Author: Umberto Eco
Publisher: Yale University Press
ISBN: 9780300093049
Category : Art
Languages : en
Pages : 160
Book Description
In this authoritative, lively book, the celebrated Italian novelist and philosopher Umberto Eco presents a learned summary of medieval aesthetic ideas. Juxtaposing theology and science, poetry and mysticism, Eco explores the relationship that existed between the aesthetic theories and the artistic experience and practice of medieval culture. "[A] delightful study. . . . [Eco's] remarkably lucid and readable essay is full of contemporary relevance and informed by the energies of a man in love with his subject." --Robert Taylor, Boston Globe "The book lays out so many exciting ideas and interesting facts that readers will find it gripping." --Washington Post Book World "A lively introduction to the subject." --Michael Camille, The Burlington Magazine "If you want to become acquainted with medieval aesthetics, you will not find a more scrupulously researched, better written (or better translated), intelligent and illuminating introduction than Eco's short volume." --D. C. Barrett, Art Monthly
Art and Beauty in the Middle Ages
Author: Umberto Eco
Publisher: Yale University Press
ISBN: 9780300093049
Category : Art
Languages : en
Pages : 160
Book Description
In this authoritative, lively book, the celebrated Italian novelist and philosopher Umberto Eco presents a learned summary of medieval aesthetic ideas. Juxtaposing theology and science, poetry and mysticism, Eco explores the relationship that existed between the aesthetic theories and the artistic experience and practice of medieval culture. "[A] delightful study. . . . [Eco's] remarkably lucid and readable essay is full of contemporary relevance and informed by the energies of a man in love with his subject." --Robert Taylor, Boston Globe "The book lays out so many exciting ideas and interesting facts that readers will find it gripping." --Washington Post Book World "A lively introduction to the subject." --Michael Camille, The Burlington Magazine "If you want to become acquainted with medieval aesthetics, you will not find a more scrupulously researched, better written (or better translated), intelligent and illuminating introduction than Eco's short volume." --D. C. Barrett, Art Monthly
Publisher: Yale University Press
ISBN: 9780300093049
Category : Art
Languages : en
Pages : 160
Book Description
In this authoritative, lively book, the celebrated Italian novelist and philosopher Umberto Eco presents a learned summary of medieval aesthetic ideas. Juxtaposing theology and science, poetry and mysticism, Eco explores the relationship that existed between the aesthetic theories and the artistic experience and practice of medieval culture. "[A] delightful study. . . . [Eco's] remarkably lucid and readable essay is full of contemporary relevance and informed by the energies of a man in love with his subject." --Robert Taylor, Boston Globe "The book lays out so many exciting ideas and interesting facts that readers will find it gripping." --Washington Post Book World "A lively introduction to the subject." --Michael Camille, The Burlington Magazine "If you want to become acquainted with medieval aesthetics, you will not find a more scrupulously researched, better written (or better translated), intelligent and illuminating introduction than Eco's short volume." --D. C. Barrett, Art Monthly
Magnificence and the Sublime in Medieval Aesthetics
Author: S. Jaeger
Publisher: Palgrave Macmillan
ISBN: 9780230618985
Category : Literary Criticism
Languages : en
Pages : 0
Book Description
These essays recover the lively discussions on the topics of 'magnificence' and 'the sublime' in the art and literature of antiquity, the Renaissance, and the ages following, and apply them to the Middle Ages to draw exciting new conlcusions.
Publisher: Palgrave Macmillan
ISBN: 9780230618985
Category : Literary Criticism
Languages : en
Pages : 0
Book Description
These essays recover the lively discussions on the topics of 'magnificence' and 'the sublime' in the art and literature of antiquity, the Renaissance, and the ages following, and apply them to the Middle Ages to draw exciting new conlcusions.
Medieval Aesthetics
Author: C. Barrett
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110808226
Category : Philosophy
Languages : en
Pages : 324
Book Description
This three volume set is a comprehensive account of the development of European aesthetics from the time of the ancient Greeks to the 1700s. This second volume focuses on eastern and western aesthetics in the Middle Ages.
