directors as Francis Ford Coppola and Martin Scorsese." "In all, Hollywood Italians discusses scores of films with a concentration on the most important, including their literary and European-cinematic roots. The book is capped by a comprehensive examination of The Godfather and its two sequels, as well as the international television phenomenon The Sopranos."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Author: Mary Ann McDonald Carolan
Publisher: SUNY Press
ISBN: 1438450257
Category : Performing Arts
Languages : en
Pages : 192
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Book Description
Tracks the influence of Italian cinema on American film from the postwar period to the present. In The Transatlantic Gaze, Mary Ann McDonald Carolan documents the sustained and profound artistic impact of Italian directors, actors, and screenwriters on American film. Working across a variety of genres, including neorealism, comedy, the Western, and the art film, Carolan explores how and why American directors from Woody Allen to Quentin Tarantino have adapted certain Italian trademark techniques and motifs. Allens To Rome with Love (2012), for example, is an homage to the genius of Italian filmmakers, and to Federico Fellini in particular, whose Lo sceicco bianco/The White Sheik (1952) also resonates with Allens The Purple Rose of Cairo (1985) as well as with Neil LaButes Nurse Betty (2000). Tarantinos Kill Bill saga (2003, 2004) plays off elements of Sergio Leones spaghetti Western Cera una volta il West/Once Upon a Time in the West (1968), a transatlantic conversation about the Western that continues in Tarantinos Oscar-winning Django Unchained (2012). Lee Danielss Precious (2009) and Spike Lees Miracle at St. Anna (2008), meanwhile, demonstrate that the neorealism of Roberto Rossellini and Vittorio De Sica, which arose from the political and economic exigencies of postwar Italy, is an effective vehicle for critiquing social issues such as poverty and racism in a contemporary American context. The book concludes with an examination of American remakes of popular Italian films, a comparison that offers insight into the similarities and differences between the two cultures and the transformations in genre, both subtle and obvious, that underlie this form of cross-cultural exchange.
Author: M.B.B. Biskupski
Publisher: University Press of Kentucky
ISBN: 0813139325
Category : Performing Arts
Languages : en
Pages : 326
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Book Description
“This passionate, carefully researched, richly detailed, well-written study” reveals the political motives behind WWII Hollywood’s portrayal of Poles (Choice). During World War II, Hollywood studios supported the war effort by making patriotic movies designed to raise the nation's morale. Often the characterizations were as black and white as the movies themselves: Americans and their allies were heroes, while everyone else was a villain. The peoples of Norway, France, Czechoslovakia, and England were all good because they had been invaded or victimized by Nazi Germany. Yet Poland—the first country to be invaded by the Third Reich—was repeatedly represented in a negative light. In this prize-winning study, Polish historian M. B. B. Biskupski explores why. Biskupski presents a close critical study of prewar and wartime films such as To Be or Not to Be, In Our Time, and None Shall Escape. Through memoirs, letters, diaries, and memoranda written by screenwriters, directors, studio heads, and actors, Biskupski examines how the political climate, and especially pro-Soviet sentiment, influenced Hollywood films of the time. Winner of the Oscar Halecki Prize A Choice Outstanding Academic Title
Author: Ryan Calabretta-Sajder
Publisher: Rowman & Littlefield
ISBN: 1793611556
Category : Social Science
Languages : en
Pages : 254
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Book Description
Italian Americans on Screen: Challenging the Past, Re-Theorizing the Future reconsiders Robert Casillo’s definition of Italian-American cinema as “appl[ying] to works by Italian-American directors who treat Italian-American subjects” to expand this classification. Contributors situate Italian-American cinema and media within the contemporary and intersectional debates about ethnic identity, including race, class, gender, and sexuality studies. This book links past scholarship to theoretical underpinnings with new hermeneutical approaches in television and film to establish new interpretations concerning Italian Americans on screen. Scholars of film studies, media studies, cultural studies, and sociology will find this book particularly useful.
