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Author: David Coomler
Publisher: Templegate Pub
ISBN: 9780872432550
Category : Language Arts & Disciplines
Languages : en
Pages : 157
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Book Description
Author: David Coomler
Publisher: Templegate Pub
ISBN: 9780872432550
Category : Language Arts & Disciplines
Languages : en
Pages : 157
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Book Description
Author: Makoto Ueda
Publisher: Stanford University Press
ISBN: 9780804725262
Category : Poetry
Languages : en
Pages : 476
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Book Description
This book has a dual purpose. The first is to present in a new English translation 255 representative hokku (or haiku) poems of Matsuo Basho (1644-94), the Japanese poet who is generally considered the most influential figure in the history of the genre. The second is to make available in English a wide spectrum of Japanese critical commentary on the poems over the last three hundred years.
Author: Steven D. Carter
Publisher: Columbia University Press
ISBN: 0231156480
Category : Literary Criticism
Languages : en
Pages : 177
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Book Description
While the rise of the charmingly simple, brilliantly evocative haiku is often associated with the seventeenth-century Japanese poet Matsuo Basho, the form had already flourished for three hundred years before Basho even began to write. These early poems, known as hokku, are identical to haiku in syllable count and structure but function differently as a genre. Whereas each haiku is its own constellation of image and meaning, hokku opens a a series of linked, collaborative stanzas in a sequence called renga. Under the mastery of Basho, hokku first gained its modern independence. His talents evolved the style into the haiku beloved by so many poets today& mdash;Richard Wright, Jack Kerouac, and Billy Collins being notable devotees. This anthology reproduces 300 Japanese hokku poems composed between the thirteenth and early eighteenth centuries, from the work of the courtier Nijo Yoshimoto to the genre's first "professional" master, Sogi, and his subsequent disciples. It also features twenty masterpieces by Basho himself. Steven Carter, a renowned scholar of Japanese poetry and prominent translator, includes an introduction covering the history of haiku and the form's aesthetics and classifies these poems according to style and context& mdash;distinguishing early renga from Haikai renga and renga from the Edo period, for example. His rich commentary and analysis illuminates each work, and he adds their romanized versions and notes on composition and setting, as well as brief descriptions of the poets and the times in which they wrote.
Author: Esperanza U. Ramirez-Christensen
Publisher: Stanford University Press
ISBN: 9780804722537
Category : Biography & Autobiography
Languages : en
Pages : 510
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Book Description
Shinkei (1406-75), one of the most brilliant poets of medieval Japan, is a pivotal figure in the development of renga (linked poetry) as a serious art. In an age when anyone who wished to signal his denial of mundane concerns or make his way in the world with relative freedom donned the robes of a monk, Shinkei stood out by being a practicing cleric with a temple in Kyoto, the Japanese capital. His priestly duties and his devotion to Buddhist ideals are directly reflected in the intensely pure, lyrical longing for transcendence that is the most notable quality of his sensibility. Shinkei's life and work also provide a vivid portrayal of a tumultuous period of Japanese history that was one of the defining moments of its culture, when Zen Buddhism began to directly influence the arts. The book is in two parts. The first part is a literary biography based primarily on Shinkei's own writings - his critical essays, waka sequences, hokku collections, and commentaries - supplemented by various external sources. What emerges is the compelling portrait of a man who bore witness to the tragic anarchy of his times while clinging to the ideal of poetic practice as a mode of being and access to Buddhist enlightenment. Shinkei became embroiled in the factional struggles preceding the Onin War (1467-77) and died a refugee in what is now Kanagawa. The second part consists of annotated translations of Shinkei's most representative poetry: (1) selected hokku (opening verse of a sequence) and tsukeku (linked pairs of verses), along with Muromachi-period commentaries on them; (2) two 100-verse renga sequences - the first a solo composition from 1467, and the second a collaboration with Sogi and other poet-priests and samurai from 1468; and (3) a selection of one hundred waka poems highlighting Shinkei's most characteristic mode of ineffable remoteness. Throughout, the author's annotations seek to define and clarify the unique genre called "linked poetry."
