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Author: Mike Chopra-Gant
Publisher: Bloomsbury Publishing
ISBN: 0857713280
Category : Performing Arts
Languages : en
Pages : 231
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Book Description
This is a clear and engrossing account of how popular films in America just after the close of the Second World War played out America's mood at that crucial time. It is also a revisionist challenge to received scholarly understanding of this mood, which has tended to be seen as characterized by an abiding pessimism most clearly manifested in the films noir of the period. Chopra-Gant makes here an important contribution to film genre, which proposes that the 'noir and Zeitgeist' reading is based on the retrospective promotion of selected movies. He turns to the top box office successes of the period, including "Best Years of our Lives", "The Jolson Story" and "Two Years Before the Mast", finding that these films emphasise rather the triumph of American beliefs in democracy, classlessness and individualism. They deploy positive, performative masculinities and the pleasures of male friendships and celebrate the traditional American family, while recognising the problems of 'momism' and absent fathers.
Author: Mike Chopra-Gant
Publisher: Bloomsbury Publishing
ISBN: 0857713280
Category : Performing Arts
Languages : en
Pages : 231
Get Book Here
Book Description
This is a clear and engrossing account of how popular films in America just after the close of the Second World War played out America's mood at that crucial time. It is also a revisionist challenge to received scholarly understanding of this mood, which has tended to be seen as characterized by an abiding pessimism most clearly manifested in the films noir of the period. Chopra-Gant makes here an important contribution to film genre, which proposes that the 'noir and Zeitgeist' reading is based on the retrospective promotion of selected movies. He turns to the top box office successes of the period, including "Best Years of our Lives", "The Jolson Story" and "Two Years Before the Mast", finding that these films emphasise rather the triumph of American beliefs in democracy, classlessness and individualism. They deploy positive, performative masculinities and the pleasures of male friendships and celebrate the traditional American family, while recognising the problems of 'momism' and absent fathers.
Author: Thomas Schatz
Publisher: McGraw-Hill Humanities/Social Sciences/Languages
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 324
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Book Description
The central thesis of this book is that a genre approach provides the most effective means for understanding, analyzing and appreciating the Hollywood cinema. Taking into account not only the formal and aesthetic aspects of feature filmmaking, but various other cultural aspects as well, the genre approach treats movie production as a dynamic process of exchange between the film industry and its audience. This process, embodied by the Hollywood studio system, has been sustained primarily through genres, those popular narrative formulas like the Western, musical and gangster film, which have dominated the screen arts throughout this century.
Author: Stella Bruzzi
Publisher: Bloomsbury Publishing
ISBN: 1838714731
Category : Performing Arts
Languages : en
Pages : 380
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Book Description
Offering a broad perspective on the Hollywood dad, looking at important Hollywood fathers and discussing films from many genres, this book adopts a multi-faceted theoretical approach, making use of psychoanalysis, sociology and masculinity studies and contextualising the father figure within both Hollywood and American history.
Author: Maria Fritsche
Publisher: Berghahn Books
ISBN: 0857459465
Category : Performing Arts
Languages : en
Pages : 284
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Book Description
Despite the massive influx of Hollywood movies and films from other European countries after World War II, Austrian film continued to be hugely popular with Austrian and German audiences. By examining the decisive role that popular cinema played in the turbulent post-war era, this book provides unique insights into the reconstruction of a disrupted society. Through detailed analysis of the stylistic patterns, narratives and major themes of four popular genres of the time, costume film, Heimatfilm, tourist film and comedy, the book explains how popular cinema helped to shape national identity, smoothed conflicted gender relations and relieved the Austrians from the burden of the Nazi past through celebrating the harmonious, charming, musical Austrian man.
Author: Steven Mintz
Publisher: John Wiley & Sons
ISBN: 1118976495
Category : History
Languages : en
Pages : 453
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Book Description
Fully revised, updated, and extended, the fifth edition of Hollywood’s America provides an important compilation of interpretive essays and primary documents that allows students to read films as cultural artifacts within the contexts of actual past events. A new edition of this classic textbook, which ties movies into the broader narrative of US and film history This fifth edition contains nine new chapters, with a greater overall emphasis on recent film history, and new primary source documents which are unavailable online Entries range from the first experiments with motion pictures all the way to the present day Well-organized within a chronological framework with thematic treatments to provide a valuable resource for students of the history of American film
Author: Homer B. Pettey
Publisher:
ISBN: 9781474412964
Category : Film genres
Languages : en
Pages : 512
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Book Description
A hands-on approach to historical linguistics working through 101 problems in five different categories.
