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Author: Ajay Nath
Publisher:
ISBN: 9781089430971
Category :
Languages : en
Pages : 278
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Book Description
The Present work is an intensive study of the origin and development of the ornament in Mughal Architecture. It is the 'beautiful' which is most distinctive characteristic and the dominating theme of this style and it is this which primarily occupied contemplation of Mughal Builders. This 'beautiful' has not appeared in the Mughal Monuments unconsciously or by chance; this has been brought about with greatest amount of thought and planning through various means and methods.The Mughal Architects from Akbar to Shah Jehan worked out the minutest details of the structure and the surface which he intended to adorn. Mughals adopted almost all the decorative schemes, designs and motifs which were then known in the Orient. They used arch and dome, and also pillars, strut, chhatri and kalasa; inscriptions in Naskhi and Nastaliq characters, arabesque, stalactite and geometricals and also animate designs composed of hastin, makara, hansa, and mayura and symbolic motifs of the ancient Hindus such as kalasa, padma, gavaksa, kirttimukha, svastika, cakra and satkona - to quote some examples of his choice of ornament - is representative of lucid skill and amazing capacity to accept, adopt and assimilate.This book explains scores of obscure and controversial points and corrects the popular misnomers; it brings to light facts which were not known, e.g. the use by the Mughals of fabulous animals, Tantric symbols and Chinese Cloud forms to quote only a few examples. Study of this aspect of Mughal Architecture would help us to present the History of our Medieval culture in its true spirit and correct perspective.This title was published in 1980 and it is its updated second edition. Ajay Nath
Author: Ajay Nath
Publisher:
ISBN: 9781089430971
Category :
Languages : en
Pages : 278
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Book Description
The Present work is an intensive study of the origin and development of the ornament in Mughal Architecture. It is the 'beautiful' which is most distinctive characteristic and the dominating theme of this style and it is this which primarily occupied contemplation of Mughal Builders. This 'beautiful' has not appeared in the Mughal Monuments unconsciously or by chance; this has been brought about with greatest amount of thought and planning through various means and methods.The Mughal Architects from Akbar to Shah Jehan worked out the minutest details of the structure and the surface which he intended to adorn. Mughals adopted almost all the decorative schemes, designs and motifs which were then known in the Orient. They used arch and dome, and also pillars, strut, chhatri and kalasa; inscriptions in Naskhi and Nastaliq characters, arabesque, stalactite and geometricals and also animate designs composed of hastin, makara, hansa, and mayura and symbolic motifs of the ancient Hindus such as kalasa, padma, gavaksa, kirttimukha, svastika, cakra and satkona - to quote some examples of his choice of ornament - is representative of lucid skill and amazing capacity to accept, adopt and assimilate.This book explains scores of obscure and controversial points and corrects the popular misnomers; it brings to light facts which were not known, e.g. the use by the Mughals of fabulous animals, Tantric symbols and Chinese Cloud forms to quote only a few examples. Study of this aspect of Mughal Architecture would help us to present the History of our Medieval culture in its true spirit and correct perspective.This title was published in 1980 and it is its updated second edition. Ajay Nath
Author: R. Nath
Publisher: Motilal Banarsidass Publ.
ISBN: 9788120800779
Category :
Languages : en
Pages :
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Book Description
Author: Ram Nath
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 296
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Book Description
Author: George Michell
Publisher: Thames and Hudson
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 294
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Book Description
An exquisitely illustrated survey of the decorative motifs and visual themes from one of the great artistic periods in Indian history. Mughal decorative arts delight in arabesque and geometric designs, as well as scenes of nature (flowers, birds, and animals) and human pleasure (music, dancing, feasting, love-making). Master craftsmen at the Mughal and Rajput courts employed a variety of materials and techniques to produce marble panels inlaid with semi-precious stones, sandstone screens perforated with geometric designs, brass vessels inlaid with strips of silver and gold, jade drinking cups, dagger hilts encrusted with rubies and emeralds, and costumes and sashes embroidered with silk and golden threads. No less gorgeous were the vividly toned and exquisitely detailed miniature paintings that portrayed contemporary events as well as epic tales. Drawing on the finest and most representative examples in public and private collections in India, Europe, and America, this stunning survey examines common decorative motifs and themes in Mughal art. More than 300 illustrations amply convey the virtuoso workmanship and the sheer elegance of design common to all objects. It will be an essential reference work for art historians, designers, and anyone interested in the arts and life of India. 300+ color photographs and illustrations.
