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Author: Matthew Feldman
Publisher: Bloomsbury Publishing
ISBN: 1350215058
Category : Literary Criticism
Languages : en
Pages : 264
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Book Description
Focussing upon both canonical figures such as Woolf, Eliot, Pound, and Stein and emergent themes such as Christian modernism, intermedial modernism, queer Harlem Renaissance, this volume brings together previously unseen materials, from various archives, to bear upon cutting-edge interpretation of modernism. It provides an overview of approaches to modernism via the employment of various types of primary source material: correspondence, manuscripts and drafts, memoirs and production notes, reading notes and marginalia, and all manner of useful contextualising sources like news reports or judicial records. While having much to say to literary criticism more broadly, this volume is closely focused upon key modernist figures and emergent themes in light of the discipline's 'archival turn' – termed in a unifying introduction 'achivalism'. An essential ingredient separating the above, recent tendency from a much older and better-established new historicism, in modernist studies at least, is that 'the literary canon' remains an important starting point. Whereas new historicism 'is interested in history as represented and recorded in written documents' and tends toward a 'parallel study of literature and non-literary texts', archival criticism tends toward recognised, oftentimes canonical or critically-lauded, writers, presented in Part 1. Sidestepping the vicissitudes of canon formation, manuscript scholars tend to gravitate toward leading modernist authors: James Joyce, Ezra Pound, Virginia Woolf, Gertrude Stein, T.S. Eliot and Samuel Beckett. Part of the reason is obvious: known authors frequently leave behind sizeable literary estates, which are then acquired by research centres. A second section then applies the same empirical methodology to key or emergent themes in the study of modernism, including queer modernism; spatial modernism; little magazines (and online finding aids structuring them); and the role of faith and/or emotions in the construction of 'modernism' as we know it.
Author: Matthew Feldman
Publisher: Bloomsbury Publishing
ISBN: 1350215058
Category : Literary Criticism
Languages : en
Pages : 264
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Book Description
Focussing upon both canonical figures such as Woolf, Eliot, Pound, and Stein and emergent themes such as Christian modernism, intermedial modernism, queer Harlem Renaissance, this volume brings together previously unseen materials, from various archives, to bear upon cutting-edge interpretation of modernism. It provides an overview of approaches to modernism via the employment of various types of primary source material: correspondence, manuscripts and drafts, memoirs and production notes, reading notes and marginalia, and all manner of useful contextualising sources like news reports or judicial records. While having much to say to literary criticism more broadly, this volume is closely focused upon key modernist figures and emergent themes in light of the discipline's 'archival turn' – termed in a unifying introduction 'achivalism'. An essential ingredient separating the above, recent tendency from a much older and better-established new historicism, in modernist studies at least, is that 'the literary canon' remains an important starting point. Whereas new historicism 'is interested in history as represented and recorded in written documents' and tends toward a 'parallel study of literature and non-literary texts', archival criticism tends toward recognised, oftentimes canonical or critically-lauded, writers, presented in Part 1. Sidestepping the vicissitudes of canon formation, manuscript scholars tend to gravitate toward leading modernist authors: James Joyce, Ezra Pound, Virginia Woolf, Gertrude Stein, T.S. Eliot and Samuel Beckett. Part of the reason is obvious: known authors frequently leave behind sizeable literary estates, which are then acquired by research centres. A second section then applies the same empirical methodology to key or emergent themes in the study of modernism, including queer modernism; spatial modernism; little magazines (and online finding aids structuring them); and the role of faith and/or emotions in the construction of 'modernism' as we know it.
