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Author: Genevieve Campbell
Publisher: Sydney University Press
ISBN: 1743328761
Category : Music
Languages : en
Pages : 362
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Book Description
It’s really great. It’s like they’re all here. I hear all of these voices and I sing with them, you know? — Yikliya Eustace Tipiloura, senior songman and Elder Perhaps the most defining feature of Tiwi song is the importance placed on the creative innovation of the individual singer/composer. Tiwi songs are fundamentally new, unique and occasion specific, and yet sit within a continuum of an oral artistic tradition. Performed in ceremony, at public events, for art and for fun, songs form the core of the Tiwi knowledge system and historical archive. Held by song custodians and taught through sung and danced ritual, generations of embodied practice are still being created and accumulated as people continue to sing. In 2009 Genevieve Campbell and eleven Tiwi colleagues travelled to Canberra to reclaim over 1300 recordings of Tiwi songs, made between 1912 and 1981, that are held in the archives at the Australian Institute of Aboriginal and Torres Strait Islander Studies (AIATSIS). The Old Songs are Always New explores the return home of these recordings to the Tiwi Islands and describes the musical and vocal characteristics, performance context and cultural function of the twelve Tiwi song types, giving an overview of the linguistic and poetic devices used by Tiwi composers. For the past 16 years Campbell has been working closely with Tiwi song custodians, studying contemporary Tiwi song culture in the context of the maintenance of traditions and the development of new music forms. Their musical collaboration has resulted in public performances, community projects and recordings featuring current senior singers and the voices of the repatriated recordings. For this publication, Elders have enabled the transcription of many song texts and melodies for the first time, shedding light on how generations of Tiwi singers have connected the past with the present in a continuum of knowledge transmission and arts practice.
Author: Genevieve Campbell
Publisher: Sydney University Press
ISBN: 1743328761
Category : Music
Languages : en
Pages : 362
Get Book Here
Book Description
It’s really great. It’s like they’re all here. I hear all of these voices and I sing with them, you know? — Yikliya Eustace Tipiloura, senior songman and Elder Perhaps the most defining feature of Tiwi song is the importance placed on the creative innovation of the individual singer/composer. Tiwi songs are fundamentally new, unique and occasion specific, and yet sit within a continuum of an oral artistic tradition. Performed in ceremony, at public events, for art and for fun, songs form the core of the Tiwi knowledge system and historical archive. Held by song custodians and taught through sung and danced ritual, generations of embodied practice are still being created and accumulated as people continue to sing. In 2009 Genevieve Campbell and eleven Tiwi colleagues travelled to Canberra to reclaim over 1300 recordings of Tiwi songs, made between 1912 and 1981, that are held in the archives at the Australian Institute of Aboriginal and Torres Strait Islander Studies (AIATSIS). The Old Songs are Always New explores the return home of these recordings to the Tiwi Islands and describes the musical and vocal characteristics, performance context and cultural function of the twelve Tiwi song types, giving an overview of the linguistic and poetic devices used by Tiwi composers. For the past 16 years Campbell has been working closely with Tiwi song custodians, studying contemporary Tiwi song culture in the context of the maintenance of traditions and the development of new music forms. Their musical collaboration has resulted in public performances, community projects and recordings featuring current senior singers and the voices of the repatriated recordings. For this publication, Elders have enabled the transcription of many song texts and melodies for the first time, shedding light on how generations of Tiwi singers have connected the past with the present in a continuum of knowledge transmission and arts practice.
Author:
Publisher:
ISBN:
Category : Aboriginal Australians
Languages : en
Pages : 496
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Book Description
Author: Eric Venbrux
Publisher: Cambridge University Press
ISBN: 9780521479134
Category : Social Science
Languages : en
Pages : 292
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Book Description
This compelling book is an extended case study of the social and legal ramifications of a homicide in a Tiwi community. The author gives a detailed account of the life of the victim and the events surrounding his murder, and describes the cycle of mortuary and seasonal rituals with their elaborate songs and dances. He also looks at the dramatic changes in Tiwi society over the last 100 years, and examines how the Tiwi have responded to the intervention of Western culture. In many areas, he finds, they have adapted and retained their own value system. Venbrux's account of the investigation and trial following the homicide provides timely and important insights into the issue of Aboriginal People, traditional law and the Australian criminal justice system. Through the strong narrative thread of this book we are presented with an incisive picture of a culture amid conflict and change.