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110808226
Category : Philosophy
Languages : en
Pages : 324
Book Description
This three volume set is a comprehensive account of the development of European aesthetics from the time of the ancient Greeks to the 1700s. This second volume focuses on eastern and western aesthetics in the Middle Ages.
Vernacular Aesthetics in the Later Middle Ages
Author: Katharine W. Jager
Publisher: Palgrave Macmillan
ISBN: 9783030183363
Category : Literary Criticism
Languages : en
Pages : 312
Book Description
Vernacular Aesthetics in the Later Middle Ages explores the formal composition, public performance, and popular reception of vernacular poetry, music, and prose within late medieval French and English cultures. This collection of essays considers the extra-literary and extra-textual methods by which vernacular forms and genres were obtained and examines the roles that performance and orality play in the reception and dissemination of those genres, arguing that late medieval vernacular forms can be used to delineate the interests and perspectives of the subaltern. Via an interdisciplinary approach, contributors use theories of multimodality, translation, manuscript studies, sound studies, gender studies, and activist New Formalism to address how and for whom popular, vernacular medieval forms were made.
Publisher: Palgrave Macmillan
ISBN: 9783030183363
Category : Literary Criticism
Languages : en
Pages : 312
Book Description
Vernacular Aesthetics in the Later Middle Ages explores the formal composition, public performance, and popular reception of vernacular poetry, music, and prose within late medieval French and English cultures. This collection of essays considers the extra-literary and extra-textual methods by which vernacular forms and genres were obtained and examines the roles that performance and orality play in the reception and dissemination of those genres, arguing that late medieval vernacular forms can be used to delineate the interests and perspectives of the subaltern. Via an interdisciplinary approach, contributors use theories of multimodality, translation, manuscript studies, sound studies, gender studies, and activist New Formalism to address how and for whom popular, vernacular medieval forms were made.
The Oxford Handbook of Aesthetics
Author: Jerrold Levinson
Publisher: Oxford University Press
ISBN: 9780199279456
Category : Art
Languages : en
Pages : 844
Book Description
'The Oxford Handbook of Aesthetics' has assembled 48 brand-new essays, making this a comprehensive guide available to the theory, application, history, and future of the field.
Publisher: Oxford University Press
ISBN: 9780199279456
Category : Art
Languages : en
Pages : 844
Book Description
'The Oxford Handbook of Aesthetics' has assembled 48 brand-new essays, making this a comprehensive guide available to the theory, application, history, and future of the field.
The Aesthetics of Mimesis
Author: Stephen Halliwell
Publisher: Princeton University Press
ISBN: 140082530X
Category : Philosophy
Languages : en
Pages : 440
Book Description
Mimesis is one of the oldest, most fundamental concepts in Western aesthetics. This book offers a new, searching treatment of its long history at the center of theories of representational art: above all, in the highly influential writings of Plato and Aristotle, but also in later Greco-Roman philosophy and criticism, and subsequently in many areas of aesthetic controversy from the Renaissance to the twentieth century. Combining classical scholarship, philosophical analysis, and the history of ideas--and ranging across discussion of poetry, painting, and music--Stephen Halliwell shows with a wealth of detail how mimesis, at all stages of its evolution, has been a more complex, variable concept than its conventional translation of "imitation" can now convey. Far from providing a static model of artistic representation, mimesis has generated many different models of art, encompassing a spectrum of positions from realism to idealism. Under the influence of Platonist and Aristotelian paradigms, mimesis has been a crux of debate between proponents of what Halliwell calls "world-reflecting" and "world-simulating" theories of representation in both the visual and musico-poetic arts. This debate is about not only the fraught relationship between art and reality but also the psychology and ethics of how we experience and are affected by mimetic art. Moving expertly between ancient and modern traditions, Halliwell contends that the history of mimesis hinges on problems that continue to be of urgent concern for contemporary aesthetics.
