Historicizing drama: Was Bengal the matrix of drama? PDF Download
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Author: Prabir Bhattacharya
Publisher: GRIN Verlag
ISBN: 3668504369
Category : History
Languages : en
Pages : 15
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Book Description
Seminar paper from the year 2017 in the subject History - Asia, grade: A, , language: English, abstract: The paper underscores the teleological perspective of the historical process of Indian drama from its inception to its logical culmination. It unravels the development and ramifications of Bengali drama by juxtaposing it with the popular culture of the region. The paper puts an emphasis on the regional paradigm of drama by interlacing 'orient' and 'occident' influences. It prioritizes and discerns two-fold model of Bengali drama that is hitherto not emphasised by the scholars. The first segment was the nascent stage of Bengali drama. It explains the development of Bengali drama at the intersection of Greek and Sanskrit influences. The second section was the stage of maturation of Bengali drama. It explicates the amalgam of English and Russian influences for the formation of a new style of drama in Bengal. The paper unfolds the project of internatiolization and scientific modification of a regional art.
Author: Prabir Bhattacharya
Publisher: GRIN Verlag
ISBN: 3668504369
Category : History
Languages : en
Pages : 15
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Book Description
Seminar paper from the year 2017 in the subject History - Asia, grade: A, , language: English, abstract: The paper underscores the teleological perspective of the historical process of Indian drama from its inception to its logical culmination. It unravels the development and ramifications of Bengali drama by juxtaposing it with the popular culture of the region. The paper puts an emphasis on the regional paradigm of drama by interlacing 'orient' and 'occident' influences. It prioritizes and discerns two-fold model of Bengali drama that is hitherto not emphasised by the scholars. The first segment was the nascent stage of Bengali drama. It explains the development of Bengali drama at the intersection of Greek and Sanskrit influences. The second section was the stage of maturation of Bengali drama. It explicates the amalgam of English and Russian influences for the formation of a new style of drama in Bengal. The paper unfolds the project of internatiolization and scientific modification of a regional art.
Author: Arthur Hobson Quinn
Publisher:
ISBN:
Category :
Languages : en
Pages : 530
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Book Description
Author: Martha F. Bellinger
Publisher:
ISBN: 9780899840529
Category :
Languages : en
Pages : 469
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Book Description
Author: Mahāśvetā Debī
Publisher:
ISBN:
Category : Bengali fiction
Languages : en
Pages : 197
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Book Description
Based on the life struggle of Sanichari, a poor low-caste village woman.
Author: Nandi Bhatia
Publisher: Oxford India Paperbacks
ISBN: 9780198075066
Category : Drama
Languages : en
Pages : 0
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Book Description
Since the late nineteenth century, theatre has played a significant role in shaping social and political awareness in India. It has served to raise concerns in post-Independence India as well. Modern Indian Theatre: A Reader brings together writings that speak to the historical contexts from which theatrical practices emerged-colonization, socio-cultural suppression and appropriation, intercultural transformations brought about by the impact of the colonial forces, and acute critical engagement with socio-political issues brought about by the hopes and failures of Independence. The volume addresses pertinent questions like how drama influences social change, the response of drama to the emergence and domination of mass media and the proliferation and influence of western media in India, and how mediations of gender, class, and caste influence drama, its language, forms, and aesthetics. The Introduction by Nandi Bhatia provides a comprehensive understanding of the interface between Indian theatre and 'modernity'.
Author: Susheila Nasta
Publisher: Cambridge University Press
ISBN: 1108169007
Category : Literary Criticism
Languages : en
Pages : 862
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Book Description
The Cambridge History of Black and Asian British Writing provides a comprehensive historical overview of the diverse literary traditions impacting on this field's evolution, from the eighteenth century to the present. Drawing on the expertise of over forty international experts, this book gathers innovative scholarship to look forward to new readings and perspectives, while also focusing on undervalued writers, texts, and research areas. Creating new pathways to engage with the naming of a field that has often been contested, readings of literary texts are interwoven throughout with key political, social, and material contexts. In making visible the diverse influences constituting past and contemporary British literary culture, this Cambridge History makes a unique contribution to British, Commonwealth, postcolonial, transnational, diasporic, and global literary studies, serving both as one of the first major reference works to cover four centuries of black and Asian British literary history and as a compass for future scholarship.
