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Author: Tom Cohen
Publisher: U of Minnesota Press
ISBN: 0816642052
Category : Performing Arts
Languages : en
Pages : 307
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Book Description
Tom Cohen's radical exploration of Hitchcock's cinema departs from conventional approaches--psychoanalytic, feminist, political--to emphasize the dense web of signatures and markings inscribed on and around his films. Aligning Hitchcock's agenda with the philosophical and aesthetic writings of Nietzsche, Derrida, and Benjamin, Cohen's project dramatically recasts the history and meaning of cinema itself. This first volume of "Hitchcock's Cryptonymies provides a singularly close reading of films such as "The Lady Vanishes, Spellbound, and "North by Northwest, exposing the often imperceptible visual and aural puns, graphic elements, and cryptograms that traverse his entire body of work. Within Hitchcock's cinema, Cohen argues, these "secret agents" have more than just decorative or symbolic significance; they also reflect, critique, and disrupt traditional cinematic practice, undermining ways of seeing inherited from the Enlightenment and prefiguring postmodern culture. Cohen offers an unprecedented guide to the entirety of Hitchcock's labyrinthine signature system.
Author: Tom Cohen
Publisher: U of Minnesota Press
ISBN: 0816642052
Category : Performing Arts
Languages : en
Pages : 307
Get Book Here
Book Description
Tom Cohen's radical exploration of Hitchcock's cinema departs from conventional approaches--psychoanalytic, feminist, political--to emphasize the dense web of signatures and markings inscribed on and around his films. Aligning Hitchcock's agenda with the philosophical and aesthetic writings of Nietzsche, Derrida, and Benjamin, Cohen's project dramatically recasts the history and meaning of cinema itself. This first volume of "Hitchcock's Cryptonymies provides a singularly close reading of films such as "The Lady Vanishes, Spellbound, and "North by Northwest, exposing the often imperceptible visual and aural puns, graphic elements, and cryptograms that traverse his entire body of work. Within Hitchcock's cinema, Cohen argues, these "secret agents" have more than just decorative or symbolic significance; they also reflect, critique, and disrupt traditional cinematic practice, undermining ways of seeing inherited from the Enlightenment and prefiguring postmodern culture. Cohen offers an unprecedented guide to the entirety of Hitchcock's labyrinthine signature system.
Author: Tom Cohen
Publisher: U of Minnesota Press
ISBN: 1452906319
Category : Performing Arts
Languages : en
Pages : 319
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Book Description
This second volume presents the director's work as a radical collage of images and absences, letters and numbers, citations and sounds that together mark Hitchcock as a knowing figure who was entirely aware of this - and cinema's place at the dawn of a global media culture, as well as the cinema's revolutionary impact on perception and memory.
Author: Neil Badmington
Publisher: University of Wales Press
ISBN: 1783164514
Category : Performing Arts
Languages : en
Pages : 230
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Book Description
Why are we drawn to the work of Alfred Hitchcock so long after his final film appeared? What is the source of Hitchcock’s magic? This book answers these questions by focussing upon the fabric of the films themselves, upon the way in which they enlist and sustain our desire, holding our attention by constantly withholding something from us.
Author: Susan M. Griffin
Publisher: OUP USA
ISBN: 0199764425
Category : Literary Criticism
Languages : en
Pages : 278
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Book Description
The Men Who Knew Too Much innovatively pairs these two greats, showing them to be at once classic and contemporary. Over a dozen major scholars and critics take up works by James and Hitchcock, in paired sets, to explore the often surprising ways that reading James helps us watch Hitchcock and what watching Hitchcock tells us about reading James.
Author: Gary McCarron
Publisher: Anthem Press
ISBN: 1839988479
Category : Performing Arts
Languages : en
Pages : 253
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Book Description
This book is neither biography nor a conventional film critique. Rather, the text explores aspects of Hitchcock’s work in relation to theories drawn from the social sciences and philosophy. The various chapters focus not on specific films, but on broader ideas central to Hitchcock’s work. There is, for instance, a chapter on his idea of the MacGuffin in which I use Ernesto Laclau’s theories of equivalent substitution to explain how the MacGuffin functions in Hitchcock’s works. There is also a chapter on his notion of ‘pure cinema’ which moves from the idea of purity as an anthropological concept to consider purity in relation to current debates regarding so-called hybrid media, and Hitchcock’s relevance to these issues in respect of his dissatisfaction with the advent of sound to the cinema world. Broadly speaking, the book uses Hitchcock’s films to illustrate ideas in the social sciences and philosophy and uses those same ideas to illustrate aspects of Hitchcock’s films.