Author: Pat Walsh
Publisher: Kepustakaan populer gramedia
ISBN: 602481206X
Category : Political Science
Languages : en
Pages : 274
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Book Description
In 1999, in a remote corner of the world, something almost miraculous happened. After 500 years of colonialism, the political stars finally aligned and the people of Timor-Leste, written off as losers in the face of irreversible odds, successfully voted for freedom. Twenty years on, Pat Walsh remembers the day like it was yesterday. In this colourful collection of stories about Timor-Leste, he also draws on his many years living in Dili to recall with wry affection the city’s traffic, roosters and a motley array of characters. The latter range from a Norwegian bishop to a cockfight promoter, an Australian called Dagg, a honey seller, a cat with only six lives, a girl called Menahaha, and two intellectual giants whose contributions to their human rights are largely unknown in Timor-Leste. Believing that the past is a friend to lean on, not an enemy, he also takes the opportunity to remind the Indonesian military of their failings. But, in the same vein, he also laments the futile loss of Indonesian lives, the damage to Indonesia’s dignity, and the subversion of the rules-based international order that marked the 24 year occupation. Written with touches of humour, The Day Hope and History Rhymed in East Timor is a personal, insightful, and sometimes whimsical, set of narratives that fills a gap between the academic and the trivial on this endearing, but improbable, new nation.
Author: Amanda Harris
Publisher: Sydney University Press
ISBN: 1743328699
Category : Music
Languages : en
Pages : 203
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Book Description
Music, Dance and the Archive reimagines records of performance cultures from the archive through collaborative and creative research. In this edited volume, Amanda Harris, Linda Barwick and Jakelin Troy bring together performing artists, cultural leaders and interdisciplinary scholars to highlight the limits of archival records of music and dance. Through artistic methods drawn from Indigenous methodologies, dance studies and song practices, the contributors explore modes of re-embodying archival records, renewing song practices, countering colonial narratives and re-presenting performance traditions. The book’s nine chapters are written by song and dance practitioners, curators, music and dance historians, anthropologists, linguists and musicologists, who explore music and dance by Indigenous people from the West, far north and southeast of the Australian continent, and from Aotearoa New Zealand, Taiwan and Turtle Island (North America). Music, Dance and the Archive interrogates historical practices of access to archives by showing how Indigenous performing artists and community members and academic researchers (Indigenous and non-Indigenous) are collaborating to bring life to objects that have been stored in archives. It not only examines colonial archiving practices but also creative and provocative efforts to redefine the role of archives and to bring them into dialogue with contemporary creative work. Through varied contributions the book seeks to destabilise the very definition of “archives” and to imagine the different forms in which cultural knowledge can be held for current and future Indigenous stakeholders. Music, Dance and the Archive highlights the necessity of relationships, Country and creativity in practising song and dance, and in revitalising practices that have gone out of use.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 234
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Book Description
Author: Australian Institute of Aboriginal and Torres Strait Islander Studies
Publisher:
ISBN:
Category : Aboriginal Australians
Languages : en
Pages : 80
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Book Description
Author: Jane C. Goodale
Publisher: Waveland PressInc
ISBN: 9780881337846
Category : Kinship
Languages : en
Pages : 368
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Book Description
Goodale's approach of the Tiwi people is significant in that it is from the perspective of the Tiwi woman as she changes through her life course from birth to the rituals performed after her death.
Author: Natasha Bullock
Publisher:
ISBN: 9781921034800
Category : Art, Australian
Languages : en
Pages :
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Book Description
Author: Diana Wood Conroy
Publisher: Sydney University Press
ISBN: 1743328656
Category : Art
Languages : en
Pages : 368
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Book Description
Tiwi Textiles: Design, Making, Process tells the story of the innovative Tiwi Design centre on Bathurst Island in northern Australia, dedicated to the production of hand-printed fabrics featuring Indigenous designs, from the 1970s to today. Written by early art coordinator Diana Wood Conroy with oral testimony from senior Tiwi artist Bede Tungutalum, who established Tiwi Design in 1969 with fellow designer Giovanni Tipungwuti, the book traces the beginnings of the centre, and its subsequent place in the Tiwi community and Australian Indigenous culture more broadly. Bringing together many voices and images, especially those of little-known older artists of Paru and Wurrumiyanga (formerly Nguiu) on the Tiwi Islands and from the Indigenous literature, Tiwi Textiles features profiles of Tiwi artists, accounts of the development of new design processes, insights into Tiwi culture and language, and personal reflections on the significance of Tiwi Design, which is still proudly operating today. 'Tiwi Textiles is a unique historical document, a formidable vindication of the accomplishments of great Indigenous artists, and an account of a missing chapter in world art history. The book is a wonderful chronicle of a vital and fertile period for Tiwi practice in the emergence of contemporary Indigenous art. But it is also a charter for the future.' — Nicholas Thomas FBA FAHA Director, Museum of Archaeology and Anthropology, University of Cambridge 'Wood Conroy not only writes, intricately and sensitively, a vital history of Tiwi art: she also firms up the place of fibre and textiles practices in Indigenous art and leaves space for us to consider how art history can shift to become more responsive to the lived realities of Indigenous peoples and our non-Indigenous accomplices.' — Tristen Harwood, The Saturday Paper
