Author: Olga López-Valero Colbert
Publisher: Bucknell University Press
ISBN: 9780838756508
Category : Literary Criticism
Languages : en
Pages : 230
Get Book Here
Book Description
"This book explores Antonio Muñoz Molina's creation of compelling narratives about Spain's immediate past by engaging in a dynamic dialogue with popular culture subgenres and the media. The author asserts that popular culture functions in Muñoz Molina's novels as provider of a series of strategies that represent in the text aspects of Francoism and the Transition that, because of their relevance, are part of the structure of feeling of those periods. The study focuses on the role of popular music, film, photography, the thriller, the romance novel as well as the radio and other gadgets of modern technology in Muñoz Molina's Novels. The Gaze on the Past argues that through the incorporation of popular culture in texts, Muñoz Molina undertakes a deliberate and intense reflection on memory and on the creation of historical moments, highlighting their desire to be heard." from publisher
Author: Olga Loṕez Valero Colbert
Publisher:
ISBN:
Category :
Languages : en
Pages : 448
Get Book Here
Book Description
Author: Richard Sperber
Publisher: Bucknell University Press
ISBN: 1611487005
Category : Literary Criticism
Languages : en
Pages : 288
Get Book Here
Book Description
Edgar Allan Poe, Charles Baudelaire, and Walter Benjamin have shown that flanerie is anything but an aimless stroll. Walking through London, Paris, and Berlin entailed engagements with the latest modernity. Thought-provoking, exhilarating, and at times terrifying: flanerie adjusted to and documented the mobility of modernity, its aesthetic possibilities and social risks. Antonio Muñoz Molina is one of several contemporary authors who have closely coupled the development of their literary characters to urban perambulations. Their biographic growth, cultural and social adaptations, as well as epistemological insights are so dependent on flanerie that his late twentieth and early twenty-first-century texts warrant the designation flaneur literature. Muñoz Molina has also contributed to the current decentralization of flaneur literature from Paris to smaller cities, including Spanish cities like Granada, Córdoba, and San Sebastián. Reflecting on Poe, Baudelaire, and Benjamin in these cities, his characters update and revise the canon of flaneur literature, stretching its discursive boundaries. This study examines not only the mobility of his characters but also draws attention to intercultural aspects of his flaneur literature which lie both in a uniquely Spanish perspective on flanerie as well as in engagements with cultural otherness. Walking through a Moroccan city or through Chinatown in New York, Muñoz Molina’s characters broaden the Eurocentric horizon of canonical flaneur literature and the modernist one of his Spanish flaneur precursor, Federico García Lorca, whose portrait of New York is revisited in Muñoz Molina’s longest flaneur text. National and literary boundaries blur as intercultural urban spaces transform his characters into transnational subjects. This study traces the author’s struggle with this globalization: a residual rural nostalgia straddles uneasily with forays into filmic flanerie, a form of spectatorship that renders the flaneur newly mobile in the mass-mediatized environments of postmodernity. If Muñoz Molina is generally regarded as an incisive chronicler of Spain’s transition from Francoism to democracy and an attentive memorialist of the Spanish Civil War, this study bases its portrait of a much more globally engaged Muñoz Molina in his characters’ movements from Spain into the urban centers of Euro-American postmodernity and its northern African periphery.
Author: Antonio Munoz Molina
Publisher: Other Press, LLC
ISBN: 1590516192
Category : Fiction
Languages : en
Pages : 140
Get Book Here
Book Description
"[A] translucent novel of passion, illusion and social class....slyly witty and luminous." —Francine Prose in O, The Oprah Magazine During working hours, Mario is a dutiful bureaucrat, scrupulously earning his paycheck as an employee of the provincial Spanish town where he lives. But when he walks through the door of his apartment, he is transformed into the impassioned lover of Blanca, the beautiful, inscrutable wife he saved from the brink of personal crisis. For the love of Blanca, Mario eats sushi and carpaccio, nods in feigned understanding at experimental films, sits patiently through long conversations with her avant-garde friends, and conceals his disgust at shocking art exhibits. Then, little by little, a strange and ominous threat begins to weigh on the marriage. How can love survive its own disappearance? The desperate answer that Antonio Muñoz Molina proposes in this short, circular novella is a model of literary strategy and style, a splendid homage to Flaubert.
