Author: Nancy Hurrell
Publisher:
ISBN: 9781846827594
Category : History
Languages : en
Pages : 0
Book Description
In the politically charged era following the 1801 Act of Union, when Ireland's harp symbol was ubiquitous in political imagery, the playable instrument, the Gaelic harp, had largely disappeared. John Egan, a self-taught inventor, conceived a new national instrument, the "Portable Irish Harp," with innovative mechanisms to expand the harp's chromatic capabilities. The template for the modern Irish harp, Egan's design was imitated a century later by several principal harp makers. Antique Egan harps, prized as rare cultural artefacts and art objects, survive in museums and private collections worldwide, and the book's illustrations and a "Catalogue of Egan Harps" are an invaluable resource. This book on Ireland's renowned harp maker, John Egan, and the Egan family firm, reveals the significance of Egan harps in shaping Irish harp history.
The Egan Irish Harps
Author: Nancy Hurrell
Publisher:
ISBN: 9781846827594
Category : History
Languages : en
Pages : 0
Book Description
In the politically charged era following the 1801 Act of Union, when Ireland's harp symbol was ubiquitous in political imagery, the playable instrument, the Gaelic harp, had largely disappeared. John Egan, a self-taught inventor, conceived a new national instrument, the "Portable Irish Harp," with innovative mechanisms to expand the harp's chromatic capabilities. The template for the modern Irish harp, Egan's design was imitated a century later by several principal harp makers. Antique Egan harps, prized as rare cultural artefacts and art objects, survive in museums and private collections worldwide, and the book's illustrations and a "Catalogue of Egan Harps" are an invaluable resource. This book on Ireland's renowned harp maker, John Egan, and the Egan family firm, reveals the significance of Egan harps in shaping Irish harp history.
Publisher:
ISBN: 9781846827594
Category : History
Languages : en
Pages : 0
Book Description
In the politically charged era following the 1801 Act of Union, when Ireland's harp symbol was ubiquitous in political imagery, the playable instrument, the Gaelic harp, had largely disappeared. John Egan, a self-taught inventor, conceived a new national instrument, the "Portable Irish Harp," with innovative mechanisms to expand the harp's chromatic capabilities. The template for the modern Irish harp, Egan's design was imitated a century later by several principal harp makers. Antique Egan harps, prized as rare cultural artefacts and art objects, survive in museums and private collections worldwide, and the book's illustrations and a "Catalogue of Egan Harps" are an invaluable resource. This book on Ireland's renowned harp maker, John Egan, and the Egan family firm, reveals the significance of Egan harps in shaping Irish harp history.
First Harp Book
Author: B. Paret
Publisher: Hal Leonard Publishing Corporation
ISBN: 9780793555239
Category : Music
Languages : en
Pages : 40
Book Description
Harp
Publisher: Hal Leonard Publishing Corporation
ISBN: 9780793555239
Category : Music
Languages : en
Pages : 40
Book Description
Harp
The Paraguayan Harp
Author: Alfredo Colman
Publisher: Music Word Media Group
ISBN: 1937330079
Category : Music
Languages : en
Pages : 176
Book Description
How did a musical instrument transplanted to South America by European missionaries earn the official designation as Paraguay's cultural national symbol?This ethnomusicological and organological study of the Paraguayan diatonic harp in the twentieth century tells its story as an emblematic national musical instrument. First used liturgically by Jesuit missions in colonial times, the transplanted European diatonic harp was transformed and adopted into the folk music vocabulary of Paraguay and the Rio de la Plata region. Following the commercial success of Paraguayan harpist Felix Perez Cardozo in the 1930s in Argentina, the instrument's symbolic value as an icon of social, cultural, and national identity was articulated in local traditions such as popular folk music festivals. It received the designation of arpa paraguaya (Paraguayan harp) and, in 2010, official recognition as simbolo de la cultura nacional (cultural national symbol).The book integrates an account of the historical and musical development of the diatonic harp in Paraguay, an analysis of the musical contributions by harp composers and performers, a survey of the various traditional genres associated with the instrument, and a discussion of the popular and academic settings where the instrument has been cultivated and performed in the twentieth and twenty-first centuries. The author's fieldwork in Paraguay and continuous contact with composers, educators, festival organizers, harp performers, researchers, and festival organizers have provided unique insights into the development of the Paraguayan harp tradition as a cultural icon of the nation.This book will be of interest to a large and varied audience, including scholars and professionals in the fields of musicology and ethnomusicology, Latin American specialists, historians, libraries, harp performers and other musicians, and general readers interested in the history of musical instruments and culture.