Author: Siraj Ahmed
Publisher: Stanford University Press
ISBN: 1503604047
Category : Literary Criticism
Languages : en
Pages : 352
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Book Description
For more than three decades, preeminent scholars in comparative literature and postcolonial studies have called for a return to philology as the indispensable basis of critical method in the humanities. Against such calls, this book argues that the privilege philology has always enjoyed within the modern humanities silently reinforces a colonial hierarchy. In fact, each of philology's foundational innovations originally served British rule in India. Tracing an unacknowledged history that extends from British Orientalist Sir William Jones to Palestinian American intellectual Edward Said and beyond, Archaeology of Babel excavates the epistemic transformation that was engendered on a global scale by the colonial reconstruction of native languages, literatures, and law. In the process, it reveals the extent to which even postcolonial studies and European philosophy—not to mention discourses as disparate as Islamic fundamentalism, Hindu nationalism, and global environmentalism—are the progeny of colonial rule. Going further, it unearths the alternate concepts of language and literature that were lost along the way and issues its own call for humanists to reckon with the politics of the philological practices to which they now return.
Author: Sharmistha Saha
Publisher: Springer
ISBN: 9811311773
Category : Performing Arts
Languages : en
Pages : 183
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Book Description
This book critically engages with the study of theatre and performance in colonial India, and relates it with colonial (and postcolonial) discussions on experience, freedom, institution-building, modernity, nation/subject not only as concepts but also as philosophical queries. It opens up with the discourse around ‘Indian theatre’ that was started by the orientalists in the late 18th century, and which continued till much later. The study specifically focuses on the two major urban centres of colonial India: Bombay and Calcutta of the 19th and early 20th centuries. It discusses different cultural practices in colonial India, including the initiation of ‘Indian theatre’ practices, which resulted in many forms of colonial-native ‘theatre’ by the 19th century; the challenges to this dominant discourse from the ‘swadeshi jatra’ (national jatra/theatre) in Bengal, which drew upon earlier folk and religious traditions and was used as a tool by the nationalist movement; and the Indian People’s Theatre Association (IPTA) that functioned from Bombay around the 1940s, which focused on the creation of one national subject – that of the ‘Indian’. The author contextualizes the relevance of the concept of ‘Indian theatre’ in today’s political atmosphere. She also critically analyses the post-Independence Drama Seminar organized by the Sangeet Natak Akademi in 1956 and its relevance to the subsequent organization of ‘Indian theatre’. Many theatre personalities who emerged as faces of smaller theatre committees were part of the seminar which envisioned a national cultural body. This book is an important contribution to the field and is of interest to researchers and students of cultural studies, especially Theatre and Performance Studies, and South Asian Studies.
Author: Helen Gilbert
Publisher: Routledge
ISBN: 1136218246
Category : Performing Arts
Languages : en
Pages : 488
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Book Description
This collection of contemporary postcolonial plays demonstrates the extraordinary vitality of a body of work that is currently influencing the shape of contemporary world theatre. This anthology encompasses both internationally admired 'classics' and previously unpublished texts, all dealing with imperialism and its aftermath. It includes work from Canada, the Carribean, South and West Africa, Southeast Asia, India, New Zealand and Australia. A general introduction outlines major themes in postcolonial plays. Introductions to individual plays include information on authors as well as overviews of cultural contexts, major ideas and performance history. Dramaturgical techniques in the plays draw on Western theatre as well as local performance traditions and include agit-prop dialogue, musical routines, storytelling, ritual incantation, epic narration, dance, multimedia presentation and puppetry. The plays dramatize diverse issues, such as: *globalization * political corruption * race and class relations *slavery *gender and sexuality *media representation *nationalism
Author: Vijay Tendulkar
Publisher: Seagull Books Pvt Ltd
ISBN: 9788170463146
Category :
Languages : en
Pages : 100
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Book Description