Author: Yoné Noguchi
Publisher: Associated University Presse
ISBN: 9780838634226
Category :
Languages : en
Pages : 360
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Book Description
Author: Toru Kiuchi
Publisher: Lexington Books
ISBN: 1498527183
Category : Literary Criticism
Languages : en
Pages : 357
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Book Description
American Haiku: New Readings explores the history and development of haiku by American writers, examining individual writers. In the late nineteenth century, Japanese poetry influenced through translation the French Symbolist poets, from whom British and American Imagist poets, Amy Lowell, Ezra Pound, T. E. Hulme, and John Gould Fletcher, received stimulus. Since the first English-language hokku (haiku) written by Yone Noguchi in 1903, one of the Imagist poet Ezra Pound’s well-known haiku-like poem, “In A Station of the Metro,” published in 1913, is most influential on other Imagist and later American haiku poets. Since the end of World War II many Americans and Canadians tried their hands at writing haiku. Among them, Richard Wright wrote over four thousand haiku in the final eighteen months of his life in exile in France. His Haiku: This Other World, ed. Yoshinobu Hakutani and Robert L. Tener (1998), is a posthumous collection of 817 haiku Wright himself had selected. Jack Kerouac, a well-known American novelist like Richard Wright, also wrote numerous haiku. Kerouac’s Book of Haikus, ed. Regina Weinreich (Penguin, 2003), collects 667 haiku. In recent decades, many other American writers have written haiku: Lenard Moore, Sonia Sanchez, James A. Emanuel, Burnell Lippy, and Cid Corman. Sonia Sanchez has two collections of haiku: Like the Singing Coming off the Drums (Boston: Beacon Press, 1998) and Morning Haiku (Boston: Beacon Press, 2010). James A. Emanuel’s Jazz from the Haiku King (Broadside Press, 1999) is also a unique collection of haiku. Lenard Moore, author of his haiku collections The Open Eye (1985), has been writing and publishing haiku for over 20 years and became the first African American to be elected as President of the Haiku Society of America. Burnell Lippy’s haiku appears in the major American haiku journals, Where the River Goes: The Nature Tradition in English-Language Haiku (2013).Cid Corman is well-known not only as a haiku poet but a translator of Japanese ancient and modern haiku poets: Santoka, Walking into the Wind (Cadmus Editions, 1994).
Author:
Publisher:
ISBN:
Category : American wit and humor
Languages : en
Pages : 960
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Book Description
Author: Y. Hakutani
Publisher: Springer
ISBN: 0230100910
Category : Language Arts & Disciplines
Languages : en
Pages : 200
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Book Description
This book examines the genesis and development of haiku in Japan and traces its impact on modernist poetics. This study shows that the most pervasive East-West artistic, cultural, and literary exchange that has taken place in modern and postmodern times was in the reading and writing of haiku in the West. Hakutani roots Y.B Yeats symbolism in cross cultural visions; reveals Ezra Pound s imagism to have originated in haiku; and discusses some of the finest haiku written by Jack Kerouac, Richard Wright, Sonia Sanchez, and James Emanuel.
Author: Hiroaki Sato
Publisher: Columbia University Press
ISBN: 9780231063951
Category : Education
Languages : en
Pages : 700
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Book Description
A survey of Japanese poetry contains the works of over one hundred poets from the eighth century to the present.
Author: Andrew Houwen
Publisher: Bloomsbury Publishing
ISBN: 1350174319
Category : Literary Criticism
Languages : en
Pages : 280
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Book Description
The first book to deal with the subject of Ezra Pound's relationships with Japanese literature as a whole, this book provides a wealth of new scholarship on this subject, including on the 19th-century Japanese contexts that led to Pound's interest in 'hokku' and Fenollosa's No translations on which Pound based his own; significant original research on Pound's Japanese friendships that enriched his understanding of Japanese literature; and an examination of all the explicit references to No in The Cantos in unprecedented depth. It demonstrates that the works for which Ezra Pound is most famous, such as 'In a Station of the Metro' and his epic poem, The Cantos, were shaped by his lifelong interest in Japanese literature.