Publisher: Music Word Media Group
ISBN: 1937330079
Category : Music
Languages : en
Pages : 176
Book Description
How did a musical instrument transplanted to South America by European missionaries earn the official designation as Paraguay's cultural national symbol?This ethnomusicological and organological study of the Paraguayan diatonic harp in the twentieth century tells its story as an emblematic national musical instrument. First used liturgically by Jesuit missions in colonial times, the transplanted European diatonic harp was transformed and adopted into the folk music vocabulary of Paraguay and the Rio de la Plata region. Following the commercial success of Paraguayan harpist Felix Perez Cardozo in the 1930s in Argentina, the instrument's symbolic value as an icon of social, cultural, and national identity was articulated in local traditions such as popular folk music festivals. It received the designation of arpa paraguaya (Paraguayan harp) and, in 2010, official recognition as simbolo de la cultura nacional (cultural national symbol).The book integrates an account of the historical and musical development of the diatonic harp in Paraguay, an analysis of the musical contributions by harp composers and performers, a survey of the various traditional genres associated with the instrument, and a discussion of the popular and academic settings where the instrument has been cultivated and performed in the twentieth and twenty-first centuries. The author's fieldwork in Paraguay and continuous contact with composers, educators, festival organizers, harp performers, researchers, and festival organizers have provided unique insights into the development of the Paraguayan harp tradition as a cultural icon of the nation.This book will be of interest to a large and varied audience, including scholars and professionals in the fields of musicology and ethnomusicology, Latin American specialists, historians, libraries, harp performers and other musicians, and general readers interested in the history of musical instruments and culture.
A Hidden Ulster
Author: Pádraigín Ní Uallacháin
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 550
Book Description
This book is the first major study of the Gaelic song tradition in an area which was the main center of literature in Leath Chuinn (the northern half of Ireland) from the end of the 17th century to the middle of the 19th century. Written in English, it gives text, source music, and the translation of 54 songs - mainly vision poems, laments, courtly love songs and the songs of the people. The collection includes material from recently discovered music manuscripts, which are reconnected here to their original texts. The catalogue section includes facsimile copies of unpublished dance tunes. As both a researcher and traditional singer, Ní Uallacháin gives a unique insight into her native Gaelic song tradition.
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 550
Book Description
This book is the first major study of the Gaelic song tradition in an area which was the main center of literature in Leath Chuinn (the northern half of Ireland) from the end of the 17th century to the middle of the 19th century. Written in English, it gives text, source music, and the translation of 54 songs - mainly vision poems, laments, courtly love songs and the songs of the people. The collection includes material from recently discovered music manuscripts, which are reconnected here to their original texts. The catalogue section includes facsimile copies of unpublished dance tunes. As both a researcher and traditional singer, Ní Uallacháin gives a unique insight into her native Gaelic song tradition.
The Ancient Music of Ireland
Author: Edward Bunting
Publisher: Courier Corporation
ISBN: 9780486413761
Category : Music
Languages : en
Pages : 254
Book Description
This invaluable collection of Irish song is enriched by a 100-page preface and followed by 151 Irish airs arranged for piano, with songs' Irish names, authors, and dates of composition.
Publisher: Courier Corporation
ISBN: 9780486413761
Category : Music
Languages : en
Pages : 254
Book Description
This invaluable collection of Irish song is enriched by a 100-page preface and followed by 151 Irish airs arranged for piano, with songs' Irish names, authors, and dates of composition.
