History of the Phototypesetting Era PDF Download
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Author: Frank J. Romano
Publisher:
ISBN: 9780991130801
Category : Phototypesetting
Languages : en
Pages : 0
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Book Description
"Typesetting was simultaneously a process, a machine, a person, a service, and an industry. It was manual, mechanical, automated, and electronic -- and almost all of these methods overlapped over 50 years. The phototypesetting era began in 1945 with Higgonet and Moyroud established the basis for electro-mechanical phototypesetting. The roots of phototypesetting go back to the 1930s when the first patents were filed by Intertype, Monotype, and others to adapt mechanical typesetters to photographic typesetting. One can even go back to the early 1900s when photographic typesetters were envisioned. The last phototypesetter was manufactured in the late 1980s as laser imagesetters and CTP replaced them. This book covers the almost 400 models of 1st, 2nd, and 3rd generation phototypesetters and ends in 1985. It is a time capsule of a bygone era."--Back cover.
Author: Frank J. Romano
Publisher:
ISBN: 9780991130801
Category : Phototypesetting
Languages : en
Pages : 0
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Book Description
"Typesetting was simultaneously a process, a machine, a person, a service, and an industry. It was manual, mechanical, automated, and electronic -- and almost all of these methods overlapped over 50 years. The phototypesetting era began in 1945 with Higgonet and Moyroud established the basis for electro-mechanical phototypesetting. The roots of phototypesetting go back to the 1930s when the first patents were filed by Intertype, Monotype, and others to adapt mechanical typesetters to photographic typesetting. One can even go back to the early 1900s when photographic typesetters were envisioned. The last phototypesetter was manufactured in the late 1980s as laser imagesetters and CTP replaced them. This book covers the almost 400 models of 1st, 2nd, and 3rd generation phototypesetters and ends in 1985. It is a time capsule of a bygone era."--Back cover.
Author: Frank J. Romano
Publisher: RIT Press
ISBN: 9781933360607
Category : Inventors
Languages : en
Pages : 480
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Book Description
From the Victorian era to the start of the twenty-first century, the Mergenthaler Linotype Company dominated the typesetting and printing industries. Unlike previous books which have ended with the invention of the Linotype, Frank Romano tells the rest of the story. This book details the products, the people, and the corporate activities that kept the company ahead of its competition in hot metal, phototypesetting, and pre-press technology. Over ten corporate entities eventually formed the U.S. manufacturer, which ended its corporate life as a division of a German press maker. What began in 1886 ended finally in May 2013, when the Linotype Library division of Monotype Imaging was closed down. After 127 years, the last resting place of the history of the Linotype Company is in this book.
Author: Frank J. Romano
Publisher:
ISBN: 9781625020536
Category : Phototypesetting
Languages : en
Pages : 0
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Book Description
"History of the Phototypesetting Era-Second Edition by Frank J. Romano Phototypesetters - The primary replacements for hot metal were the photo type and composition machines. Here the photographic negative replaces the matrix casting of hot metal. Most were text machines as with most hot metal. Most shops continued to handset headlines at the case or at the Ludlow to pull repro proofs, but the CG Headliner later filled the niche of the Ludlow"--
Author: Frank J. Romano
Publisher:
ISBN: 9781584563815
Category : Desktop publishing
Languages : en
Pages :
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Book Description
Author: E. H. Gombrich
Publisher: Yale University Press
ISBN: 0300213972
Category : History
Languages : en
Pages : 401
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Book Description
E. H. Gombrich's Little History of the World, though written in 1935, has become one of the treasures of historical writing since its first publication in English in 2005. The Yale edition alone has now sold over half a million copies, and the book is available worldwide in almost thirty languages. Gombrich was of course the best-known art historian of his time, and his text suggests illustrations on every page. This illustrated edition of the Little History brings together the pellucid humanity of his narrative with the images that may well have been in his mind's eye as he wrote the book. The two hundred illustrations—most of them in full color—are not simple embellishments, though they are beautiful. They emerge from the text, enrich the author's intention, and deepen the pleasure of reading this remarkable work. For this edition the text is reset in a spacious format, flowing around illustrations that range from paintings to line drawings, emblems, motifs, and symbols. The book incorporates freshly drawn maps, a revised preface, and a new index. Blending high-grade design, fine paper, and classic binding, this is both a sumptuous gift book and an enhanced edition of a timeless account of human history.