Author: R. Nath
Publisher: Abhinav Publications
ISBN: 9788170172970
Category : Architecture
Languages : en
Pages : 672
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Book Description
This Volume Of The Author S 5-Vol Series History Of Mughal Architecture Studies Such Aspects Of The Architecture Of Jehangir S Age (1605-27 A.D.) As Public Works (Roads-And-Sarais), Gardens And Garden-Pavilions, Palatial Mansions And Shikargahs, Picture Wall Of Lahore Fort And Tombs, Each In A Separate Chapter. It Covers 43 Monuments, Extending From Kabul To Allahabad, And Kashmir To Burhanpur, And The Scope Of This Volume Is Much Wider Than The Earlier Ones.That Public Works As Roads, Kos-Minars, Bridges, Sarais, Wells, Baolis And Porters Walls Were Built And Maintained At Government Expense Testifies That The; Mughal State Was Fully Alive To The Welfare Of Its Subjects. Four Masonry Bridges Have Been Specifically Studied. Jehangir Was Greatly Interested In Gardens, And Garden-Craft Received A Distinct Form Under His Patronage. Palaces Were Built Amidst Gardens, Mostly On The Riverbank, With Characteristic Idioms Of The Age. A Unique Building Complex, Which Developed Under Him, Was Shikargah (Hunting Lodge) And Four Representative Examples Have Been Studied. The Glazed-Tiled Picture Wall Of The Lahore Fort Is Unique In Respect Of Its Scale, Scheme And Subjects. Originally, It Covered An Immense Mural Area 500 Yards In Length And 16 Yards In Height, By An Ingenious System Of Panelling Which, Besides Stylized Florals, Arabesques And Geometricals, Depicted Beautiful Figurative Compositions. Architect, Potter, Painter And Glazed-Tiler Collaborated On This Grand Project Which Has No Parallel In The World.Domeless Tomb With A Barahdari With Chaukhandi Roof Or A Plain Chabutarah Was Also A Unique Growth Of This Age And The Most Notable Tombs Of This Class, As Those Of Akbar, I Timad-Ud-Daulah And Jehangir, Have Been Studied In Detail. Development Of Such Distinctive Architectural Features As Dado , Gateway And Minar Also Belongs To This Period, During Which Unprecedented Emphasis Was Given On Ornamentation, Which Is Why This Art-Epoch Is Noted For Colour And Design . This Study Has Been Made In The Context Of, And With Reference To, The Cultural Milieu Which Produced It And This Is Not Only A History Of Jehangir S Architecture But Also A History Of Jehangir S Age And History Of Jehangir S India. It Is A History Of Those Tender Feelings, Sublime Thoughts And Subtle Ideas Which Go To Make A Civilization, Not Of Those Political Intrigues And Feuds, And Military Conflicts Which Destroy It.
Author: Ashok Kumar Srivastava
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 272
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Book Description
Illustrations: Numerous B/w & Colour Illustrations Description: The present work is based on an extensive and critical study of the original Mughal paintings supported by contemporary historical literature and provides fresh perspective for the interpretation and analysis of the painter's art under the Mughals. After a brief discussion on painting in Islam the author goes on to expound the nature and role of pre-Mughal indigenous traditions in the making of Mughal style. Thereafter, the study turns towards the origin and development of Mughal painting from Humayun to Aurangzeb. Finally, the various influences--Persian, Chinese and European--have been examined. The author concludes that Mughal painting reflecte a non-mechanical fusion of the different cultures of Asia and Europe. It had never been a colonial expression of Persian painting. Despite the presence of a number of elements borrowed from foreign sources, it remained truly Indian from the very beginning. This richly illustrated volume carries finest treasures of Mughal court paintings.
Author: Chanchal B. Dadlani
Publisher: Yale University Press
ISBN: 0300233175
Category : Architecture
Languages : en
Pages : 233
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Book Description
This groundbreaking volume examines how the Mughal Empire used architecture to refashion its identity and stage authority in the 18th century, as it struggled to maintain political power against both regional challenges and the encroaching British Empire.
Author: Ebba Koch
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 358
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Book Description
The Eleven Studies In This Book Offer A Fresh And Unique Interpretation Of Mughal Art And Architecture And Its Heterogeneous Sources-Central Asian Timurid, Indian, Persian And European-Fused Creatively To Express An Imperial Ideology Of Universal Aspirations.
Author: James C. Harle
Publisher: Yale University Press
ISBN: 9780300062175
Category : Art
Languages : en
Pages : 616
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Book Description
Thirty years' research and first-hand knowledge of the area have enabled the author to trace the cultural contacts which have contributed to the rich mosaic of sculpture, temples, mosques, and painting that have gone towards the creation of one of the great civilizations of the world.
Author: Bard Graduate Center
Publisher: Yale University Press
ISBN: 0300196148
Category : Design
Languages : en
Pages : 706
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Book Description
A survey of spectacular breadth, covering the history of decorative arts and design worldwide over the past six hundred years
