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Author: John Forrest
Publisher: Lutterworth Press
ISBN: 0718897943
Category : Performing Arts
Languages : en
Pages : 464
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Book Description
Morris dancing, one of the more peculiar of the English folk customs, has been greatly misunderstood. In The History of Morris Dancing, 1458-1750 John Forrest analyses a wealth of evidence to show that Morris dancing does not, as is often assumed, have pagan or ancient origins. He examines early documentation to draw Morris traditions into the wide area of communal custom and public celebrations, showing the passage of dance ideas between groups previously considered folklorically distinct. Careful, detailed and encyclopaedic, The History of Morris Dancing, 1458-1750, is an essential reference work for specialists in English drama and social historians of the period, as well as offering fascinating insight for those who enjoy Morris dancing.
Author: John Forrest
Publisher: Lutterworth Press
ISBN: 0718897943
Category : Performing Arts
Languages : en
Pages : 464
Get Book Here
Book Description
Morris dancing, one of the more peculiar of the English folk customs, has been greatly misunderstood. In The History of Morris Dancing, 1458-1750 John Forrest analyses a wealth of evidence to show that Morris dancing does not, as is often assumed, have pagan or ancient origins. He examines early documentation to draw Morris traditions into the wide area of communal custom and public celebrations, showing the passage of dance ideas between groups previously considered folklorically distinct. Careful, detailed and encyclopaedic, The History of Morris Dancing, 1458-1750, is an essential reference work for specialists in English drama and social historians of the period, as well as offering fascinating insight for those who enjoy Morris dancing.
Author: John Forrest
Publisher: Lutterworth Press
ISBN: 0718897935
Category : Performing Arts
Languages : en
Pages : 313
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Book Description
Morris dancing, one of the more peculiar of the English folk customs, has been greatly misunderstood. In The History of Morris Dancing, 1458-1750 John Forrest analyses a wealth of evidence to show that Morris dancing does not, as is often assumed, have pagan or ancient origins. He examines early documentation to draw Morris traditions into the wide area of communal custom and public celebrations, showing the passage of dance ideas between groups previously considered folklorically distinct. Careful, detailed and encyclopaedic, The History of Morris Dancing, 1458-1750, is an essential reference work for specialists in English drama and social historians of the period, as well as offering fascinating insight for those who enjoy Morris dancing.
Author: Michael Heaney
Publisher: Archaeopress Publishing Ltd
ISBN: 1803273879
Category : Performing Arts
Languages : en
Pages : 536
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Book Description
This book traces the history of morris dancing in England, from its introduction in the 15th century, through the contention of the Reformation and Civil War, when morris dancing and maypoles became potent symbols of the older ways of living, to its re-invention as an emblem of Victorian concepts of Merrie England in the 19th century.
Author: Cia Sautter
Publisher: Taylor & Francis
ISBN: 1351999575
Category : Art
Languages : en
Pages : 196
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Book Description
This book explores how religious values are acted out and reflected on in classic Western theatre, with a particular emphasis on the plays put on during the Globe Theatre‘s yearlong season of 'Shakespeare and the Bible'. Each chapter includes ethnographic overviews of the performance of these plays as well as historical and theological perspectives on the issues they address. The Performance of Religion treads new ground in bringing performance and religious studies scholarship into direct conversation with one another. As such, it is essential reading for any academic with an interest in theology, religion and ethics and their expression in culture through the performing arts.
Author: Lynsey McCulloch
Publisher: Oxford University Press
ISBN: 019049879X
Category : Music
Languages : en
Pages : 633
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Book Description
Shakespeare's texts have a long and close relationship with many different types of dance, from dance forms referenced in the plays to adaptations across many genres today. With contributions from experienced and emerging scholars, this handbook provides a concise reference on dance as both an integral feature of sixteenth- and seventeenth-century culture and as a means of translating Shakespearean text into movement - a process that raises questions of authorship and authority, cross-cultural communication, semantics, embodiment, and the relationship between word and image. Motivated by growing interest in movement, materiality, and the body, The Oxford Handbook of Shakespeare and Dance is the first collection to examine the relationship between William Shakespeare - his life, works, and afterlife - and dance. In the handbook's first section - Shakespeare and Dance - authors consider dance within the context of early modern life and culture and investigate Shakespeare's use of dance forms within his writing. The latter half of the handbook - Shakespeare as Dance - explores the ways that choreographers have adapted Shakespeare's work. Chapters address everything from narrative ballet adaptations to dance in musicals, physical theater adaptations, and interpretations using non-Western dance forms such as Cambodian traditional dance or igal, an indigenous dance form from the southern Philippines. With a truly interdisciplinary approach, The Oxford Handbook of Shakespeare and Dance provides an indispensable resource for considerations of dance and corporeality on Shakespeare's stage and the early modern era.