Nine Sephardic Songs
Author: Samuel Milligan
Publisher: Wings Press
ISBN: 1609404548
Category : History
Languages : en
Pages : 64
Book Description
This is a collection of nine familiar Sephardic folk songs, most dating to the 16th century or earlier, both religious and secular in nature, in attractive arrangements for voice with pedal or lever harp accompaniments of moderate difficulty. Texts are in Ladino, with translations provided. Arranged by a well-known arranger/transcriber, Nine Sephardic Songs is perfect for those preparing voice and harp programs and fills a specific niche in available harp music.
Publisher: Wings Press
ISBN: 1609404548
Category : History
Languages : en
Pages : 64
Book Description
This is a collection of nine familiar Sephardic folk songs, most dating to the 16th century or earlier, both religious and secular in nature, in attractive arrangements for voice with pedal or lever harp accompaniments of moderate difficulty. Texts are in Ladino, with translations provided. Arranged by a well-known arranger/transcriber, Nine Sephardic Songs is perfect for those preparing voice and harp programs and fills a specific niche in available harp music.
The Irish Harp
Author: Joan Rimmer
Publisher:
ISBN:
Category : Fiction
Languages : en
Pages : 98
Book Description
Publisher:
ISBN:
Category : Fiction
Languages : en
Pages : 98
Book Description
American Harpist
Author: Stephanie Curcio
Publisher:
ISBN: 9780578893525
Category :
Languages : en
Pages :
Book Description
Harp culture in America began in the early 1900s in New York City. Stephanie Curcio grew up and studied harp during those times. She shares her experiences as well as her contributions to the world of harp. She also provides insights into growing a career, teaching/pedagogy, ensemble/orchestral work, competitions, various styles, composing, notation, copyright and music publishing.
Publisher:
ISBN: 9780578893525
Category :
Languages : en
Pages :
Book Description
Harp culture in America began in the early 1900s in New York City. Stephanie Curcio grew up and studied harp during those times. She shares her experiences as well as her contributions to the world of harp. She also provides insights into growing a career, teaching/pedagogy, ensemble/orchestral work, competitions, various styles, composing, notation, copyright and music publishing.
The Secret Music at Tordesillas
Author: Marjorie Sandor
Publisher: Hidden River
ISBN: 9780999491539
Category : History
Languages : en
Pages : 256
Book Description
It is April, 1555, and Juana I of Castile, the Spanish queen known as "la loca," has died after forty-seven years in forced seclusion at Tordesillas. Her last musician, Juan de Granada, refuses to depart with the other servants, forcing two functionaries of the Holy Office of the Inquisition to interrogate him in the now-empty palace. But is it really empty? Or is there, as Holy Office suspects, a heretic hidden on the premises, a converso secretly practicing the forbidden rites of Judaism? Only Juan knows the answer, and his subversive tale is at once a ballad of lost love and a last gambit to save a life--and a rich cultural and spiritual tradition on the verge of erasure. "Radiant, passionate, deeply intelligent and intensely moving, this brilliant novel brings alive a place and time surprisingly resonant with our own. Love and music burn like a laser through these glorious pages." -Andrea Barrett "In The Secret Music of Tordesillas, the fabulously gifted Marjorie Sandor tells the absorbing story of a Jewish musician and his queen, both living precarious lives in the tumultuous world of the Spanish Inquisition. Sandor's lustrous prose resonates like the music she so eloquently describes and her characters are exquisitely complicated. Reading these gorgeous pages, I felt that I too had taken up residence in some castle full of dark corners." -Margot Livesey "An historical novel of striking imagination and lyricism, this sly tale of sixteenth-century Spain, with its secrets and masks involving the interrelationships of Catholics, Muslims and Jews, has an uncanny bearing on our own country's diversity tensions. It is a pleasure to have another of Marjorie Sandor's delicious fictions: she is writing at the top of her form." -Phillip Lopate "I found Marjorie Sandor's The Secret Music at Tordesillas irresistible, as appealing for its grand romantic adventure as it is for its clear-eyed exploration of culture, tradition, and identity. Its narrative-replete with hidden Jews, palace intrigue, a captive queen, a hopeless love-is rendered in a prose as intoxicating as the ancient music that informs it. This is history in the form of a haunting song." -Steve Stern