Publisher: Princeton University Press
ISBN: 140082530X
Category : Philosophy
Languages : en
Pages : 440
Book Description
Mimesis is one of the oldest, most fundamental concepts in Western aesthetics. This book offers a new, searching treatment of its long history at the center of theories of representational art: above all, in the highly influential writings of Plato and Aristotle, but also in later Greco-Roman philosophy and criticism, and subsequently in many areas of aesthetic controversy from the Renaissance to the twentieth century. Combining classical scholarship, philosophical analysis, and the history of ideas--and ranging across discussion of poetry, painting, and music--Stephen Halliwell shows with a wealth of detail how mimesis, at all stages of its evolution, has been a more complex, variable concept than its conventional translation of "imitation" can now convey. Far from providing a static model of artistic representation, mimesis has generated many different models of art, encompassing a spectrum of positions from realism to idealism. Under the influence of Platonist and Aristotelian paradigms, mimesis has been a crux of debate between proponents of what Halliwell calls "world-reflecting" and "world-simulating" theories of representation in both the visual and musico-poetic arts. This debate is about not only the fraught relationship between art and reality but also the psychology and ethics of how we experience and are affected by mimetic art. Moving expertly between ancient and modern traditions, Halliwell contends that the history of mimesis hinges on problems that continue to be of urgent concern for contemporary aesthetics.
Religious Aesthetics
Author: Frank Burch Brown
Publisher: Princeton University Press
ISBN: 0691024723
Category : Philosophy
Languages : en
Pages : 247
Book Description
In this groundbreaking work, Brown shows how aesthetics, no less than ethics, can play a central role in the study of religion and in the practice of theology. "An important book, wide ranging, often very witty . . . showing an impressive grasp of the current state of aesthetics and possible new directions".--Nick McAdoo, British Journal of Aesthetics.
Publisher: Princeton University Press
ISBN: 0691024723
Category : Philosophy
Languages : en
Pages : 247
Book Description
In this groundbreaking work, Brown shows how aesthetics, no less than ethics, can play a central role in the study of religion and in the practice of theology. "An important book, wide ranging, often very witty . . . showing an impressive grasp of the current state of aesthetics and possible new directions".--Nick McAdoo, British Journal of Aesthetics.
The Experience of Beauty in the Middle Ages
Author: Mary Carruthers
Publisher: Oxford University Press
ISBN: 019959032X
Category : Art
Languages : en
Pages : 254
Book Description
Uses lexical analyses of key terms employed by medieval people to valuate their own aesthetic feelings to show how flux and change, and the creative tension of antithetical physical qualities from which all things were thought to be made (cold, hot, dry, wet), govern the pleasures medieval artists sought to produce.
Publisher: Oxford University Press
ISBN: 019959032X
Category : Art
Languages : en
Pages : 254
Book Description
Uses lexical analyses of key terms employed by medieval people to valuate their own aesthetic feelings to show how flux and change, and the creative tension of antithetical physical qualities from which all things were thought to be made (cold, hot, dry, wet), govern the pleasures medieval artists sought to produce.
A History of Aesthetic
Author: Bernard Bosanquet
Publisher:
ISBN:
Category : Aesthetics
Languages : en
Pages : 580
Book Description
Publisher:
ISBN:
Category : Aesthetics
Languages : en
Pages : 580
Book Description
The Judgment of Sense
Author: David Summers
Publisher: Cambridge University Press
ISBN: 9780521386319
Category : History
Languages : en
Pages : 384
Book Description
With the rise of naturalism in the art of the late Middle Ages and the Renaissance there developed an extensive and diverse literature about art which helped to explain, justify and shape its new aims. In this book, David Summers provides an investigation of the philosophical and psychological notions invoked in this new theory and criticism. From a thorough examination of the sources, he shows how the medieval language of mental discourse derived from an understanding of classical thought.
Publisher: Cambridge University Press
ISBN: 9780521386319
Category : History
Languages : en
Pages : 384
Book Description
With the rise of naturalism in the art of the late Middle Ages and the Renaissance there developed an extensive and diverse literature about art which helped to explain, justify and shape its new aims. In this book, David Summers provides an investigation of the philosophical and psychological notions invoked in this new theory and criticism. From a thorough examination of the sources, he shows how the medieval language of mental discourse derived from an understanding of classical thought.