History of Bourgeois Perception PDF Download
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Author: Donald M. Lowe
Publisher:
ISBN:
Category : Social Science
Languages : en
Pages : 224
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Book Description
Author: Donald M. Lowe
Publisher:
ISBN:
Category : Social Science
Languages : en
Pages : 224
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Book Description
Author: Peter Gay
Publisher: Oxford University Press, USA
ISBN: 019504228X
Category : History
Languages : en
Pages : 273
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Book Description
A thoughtful and detailed contribution to a major intellectual debate, Freud for Historians builds an eloquent case for "history informed by psychoanalysis" and offers an impressive rebuttal to the charges of the profession's anti-Freudians.
Author: Neil Davidson
Publisher: Haymarket Books
ISBN: 1608467325
Category : Philosophy
Languages : en
Pages : 296
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Book Description
An abridged edition of the insightful work praised as “an impressive contribution both to the history of ideas and to political philosophy” (Alasdair MacIntyre, author of After Virtue). Once of central importance to left historians and activists alike, recently the concept of the “bourgeois revolution” has come in for sustained criticism from both Marxists and conservatives. In this abridged edition of his magisterial How Revolutionary Were the Bourgeois Revolutions? Neil Davidson expertly distills his theoretical and historical insights about the nature of revolutions, making them accessible for general readers. Through extensive research and comprehensive analysis, Davidson demonstrates that what’s at stake is far from a stale issue for the history books—understanding that these struggles of the past offer far reaching lessons for today’s radicals.
Author:
Publisher: Manchester University Press
ISBN: 9780719058998
Category : Historiography
Languages : en
Pages : 168
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Book Description
History is a subject which never stands still. It is always changing its philosophies, its contours, its leading questions, its politics, its conceptual status and its methodologies. This bibliographical guide to the study of history is wide-ranging in scope extending from the ancient world to the 20th century. It deliberately concentrates on modern historians' views, provides a substantial section on the philosophy of history, charts controversies and highlights the continual evolution and diversification of history. The material is logically organized in major areas and subsections, and cross-references are given where appropriate. An index of authors, editors and compilers is also provided.
Author: Craig Ireland
Publisher: McGill-Queen's Press - MQUP
ISBN: 9780773527997
Category : History
Languages : en
Pages : 236
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Book Description
Experience remains a politically charged and semantically ambiguous concept that arouses as much passion as it does suspicion, especially as it relates to agency and identity. Craig Ireland focuses on the eighteenth-century historical developments that led to the conceptualization of experience as a modern problem. Combining historical findings with discourse analyses and diagnostic readings of recent subaltern and aesthetic inquiry, Ireland reveals that the term experience has been incorrectly understood. Since the 1970s, persistent appeals to experience in identity politics and cultural inquiry testify not only to the influence of a particular modern concept but, more importantly, to the historical status of modern self-identity.The Subaltern Appeal to Experience demonstrates that addressing historical preconditions not only helps clarify a notoriously ambiguous concept but also elucidates the issues that revolve around how modes of identity-formation have changed in the face of earlier cultural and economic developments that continue to inform our late (or post) modern understandings of the self.
Author: Alice Garner
Publisher: Cornell University Press
ISBN: 1501727206
Category : History
Languages : en
Pages : 300
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Book Description
How does tourism transform fishing communities into vibrant resorts, working shores into bathing beaches? In A Shifting Shore, Alice Garner traces the ways fisherfolk, bathers, investors, and engineers understood, claimed, and remade the shores of the Bassin d'Arcachon, a prime fishing and oyster-farming site in southwestern France, over the nineteenth and twentieth centuries. Garner's interest in the coastline—a zone that resists all attempts at definition—shapes this generously illustrated book. Rather than taking a straightforward chronological approach to the settlement and evolution of the towns of Arcachon and La Teste, Garner investigates the development of the Bassin d'Arcachon's southern shores with the aim of recovering something of the "lived space" experienced by locals and visitors. Drawing on guidebooks, newspapers, bylaws, engineers' reports, medical pamphlets, postcards, and the accounts of literary-minded holidaymakers, Garner shows how investors and developers transformed Arcachon and its community—beaches were rezoned and jetties constructed to favor bathers, and a new railway line brought ever-increasing numbers of visitors to the area. She explores how fishermen and women resisted developments that threatened their livelihood or their particular sense of belonging, and shows how they adapted to the changing environment and to their new roles as guides and entertainers. A Shifting Shore, while anchored in Arcachon and La Teste, has much to contribute to a nuanced understanding of relations between hosts and guests in any community.