Publisher: Hidden River
ISBN: 9780999491539
Category : History
Languages : en
Pages : 256
Book Description
It is April, 1555, and Juana I of Castile, the Spanish queen known as "la loca," has died after forty-seven years in forced seclusion at Tordesillas. Her last musician, Juan de Granada, refuses to depart with the other servants, forcing two functionaries of the Holy Office of the Inquisition to interrogate him in the now-empty palace. But is it really empty? Or is there, as Holy Office suspects, a heretic hidden on the premises, a converso secretly practicing the forbidden rites of Judaism? Only Juan knows the answer, and his subversive tale is at once a ballad of lost love and a last gambit to save a life--and a rich cultural and spiritual tradition on the verge of erasure. "Radiant, passionate, deeply intelligent and intensely moving, this brilliant novel brings alive a place and time surprisingly resonant with our own. Love and music burn like a laser through these glorious pages." -Andrea Barrett "In The Secret Music of Tordesillas, the fabulously gifted Marjorie Sandor tells the absorbing story of a Jewish musician and his queen, both living precarious lives in the tumultuous world of the Spanish Inquisition. Sandor's lustrous prose resonates like the music she so eloquently describes and her characters are exquisitely complicated. Reading these gorgeous pages, I felt that I too had taken up residence in some castle full of dark corners." -Margot Livesey "An historical novel of striking imagination and lyricism, this sly tale of sixteenth-century Spain, with its secrets and masks involving the interrelationships of Catholics, Muslims and Jews, has an uncanny bearing on our own country's diversity tensions. It is a pleasure to have another of Marjorie Sandor's delicious fictions: she is writing at the top of her form." -Phillip Lopate "I found Marjorie Sandor's The Secret Music at Tordesillas irresistible, as appealing for its grand romantic adventure as it is for its clear-eyed exploration of culture, tradition, and identity. Its narrative-replete with hidden Jews, palace intrigue, a captive queen, a hopeless love-is rendered in a prose as intoxicating as the ancient music that informs it. This is history in the form of a haunting song." -Steve Stern
The History of the Erard Piano and Harp in Letters and Documents, 1785–1959
Author: Robert Adelson
Publisher: Cambridge University Press
ISBN: 1316407330
Category : Music
Languages : en
Pages : 2489
Book Description
Sébastien Erard and the firm that carried his name are seminal in the history of musical instruments. Erard's inventions - especially the double escapement for the piano and the double-action for the harp - have had an enormous impact on instruments and musical life and are still at the foundation of piano and harp building today. The recently discovered archives of the Erard piano and harp building firm are perhaps the largest and most complete record of musical instrument making anywhere, containing never-before-published correspondence from musicians including Mendelssohn, Liszt and Fauré. These volumes present the archive's records and documents in two parts, the first relating to inventions, business, composers and performers and the second to the Erard family correspondence. In both the original French and with English translations, the documents offer fascinating insights into the musical landscape of Europe from the start of Erard's career in 1785 to the closure of the firm in 1959.
Publisher: Cambridge University Press
ISBN: 1316407330
Category : Music
Languages : en
Pages : 2489
Book Description
Sébastien Erard and the firm that carried his name are seminal in the history of musical instruments. Erard's inventions - especially the double escapement for the piano and the double-action for the harp - have had an enormous impact on instruments and musical life and are still at the foundation of piano and harp building today. The recently discovered archives of the Erard piano and harp building firm are perhaps the largest and most complete record of musical instrument making anywhere, containing never-before-published correspondence from musicians including Mendelssohn, Liszt and Fauré. These volumes present the archive's records and documents in two parts, the first relating to inventions, business, composers and performers and the second to the Erard family correspondence. In both the original French and with English translations, the documents offer fascinating insights into the musical landscape of Europe from the start of Erard's career in 1785 to the closure of the firm in 1959.