Author: Jamie Callison
Publisher: Bloomsbury Publishing
ISBN: 1350450596
Category : Literary Criticism
Languages : en
Pages : 385
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Book Description
Providing a broad, definitive account of how the 'archival turn' in humanities scholarship has shaped modernist studies, this book also functions as an ongoing 'practitioner's toolkit' (including useful bibliographical resources) and a guide to avenues for future work. Archival work in modernist studies has revolutionised the discipline in the past two decades, fuelled by innovative and ambitious scholarly editing projects and a growing interest in fresh types of archival sources and evidence that can re-contextualise modernist writing. Several theoretical trends have prompted this development, including the focus on compositional process within genetic manuscript studies, the emphasis on book history, little magazines, and wider publishing contexts, and the emphasis on new material evidence and global and 'non-canonical' authors and networks within the 'New Modernist Studies'. This book provides a guide to the variety of new archival research that will point to fresh avenues and connect the methodologies and resources being developed across modernist studies. Offering a variety of single-author case studies on recent archival developments and editing projects, including Samuel Beckett, Hart Crane, H.D., James Joyce, Dorothy Richardson, May Sinclair and Virginia Woolf, it also offers a range of thematic essays that examine an array of underused sources as well as the challenges facing archival researchers of modernism
Author: Lee M. Jenkins
Publisher: Bloomsbury Publishing
ISBN: 1350285358
Category : Literary Criticism
Languages : en
Pages : 287
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Book Description
Taking 44 Mecklenburgh Square as the focal point and springboard for a critical group study of D.H. Lawrence, H.D. and Richard Aldington, this book offers a fresh perspective on the relationship of modernist biofiction and poetry to the literature of the First World War. A group that Perdita Schaffner described as 'another Bloomsbury set', the Mecklenburgh Square writers, like the Bloomsbury Group proper, 'lived in squares' and 'loved in triangles', in Dorothy Parker's famous formulation. Geographically adjacent, these sets intersected socially and, at points, in their aesthetics: both practiced innovative forms of what may broadly be defined as 'life writing'. But, demarcating the Mecklenburgh Square writers from the Bloomsbury Set, the former had its origins in the transatlantic avant-garde: Lawrence. H.D., Aldington (and John Cournos) were all associated with Imagism, the poetic movement which instantiated Anglo-American modernism. Considered as a pro-tem collective, these four poets, all of whom were also novelists and translators, contest the binaries that still obtain between modernist and First World War writing. This group study of Lawrence, H.D., Aldington and Cournos tracks the transition of Imagism from a pre-war mode to a war poetics which includes but is not confined to the trench lyric and it traces, in the transtextual relations between the Mecklenburgh Square novels, the traumatic imprint of the war on modernist life writing.
Author: Amanda Sigler
Publisher: Bloomsbury Publishing
ISBN: 1350235415
Category : Literary Criticism
Languages : en
Pages : 281
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Book Description
Exploring the collaborative, consumer-oriented Modernism that developed out of both planned and fortuitous groupings in periodicals, this book traces the serialization and advertisement of Henry James's The Turn of the Screw in Collier's (1898), Rudyard Kipling's Kim in McClure's and Cassell's (1900-1901), James Joyce's Ulysses in the Little Review (1918-1920), and Virginia Woolf's “Mrs. Dalloway in Bond Street” in the Dial (1923). These periodicals-whether mass-market journals or literary magazines-adjust our perceptions of authors elsewhere known to be “in charge” and reveal the central role that compromise and chance played in the emergence of Modernism. Bringing to light new research from multiple archives, Sigler pieces together original records of journals' advertising strategies, previously unpublished editorial correspondence, and long-buried letters to unearth the forgotten stories behind the texts we think we know so well.
Author: Joseph Cermatori
Publisher: JHU Press
ISBN: 1421441543
Category : Literary Criticism
Languages : en
Pages : 323
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Book Description
A groundbreaking study on the vital role of baroque theater in shaping modernist philosophy, literature, and performance. Finalist for the Outstanding Book Award by the Association for Theatre in Higher Education, Honorable Mention for the Balakian Prize by the International Comparative Literature Association, Winner of the Helen Tartar Book Subvention Award by the American Comparative Literature Association, Finalist of the MSA First Book Prize by the Modernist Studies Association Baroque style—with its emphasis on ostentation, adornment, and spectacle—might seem incompatible with the dominant forms of art since the Industrial Revolution, but between 1875 and 1935, European and American modernists connected to the theater became fascinated with it. In Baroque Modernity, Joseph Cermatori argues that the memory of seventeenth-century baroque stages helped produce new forms of theater, space, and experience around the turn of the twentieth century. In response, modern theater helped give rise to the development of the baroque as a modern philosophical idea. The book focuses on avant-gardists whose writing takes place between theory and performance: philosophical theater-makers and theatrical philosophers including Friedrich Nietzsche, Stéphane Mallarmé, Walter Benjamin, and Gertrude Stein. Moving between page and stage, this study tracks the remnants of seventeenth-century theater through modernist aesthetics across an array of otherwise disparate materials, including modern opera, Bertolt Brecht's Epic Theater, poetic tragedies, and miracle plays. By reexamining the twentieth century's engagements with Gianlorenzo Bernini, William Shakespeare, Claudio Monteverdi, Calderón de la Barca, and other seventeenth-century predecessors, the book delineates an enduring tradition of baroque performance. Along the way, Cermatori expands our familiar narratives of "the modern" and traces a history of theatricality that reverberates into the twenty-first century. Baroque Modernity will appeal to readers in a wide array of disciplines, including comparative literature, theater and performance, art and music history, intellectual history, and aesthetic theory.
