History of Music in Russia from Antiquity to 1800, Volume 2 PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download History of Music in Russia from Antiquity to 1800, Volume 2 PDF full book. Access full book title History of Music in Russia from Antiquity to 1800, Volume 2 by Nikolai Findeizen. Download full books in PDF and EPUB format.
Author: Nikolai Findeizen
Publisher: Indiana University Press
ISBN: 0253023521
Category : Music
Languages : en
Pages : 910
Get Book Here
Book Description
In its scope and command of primary sources and its generosity of scholarly inquiry, Nikolai Findeizen's monumental work, published in 1928 and 1929 in Soviet Russia, places the origins and development of music in Russia within the context of Russia's cultural and social history. Volume 2 of Findeizen's landmark study surveys music in court life during the reigns of Elizabeth I and Catherine II, music in Russian domestic and public life in the second half of the 18th century, and the variety and vitality of Russian music at the end of the 18th century.
Author: Nikolai Findeizen
Publisher: Indiana University Press
ISBN: 0253023521
Category : Music
Languages : en
Pages : 910
Get Book Here
Book Description
In its scope and command of primary sources and its generosity of scholarly inquiry, Nikolai Findeizen's monumental work, published in 1928 and 1929 in Soviet Russia, places the origins and development of music in Russia within the context of Russia's cultural and social history. Volume 2 of Findeizen's landmark study surveys music in court life during the reigns of Elizabeth I and Catherine II, music in Russian domestic and public life in the second half of the 18th century, and the variety and vitality of Russian music at the end of the 18th century.
Author: Nikolai Findeizen
Publisher: Indiana University Press
ISBN: 0253026377
Category : Music
Languages : en
Pages : 645
Get Book Here
Book Description
In its scope and command of primary sources and its generosity of scholarly inquiry, Nikolai Findeizen's monumental work, published in 1928 and 1929 in Soviet Russia, places the origins and development of music in Russia within the context of Russia's cultural and social history. Volume 2 of Findeizen's landmark study surveys music in court life during the reigns of Elizabeth I and Catherine II, music in Russian domestic and public life in the second half of the 18th century, and the variety and vitality of Russian music at the end of the 18th century.
Author: Николай Федорович Фендейзен
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 648
Get Book Here
Book Description
A pathbreaking, monumental work on the origins and development of music in Russia
Author: Anna Albrektson
Publisher: Oxford University Press
ISBN: 0192884301
Category : Literary Criticism
Languages : en
Pages : 271
Get Book Here
Book Description
The late-eighteenth century witnessed multiple Medeas take to the stages of Europe, in the Americas, and across the Russian empire. Performances took place in Moscow and São Paulo, in London and Lisbon, in Gotha, Stuttgart, and Venice. This lively collection of essays examines the various reasons why Medea, the ancient mother who killed her own children, attracted the attention of authors, audiences, actors, and rulers in Europe and its dominions during the pivotal period 1750 to 1800, and to what effects. As a migrant and iconoclast, Medea crosses a number of eighteenth-century borders: linguistic, cultural, national, temporal, spatial, aesthetic, ethical, and generic. Moreover, the fact that late-eighteenth-century playwrights, poets, composers, and choreographers all turned to one of the most problematic characters of Greco-Roman antiquity offers a unique opportunity to examine the remarkable flexibility of the reception process itself. Medea therefore functions as an intriguing case study, reflecting a wider context of cultural and political change within Europe and its colonies in the late-eighteenth century. By drawing together eighteenth-century specialists working across multiple languages and disciplines with the reception perspective of classical scholars, this volume brings much rare material from a range of archives across continental Europe to critical attention for the first time. Mapping Medea shows how the eighteenth century made Medea modern, and Medea helped to shape modern performance.
Author: Edith Hall
Publisher: Oxford University Press (UK)
ISBN: 0195392892
Category : Drama
Languages : en
Pages : 416
Get Book Here
Book Description
This book presents a cultural history of the Greek tragedy and its influence on subsequent Greek and Roman art and literature.
Author: Daniel Jaffé
Publisher: Rowman & Littlefield
ISBN: 1538130084
Category : Music
Languages : en
Pages : 563
Get Book Here
Book Description
Russian music today has a firm hold around the world in the repertoire of opera houses, ballet companies, and orchestras. The music of Pyotr Tchaikovsky, Nikolai Rimsky-Korsakov, Sergey Rachmaninov, Sergey Prokofiev, and Dmitri Shostakovich is very much today’s lingua franca both in the concert hall and on the soundtracks of international blockbusters from Hollywood. Meanwhile, the innovations of Modest Musorgsky, Alexander Borodin, and Igor Stravinsky have played their crucial role in the development of Western music, influencing the work of virtually every notable composer of the past century. Historical Dictionary of Russian Music, Second Edition contains a chronology, an introduction, and an extensive bibliography. The dictionary section has more than 600 cross-referenced entries for each of Russia’s major performing organizations and performance venues, and on specific genres such as ballet, film music, symphony and church music. This book is an excellent resource for students, researchers, and anyone wanting to know more about Russian Music.
