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Author: Ananda Kentish Coomaraswamy
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 444
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Book Description
Author: Ananda Kentish Coomaraswamy
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 444
Get Book Here
Book Description
Author: Ananda Kentish Coomaraswamy
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 295
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Book Description
Author: Ananda K. Coomaraswamy
Publisher:
ISBN: 9788121503853
Category :
Languages : en
Pages : 304
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Book Description
Illustrations: 400 b/w illustrations, 128 plates and 9 maps Description: This book is Ananda Coomaraswamy's classic study of Indian Art. As the major pioneering scholar in the field, Coomaraswamy possessed an extraordinary background in history, art-history, aesthetics, and Asian languages and philosophy, and this fascinating cultural study is one of his finest books, long regarded as one of the most significant contribution to the understanding of the Indian Art. Divided into six sections, each representing a chronological culture area, the book takes in material from the earliest Harappa archaeological finds up to Rajput and Sikh painting of the Mid-19th century and the early art and craft works at the beginning of this century. Most of the study deals with Indian Art, but Indonesia and the peripheries of Southeast Asia are covered where they reflect Indian influences. The concentration of the study is upon architecture and sculpture; however it also encompasses painting, jewellery, textiles, metalwork and other crafts. Background information on the history and geography of the area is provided for the reader along with philosophical, religious and social insights that are particularly valuable for the western reader. Dr. Coomaraswamy, Keeper of Indian and Muhammadan Art in the Boston Museum of Fine Arts was deeply sensitive to the beauty of the Indian art works. As a result, the illustrations he selected are unusually fine, comprising some of the most impressive examples of Indian art. Included among the illustrations are Indo-Sumerian seals, Maurya statues, Sunga reliefs, Kusana Buddha, Gupta and early medieval temples. Late medieval palaces, Rajput paintings, Ceylonese Buddhas, Burmese frescoes, Cambodian towers and assorted jewellery and metal, ivory and textile works. Beginning students of the orient or of art history could ask, for no finer Introduction to the history and aesthetics of Indian and Indonesian Art. The author's penetrating cultural insights make it an indispensable text for all who plan further study in the field.
Author: Ananda Kentish Coomaraswamy
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 295
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Book Description
Author: Susan L. Huntington
Publisher: Motilal Banarsidass
ISBN: 8120836170
Category : Art
Languages : en
Pages : 849
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Book Description
To scholars in the field, the need for an up-to-date overview of the art of South Asia has been apparent for decades. Although many regional and dynastic genres of Indic art are fairly well understood, the broad, overall representation of India's centuries of splendor has been lacking. The Art of Ancient India is the result of the author's aim to provide such a synthesis. Noted expert Sherman E. Lee has commented: –Not since Coomaraswamyês History of Indian and Indonesian Art (1927) has there been a survey of such completeness.” Indeed, this work restudies and reevaluates every frontier of ancient Indic art _ from its prehistoric roots up to the period of Muslim rule, from the Himalayan north to the tropical south, and from the earliest extant writing through the most modern scholarship on the subject. This dynamic survey-generously complemented with 775 illustrations, including 48 in full color and numerous architectural ground plans, and detailed maps and fine drawings, and further enhanced by its guide to Sanskrit, copious notes, extensive bibliography, and glossary of South Asian art terms-is the most comprehensive and most fully illustrated study of South Asian art available. The works and monuments included in this volume have been selected not only for their artistic merit but also in order to both provide general coverage and include transitional works that furnish the key to an all encompassing view of the art. An outstanding portrayal of ancient Indiaês highest intellectual and technical achievements, this volume is written for many audiences: scholars, for whom it provides an up-to-date background against which to examine their own areas of study; teachers and students of college level, for whom it supplies a complete summary of and a resource for their own deeper investigations into Indic art; and curious readers, for whom it gives a broad-based introduction to this fascinating area of world art.
Author: Donald K. Swearer
Publisher: SUNY Press
ISBN: 9780791424599
Category : Religion
Languages : en
Pages : 280
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Book Description
This is a synthesis and interpretation of Buddhism in Southeast Asia. No other book matches its depth and breadth or its balance of scholarly interpretation and readable personal portrayal.
Author: Alain Daniélou
Publisher: Simon and Schuster
ISBN: 1594777942
Category : History
Languages : en
Pages : 224
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Book Description
Daniélou's powerful rebuttal to the conventional view of India's history, which calls for a massive reevaluation of the history of humanity • Explores historical occurrences from each major time period starting with the first appearance of man 30,000 years ago • Couples the clarity and perspective of an outsider with the unique and specific knowledge of an insider • By the internationally recognized Hindu scholar and translator of The Complete Kama Sutra (200,000 copies sold) Alain Daniélou approaches the history of India from a new perspective--as a sympathetic outsider, yet one who understands the deepest workings of the culture. Because the history of India covers such a long span of time, rather than try to create an exhaustive chronology of dates and events, Daniélou instead focuses on enduring institutions that remain constant despite the ephemeral historical events that occur. His selections, synthesis, and narration create a thoroughly engaging and readable journey through time, with a level of detail and comprehensiveness that is truly a marvel. Because of the continuity of its civilization, its unique social system, and the tremendous diversity of cultures, races, languages, and religions that exist in its vast territory, India is like a history museum. Its diverse groups maintained their separate identities and never fully supplanted the culture and knowledge of their predecessors. Even today one may encounter in India primitive Stone Age people whose technology has remained at what is considered prehistoric levels. Thus Daniélou's examination of India reveals not only the diversity and historical events and trends of that country, but also the history of all mankind. Through Daniélou's history of India we learn from whence we came, what we have discovered over the years in the fields of science, arts, technology, social structures, religions, and philosophical concepts, and what the future may hold for us.