Author: Ian Heywood
Publisher: Psychology Press
ISBN: 9780415157094
Category : Art
Languages : en
Pages : 282
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Book Description
Ranging from an analysis of the role of vision in current critical discourse to discussion of examples taken from the visual arts, ethics and sociology, this collection presents material on the interpretation of the visual in modern culture
Author: Alice Barnaby
Publisher: Taylor & Francis
ISBN: 1315407698
Category : History
Languages : en
Pages : 176
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Book Description
Light Touches: Cultural Practices of Illumination, 1800-1900 explores how urban lives in the nineteenth century were increasingly touched by innovations in the technologies and aesthetics of illumination. Dramatic changes in qualities of light – and darkness – became acutely palpable to the human sensorium; using, seeing, feeling, and being in light were now matters of intense personal and cultural concern. Light gave meaningful vitality to the period’s material culture, and light itself became something to be perceptually consumed. Over the course of six chapters Alice Barnaby traces how light was used in amateur artistic pastimes, interior design and clothing fashions, spectacular public amusements, volatile street demonstrations, and art gallery designs. From these previously unexplored examples a more complex history of light in the period emerges. Society’s fascination with illumination, its desire to work with it and make meaning from it gave rise to a distinctly new set of cultural practices. Through these practices unexpected discoveries about the modern world were revealed. Light proved to be instrumental in everyday acts of experimentation and imaginative enquiry. Barnaby offers an intervention into the dominant scholarly narrative of the nineteenth century which traditionally reads modernity as synonymous with the formation of a spectacular, disembodied visuality. Light Touches, in contrast, returns vision to the body and foregrounds the actively felt - as well as seen - sensation of light. In coming to understand these cultural practices of illumination, the book reconsiders many assumptions about nineteenth-century modernity.
Author: Nancy Bentley
Publisher: University of Pennsylvania Press
ISBN: 0812201248
Category : Literary Criticism
Languages : en
Pages : 372
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Book Description
Late nineteenth-century America saw an explosion in mass culture—from sensationalist tabloid newspapers to amusement parks to Wild West shows. Historians and critics have traditionally observed the advent of mass culture as undermining literature's central role in the public sphere. Literary writers of the time either reacted with a public show of disdain or retreated to conduct their own private experiments in style and form. In Frantic Panoramas, Nancy Bentley questions these narratives of opposition. For literary writers, Bentley explains, the confrontation with mass culture was less a retreat than a transformation, an ordeal through which habits of contemplative appreciation could be refashioned into new forms of critical thought. By grappling with the energies that marked mass culture, authors came to recognize kinds of human experience that were only then becoming visible as public. William Dean Howells shaped the plots of his novels around tabloid events like rail and trolley accidents and the public chaos of apartment house fires. Although Henry James was distressed at the way dime fiction had changed the very definition of literature, his meditations on mass culture led him to reimagine the novel as a collective "workshop" in which authors and readers jointly discovered new meaning. Bentley offers close readings of these and other writers such as Edith Wharton, James Weldon Johnson, Pauline Hopkins, and Gertrude Bonnin to demonstrate how leading artists took inspiration from commercial culture to create new and distinct literary forms. Drawing on original archival research and a historically grounded theory of realism, Frantic Panoramas is an innovative and comprehensive study of how the emergence of mass culture affected literary culture in America.
Author: Carolyn Steedman
Publisher: Rutgers University Press
ISBN: 9780813530475
Category : History
Languages : en
Pages : 212
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Book Description
In this witty, engaging, and challenging book, Carolyn Steedman has produced an originaland sometimes irreverentinvestigation into how modern historiography has developed. Dust: The Archive and Cultural History considers our stubborn set of beliefs about an objective material worldinherited from the nineteenth centurywith which modern history writing and its lack of such a belief, attempts to grapple. Drawing on her own published and unpublished writing, Carolyn Steedman has produced a sustained argument about the way in which history writing belongs to the currents of thought shaping the modern world. Steedman begins by asserting that in recent years much attention has been paid to the archive by those working in the humanities and social sciences; she calls this practice "archivization." By definition, the archive is the repository of "that which will not go away," and the book goes on to suggest that, just like dust, the "matter of history" can never go away or be erased. This unique work will be welcomed by all historians who want to think about what it is they do.