Author: Jonathan D. Bellman
Publisher: Princeton University Press
ISBN: 0691177767
Category : Music
Languages : en
Pages : 384
Get Book Here
Book Description
A new look at the life, times, and music of Polish composer and piano virtuoso Fryderyk Chopin Fryderyk Chopin (1810–49), although the most beloved of piano composers, remains a contradictory figure, an artist of virtually universal appeal who preferred the company of only a few sympathetic friends and listeners. Chopin and His World reexamines Chopin and his music in light of the cultural narratives formed during his lifetime. These include the romanticism of the ailing spirit, tragically singing its death-song as life ebbs; the Polish expatriate, helpless witness to the martyrdom of his beloved homeland, exiled among friendly but uncomprehending strangers; the sorcerer-bard of dream, memory, and Gothic terror; and the pianist's pianist, shunning the appreciative crowds yet composing and improvising idealized operas, scenes, dances, and narratives in the shadow of virtuoso-idol Franz Liszt. The international Chopin scholars gathered here demonstrate the ways in which Chopin responded to and was understood to exemplify these narratives, as an artist of his own time and one who transcended it. This collection also offers recently rediscovered artistic representations of his hands (with analysis), and—for the first time in English—an extended tribute to Chopin published in Poland upon his death and contemporary Polish writings contextualizing Chopin's compositional strategies. The contributors are Jonathan D. Bellman, Leon Botstein, Jean-Jacques Eigeldinger, Halina Goldberg, Jeffrey Kallberg, David Kasunic, Anatole Leikin, Eric McKee, James Parakilas, John Rink, and Sandra P. Rosenblum. Contemporary documents by Karol Kurpiński, Adam Mickiewicz, and Józef Sikorski are included.
Author: Anne Swartz
Publisher: Rowman & Littlefield
ISBN: 1611461596
Category : Music
Languages : en
Pages : 213
Get Book Here
Book Description
Piano Makers in Russia in the Nineteenth Century is a richly detailed thematic study of the history of the piano in Russian society from its beginnings with the European artisans who settled in St. Petersburg in the early decades of the century through the transition to Russian-owned family firms. The piano played a defining role in the shaping of Russia’s musical culture in the nineteenth century, as artisans and entrepreneurs provided the foundation for the great tradition of the Russian virtuoso in the performance and the composition of piano music. It also helped bring about a transformative change in the material culture as the piano expanded its reach from the court and the nobility to include music enthusiasts from all social classes and Russian families in their homes. This historical study brings to light the impact of neglected piano artisans in nineteenth-century Russia, and presents a fresh view of the social and economic ties between the state and the piano-manufacturing artisans in an era largely defined by handcrafting and entrepreneurship. It contributes significantly to current issues surrounding the role of the piano and the entrepreneur-artisans in the urban centers of imperial Russia and represents an expansion of what is currently known about the piano builders who established workshops in Russia beginning in the late 1830s and 1840s, well before the heyday of the virtuoso in that country. Rare documents, including letters, memoirs, gazettes, exhibition catalogs, music journals, and administrative reports, form the nucleus of this book and provide fascinating insights about state and private patronage and the class/economic issues related to the affordability and prestige of the piano in Russia. Issues surrounding the transformation of the music industry in Russia, the role of women as patrons and performers, the exportation of instruments to the Russian Far East, and the complex system of tariffs and trade protection that benefited domestic piano manufacturers provide this book’s thematic links. Conclusions indicate that while favorable tariff laws and state-imposed economic policies benefited the family-owned firms in the nineteenth century, they remained in effect in the decades after the nationalization of the piano industry in 1917.
Author: Donald Ostrowski
Publisher: Rowman & Littlefield
ISBN: 1793634211
Category : History
Languages : en
Pages : 575
Get Book Here
Book Description
A fundamental problem in studying early modern Russian history is determining Russia’s historical development in relationship to the rest of the world. The focus throughout this book is on the continuity of Russian policies during the early modern period (1450–1800) and that those policies coincided with those of other successful contemporary Eurasian polities. The continuities occurred in the midst of constant change, but neither one nor the other, continuities or changes alone, can account for Russia’s success. Instead, Russian rulers from Ivan III to Catherine II with their hub advisors managed to sustain a balance between the two. During the early modern period, these Russian rulers invited into the country foreign experts to facilitate the transfer of technology and know-how, mostly from Europe but also from Asia. In this respect, they were willing to look abroad for solutions to domestic problems. Russia looked westward for military weaponry and techniques at the same time it was expanding eastward into the Eurasian heartland. The ruling elite and by extension the entire ruling class worked in cooperation with the ruler to implement policies. The Church played an active role in supporting the government and in seeking to eliminate opposition to the government.
Author: Tatiana Korneeva
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110751062
Category : Literary Criticism
Languages : en
Pages : 200
Get Book Here
Book Description
In the 18th century Italian theatre and its artists became vital to Russian rulers, who employed Italian musico-dramatic works to advance their political agendas and emphasize Russia’s cultural uniqueness and its cosmopolitan character. Innumerable playwrights and composers, actors and singers were active at the Russian court. Usually considered at best peripheral to Europe, the faraway Russian Empire represents a particularly powerful example of the mobility of theatre agents and the circulation of artistic practices. This book sets a new regional accent on imperial Russia, thus mitigating the traditional historiographical emphasis on Western Europe, and adopts a transnational approach to theatre and music history. Its aim is twofold. First, to explore Italian music-theatrical repertoires that occupied a crucial position within the spectacle of absolutism in Russia. Second, to investigate careers and travel routes of the Italian theatre professionals. The examination of their activities at the Russian court aims not only to provide a fuller understanding of their vital role in the transmission of socio-political and artistic ideas, but also to more firmly situate Russia in the broader arena of European cultural production.