Author: Jean-Michel Rabaté
Publisher: Bloomsbury Publishing
ISBN: 1350202975
Category : Literary Criticism
Languages : en
Pages : 296
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Book Description
Examining the ways in which modernism is created within specific historical contexts, as well as how it redefines the concept of history itself, this book sheds new light on the historical-mindedness of modernism and the artistic avant-gardes. Cutting across Anglophone and less explored European traditions and featuring work from a variety of eminent scholars, it deals with issues as diverse as artistic medium, modernist print culture, autobiography as history writing, avant-garde experimentations and modernism's futurity. Contributors examine both literary and artistic modernism, combining theoretical overviews and archival research with case studies of Anglophone as well as European modernism, which speak to the current historicizing trend in modernist and literary studies.
Author: Alys Moody
Publisher: Bloomsbury Publishing
ISBN: 1474242332
Category : Literary Criticism
Languages : en
Pages : 489
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Book Description
Winner of the Modernist Studies Association (MSA) Edited Volume Prize Bringing together works by writers from sub-Saharan Africa, Turkey, central Europe, the Muslim world, Asia, South America and Australia – many translated into English for the first time – this is the first collection of statements on modernism by writers, artists and practitioners from across the world. Annotated throughout, the texts are supported by critical essays from leading modernist scholars exploring major issues in the contemporary study of global modernism. Global Modernists on Modernism is an essential resource for students and scholars of modernism and world literature and one that opens up a dazzling new array of perspectives on the field.
Author: Michaela Bronstein
Publisher: Oxford University Press
ISBN: 0190655399
Category : Language Arts & Disciplines
Languages : en
Pages : 289
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Book Description
Out of Context disrupts the notion of static context, instead proposing a transhistorical approach to literature, revealing that the significance of literature is in its moments of surprising reception.
Author: Sue Thomas
Publisher: Bloomsbury Publishing
ISBN: 1350275778
Category : Literary Criticism
Languages : en
Pages : 284
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Book Description
Addressing Jean Rhys's composition and positioning of her fiction, this book invites and challenges us to read the tacit, silent and explicit textual bearings she offers and reveals new insights about the formation, scope and complexity of Rhys's experimental aesthetics. Tracing the distinctive and shifting evolution of Rhys's experimental aesthetics over her career, Sue Thomas explores Rhys's practices of composition in her fiction and drafts, as well as her self-reflective comment on her writing. The author examines patterns of interrelation, intertextuality, intermediality and allusion, both diachronic and synchronic, as well as the cultural histories entwined within them. Through close analysis of these, this book reveals new experimental, thematic, generic and political reaches of Rhys's fiction and sharpens our insight into her complex writerly affiliations and lineages.
Author: David Ten Eyck
Publisher: A&C Black
ISBN: 144118841X
Category : Literary Criticism
Languages : en
Pages : 243
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Book Description
Ezra Pound transformed his style of poetry when he wrote The Adams Cantos in the 1920s. But what caused him to rethink his earlier writing techniques? Grounded in archival material, this study explores the extent to which Pound's poetry changed in response to his reading of 17th-century American History and the social climate of the pre-war period. Drawing on the Ezra Pound papers, David Ten Eyck documents the changes to Pound's documentary techniques, establishing a chronology of the composition of The Cantos. His close readings of specific passages, set against the interwar years, allow Ten Eyck to gain insights into Pound's 1930s political and social criticism. Through references to the annotated copy of The Works of John Adams, he explores Pound's engagement with Adams at the expense of Thomas Jefferson: a figure formally at the heart of his previous work. Ultimately, this contextual and archival study uses John Adams and America to unlock the fascist beliefs and the later poetry of Ezra Pound.