Author:
Publisher:
ISBN:
Category : Printing
Languages : en
Pages : 284
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Book Description
Author: Walter Tracy
Publisher: David R. Godine Publisher
ISBN: 9781567922400
Category : Architecture
Languages : en
Pages : 230
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Book Description
The revolution in typesetting - a revolution that over the past two decades has eliminated a five-hundred-year-old system of hot metal production and replaced it with one of photo-generated and computer-driven composition - shows no sign of winding down. This book, more than any other we know, traces the steps that went into that revolution and simultaneously makes the argument that the letter forms themselves are in process of evolution. Tracy argues that, whether they are of the sixteenth or the twentieth century, the forms that comprise our alphabet are subject to the same rules of good taste, proportion, and clarity that have always obtained. But what we face today is vastly different from fifty years ago. For the first time, new technology has made the proliferation (and, as some would maintain, debasement) of letter forms fast and easy (or quick and dirty.) With fifty years of professional experience on both sides of the Atlantic (including thirty years as head of type design for the British Linotype Company), Tracy is in a unique position to make this argument and arrive at his sad conclusion: the design of distinguished, contemporary typefaces is far outnumbered by the mediocre and downright bad. Part of the reason for this deplorable deterioration is a lack of critical analysis of the particular esthetics involved. This step-by-step examination of type-design esthetics is precisely what Tracy provides here, while avoiding both the promoter's hype and the manufacturer's claims. Here are the gut issues of what makes type good or bad, legible or unreadable. Extensively illustrated with both typefaces and line drawings, this book belongs on the shelf of anyone interested in thehistory of letters or in the artistry and peculiar problems that lie behind their production.
Author: Paul Shaw
Publisher: Yale University Press
ISBN: 0300219296
Category : Design
Languages : en
Pages : 257
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Book Description
An illuminating account of the design inspirations and technical transformations that have shaped the digital typefaces of the 21st century In this fascinating tour through typographic history, Paul Shaw provides a visually rich exploration of digital type revival. Many typefaces from the pre-digital past have been reinvented for use on computers and mobile devices, while other new font designs are revivals of letterforms, drawn from inscriptions, calligraphic manuals, posters, and book jackets. Revival Type deftly introduces these fonts, many of which are widely used, and engagingly tells their stories. Examples include translations of letterforms not previously used as type, direct revivals of metal and wood typefaces, and looser interpretations of older fonts. Among these are variations on classic designs by John Baskerville, Giambattista Bodoni, William Caslon, Firmin Didot, Claude Garamont, Robert Granjon, and Nicolas Jenson, as well as typefaces inspired by less familiar designers, including Richard Austin, Philippe Grandjean, and Eudald Pradell. Updates and revisions of 20th-century classics such as Palatino, Meridien, DIN, Metro, and Neue Haas Grotesk (Helvetica) are also discussed. Handsomely illustrated with annotated examples, archival material depicting classic designs, and full character sets of modern typefaces, Revival Type is an essential introduction for designers and design enthusiasts into the process of reinterpreting historical type.
Author: Robin Dodd
Publisher: Ilex Press
ISBN:
Category : Art
Languages : en
Pages : 204
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Book Description
"An illustrated history of type from the earliest letterforms to the latest digital fonts"--Cover
Author: N. Katherine Hayles
Publisher: Columbia University Press
ISBN: 0231552556
Category : Literary Criticism
Languages : en
Pages : 135
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Book Description
Since Gutenberg’s time, every aspect of print has gradually changed. But the advent of computational media has exponentially increased the pace, transforming how books are composed, designed, edited, typeset, distributed, sold, and read. N. Katherine Hayles traces the emergence of what she identifies as the postprint condition, exploring how the interweaving of print and digital technologies has changed not only books but also language, authorship, and what it means to be human. Hayles considers the ways in which print has been enmeshed in literate societies and how these are changing as some of the cognitive tasks once performed exclusively by humans are now carried out by computational media. Interpretations and meaning-making practices circulate through transindividual collectivities created by interconnections between humans and computational media, which Hayles calls cognitive assemblages. Her theoretical framework conceptualizes innovations in print technology as redistributions of cognitive capabilities between humans and machines. Humanity is becoming computational, just as computational systems are edging toward processes once thought of as distinctively human. Books in all their diversity are also in the process of becoming computational, representing a crucial site of ongoing cognitive transformations. Hayles details the consequences for the humanities through interviews with scholars and university press professionals and considers the cultural implications in readings of two novels, The Silent History and The Word Exchange, that explore the postprint condition. Spanning fields including book studies, cultural theory, and media archeology, Postprint is a strikingly original consideration of the role of computational media in the ongoing evolution of humanity.