Author: Antonio Muñoz Molina
Publisher: HMH
ISBN: 0547541910
Category : Fiction
Languages : en
Pages : 321
Get Book Here
Book Description
In this “beautifully wrought” novel set in Franco-era Spain, a university student stumbles into a decades-old mystery (New York magazine). It’s the late sixties, the last dark years of Franco’s dictatorship. Minaya, a university student in Madrid, is caught up in the student protests and the police are after him. He moves to his uncle Manuel’s country estate in the small town of Mágina to write his thesis on an old friend of his uncle, an obscure republican poet named Jacinto Solana. The country house is full of traces of the poet—notes, photographs, journals—and Minaya soon discovers that, thirty years earlier, during the Spanish Civil War, both his uncle and Solana were in love with the same woman, the beautiful, unsettling Mariana. Engaged to Manuel, she was shot in the attic of the house on her wedding night. With the aid of Inés, a maid, Minaya begins to search for Solana’s lost masterpiece, a novel called Beatus Ille. Looking for a book, he unravels a crime. One of Spain’s most celebrated literary figures, the author of Sepharad and In the Night of Time weaves a “rapturously gothic” tale that is both a novel of ideas and an intricately plotted mystery (The New York Sun). “A brilliant novel by an important writer unafraid of ideas, emotions and genuine beauty.” —Los Angeles Times “Already a contemporary classic, this work . . . is an enigmatic gem in the very best metafiction tradition.” —Library Journal
Author: Maryanne L. Leone
Publisher: University of Toronto Press
ISBN: 1487548338
Category : Literary Criticism
Languages : en
Pages : 388
Get Book Here
Book Description
Chronicling sixteenth-century Spain to the present day, Beyond Human aims to decentre the human and acknowledge the material historicity of more-than-human nature. The book explores key questions relating to ecological equity, justice, and responsibility within and beyond Spain in the Anthropocene. Examining relations between Iberian cultural practices, historical developments, and ecological processes, Maryanne L. Leone, Shanna Lino, and the contributors to this volume reveal the structures that uphold and dismantle the non-human–human dichotomy and nature-culture divide. The book critiques works from the Golden Age to the twenty-first century in a wide range of genres, including comedia, royal treatises, agricultural reports, paintings, satirical essays, horror fiction and film, young adult and speculative literature, poetry, graphic novels, and television series. The authors contend that Spanish cultural studies must expose the material historicity that entangles today’s ecological crises and ecosocial injustices with previous, future, and contemporary entities. The book argues that this will require the simultaneous decentring of the human and of the Anthropocene as an ecocritical framework. By standardizing ecosocial analysis and widening avenues for ecopedagogical approaches, Beyond Human participates in the ecocentric transformation of Hispanic cultural studies.
Author: Olga Bezhanova
Publisher: Bucknell University Press
ISBN: 1611488370
Category : Literary Criticism
Languages : en
Pages : 219
Get Book Here
Book Description
The book explores novels, essays and poetry published by Spanish writers in response to the global economic crisis that began in 2008. Spain has been experiencing the crisis in a particularly painful way, and the artistic response to these traumatic events has been powerful and abundant. The literature of the crisis is pointing to the probability that the crisis is not a temporary problem that will be resolved once and for all if correct economic measures are taken. To the contrary, there is every reason to believe that the losses in long-term employment, the growing precariousness of work, the increased economic insecurity, the citizens' disillusionment with the capacity of democratic governments to withstand the pressures of global capital, the erosion of the welfare state, and the explosive growth in inequality that we associate with the crisis are not likely to be reversed. Spanish artists are exploring the reasons behind Spain's particularly painful experience of the crisis and, at the same time, are placing the suffering that the crisis is causing in Spain within the context of global developments that are ensuring its durability. Essays by Antonio Muñoz Molina and Lucía Etxebarria, novels by Rafael Chirbes, Luis García Montero, Benjamín Prado, and Belén Gopegui, and poetry by the artists who contributed to the collections titled En legítima defensa. Poetas en tiempos de crisis and Marca(da) España. Retrato poético de una sociedad en crisis point to the necessity of expanding our vision of the crisis from the purely financial to a broader definition that will include the changes the crisis augurs for the areas of human existence that lie outside the strictly economic realm.