Author: Daniele Fioretti
Publisher: Springer Nature
ISBN: 3031064658
Category : Performing Arts
Languages : en
Pages : 300
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Book Description
This book examines how Italian Americans have been represented in cinema, from the depiction of Italian migration in New Orleans in the 1890s (Vendetta) to the transition from first- to second-generation immigrants (Ask the Dust), and from the establishment of the stereotype of the Italian American gangster (Little Caesar, Scarface) to its re-definition (Mean Streets), along with a peculiar depiction of Italian American masculinity (Marty, Raging Bull). For many years, Italian migration studies in the United States have commented on the way cinema contributed to the creation of an identifiable Italian American identity. More recently, scholars have recognized the existence of a more nuanced plurality of Italian American identities that reflects social and historical elements, class backgrounds, and the relationship with other ethnic minorities. The second part of the book challenges the most common stereotypes of Italian Americanness: food (Big Night) and Mafia, deconstructing the criminal tropes that have contributed to shaping the perception of Italian-American mafiosi in The Funeral, Goodfellas, Donnie Brasco, and the first two chapters of the Godfather trilogy. At the crossroads of the fields of Italian Culture, Italian American Culture, Film Studies, and Migration Studies, Italian Americans in Film is written not only for undergraduate and graduate students but also for scholars who teach courses on Italian American Cinema and Visual Culture.
Author: Jennifer Mara DeSilva
Publisher: Routledge
ISBN: 0429560303
Category : History
Languages : en
Pages : 299
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Book Description
The Borgia Family: Rumor and Representation explores the historical and cultural structures that underpin the early modern Borgia family, their notoriety, and persistence and reinvention in the popular imagination. The book balances studies focusing on early modern observations of the Borgias and studies deconstructing later incarnations on the stage, on the page, on the street, and on the screen. It reveals how contemporary observers, later authors and artists, and generations of historians reinforced and perpetuated both rumor and reputation, ultimately contributing to the Borgia Black Legend and its representations. Focused on the deeds and posthumous reputations of Pope Alexander VI and his children, Cesare and Lucrezia Borgia, the volume charts the choices made by the family and contextualizes them amid contemporary expectations and reactions. Extending beyond their deaths, it also investigates how the Borgias became emblems of anti-Catholic and anti-Spanish criticism in the later early modern period and their residing reputation as the best and worst of the Renaissance. Exploring a spectrum of traditional and modern media, The Borgia Family contextualizes both Borgia deeds and their modern representations to analyze the family’s continuing history and meaning in the twenty-first century. It will be of great interest to researchers and students working on interdisciplinary aspects of the Renaissance and early modern Italy.
Author: Elaine M. Bapis
Publisher: McFarland
ISBN: 0786451238
Category : Performing Arts
Languages : en
Pages : 266
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Book Description
This study examines the changes in the American film industry, audiences, and feature films between 1965 and 1975. With transformations in production codes, adjustments in national narratives, a rise in independent filmmaking, and a new generation of directors and producers addressing controversial issues on the mainstream screen, film was a major influence on the social changes that defined these years. After a contextual history of film during this era, several key films are discussed, including The Graduate, Alice's Restaurant, Easy Rider, Midnight Cowboy, M*A*S*H, McCabe and Mrs. Miller, Little Big Man, and The Godfather series. The author describes how these films represented a generation, constructed and deconstructed American culture, and made important contributions during ten years of great change in America. Instructors considering this book for use in a course may request an examination copy here.
Author: Greg Metcalf
Publisher: Bloomsbury Publishing USA
ISBN: 0313385823
Category : Performing Arts
Languages : en
Pages : 250
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Book Description
Now that television shows can live forever as DVD sets, the stories they can tell have changed; television episodes are now crafted as chapters in a season-long novel instead of free-standing stories. This book examines how this significant shift in storytelling occurred. In 1981, NBC's Hill Street Blues combined the cop show and the soap opera to set the model for primetime serial storytelling, which is evident in The Sopranos, The Wire, and Breaking Bad. In 1963, ABC's The Fugitive showed how an anthology series could tell a continuing tale, influencing The X-Files, House, and Fringe. In 1987, NBC's The Days and Nights of Molly Dodd changed the situation comedy into attitudinal comedy, leading to Weeds, Nurse Jackie, and Entourage. The DVD Novel: How the Way We Watch Television Changed the Television We Watch not only examines how American television shows changed, but also what television artists have been able to create. The book provides an alternate history of American television that compares it to British television, and explains the influence of Dennis Potter's The Singing Detective on the development of long-form television and the evolution of drama shows and sitcoms. The work considers a wide range of network and cable television shows, paying special attention to the work of Steven Bochco, David Milch, and David Simon, and spotlighting the influence of graphic novels and literary novels in changing television.
Author: Su Holmes
Publisher: A&C Black
ISBN: 0826438555
Category : Social Science
Languages : en
Pages : 457
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Book Description
A timely collection exploring the politics of female celebrity across a range of contemporary, historical, media and national contexts. >