Author: Marshall Deutelbaum
Publisher: John Wiley & Sons
ISBN: 1405155566
Category : Performing Arts
Languages : en
Pages : 425
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Book Description
This new edition of A Hitchcock Reader aims to preserve what has been so satisfying and successful in the first edition: a comprehensive anthology that may be used as a critical text in introductory or advanced film courses, while also satisfying Hitchcock scholars by representing the rich variety of critical responses to the director's films over the years. a total of 20 of Hitchcock's films are discussed in depth - many others are considered in passing section introductions by the editors that contextualize the essays and the films they discuss well-researched bibliographic references, which will allow readers to broaden the scope of their study of Alfred Hitchcock
Author: Joshua David Gonsalves
Publisher: John Hunt Publishing
ISBN: 178279770X
Category : History
Languages : en
Pages : 78
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Book Description
Who will Cary Grant have been when the future runs out? In the atrocity-rich wake of Hiroshima, Cold War America is enriched beyond belief. Hollywood radiates, in turn, images of a consumer utopia criss-crossed by segregation, social mobility, racial passing, anxieties about ethnicity and “white panic”. Cary Grant’s class-less classiness seems to denote this (sub)urban leisure class without an effort, yet he signifies more than this: ambivalent, bi-sex’d, inter-sected by the biopolitics of racialization, the policing of sexual agency and stereotypical ethnic identifications (including the invisible Anglo instanced by the high-angle shot). If biopolitics signifies the individuated control of populations, Bio-Politicizing Cary Grant: Pressing Race, Class and Ethnicity into Service in Amerika locates this anxious racialization of service persons, interracial sexuality and social mobility (passing) in an Americanized simulacrum of the Mediterranean world in To Catch a Thief (1955) and in a New York/Northeast-centered USA in North by Northwest (1959). Bio-Politicizing Cary Grant queries the criticism of Alfred J. Hitchcock’s films so as to historically situate one of the first free agents in Hollywood. Yet this semblance of freedom pays a price in meat, murder, massification and the organized homicide of Cold War geopolitics. The book explicates, in sum, the ethnic, racial and sexual ambiguity of Cary Grant’s star persona as both an inculcation of (and resistance to) biopolitical imperatives in fifties-era “America”.
Author: Murray Pomerance
Publisher: State University of New York Press
ISBN: 1438491891
Category : Performing Arts
Languages : en
Pages : 450
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Book Description
In A Silence from Hitchcock, Murray Pomerance explores the resonating power of silence in the director's work—its variation, its haunting temptation, and its technical power. Working from a meditative devotion to and an illuminating familiarity with the director's work, Pomerance shines light upon six films, some of them (Notorious, The Lady Vanishes, and The Trouble with Harry) frequently, even obsessively treated, and others (Frenzy, The Wrong Man, and Topaz) less often discussed. In its strange relation to speech, memory, urbanity, guilt, mortality, and espionage, silence becomes, in these films, a dramatic protagonist in its own right. Written by a master interpreter of Hitchcock, this book offers new ways of seeing, experiencing, and thinking about the films of one of cinema's greatest artists, as well as new ways of reflecting on our experience of cinema itself.
Author: Stephen Teo
Publisher: Bloomsbury Publishing
ISBN: 1350113301
Category : Performing Arts
Languages : en
Pages : 286
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Book Description
Eastern Approaches to Western Film: Asian Aesthetics and Reception in Cinema offers a renewed critical outlook on Western classic film directly from the pantheon of European and American masters, including Alfred Hitchcock, George Lucas, Robert Bresson, Carl Dreyer, Jean-Pierre Melville, John Ford, Leo McCarey, Sam Peckinpah, and Orson Welles. The book contributes an “Eastern Approach” into the critical studies of Western films by reappraising selected films of these masters, matching and comparing their visions, themes, and ideas with the philosophical and paradigmatic principles of the East. It traces Eastern inscriptions and signs embedded within these films as well as their social lifestyle values and other concepts that are also inherently Eastern. As such, the book represents an effort to reformulate established discourses on Western cinema that are overwhelmingly Eurocentric. Although it seeks to inject an alternative perspective, the ultimate aim is to reach a balance of East and West. By focusing on Eastern aesthetic and philosophical influences in Western films, the book suggests that there is a much more thorough integration of East and West than previously thought or imagined.
Author: David Greven
Publisher: Oxford University Press
ISBN: 0190214171
Category : Art
Languages : en
Pages : 297
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Book Description
"This book employs archival research and statistical analysis on an original dataset of a summer 1941 wave of anti-Jewish pogroms to show that pogroms occurred not where antisemitism was strongest, but where local Jews challenged local non-Jews' dreams of national dominance"--