Author: J. Levinson
Publisher: Springer
ISBN: 1137016671
Category : Performing Arts
Languages : en
Pages : 229
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Book Description
In examining the enduring appeal that rags-to-riches stories exert on our collective imagination, this book highlights the central role that films have played in the ongoing cultural discourse about success and work in America.
Author: Chris Cagle
Publisher: Rutgers University Press
ISBN: 0813576962
Category : Art
Languages : en
Pages : 202
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Book Description
After World War II, Hollywood’s “social problem films”—tackling topical issues that included racism, crime, mental illness, and drug abuse—were hits with critics and general moviegoers alike. In an era of film famed for its reliance on pop psychology, these movies were a form of popular sociology, bringing the academic discipline’s concerns to a much broader audience. Sociology on Film examines how the postwar “problem film” translated contemporary policy debates and intellectual discussions into cinematic form in order to become one of the preeminent genres of prestige drama. Chris Cagle chronicles how these movies were often politically fractious, the work of progressive directors and screenwriters who drew scrutiny from the House Un-American Activities Committee. Yet he also proposes that the genre helped to construct an abstract discourse of “society” that served to unify a middlebrow American audience. As he considers the many forms of print media that served to inspire social problem films, including journalism, realist novels, and sociological texts, Cagle also explores their distinctive cinematic aesthetics. Through a close analysis of films like Gentleman’s Agreement, The Lost Weekend, and Intruder in the Dust, he presents a compelling case that the visual style of these films was intimately connected to their more expressly political and sociological aspirations. Sociology on Film demonstrates how the social problem picture both shaped and reflected the middle-class viewer’s national self-image, making a lasting impact on Hollywood’s aesthetic direction.
Author: Jeffrey Richards
Publisher: Bloomsbury Publishing
ISBN: 1350114693
Category : Performing Arts
Languages : en
Pages : 263
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Book Description
The great director John Ford (1894-1973) is best known for classic westerns, but his body of work encompasses much more than this single genre. Jeffrey Richards develops and broadens our understanding of Ford's film-making oeuvre by studying his non-Western films through the lens of Ford's life and abiding preoccupations. Ford's other cinematic worlds included Ireland, the Family, Catholicism, War and the Sea, which share with his westerns the recurrent themes of memory and loss, the plight of outsiders and the tragedy of family breakup. Richards' revisionist study both provides new insights into familiar films such as The Fugitive (1947); The Quiet Man (1952), Gideon's Way and The Informer (1935) and reclaims neglected masterpieces, among them Wee Willie Winkie (1937) and the extraordinary The Long Voyage Home. (1940).
Author: Noel Brown
Publisher: Bloomsbury Publishing
ISBN: 1786721015
Category : Performing Arts
Languages : en
Pages : 357
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Book Description
British children's films have played a part in the childhoods of generations of young people around the world for over a century. Until now, however, their cherished status has remained largely unexplored. In this book, Noel Brown relates the history of children's cinema in Britain from the early years of commercial cinema to the present day, to reveal the reasons behind its acclaim in international popular culture.Drawing on multiple sources, Brown provides in-depth analysis of a range of iconic films, including The Railway Children, The Thief of Bagdad, Bugsy Malone, the Harry Potter films,Mary Poppins, Nanny McPhee, Paddington, Oliver!, and Aardman's Wallace and Gromit series. Futhermore, he investigates industrial and commercial contexts, such as the role of the Children's Film Foundation; and includes revealing insights on changing social and cultural norms, such as the once-sacred tradition of Saturday morning cinema. Brown challenges common prejudices that children's films are inherently shallow or simplistic, revealing the often complex strategies that underpin their enduring appeal to audiences of all ages and backgrounds.In addition, he shows how the films allow a privileged access to historic cultures and the nation's political past. In doing so, Brown firmly establishes children's cinema as an important genre not only for students and scholars of film studies but also for those interested in socio-cultural history, the production and reception of popular entertainment and anyone looking for entertainment, escapism and nostalgia.