Author: Liam Maloney
Publisher: Routledge
ISBN: 1000363163
Category : Music
Languages : en
Pages : 260
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Book Description
Music and Heritage provides new thinking about the diverse ways people engage with heritage. By exploring the relationships that exist between music, place and identity, the book illustrates how people form attachments to place and how such attachments are represented by sound and music-making. Presenting case studies and perspectives from across a range of genres, the volume argues that combining music with heritage provides an alternative and productive opportunity to think about heritage values and place attachment. Contributions to this edited collection use a diversity of methods, perspectives, cues and genres to reflect critically on issues related to these and other interconnections in ways that encourage new thinking about the character, meaning and purpose of cultural heritage, and the various ways in which people can interact with it through sound – thus re-encountering the supposedly familiar world around them. Taking heritage studies, musicology and place-making research in new directions, Music and Heritage will be of interest to academics and students engaged in the study of heritage, history, music, geography and anthropology. It will also be relevant to those with an interest in how music relates to place-making and place attachment, as well as to practitioners and policymakers working in the planning, design and creative sectors.
Author: Jennifer Nevile
Publisher: Indiana University Press
ISBN: 0253351537
Category : History
Languages : en
Pages : 392
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Book Description
An engaging overview of dance from the Medieval era through the Baroque
Author: Peter Harrop
Publisher: Routledge
ISBN: 1000401596
Category : Performing Arts
Languages : en
Pages : 814
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Book Description
This broad-based collection of essays is an introduction both to the concerns of contemporary folklore scholarship and to the variety of forms that folk performance has taken throughout English history. Combining case studies of specific folk practices with discussion of the various different lenses through which they have been viewed since becoming the subject of concerted study in Victorian times, this book builds on the latest work in an ever-growing body of contemporary folklore scholarship. Many of the contributing scholars are also practicing performers and bring experience and understanding of performance to their analyses and critiques. Chapters range across the spectrum of folk song, music, drama and dance, but maintain a focus on the key defining characteristics of folk performance – custom and tradition – in a full range of performances, from carol singing and sword dancing to playground rhymes and mummers' plays. As well as being an essential reference for folklorists and scholars of traditional performance and local history, this is a valuable resource for readers in all disciplines of dance, drama, song and music whose work coincides with English folk traditions.
Author: John Forrest
Publisher: University of Toronto Press
ISBN: 9781487554330
Category : History
Languages : en
Pages : 0
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Book Description
Morris dancing, one of the more peculiar of the English folk customs, has been greatly misunderstood. Traditional scholarship on this custom has been based on the assumption that morris dancing is one of the pagan calendar rituals, a preconception held by many folklorists of the late nineteenth and early twentieth centuries. Now, building upon his previous work with Michael Heaney of the Bodleian Library in Annals of Early Morris, John Forrest carefully analyses a wealth of evidence to show that morris dancing does not, in fact have pagan or ancient origins. His examination of early documentation draws morris traditions into the wider area of communal customs and public celebrations, showing the passage of dance ideas between groups of people who until now have been considered folklorically distinct. Careful, detailed, and encyclopedic, The History of Morris Dancing, 1458-1750 is an essential reference work for specialists in English drama and social historians of the period.
Author: Lesley Coote
Publisher: Routledge
ISBN: 0429810059
Category : History
Languages : en
Pages : 238
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Book Description
This cutting-edge volume demonstrates both the literary quality and the socio-economic importance of works on "the matter of the greenwood" over a long chronological period. These include drama texts, prose literature and novels (among them, children's literature), and poetry. Whilst some of these are anonymous, others are by acknowledged canonical writers such as William Shakespeare, Ben Jonson, and John Keats. The editors and the contributors argue that it is vitally important to include Robin Hood texts in the canon of English literary works, because of the high quality of many of these texts, and because of their significance in the development of English literature.