Author: Partha Chatterjee
Publisher: Anthem Press
ISBN: 1843312247
Category : History
Languages : en
Pages : 242
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Book Description
The essays in this volume bring together historians and anthropologists to reflect on the place of history within present-day conditions. The central focus here is on aspects of the popular, on the ways in which the popular relates to the scientific, the professional, the aesthetic, the religious, the legal and the political. These essays represent a critique of the disciplinary practices of history. They examine the historian's practices and assumptions, being mainly concerned with finding a set of practices of history-writing that are both truthful and ethical. They are united by the desire to find a way out of the self-constructed cage of scientific history that has made historians wary of the popular. In his introduction, Partha Chatterjee spells out some of the requirements for this new analysis of the popular. He stresses the fact that in contemporary industrializing societies the popular should not be taken to be a homogeneous mass. On the contrary, he states, an awareness of the variety and innovativeness of the contemporary popular could rejuvenate academic historiography.
Author: Yorim Spoelder
Publisher: Cambridge University Press
ISBN: 100940315X
Category : History
Languages : en
Pages : 347
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Book Description
'Greater India' was a transimperial, Indocentric research paradigm that informed the colonial recovery of the ancient past in Central and Southeast Asia. Ancient India was postulated as the fount of an expansive classicism – an actor in world history on a par with ancient Greece and Rome. Under the Greater India movement, the scholarly quest for 'India in Asia' became tied to anti-colonial, pedagogical, nationalist and Asianist agendas. Yet although it provided a potent anti-colonial imaginary, the movement also bolstered visions of Indian exceptionalism and energized Hindu nationalist ideas of India as a civilizing, colonizing power. Speaking directly to debates that define and divide India today, this is essential reading for those interested in the legacies of Orientalist scholarship and interwar visions of Indian internationalism. This title is part of the Flip it Open Programme and may also be available Open Access. Check our website Cambridge Core for details.
Author: Tapati Guha-Thakurta
Publisher: Columbia University Press
ISBN: 0231503512
Category : Art
Languages : en
Pages : 431
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Book Description
Art history as it is largely practiced in Asia as well as in the West is a western invention. In India, works of art-sculptures, monuments, paintings-were first viewed under colonial rule as archaeological antiquities, later as architectural relics, and by the mid-20th century as works of art within an elaborate art-historical classification. Tied to these views were narratives in which the works figured, respectively, as sources from which to recover India's history, markers of a lost, antique civilization, and symbols of a nation's unique aesthetic, reflecting the progression from colonialism to nationalism. The nationalist canon continues to dominate the image of Indian art in India and abroad, and yet its uncritical acceptance of the discipline's western orthodoxies remains unquestioned, the original motives and means of creation unexplored. The book examines the role of art and art history from both an insider and outsider point of view, always revealing how the demands of nationalism have shaped the concept and meaning of art in India. The author shows how western custodianship of Indian "antiquities" structured a historical interpretation of art; how indigenous Bengali scholarship in the late 19th and early 20th centuries attempted to bring Indian art into the nationalist sphere; how the importance of art as a representation of national culture crystallized in the period after Independence; and how cultural and religious clashes in modern India have resulted in conflicting "histories" and interpretations of Indian art. In particular, the author uses the depiction of Hindu goddesses to elicit conflicting scenarios of condemnation and celebration, both of which have at their core the threat and lure of the female form, which has been constructed and narrativized in art history. Monuments, Objects, Histories is a critical survey of the practices of archaeology, art history, and museums in nineteenth- and twentieth-century India. The essays gathered here look at the processes of the production of lost pasts in modern India: pasts that come to be imagined around a growing corpus of monuments, archaeological relics, and art objects. They map the scholarly and institutional authority that emerged around such structures and artifacts, making of them not only the chosen objects of art and archaeology but also the prime signifiers of the nation's civilization and antiquity. The close imbrication of the "colonial" and the "national" in the making of India's archaeological and art historical pasts and their combined legacy for the postcolonial present form one of the key themes of the book. Monuments, Objects, Histories offers both an insider's and an outsider's perspective on the growth of these scholarly fields and their institutional apparatus, analyzing the ways they have constituted and recast their objects of study. The book moves from a period that saw the consolidation of western expertise and custodianship of India's "antiquities," to the projection over the twentieth century of varying regional, nativist, and national claims around the country's architectural and artistic inheritance, into a current period that has pitched these objects and fields within a highly contentious politics of nationhood. Monuments, Objects, Histories traces the framing of an official national canon of Indian art through these different periods, showing how the workings of disciplines and institutions have been tied to the pervasive authority of the nation. At the same time, it addresses the radical reconfiguration in recent times of the meaning and scope of the "national," leading to the kinds of exclusions and chauvinisms that lie at the root of the current endangerment of these disciplines and the monuments and art objects they encompass.