Author: Antonio Muñoz Molina
Publisher: HMH
ISBN: 0547548052
Category : Fiction
Languages : en
Pages : 657
Get Book Here
Book Description
A Washington Post Best Book of the Year: A “hypnotic” novel of the Spanish Civil War and one man’s quest to escape it (Colm Tóibín, The New York Review of Books). October 1936. Spanish architect Ignacio Abel arrives at Penn Station, the final stop on his journey from war-torn Madrid, where he has left behind his wife and children, abandoning them to uncertainty. Crossing the fragile borders of Europe, Ignacio reflects on months of fratricidal conflict in his embattled country, his transformation from a bricklayer’s son to a respected bourgeois husband and professional, and the all-consuming love affair with an American woman that forever altered his life. Winner of the 2012 Prix Méditerranée Étranger and hailed as a masterpiece, In the Night of Time is a sweeping, grand novel and an indelible portrait of a shattered society, written by one of Spain’s most important contemporary novelists. “Labyrinthine and spellbinding . . . One of the most eloquent monuments to the Spanish Civil War ever to be raised in fiction.” —The Washington Post, “The Top 50 Fiction Books for 2014” “An astonishingly vivid narrative that unfolds with hypnotic intensity by means of the constant interweaving of time and memory . . . Tolstoyan in its scale, emotional intensity and intellectual honesty.” —The Economist “Epic . . . Intoxicating prose.” —Entertainment Weekly “A War and Peace for the Spanish Civil War.” —Publishers Weekly
Author: Antonio Muñoz Molina
Publisher: Macmillan + ORM
ISBN: 0374714169
Category : Fiction
Languages : en
Pages : 332
Get Book Here
Book Description
A hypnotic novel intertwining the author’s past with James Earl Ray’s attempt to escape after shooting Martin Luther King Jr. The year is 1968 and James Earl Ray has just shot Martin Luther King Jr. For two months he evades authorities, driving to Canada, securing a fake passport, and flying to London, all while relishing the media’s confusion about his location and his image on the FBI’s Most Wanted list. Eventually he lands at the Hotel Portugal in Lisbon, where he anxiously awaits a visa to Angola. But the visa never comes, and for his last ten days of freedom, Ray walks around Lisbon, paying for his pleasures and rehearsing his fake identities. Using recently declassified FBI files, Antonio Muñoz Molina reconstructs Ray’s final steps through the Portuguese capital, taking us inside his feverish mind, troubled past, and infamous crime. But Lisbon is also the city that inspired Muñoz Molina’s first novel, A Winter in Lisbon, and as he returns now, thirty years later, it becomes the stage for and witness to three alternating stories: Ray in 1968 at the center of an international manhunt; a thirty-year-old Muñoz Molina in 1987 struggling to find his literary voice; and the author in the present, reflecting on his life and the form of the novel as an instrument for imagining the world through another person’s eyes. Part historical fiction, part fictional memoir, Like a Fading Shadow masterfully explores the borders between the imagined, the reported, and the experienced past in the construction of identity.
Author: Antonio Muñoz Molina
Publisher: Farrar, Straus and Giroux
ISBN: 0374720282
Category : Fiction
Languages : en
Pages : 432
Get Book Here
Book Description
Winner of the 2020 Medici Prize for Foreign Novel From the award-winning author of the Man Booker Prize finalist Like a Fading Shadow, Antonio Muñoz Molina presents a flâneur-novel tracing the path of a nameless wanderer as he walks the length of Manhattan, and his mind. De Quincey, Baudelaire, Poe, Joyce, Benjamin, Melville, Lorca, Whitman . . . walkers and city dwellers all, collagists and chroniclers, picking the detritus of their eras off the filthy streets and assembling it into something new, shocking, and beautiful. In To Walk Alone in the Crowd, Antonio Muñoz Molina emulates these classic inspirations, following their peregrinations and telling their stories in a book that is part memoir, part novel, part chronicle of urban wandering. A skilled collagist himself, Muñoz Molina here assembles overheard conversations, subway ads, commercials blazing away on public screens, snatches from books hurriedly packed into bags or shoved under one’s arm, mundane anxieties, and the occasional true flash of insight—struggling to announce itself amid this barrage of data—into a poem of contemporary life: an invitation to let oneself be carried along by the sheer energy of the digital metropolis. A denunciation of the harsh noise of capitalism, of the conversion of everything into either merchandise or garbage (or both), To Walk Alone in the Crowd is also a celebration of the beauty and variety of our world, of the ecological and aesthetic gaze that can, even now, recycle waste into art, and provide an opportunity for rebirth.
